2016 Annual Meeting Dress Guidelines Western USA Lieutenancy

Total Page:16

File Type:pdf, Size:1020Kb

2016 Annual Meeting Dress Guidelines Western USA Lieutenancy 2016 Annual Meeting Dress Guidelines Western USA Lieutenancy DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy THURSDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Year of Mercy Pilgrimage Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy FRIDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Church Church Church Church Appropriate Vigil Retreats Clericals Appropriate attire Appropriate attire Appropriate attire attire Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SATURDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Dark Suit, White Dark Dress Dark Dress Dark Dress Shirt, Tie Dark Suit Dark Suit Alb Alb (NO jacket or Suit or Suit or Suit under Cape) Promotions & Cape Cape Stole of the Stole Memorial Mass (No Decorations) (No Decorations) Order Beret (Badge worn Mantilla to the right) White Gloves Black Gloves Black Shoes Black Shoes Black Shoes Black Shoes DRESS CODE INFORMATION Gentlemen Gentlemen Clergy Knights Ladies Lady Investees Lady Guests Clergy SUNDAY Investees Guests Investees Hotel Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 Resort Casual1 2 White Tie 2 White Tie 3 4 Dark Dress (NO tailcoat Dark Suit Sunday Dress Investiture Dress Alb Alb (Tailcoat Required) or Suit under Cape) Cape Cape Stole of the Cape (Folded over left arm Cape (folded over left arm with Stole of the Order (Neck Decorations) with Jerusalem Cross (Neck Decorations) Jerusalem Cross Order (Carried over left arm) showing) showing) Beret Beret (Badge worn (Carried in the left Mantilla Mantilla Investiture Mass to the right) hand) Short Black Gloves Short Black Gloves with with Long-sleeved Long-sleeved gown; OR White Gloves White Gloves gown; OR Long Long Black Gloves with Black Gloves with Short-sleeved gown Short-sleeved gown Black Formal Black Formal Black Shoes Black Shoes Shoes Shoes Clerical Suit or Clerical Suit or White Tie2 White Tie2 White Tie2 Formal Gown5 Formal Gown5 Formal Gown5 Habit Habit Grand Ball Decorations as Decorations as Decorations as Decorations as Decorations as Decorations as appropriate appropriate appropriate appropriate appropriate appropriate Dress Code Guide Resort Casual1 Dressy Casual Sunday Dress3 Dark Dress/Suit or Pantsuit No jeans or shorts No bare shoulders Collared Shirt Modest neckline White Tie2 Black Tailcoat/Black Formal Pants Investiture Dress4 Black Tea length or Floor Length Dress White Pique Bow Tie *No bare shoulders or back/Modest neckline White Pique Vest *Short Black Gloves w/Long-sleeve Dress OR White Formal Shirt (with Pique front) Long Black Gloves w/Short-sleeve Dress *Dresses must be comfortable enough to sit, stand, kneel *KGCHS - Sash worn UNDER vest *Dresses must fit under cape so cape hangs straight Black Shoes Military (Active or Retired) Full Dress Uniform of Service Military (Active or Retired) Formal Gown5 Floor-length Evening Gown Full Dress Uniform of Service *No bare shoulders or back/Modest neckline.
Recommended publications
  • Evening Gown Sewing Supplies Embroidering on Lightweight Silk Satin
    Evening Gown Sewing supplies Embroidering on lightweight silk satin The deLuxe Stitch System™ improves the correct balance • HUSQVARNA VIKING® DESIGNER DIAMOND between needle thread and bobbin thread. Thanks to the deLuxe™ sewing and embroidery machine deLuxe Stitch System™ you can now easily embroider • HUSQVARNA VIKING® HUSKYLOCK™ overlock with different kinds of threads in the same design. machine. • Use an Inspira® embroidery needle, size 75 • Pattern for your favourite strap dress. • Turquoise sand-washed silk satin. • Always test your embroidery on scraps of the actual fabric with the stabilizer and threads you will be using • Dark turquoise fabric for applique. before starting your project. • DESIGNER DIAMOND deLuxe™ sewing and • Hoop the fabric with tear-away stabilizer underneath embroidery machine Sampler Designs #1, 2, 3, 4, 5. and if the fabric needs more support use two layers of • HUSQVARNA VIKING® DESIGNER™ Royal Hoop tear-away stabilizer underneath the fabric. 360 x 200, #412 94 45-01 • Endless Embroidery Hoop 180 x 100, #920 051 096 Embroider and Sew • Inspira® Embroidery Needle, size 75 • To insure a good fit, first sew the dress in muslin or • Inspira® Tear-A-Way Stabilizer another similar fabric and make the changes before • Water-Soluble Stabilizer you start to cut and sew in the fashion fabric for the dress. • Various blue embroidery thread Rayon 40 wt • Sulky® Sliver thread • For the bodice front and back pieces you need to embroider the fabric before cutting the pieces. Trace • Metallic thread out the pattern pieces on the fabric so you will know how much area to fill with embroidery design #1.
