Evening Gown Quilt Mystique

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Evening Gown FREE PROJECT SHEET • 888.768.8454 • 468 West Universal Circle Sandy, UT 84070 • www.rileyblakedesigns.com FINISHED QUILT SIZE 56” x 60” Border 1 Measurements include ¼” seam allowance. Cut 5 strips 5½” x WOF from black main Sew with right sides together unless otherwise stated. Border 2 Please check our website www.rileyblakedesigns.com for any Cut 6 strips 3½” x WOF from gray dot revisions before starting this project. This pattern requires a basic knowledge of quilting technique and terminology. QUILT ASSEMBLY Refer to quilt photo for placement of strips. FABRIC REQUIREMENTS 1 yard (90 cm) black main (C3080 Black) Evening Gown Strips ¼ yard (20 cm) white main (C3080 White) Cut each strip 40½” wide. Sew strips together in the following 1/8 yard (10 cm) gray damask (C3081 Gray) order: gray petal, white flower, white dot, white main, black ¼ yard (20 cm) gray flower (C3082 Gray) stripe, white petal, and gray flower. ¼ yard (20 cm) white flower (C3082 White) 1/2 yard (40 cm) gray petal (C3083 Gray) Flower Appliqué ¼ yard (20 cm) white petal (C3083 White) Use your favorite method of appliqué. Refer to quilt photo for 5/8 yard (50 cm) gray dot (C3084 Gray) placement of large, medium, and small flowers and centers. ¼ yard (20 cm) white dot (C3084 White) ¼ yard (20 cm) black stripe (C3085 Black) Borders 1/8 yard (10 cm) clean white solid (C100-01 Clean White) Seam allowances vary so measure through the center of the 1/2 yard (40 cm) slate shade (C200-10 Slate) quilt before cutting border pieces. 1/8 yard (10 cm) phantom shade (C200-18 Phantom) Binding 5/8 yard (50 cm) Border 1 Backing 3½ yards (3.2 m) Side borders should be 44½”. Top and bottom borders should be 50½”. CUTTING REQUIREMENTS Please read instructions first before cutting. Seam allowances Border 2 vary so measure through the center of the quilt before cutting Side borders should be 54½”. Top and bottom borders should border pieces. be 56½”. Evening Gown Strips Finish quilt by layering the quilt top, batting, and back. Bind Cut 1 strip 4½” x WOF from white dot with your favorite Riley Blake fabric from the Mystique Cut 1 strip 4½” x WOF from white petal Collection. Have fun with your colors and enjoy the journey Cut 1 strip 6½” x WOF from white flower of making your quilt. Cut 1 strip 6½” x WOF from black stripe Cut 1 strip 8½” x WOF from gray petal Cut 1 strip 8½” x WOF from white main Cut 1 strip 8½” x WOF from gray flower Flower Appliqué Using the templates provided, cut 1 large flower, 1 medium flower, 1 small flower, 1 large center, 1 medium center, and 1 small center from assorted prints. Add a ¼” seam allowance if necessary for your favorite method of appliqué. Place on Fold Place on Fold ©2012 Riley Blake Designs and Lila Tueller Designs. Quilt Design by Jina Barney..

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Evening Gown Sewing Supplies Embroidering on Lightweight Silk Satin
Evening Gown Sewing supplies Embroidering on lightweight silk satin The deLuxe Stitch System™ improves the correct balance • HUSQVARNA VIKING® DESIGNER DIAMOND between needle thread and bobbin thread. Thanks to the deLuxe™ sewing and embroidery machine deLuxe Stitch System™ you can now easily embroider • HUSQVARNA VIKING® HUSKYLOCK™ overlock with different kinds of threads in the same design. machine. • Use an Inspira® embroidery needle, size 75 • Pattern for your favourite strap dress. • Turquoise sand-washed silk satin. • Always test your embroidery on scraps of the actual fabric with the stabilizer and threads you will be using • Dark turquoise fabric for applique. before starting your project. • DESIGNER DIAMOND deLuxe™ sewing and • Hoop the fabric with tear-away stabilizer underneath embroidery machine Sampler Designs #1, 2, 3, 4, 5. and if the fabric needs more support use two layers of • HUSQVARNA VIKING® DESIGNER™ Royal Hoop tear-away stabilizer underneath the fabric. 360 x 200, #412 94 45-01 • Endless Embroidery Hoop 180 x 100, #920 051 096 Embroider and Sew • Inspira® Embroidery Needle, size 75 • To insure a good fit, first sew the dress in muslin or • Inspira® Tear-A-Way Stabilizer another similar fabric and make the changes before • Water-Soluble Stabilizer you start to cut and sew in the fashion fabric for the dress. • Various blue embroidery thread Rayon 40 wt • Sulky® Sliver thread • For the bodice front and back pieces you need to embroider the fabric before cutting the pieces. Trace • Metallic thread out the pattern pieces on the fabric so you will know how much area to fill with embroidery design #1.
