Books Received
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Books Received: EDITIONS AND TRANSLATIONS: Baspoole, William. The Pilgrime. Medieval and Renaissance Texts and Studies 337. Ed. Kathryn Walls. Tempe: Arizona Center for Medieval and Renaissance Studies, 2008. xxiv + 558 pp. index. illus. gloss. bibl. $70. ISBN: 978–0–86698–385–3. Burkhead, Henry. A Tragedy of Cola’s Furie, or Lirenda’s Miserie. The Literature of Early Modern Ireland. Ed. Angelina Lynch. Dublin: Four Courts Press, 2009. 118 pp. append. $39.95. ISBN: 978–1–84682–108–0. de Quevedo, Francisco. Selected Poetry of Francisco de Quevedo: A Bilingual Edition. Ed. Christopher D. Johnson. Chicago: The University of Chicago Press, 2009. xiii + 226 pp. index. illus. bibl. $45. ISBN: 978–0–226–69889–2. de Rojas, Fernando. Celestina. Margellos World Republic of Letters. Ed. Roberto González Echevarría. Trans. Margaret Peden Sayers. New Haven: Yale University Press, 2009. xxviii + 250 pp. bibl. $22. ISBN: 978–0–300–14198–6. de Sainct-Didier, Henry. The Single Sword of Henry de Sainct-Didier: (Traicté contenant les secrets du premier livre sur l’espée seule). Trans. Robert Preston Hyatt. Boulder: Paladin Press, 2009. xiii + 189 pp. append. illus. $29.95. ISBN: 978–1–58160–704–8. de Zayas y Sotomayor, María. Exemplary Tales of Love and Tales of Disillusion. The Other Voice in Early Modern Europe. Ed. Margaret R. Greer and Elizabeth Rhodes. Chicago: The University of Chicago Press, 2009. xxvii + 364 pp. index. append. illus. tbls. map. gloss. bibl. $25. ISBN: 978–0–226–76865–6. Dolet, Étienne. Carmina (1538). Travaux d’Humanisme et Renaissance 455. Ed. Catherine Langlois-Pézeret. Geneva: Librairie Droz S.A., 2009. 670 pp. index. append. bibl. €113.85. ISBN: 978–2–600–01267–6. Ebreo, Leone. Dialogues of Love. The Lorenzo da Ponte Italian Library. Ed. Rossella Pescatori. Trans. Damian Bacich and Rossella Pescatori. Toronto: University of Toronto Press, 2009. xiv + 440 pp. index. append. bibl. $85. ISBN: 978–0–8020–9910–5. Godwin, Francis. The Man in the Moone. Ed. William Poole. Peterborough: Broadview Press, 2009. 176 pp. append. bibl. $17.95. ISBN: 978–1–55111–896–3. Granchi, Ranieri. De Preliis Tuscie. Il Ritorno dei Classici nell’Umanesimo IV, Edizione Nationale dei Testi della Storiografia Umanistica 4. Ed. Michela Diana. Firenze: SISMEL Edizioni del Galluzzo, 2008. xxxii + 391 pp. index. illus. bibl. €67. ISBN: 978–88–8450–290–2. Heale, Martin, ed. and trans. Monasticism in Late Medieval England, c. 1300–1535. Manchester Medieval Sources. Manchester: Manchester University Press, 2009. xiv + 248 pp. index. bibl. $29.95. ISBN: 978–0–7190–7175–1. Kilroy, Gerard. The Epigrams of Sir John Harington. Farnham: Ashgate Publishing Company, 2009. xiv + 348 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6002–6. Matraini, Chiara. Who is Mary?: Three Early Modern Women on the Idea of the Virgin Mary. The Other Voice in Early Modern Europe. Ed. Susan B. Haskins. Chicago: The University of Chicago Press, 2009. xxviii + 280 pp. index. append. illus. bibl. $25. ISBN: 978–0–226–11400–2. Thompson, Peter E., trans. The Outrageous Juan Rana Entremeses: A Bilingual and Annotated Selection of Plays Written for this Spanish Golden Age Gracioso. Toronto: University of Toronto Press, 2009. x + 306 pp. index. bibl. $65. ISBN: 978–0–8020–9363–9. BIBLIOGRAPHY AND REFERENCE: Burke, Peter. Popular Culture in Early Modern Europe. 