    [Show full text]
  • Evening Gown Quilt Mystique
    Evening Gown FREE PROJECT SHEET • 888.768.8454 • 468 West Universal Circle Sandy, UT 84070 • www.rileyblakedesigns.com FINISHED QUILT SIZE 56” x 60” Border 1 Measurements include ¼” seam allowance. Cut 5 strips 5½” x WOF from black main Sew with right sides together unless otherwise stated. Border 2 Please check our website www.rileyblakedesigns.com for any Cut 6 strips 3½” x WOF from gray dot revisions before starting this project. This pattern requires a basic knowledge of quilting technique and terminology. QUILT ASSEMBLY Refer to quilt photo for placement of strips. FABRIC REQUIREMENTS 1 yard (90 cm) black main (C3080 Black) Evening Gown Strips ¼ yard (20 cm) white main (C3080 White) Cut each strip 40½” wide. Sew strips together in the following 1/8 yard (10 cm) gray damask (C3081 Gray) order: gray petal, white flower, white dot, white main, black ¼ yard (20 cm) gray flower (C3082 Gray) stripe, white petal, and gray flower. ¼ yard (20 cm) white flower (C3082 White) 1/2 yard (40 cm) gray petal (C3083 Gray) Flower Appliqué ¼ yard (20 cm) white petal (C3083 White) Use your favorite method of appliqué. Refer to quilt photo for 5/8 yard (50 cm) gray dot (C3084 Gray) placement of large, medium, and small flowers and centers. ¼ yard (20 cm) white dot (C3084 White) ¼ yard (20 cm) black stripe (C3085 Black) Borders 1/8 yard (10 cm) clean white solid (C100-01 Clean White) Seam allowances vary so measure through the center of the 1/2 yard (40 cm) slate shade (C200-10 Slate) quilt before cutting border pieces.
    [Show full text]
  • Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
    Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern
    [Show full text]
  • Fromcelebration Tocelebration
    FromCelebration toCelebration Dress Code for Academic Events This guide introduces the dress code for academic events and festivities at Lappeenranta University of Technology. These festivities include the public defence of a dissertation, the post-doctoral karonkka banquet, and the conferment. Lappeenranta University of Technology was established in 1969 and, compared to many other universities, does not have long-standing traditions in academic festivities and especially doctoral conferment ceremonies. The following dress code should be observed at academic events at Lappeenranta University of Technology to establish in-house traditions. The instructions may, in some respects, differ from those of other universities. For instance with regard to colours worn by women, these instructions do not follow strict academic etiquette. 2 Contents Public Defence of a Dissertation 4 Conferment Ceremony 5 Dark Suit 6 Dark Suit, Accessories 8 Womens Semi-Formal Daytime Attire 10 White Tie 12 White Tie, Accessories 14 Womens Dark Suit, Doctoral Candidate 16 Womens Formal Daytime Attire, Doctor 18 Formal Evening Gown 20 Men's Informal Suit 22 Womens Informal Suit 24 Decorations 26 Doctoral Hat 28 Marshals 30 3 Public Defence of a Dissertation, Karonkka Banquet PUBLIC DEFENCE KARONKKA DOCTORAL CANDIDATE, White tie and tails, black vest White tie and tails, white vest if MALE (dark suit). ladies present (dark suit). Doctors: OPPONENT, doctoral hat. MALE CUSTOS, MALE p.12 p.12 DOCTORAL CANDIDATE, Womens dark suit, Formal evening gown, black. FEMALE high neckline, long sleeves, Doctors: doctoral hat. OPPONENT, suit with short skirt or trousers. FEMALE Opponent and custos: with CUSTOS, decorations. FEMALE p.16 p.20 CANDIDATES COMPANION, Semi-formal daytime attire, Formal evening gown, black.