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& What to Wear
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Bare Witness
are • THE METROPOLITAN MUSEUM OF ART "This is a backless age and there is no single smarter sunburn gesture than to hm'c every low-backed cos tume cut on exactly the same lines, so that each one makes a perfect frame for a smooth brown back." British Vogue, July 1929 "iVladame du V. , a French lady, appeared in public in a dress entirely a Ia guil lotine. That is to say ... covered with a slight transparent gauze; the breasts entirely bare, as well as the arms up as high as the shoulders.... " Gemleman's A·1agazine, 1801 "Silk stockings made short skirts wearable." Fortune, January 1932 "In Defence ofSh** ld*rs" Punch, 1920s "Sweet hem·ting matches arc very often made up at these parties. It's quite disgusting to a modest eye to see the way the young ladies dress to attract the notice of the gentlemen. They are nearly naked to the waist, only just a little bit of dress hanging on the shoulder, the breasts are quite exposed except a little bit coming up to hide the nipples." \ Villiam Taylor, 1837 "The greatest provocation oflust comes from our apparel." Robert Burton, Anatomy ofi\Jelancholy, 1651 "The fashionable woman has long legs and aristocratic ankles but no knees. She has thin, veiled arms and fluttering hands but no elbows." Kennedy Fraser, The Fashionahlc 1VIind, 1981 "A lady's leg is a dangerous sight, in whatever colour it appears; but, when it is enclosed in white, it makes an irresistible attack upon us." The Unil'ersol !:lpectator, 1737 "'Miladi' very handsome woman, but she and all the women were dccollctees in a beastly fashion-damn the aristocratic standard of fashion; nothing will ever make me think it right or decent that I should see a lady's armpit flesh-folds when I am speaking to her." Georges Du ~ - laurier, 1862 "I would need the pen of Carlyle to describe adequately the sensa tion caused by the young lady who first tr.od the streets of New York in a skirt ..
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Volume 18 Article 8 Number 6 The Iowa Homemaker vol.18, no.6 1938 Sally Suggests Wardrobe Resolutions Barbara Field Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Field, Barbara (1938) "Sally Suggests Wardrobe Resolutions," The Iowa Homemaker: Vol. 18 : No. 6 , Article 8. Available at: http://lib.dr.iastate.edu/homemaker/vol18/iss6/8 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Sally suggests Wardrobe Resolutions by Barbf!ra Field EW YEAR, new styles, new clot~es N new colors--Be a new person w1th the new year-a chic Miss 1939. Write down your resolutions or say them to yourself, but be firm. Enjoy winter sports! is resolu tion number one. Enjoy them twice as much because you know you can look attractive and still be warmly dressed. Functionalism is now as important in our clothing as in our household fumishings. One piece flannel skating dresses in pastels and whites rival the up to the minute two piece skating suits. There are oodles of practical sweaters and skirts that look well and are protective from the winter weather. Knitted peaked caps tie under the chin The crisp taffeta evening gown with date back to the popular Victorian keeping a great portion of the head bursts of fullness from tucks and gathers brooches.
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Evening Gowns and Canadian Designer Ruth Dukas
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1 a Hidden History Phdr. Konstantina Hlaváčková Curator, Museum of Decorative Arts, Prague, Czech Republic Abstract: the Text
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