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The Scottish Background of the Sydney Publishing and Bookselling
NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238. -
Folk Song in Cumbria: a Distinctive Regional
FOLK SONG IN CUMBRIA: A DISTINCTIVE REGIONAL REPERTOIRE? A dissertation submitted in partial fulfilment of the degree of Doctor of Philosophy by Susan Margaret Allan, MA (Lancaster), BEd (London) University of Lancaster, November 2016 ABSTRACT One of the lacunae of traditional music scholarship in England has been the lack of systematic study of folk song and its performance in discrete geographical areas. This thesis endeavours to address this gap in knowledge for one region through a study of Cumbrian folk song and its performance over the past two hundred years. Although primarily a social history of popular culture, with some elements of ethnography and a little musicology, it is also a participant-observer study from the personal perspective of one who has performed and collected Cumbrian folk songs for some forty years. The principal task has been to research and present the folk songs known to have been published or performed in Cumbria since circa 1900, designated as the Cumbrian Folk Song Corpus: a body of 515 songs from 1010 different sources, including manuscripts, print, recordings and broadcasts. The thesis begins with the history of the best-known Cumbrian folk song, ‘D’Ye Ken John Peel’ from its date of composition around 1830 through to the late twentieth century. From this narrative the main themes of the thesis are drawn out: the problem of defining ‘folk song’, given its eclectic nature; the role of the various collectors, mediators and performers of folk songs over the years, including myself; the range of different contexts in which the songs have been performed, and by whom; the vexed questions of ‘authenticity’ and ‘invented tradition’, and the extent to which this repertoire is a distinctive regional one. -
Pakistan Floods: After the Deluge & the Future of Migration?
Winter 2010 Pakistan Floods: After the Deluge & The Future of Migration? Winter 2010 ISSN 1813-2855 Editor-In-Chief 3 Editorial Jean-Philippe Chauzy 4 Editors Jemini Pandya 4 Pakistan – After the Deluge Chris Lom Niurka Piñeiro Jared Bloch 8 Mass Communications 8 Layout Programme Talks and Listens to Valerie Hagger Joseph Rafanan Pakistan’s Flood Victims Cover Photo Asim Hafeez/OnAsia 11 Giving Voice to Haiti’s © IOM 2010 - MPK0304 11 Earthquake Victims Migration is published twice a year in English, French and Spanish. All correspondence 14 In Search of Normal: Thoughts and inquiries concerning this publication should be sent to: about Haiti after the Earthquake 14 International Organization for Migration (IOM) PO Box 71 17 Helping the Lost Youth CH Geneva 19 Switzerland of Tanzania Tel.: +41 22 717 91 11 Fax: +41 22 798 61 50 17 E-mail: [email protected] The Silent Plight of Migrant Migration is available online 23 on the IOM website: Farm Workers in South Africa http://www.iom.int IOM is committed to the 25 Tehnology, Vigilance and Sound 25 principle that humane and Judgement – Managing the Dominican orderly migration benefits migrants and society. As Republic’s Borders an intergovernmental organization, IOM acts 28 with its partners in the 28 Biometric Passport and Indentification international community Card: Armenia Enters the Digital Age to: assist in meeting the operational challenges of migration; advance understanding of migration 30 Shedding Light on South-South issues; encourage social Migration to Aid Development and economic development 30 through migration; and uphold the human dignity and well-being of migrants. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Hutman Productions Publications Each Sale Helps Us to Maintain Our Informational Web Pages
Hutman Productions Publications Mail Order Catalog, 4/17/2020 P R E S E N T S: The Very Best Guides to Traditional Culture, Folklore, And History Not Just a "good read" but Important Pathways to a better life through ancient cultural practices. Each sale helps us to maintain our informational web pages. We need your help! For Prices go Here: http://www.cbladey.com/hutmanbooks/pdfprices.p df Our Address: Hutman Productions P.O. 268 Linthicum, Md. 21090, U.S.A. Email- [email protected] 2 Introduction Publications "Brilliant reference books for all the most challenging questions of the day." -Chip Donahue Hutman Productions is dedicated to the liberation of important resources from decaying books locked away in reference libraries. In order for people to create folk experiences they require information. For singing- people need hymnals. Hutman Productions gathers information and places it on web pages and into publications where it can once again be used to inform, and create folk experiences. Our goal is to promote the active use in folk experiences of the information we publish. We have helped to inform countless weddings, wakes, and celebrations. We have put ancient crafts back into the hands of children. We have given songs to the song less. We have provided delight and wonder to thousands via folklore, folk music and folk tale. We have made this information freely accessible. We could not provide these services were it not for our growing library of 3 publications. Take a moment to look them over. We hope that you too can use them as primary resources to inform the folk experiences of your life. -