    [Show full text]
  • A Brief History of the Evolution of Operating Room Attire
    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 1 From formalwear and frocks to scrubs and gowns: A brief history of the evolution of operating room attire AUTHORS Jessica L. Buicko, MD1 Michael A. Lopez, DO1 Miguel A. Lopez-Viego, MD, FACS1 1Department of Surgery, University of Miami-JFK Medical Center, Atlantis, FL CORRESPONDING AUTHOR Jessica L. Buicko 225 NE 1st St #209 Delray Beach, FL 33444 518-229-7711 [email protected] ©2016 by the American College of Surgeons. All rights reserved. CC2016 Poster Competition • From formal wear and frocks to scrubs and gowns • 6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 Most of the knowledge of the history of surgical Introduction attire is derived from drawings, paintings and Stroll into any operating room and you will find surgeons anecdotal reports. Although conventional adorned in various shades of blues and greens along with their today, “scrubs” were not routinely worn until masks, scrub hats, and surgical gowns. The surgical attire that has become commonplace throughout operating rooms around the mid-20th century. In the 19th century, it the world, has only been around for less than a century. would be commonplace for a surgeon to shrug off his suit jacket, roll up his sleeves, throw on A brief surgical timeline a frock or apron, and begin operating. Over the Prior to 19th century - Surgeons performed operations in their years, surgical garb continues to evolve to make street clothes with the only concessions being the removal of procedures safer for both the patient and the coats and rolling-up of shirt-sleeves during bloody procedures.
    [Show full text]
  • Results and Discussion 83 RESULTS and DISCUSSION the Interest That Indian Women Showed in Ornamentation and Aesthetic Expression
    Results and Discussion RESULTS AND DISCUSSION The interest that Indian women showed in ornamentation and aesthetic expression through their costumes has been documented well. It is pertinent to understand the messages that they conveyed through their sartorial preferences which is documented in various forms sculptures, scriptures, literature, paintings, costume archives, cinema, media –advertisements and magazines etcetera. Each community and ethnic group maintained unique characteristics, which become symbols of recognition and identification and served to establish their cultural affiliation. Central to this was the Indian woman who was the symbol of patriarchal society. She combined both the functions of being the nurturer and protector of her household and cultural ethos of the society. The woman was as important part as the man; of the Indian society, which embraced both the indoor and outdoor roles within the social- cultural paradigms of the community. The span of evolution of Indian women’s costume, especially the draped version, the sari has undergone immense changes, however to interpret the semiology of the era bygone is rather complex; as one can attempt to understand and decode the tacit meaning through the lens of current observation only. Since the people who shared the ancient set of rules or code for contextual reading that enables us to connect the signifier with the signified are not present, this will prove to be delimiting. The Indian fashion scene began receiving its due credibility and attention from 1980’s onwards and gained the industry recognition in 21st century: hence this research focuses on new millennium to understand the Indian Fashion System.
    [Show full text]
  • A Plantation Family Wardrobe, 1825 - 1835
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2010 A Plantation Family Wardrobe, 1825 - 1835 Jennifer Lappas Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2299 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. 1 The Carter Family Shirley Plantation claims the rightful spot as Virginia’s first plantation and the oldest family-run business in North America. It began as a royal land grant given to Sir Thomas West and his wife Lady Cessalye Shirley in 1613 and developed into the existing estate one can currently visit by 1725. The present day estate consists of the mansion itself and ten additional buildings set along a Queen Anne forecourt. These buildings include a Root Cellar, Pump House, two-story Plantation Kitchen, two story Laundry, Smokehouse, Storehouse with an Ice House below, a second Storehouse for grain, Brick Stable, Log Barn and Pigeon House or Dovecote. At one time the Great House was augmented by a North and a South Flanker: they were two free standing wings, 60 feet long and 24 feet wide and provided accommodations for visitors and guests. The North Flanker burned and its barrel-vaulted basement was converted into a root cellar and the South Flanker was torn down in 1868.