3rd ed. Burlington: Ashgate Publishing Company, 2009. vii + 456 pp. index. illus. bibl. $39.95. ISBN: 978–0–7546–6507–6. Flatman, Joe. Ships and Shipping in Medieval Manuscripts. British Library. Chicago: The University of Chicago Press, 2009. 160 pp. index. illus. gloss. $55. ISBN: 978–0–7123–4960–4. Gerbino, Anthony, and Stephen Johnston. Compass and Rule: Architecture as Mathematical Practice in England. Exhib. Cat. New Haven: Yale University Press, 2009. 208 pp. index. illus. bibl. $65. ISBN: 978–0–300–15093–3. Imber, Colin. The Ottoman Empire, 1300–1650: The Structure of Power. 2nd ed. New York: Palgrave Macmillan, 2009. xiii + 428 pp. index. map. gloss. chron. bibl. $28.95. ISBN: 978–0–230–57451–9. Mack, Charles R. European Art in the Columbia Museum of Art, Including the Samuel H. Kress Collection: Volume 1, The Thirteenth through the Sixteenth Century. Columbia: University of South Carolina Press, 2009. xiv + 321 pp. index. append. illus. gloss. $29.95. ISBN: 978–1–57003–806–8. Nishimura, Margot M. Images in the Margins. Los Angeles: The J. Paul Getty Museum, 2009. 96 pp. illus. $19.95. ISBN: 978–0–89236–982–9. COLLECTIONS AND STUDIES: Agapiou, Natalia, ed. Anagnorismos: Studi in onore di Hermann Walter per i 75 anni. Turnhout: Brepols Publishers, 2009. 463 pp. illus. tbls. bibl. €47.17. ISBN: 978–2–930414–28–7. Includes: Natalia Agapiou, “Hermann Walter”; Marco Ballarini, “La figura della passione nel capolavoro del Pulci: Astolfo, Morgante e Orlando”; Yvonne Bellenger, “Montaigne et l’Allemagne”; Ferruccio Bertini, “Ancora sugli ‘Amores’ di Ovidio”; Sandro Boldrini, “Il lupo e l’agnello. Il tempo dell’incontro”; Franco Buzzi, “Como illustre. I due Plinio nei tre Giovio”; Jean-Louis Charlet, “Les sibylles: Varron, Lactance, Servius, Tortelli et Perotti”; Béatrice Charlet-Mesdjian, “La poésie familiale dans l’oeuvre élégiaque de T. V. Strozzi”; Gaetano Chiappini, “Il ‘privado’ secondo Francisco de Quevedo. Fra Seneca e Giobbe, ossia, le cinque e piú verità”; Edoardo Fumagalli, “Il lauro e il mirto. Osservazioni e dubbi sullo Stazio di Dante”; Alessandro Ghisalberti, “Medioevo al futuro. Radici medievali del pensiero moderno”; Alberto Grilli, “Su due frammenti tragici di Ennio (LXVIII e CLXXX Jo.)”; Hans-Jürgen Horn, “Die Leier des Orpheus. Zum orphischen Hintergrund von Goethes ‘Urworten. Orphisch’”; Gerlinde Huber-Rebenich, “Homerische Anagnorismen in Vergils ‘Aeneis’”; Klara Pajorin, “Symposiaka Germanica. Janus Cornarius sulla parità tra gli antichi greci e i germane”; Luciano Patetta, “L’architettura del Rinascimento eguaglia e talvolta supera quella degli antichi”; Marco Petoletti, “Il coro tragico di Giovanni Manzini della Motta”; Michel Popoff, “Le rhinocéros dans l’héraldique”; Ludovica Radif, “Miti affioranti dalla ‘Fabula Penia’”; Udo Reinhardt, “Griechische Mythen in der Malerei des dritten Reichs”; and Luisa Secchi-Tarugi, “Alcuni principi del ben vivere nel ‘De remediis utriusque fortunae’ di Francesco Petrarca.” Allard, James Robert, and Mathew R. Martin, eds. Staging Pain, 1580–1800: Violence and Trauma in British Theater. Burlington: Ashgate Publishing Company, 2009. xii + 220 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6758–2. Includes: Mathew R. Martin and James Robert Allard, “Introduction: Staging Pain”; Mathew R. Martin, “‘This tragic glass’: Tragedy and Trauma in Tamburlaine Part One”; Zackariah C. Long, “‘Uncollected Man’: Trauma and the Early Modern Mind-Body in The Maid’s Tragedy”; Annalisa Castaldo, “‘These were spectacles to please my soul’: Inventive Violence in the Renaissance Revenge Tragedy”; William Levine, “A ‘Bracing’ Moment: Reynolds’ Response to Boswell and Burke on the Aesthetics and Ethics of Public Executions”; John D. Staines, “Radical Pity: Responding to Spectacles of Violence in King Lear”; Sarah Covington, “Cutting, Branding, Whipping, Burning: The Performance of Judicial Wounding in Early Modern England”; Susan B. Iwanisziw, “Tortured Bodies, Factionalism, and Unsettled Loyalties in Settle’s Morocco Plays”; Kara Reilly, “Lavinia’s Rape: Reading the Restoration Actress’s Body in Pain in Ravenscroft’s Titus”; Cecilia A. Feilla, “Sympathy Pains: Filicide and the Spectacle of Male Heroic Suffering on the Eighteenth-century Stage”; and James Robert Allard, “Joanna Baillie and the Theater of Consequence.” Barański, Zygmunt G., and Theodore J. Cachey, Jr., eds. Petrarch & Dante: Anti-Dantism, Metaphysics, Tradition. Notre Dame: University of Notre Dame Press, 2009. xii + 414 pp. index. bibl. $50. ISBN: 978–0–268–02211–2. Includes: Thomas J. Cachey, Jr., “Between Petrarch and Dante: Prolegomenon to a Critical Discourse”; Zygmunt G. Barański, “Petrarch, Dante, Cavalcanti”; Albert Russell Ascoli, “Blinding the Cyclops: Petrarch after Dante”; Giuseppe Mazzotta, “Petrarch’s Dialogue with Dante”; Teodolinda Barolini, “Petrarch as the Metaphysical Poet Who Is Not Dante: Metaphysical Markers at the Beginning of the Rerum vulgarium fragmenta (Rvf 1–21)”; Christian Moevs, “Subjectivity and Conversion in Dante and Petrarch”; Justin Steinberg, “Dante Extravagante, Petrarca Disperso, and the Spectre of the Other Woman”; Sara Sturm-Maddox, “Dante, Petrarch, and the Laurel Crown”; and Ronald L. Martinez, “Places and Times of the Liturgy from Dante to Petrarch.” Beretta, Marco, Antonio Clericuzio, and Lawrence M. Principe, eds. The Accademia del Cimento and its European Context. Science History Publications. Sagamore Beach: Watson Publishing International, 2009. xiii + 257 pp. index. illus. $49.95. ISBN:978–0–88135–387–0. Includes: Marco Beretta, “Lucretius as Hidden Auctoritas of the Cimento”; Antonio Clericuzio, “The Other Side of the Academia del Cimento: Borelli’s Chemical Investigations”; Maria Conforti, “The Experimenters’ Anatomy”; Susana Gómez, “Experiments and Thoughts on Light around the Accademia del Cimento”; Stefania Montacutelli, “Air ‘Particulae’ and Mechanical Motions: From the Experiments of the Cimento Academy to Borelli’s Hypotheses on the Nature of Air”; Giorgio Strano, “Saturn’s Handles: Observations, Explanations and Censorship from Galileo to the Accademia del Cimento”; Federica Favino, “On the Cimento’s ‘Oak Academies’: An Unknown Contribution by Antonio Oliva”;