The Church of Jesus Christ of Latter-Day Saints/Mormon Children’S Music: Its History, Transmission, and Place in Children’S Cognitive Development
ABSTRACT Title of Dissertation: THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT Colleen Jillian Karnas-Haines, Doctor of Philosophy, 2005. Dissertation Directed by: Professor Robert C. Provine Division of Musicology and Ethnomusicology School of Music The Church of Jesus Christ of Latter-day Saints has a children’s auxiliary program for ages three to eleven that meets weekly before or after their Sunday worship service. This auxiliary, called Primary, devotes much of its time to singing. Music is not a childish diversion, but an essential activity in the children’s religious education. This study examines the history of the songbooks published for Primary use, revealing the many religious and cultural factors that influence the compilations. The study then looks at the modern methods of transmission as the author observes the music education aspects of Primary. Lastly, the study investigates the children’s use of and beliefs about Primary music through the lens of cognitive development. The study reveals that Primary music is an ever-evolving reflection of the theology, cultural trends, and practical needs of The Church of Jesus Christ of Latter-day Saints. Unaware of such implications, the children use Primary music to express their religious musicality at cognitive developmentally appropriate levels. THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS/MORMON CHILDREN’S MUSIC: ITS HISTORY, TRANSMISSION, AND PLACE IN CHILDREN’S COGNITIVE DEVELOPMENT By Colleen Jillian Karnas-Haines Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2005 Advisory Committee: Professor Robert C. -
IRSS 39 2014 MASTER (2 Sep)
INTERNATIONAL REVIEW OF SCOTTISH STUDIES ISSN 1923-5755 E-ISSN 1923-5763 EDITOR H. Parker, University of Guelph ASSISTANT EDITORS C. Holton, University of Guelph A. Glaze, University of Guelph REVIEW EDITORS M. Toledo Candelaria, University of Guelph A. Webb, University of Waterloo EDITORIAL BOARD M. Brown, University of Aberdeen G. Carruthers, University of Glasgow L. Davis, Simon Fraser University E. L. Ewan, University of Guelph D. Fischlin, University of Guelph J. Fraser, University of Edinburgh K. J. James, University of Guelph L. L. Mahood, University of Guelph A. McCarthy, University of Otago M. Penman, University of Stirling R. B. Sher, New Jersey Institute of Technology The Editors assume no responsibility for statements of fact or opinion made by contributors. All contents are © copyrighted by the International Review of Scottish Studies and/or their author, 2014 Book printing by Stewart Publishing & Printing Markham, Ontario • 905-294-4389 [email protected] • www.stewartbooks.com SUBMISSION OF ARTICLES FOR PUBLICATION This is a peer-reviewed journal. All manuscripts, including endnotes, captions, pictures and supplementary information should be submitted electronically through the journal's website (where all back issues can be accessed): www.irss.uoguelph.ca Submission guidelines and stylistic conventions are also to be found there. Manuscripts should be a maximum of 8000 words in length although shorter papers will also be considered. Contributors are requested to provide their title, institutional affiliation and current appointment. Book Reviews and Review Essays should be submitted electronically at: www.irss.uoguelph.ca To contact the editor: The Editor, International Review of Scottish Studies Centre for Scottish Studies Dept. -
Missouri Folklore Society Journal
Missouri Folklore Society Journal Special Issue: Songs and Ballads Volumes 27 - 28 2005 - 2006 Cover illustration: Anonymous 19th-century woodcut used by designer Mia Tea for the cover of a CD titled Folk Songs & Ballads by Mark T. Permission for MFS to use a modified version of the image for the cover of this journal was granted by Circle of Sound Folk and Community Music Projects. The Mia Tea version of the woodcut is available at http://www.circleofsound.co.uk; acc. 6/6/15. Missouri Folklore Society Journal Volumes 27 - 28 2005 - 2006 Special Issue Editor Lyn Wolz University of Kansas Assistant Editor Elizabeth Freise University of Kansas General Editors Dr. Jim Vandergriff (Ret.) Dr. Donna Jurich University of Arizona Review Editor Dr. Jim Vandergriff Missouri Folklore Society P. O. Box 1757 Columbia, MO 65205 This issue of the Missouri Folklore Society Journal was published by Naciketas Press, 715 E. McPherson, Kirksville, Missouri, 63501 ISSN: 0731-2946; ISBN: 978-1-936135-17-2 (1-936135-17-5) The Missouri Folklore Society Journal is indexed in: The Hathi Trust Digital Library Vols. 4-24, 26; 1982-2002, 2004 Essentially acts as an online keyword indexing tool; only allows users to search by keyword and only within one year of the journal at a time. The result is a list of page numbers where the search words appear. No abstracts or full-text incl. (Available free at http://catalog.hathitrust.org/Search/Advanced). The MLA International Bibliography Vols. 1-26, 1979-2004 Searchable by keyword, author, and journal title. The result is a list of article citations; it does not include abstracts or full-text. -
Scotland’S Holiday Edinburgh Welcomes the World for Hogmanay