    [Show full text]
  • JICMS Uniform Dress Code
    JICMS Uniform Dress Code Approved Uniform Items The following items have been selected as the acceptable uniforms for students at JICMS. All items may be worn year-round as appropriate. Acceptable uniform items may be purchased from various stores such as French Toast, Old Navy, and Land’s End. Please contact the middle school administration for clarification before purchasing uniform items. ACCEPTABLE TOPS: UNACCEPTABLE TOPS: -POLOS -POLOS o Solid in color o Form-fitting or see through tops o White polo with undershirt/tank top o Button down dress shirts o Loose fitting, modest in cut and style o Stripes, prints, or other designs o Must have functional buttons up to the collar o Sleeves that extend past the wrist o Logos or emblems that are smaller than the size o Black polo in combination with black pants except of a quarter when band students need to dress up o Only have the top button undone o Thumb holes o Long or short sleeved o Pockets o Must be tucked in at all times -SWEATERS AND SWEATSHIRTS -SWEATERS AND SWEATSHIRTS o Sweaters, sweater vests, and sweatshirts worn o Hoodies, of any kind over tucked in polos o Ponchos, fleece, or fleece-type materials o Uniform style sweaters or sweater vests that are o Stripes, prints, or other designs solid navy blue, gray, or white in color o Wearing sweaters/sweatshirts backwards, just over o JICMS school sweatshirts-navy blue or gray the arms, or tied around the waist o Solid plain navy blue or gray sweatshirts o Sleeves that extend past the wrist o Must come to hip level and worn properly
    [Show full text]
  • Price List Best Cleaners 03-18.Xlsx
    Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket………………………………
    [Show full text]
  • Things to Remember While Choosing Designer Evening Dresses
    Jul 28, 2011 15:36 IST Things to Remember While Choosing Designer Evening Dresses Evening dresses are formal dresses worn by women for special events like formal dinner, wedding receptions or cocktail parties. True to the name these dresses are only worn during evening and are not suited for day times. Designer evening dresses offer exquisite patterns and trends and are available in a range of materials like satin, silk, velvet, chiffon and georgette among others. Some of the common varieties include ball gowns, which are formal wear and are best worn with flashy jewelry. One of the most formal evening dresses include the Ball gowns, which are richly ornate, highly priced and are suitable for elegant functions. Another variety of the ball gown is the A-line dress, which has a bell-shaped bottom and a form fitting bodice and is less ornate than a ball gown. The straight cut sans any pleats accentuates a svelte figure. There are shorter dresses including cocktail dresses which are used for dinner parties or night dance. Trumpet gown is another pretty evening dress which has broad pleats towards the bottom of the gown. The form fitting bodice ensures an elegant contour and enhances the natural curves of the female frames. Another example for an evening dress include a mermaid dress, which has a trail behind the gown and a tight fitting cut Designer evening dresses are typically embellished with beads, jewels and precious stones to enhance its rich feel. In many fashion boutiques, separate sections for evening dresses can be seen which will have a good selection of evening wear of various types.
    [Show full text]
  • Dukal Personal Protective Equipment
    Personal Protective Equipment Products that provide protection for healthcare professionals working in infectious conditions. Table of Contents Gowns Isolation Gowns .....................................................................................6 Poly Coated Gowns ............................................................................7 Multi-Layer Gowns ..............................................................................8 CPE Gowns ...............................................................................................10 AAMI Level 1 Gowns ............................................................................12 AAMI Level 2 Gowns ...........................................................................14 Disposable Scrubs and Coveralls CoversoftTM Disposable Apparel ................................................18 Disposable Scrub Wear ...................................................................19 Disposable Coveralls .........................................................................20 Headwear Enhancing family & Bouffant Caps .........................................................................................21 Surgeon Caps ..........................................................................................22 community health Beard Covers ...........................................................................................23 Footwear Shoe Covers .............................................................................................24 is the way to a Boot Covers
    [Show full text]
  • Black Tie by Ar Gurney
    Black Tie.qxd 5/16/2011 2:36 PM Page i BLACK TIE BY A.R. GURNEY ★ ★ DRAMATISTS PLAY SERVICE INC. Black Tie.qxd 5/16/2011 2:36 PM Page 2 BLACK TIE Copyright © 2011, A.R. Gurney All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of BLACK TIE is subject to payment of a royalty. It is fully protected under the copy- right laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copy- right relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, tel- evision, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval sys- tems, photocopying, and the rights of translation into foreign languages are strict- ly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for BLACK TIE are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee.
    [Show full text]