the www.scottishbanner.com Scottishthethethe North American EditionBanner 37 Years StrongScottish - 1976-2013 BannerA’ Bhratach Albannach ScottishVolumeScottish 36 Number 11 The world’s largest international BannerBanner Scottish newspaper May 2013 40 Years Strong - 1976-2016 www.scottishbanner.com Volume 36 Number 11 The world’s largest international ScottishA’ Bhratach newspaper May 2013 Albannach VolumeVolumeVolume 40 36 36 NumberNumber Number 611 11 The The The world’s world’s world’s largest largest largest international international international Scottish Scottish Scottish newspaper newspaper newspaper December May May 2013 2013 2016 Cairn Gorm and Britain’s only reindeer herd » Pg 14 Australia $3.75; North American $3.00; N.Z. $3.95; U.K. £2.00 A Scottish Christmas ................ » Pg 9 Hogmanay Defending the heritage of St Kilda .................................... » Pg 10 Scott Monument to shine .... » Pg 12 Scotland’s holiday Edinburgh welcomes the world for Hogmanay ................ » Pg 16 » Pg 26 The ScoTTiSh Banner The Banner Says… Scottishthe Volume Banner 40 - Number 6 Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Editor & Publisher Valerie Cairney Looking into the past this Christmas Australian Editor Sean Cairney would come your way for a better inside it wasn’t much better. Before life. So immigration came from leaving their homeland, they had EDITORIAL StaFF the ‘old countries’. They boarded heard that the temperature where Jim Stoddart Ron Dempsey, FSA Scot The National Piping Centre David McVey ships promising to take them they were moving to was cold. Angus Whitson Lady Fiona MacGregor across the ocean to a new world, But how does somebody from Marieke McBean Dr Ken B Moody one which was away from their Edinburgh compare ‘cold’ when Judy Vickers Nick Drainey old lives, their friends and family. -
Discography Section 24: W (PDF)
1 H. WADE Pseudonym on Scala 273, 514, 589, 1058 for Harry Cove BERTHA WADDELL (ca. l907 - Blantyre, ? ). Recitations (from The Children's Theatre) Recorded London, ca November 1926 MC-83-E The bonnie wee window (William Moodie; trad) Bel 1154 MC-84-E Behave yersel' afore fowk ( - ) Bel 1154 MC-85-E a) Vespers b) In the dark (Alan A. Milne) Bel 1153 MC-86-E a) The market square; b) Missing (Alan A. Milne) Bel 1153 MC-87-E The night before Christmas (Clement C. Moore) Bel 1155 MC-88-E Last May a braw wooer (Robert Burns) Bel 1155 GEORGE W. WALKER Scottish baritone Recorded London, ca March 1912 79160 Highlanders (Robert Buchanan, jnr) Pathé 8597(9½”) Hurrah for the Highlands (Andrew Park; John Fulcher) Pathé 8432(9½”) Castles in the air (J. Ballantine: R.Adams) Pathé 8432(9½”) The bonnie lass o’ Ballochmyle (Robert Burns; William Jackson) Pathé 8569(9½”) The battle of Stirling (William Sinclair; J. Marquis Chisholm) Pathé 8569(9½”) 79167 There’s a wee bit land “My hearts in Bonnie Scotland” (John C. Grieve) Pathé 8597(9½”) JACK WALKER Scottish comedian Recorded London, ca June 1912 24079/5832 Just a wee deoch an’ doris (Whit Cunliffe; Gerald Grafton; Harry Lauder) Polyphon 8966, Pilot 8966, Crown Record 598 24080/5833 It’s nice when you love a wee lassie (Jack D. Harper; Harry Lauder) Polyphon 8966, Pilot 8966, Crown Record 598 JIMMY WALKER (Tenor & soprano saxophone, vocal, piano) (Edinburgh, 1926 - ). Recorded jazz under his own name on the Lyragon and Decca labels. JOCK WALKER “Scotch comedian” Recorded London, ca June 1909 The wedding of Sandy McNab (Harry Lauder) Clarion 335(cyl) 1269 Bonnie Leezie Lindsay (Frank Folloy; Harry Lauder) Clarion 336(cyl) Recorded London, ca l913 It’s nice when you love a wee lassie (Harry Lauder; Jack Harper) Pathé 8663(9½”) It’s the same as his father did before him (Will Terry; Gilbert Wells; Harry Lauder) Pathé 8663(9½”) Hooch aye! (William F. -
Italian Migration and Football Codes Within Australian Urban Centres
Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban Centres This is the Accepted version of the following publication Klugman, Matthew and Ricatti, F (2019) Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban Centres. International Journal of the History of Sport, 36 (6). pp. 513- 531. ISSN 0952-3367 The publisher’s official version can be found at https://www.tandfonline.com/doi/full/10.1080/09523367.2019.1664474 Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/39777/ Re-Creating Home and Exploring Away in New Cities: Italian Migration and Football Codes Within Australian Urban CenterCentres Abstract Migrants are often characteriseized as in search of new homes, while spectator sports are frequently spoken of as providing homes for the followers of particular teams. However the particular kinds of ‘homes’ that spectator sports can provide for migrants is understudied. This paper explores the sporting ‘homes’ found by those who migrated from Italy to Australia after the Second World War. In particular it examines the different experiences of those who found a home in the mainstream sport of Australian Rules football with the more culturally peripheral sport of Association football (soccer). Drawing on 59 oral history interviews with first and second generation migrants to the Australian cities of Melbourne and Sydney, the paper provides a window into the meanings, passions, exclusion, inclusion, intergenerational tensions, and intergenerational bonding that these migrants found in, and created through, Australian Rules football and soccer. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness