The Australian Songwriter

Total Page:16

File Type:pdf, Size:1020Kb

The Australian Songwriter The Australian Songwriter Issue 91, December 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message 2012 Australian Songwriting Contest Award Winners ASA Sponsors Profiles ASA Member Profile: Manfred Vijars ASA Member Profile: Taylor Pfeiffer New ASA Regional Co-Ordinator for Regional QLD: Melinda J Wells New ASA Regional Co-Ordinator for Brisbane QLD: Hugh Brown New ASA Regional Co-Ordinator for Newcastle NSW: Chris Whitington Festivals Round Up 2012 In Memoriam The Load Out Official Sponsors of the 2012 Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators 1 Chairman’s Message I am writing this missive on the eve of the ASA’s annual National Songwriting Awards 2012. The date is Wednesday 12 December and to say I’m extremely excited would be a gross understatement. As we get closer to the evening itself, the extent of the amount of work that the Board does to put this occasion into place is evidenced by many sleepless nights and crowded days. The preparation for the event requires huge amounts of time and dedication, but the end result is always well worth it. Those of you who are attending this time around are in for a treat. It looks to be the biggest year ever for the ASA, with tickets now SOLD OUT . If you haven’t as yet experienced the night, I can only urge you to check out our website to have a look at Awards past and plan on coming along next year. Please enjoy the ASA’s last e-mag for 2012, edited once again by our tireless Vice Chairman Alan Gilmour. Download it, and peruse it on your holidays. It is a great read. Happy Christmas to all our valued Members, and have a WILD New Year. Cheers, Denny Burgess Editor’s Message The 2012 National Songwriting Awards Night is now over and all of the winners from the 2012 Australian Songwriting Contest have been announced. Congratulations to them all. We will be featuring profiles on these winners in the magazine next year. The ASA is also expanding its Regional Co-Ordinator base and we are including profiles on three of our new Regional Co-Ordinators Chris Whitington, Melinda J Wells and Hugh Brown. We also feature ASA members Manfred Vijars and Taylor Pfeiffer. In the meantime the ASA team is off on a long overdue break. Seasons greetings from everyone at the ASA and we’ll see you again in the New Year. The Australian Songwriter welcomes written contributions from ASA members and readers of the magazine. If you have anything that you would like to say about yourself, other songwriters/musicians/artists/new releases or upcoming events, simply send your contribution via email to the Editor at [email protected]. Best Wishes, Alan Gilmour 2 2012 Australian Songwriting Contest Award Winners Andrew Winton (WA) 2012 Australian Songwriter of the Year Melia Naughton and Nerida Naughton (NSW) (below) 2012 Winners of The Rudy Brandsma Award for Songwriting Excellence 3 Australia Category Kathy Coleman (NSW) and Justin Linkins (VIC) 2012 Australia Category Joint Winners 1. Anzac Morning Justin Linkins VIC 1. Dunedoo Station Kathy Coleman NSW 3. Thomas Alfred Marshall Michael King & Gavin Marchall WA 4. In His Field Of Gold Jennifer Hannam WA 5. Dinky Di Aussie Phil Splitter VIC 5. I’m Almost Home Fiona Karamanlidis SA 7. Down Under In Australia Phil Splitter VIC 8. A Song Of Hope Jim Paterson SA 9. Home Gary Keady & John Vallins NSW 10. Red Dirt Wanderer Snez NSW Ballad Category Jacques Mario Gentile & Ricardo Hart (VIC) 2012 Ballad Category Winners 4 1. My Hesitation Jacques Mario Gentile & Rick Hart VIC 2. He Still Remembers Kathy Coleman NSW 3. This Time Melia Naughton & Nerida Naughton NSW 4. You’re Everything Magdalena MacDonald VIC 5. Where The Willows Weep Glen Naylor VIC 6. Because I Loved You Susan Muranty, Ritchie Neville & Sven Tydeman NSW 7. Not My Island Rebecca Moore NSW 8. A Love Song Katie Hardyman NSW 9. Buccaneer Stuart Hall NSW 10. The Last Time Elisa Kate NSW Contemporary Pop/ Dance Category Brian M Chapman 2012 Contemporary Pop/ Dance Category Winner 1. Highlights Brian M Chapman VIC 2. The Way It Was Jesse Marantz VIC 3. Lost In The Middle Sam Korn NT 4. A Love Song Katie Hardyman NSW 5. I Said It Was Alright But It’s Not OK Ailsinn Sharp QLD 6. She’s Comin Down Brad Gandy WA 7. Brand New Shoes Loren Kate Steenkamp SA 8. Over Matt Allen WA 9. It’s a PC 21 st Century New Millennium Romantic Arrangement Andrew Horabin WA 10. Love This Life Danny Hooper SA 5 Country Category John Greenwood & Jason Greenwood (VIC) 2012 Country Category Winners 1. I’m Missing You John Greenwood & Jason Greenwood VIC 2. Why Don’t You Meet Me Half Way Tahlia McGahey NSW 3. The Comfort Of A Stranger John Walsh & Mike Carr NSW 4. Roadtrippin Rhiannon Corby NSW 5. Reminisce Craig Morrison & Nichole Morrison NSW 6. Cold Wind Rising Danielle Karis NSW 7. Country Song Danny Hooper SA 8. 5.49 Melia Naughton & Nerida Naughton NSW 9. Give Me Time To Talk To Jesus Leo Taylor VIC 10. The Dark Horse Jim Paterson SA Folk/ Acoustic Category Andrew Winton (WA) 2012 Folk/Acoustic Category Winner 6 1. Waiting Andrew Winton WA 2. Into His Arms Again Andrew Winton WA 3. Disappointed Andrew Winton WA 4. The Tide Rebecca Moore NSW 5. When This All Comes Down Andrew Winton WA 6. Christmas In A Cage Sharlene Rainford NSW 7. I Think It Means Something Andrew Winton WA 8. Faithful Robert Cini QLD 9. Travelled For Miles Loren Kate Steenkamp SA 10. How Love Can Feel Karen Guymer VIC 10. I Can’t Unlove You Susan Muranty, Ritchie Neville & Sven Tydeman NSW Instrumental Category Andrew Winton (WA) 2012 Instrumental Category Winner 1. Mr Dudley Andrew Winton WA 2. One Eyed Cat Mark Tinson NSW 3. Reef Madness Mark Tinson NSW 4. Bunny Run Through An Easter Tunnell Manjia Luo NSW 5. The Storm Mark Tinson NSW 6. Daddy’s Daughter Katie Hardyman NSW 7. Flight Of The Albatross Fiona Joy Hawkins NSW 8. The Dark Road (Part 2) John Trager & Michael Zammit VIC 9. Storm Allan Pan VIC 10. The Stumble Mark Tinson NSW 7 International Category Debra M Gussin and Stacy Hogan (USA) Winners of the 2012 International Category 1. Do U Miss The Heat Debra M Gussin & Stacy Hogan Cal USA 2. In Love With Fallin’ In Love Susan Hewitt & Andrew Basquille Armagh IRE 3. Walk Away Susan Hewitt & Debra Farris Armagh IRE 4. Bird On A Powerline Eric Erdman Alab USA 5. Love Won’t Let You Down Michael McGee Penn USA 6. Is That You Debra M Gussin Cal USA 7. If Two Wrongs Don’t Make A Right Eric Erdman Alab USA 8. The Devil Wants Another Dance Mark Keller Cal USA 9. Like There’s No Tomorrow Michael McGee Penn USA 10. You Don’t Look Good In Lies Michael McGee Penn USA Lyrics Category James Cunnick (VIC) 2012 Lyrics Category Winner 8 1. Incomplete James Cunnack VIC 2. Walking Through Life Together Joe Ciangura VIC 3. That’s How You Do Lonesome Vanessa Selwyn NSW 4. We Both Want To Be Right (About Who Was Wrong) Steve Montgomery NSW 5. Never Went Away Paul Dillon NSW 6. People Like Us Steve Montgomery NSW 7. Meandering Cill Van Der Velden NSW 8. Hell’s Gate Roman Sapkota NSW 8. No Time To Weep Denise Silk SING 10. Memories Of You Steve Montgomery NSW Open Category The Bostocks (Sara Austin, Rob Bostock & Rachael Bostock (QLD) 2012 Open Category Winners 1. Another Lifetime The Bostocks QLD 2. Building Bridges Karen Guymer VIC 3. Rainbow Song Snez NSW 4. Moving On Willie McCracken NSW 5. Taking The Long Way Home Christopher Pye QLD 6. Back In Town Paul Owen, Sabrina Alison & Roger Corbett NSW 7. Simple Sum Danielle Karis NSW 8. This Is The Way I Feel Stacy Tierney NSW 9. The Way It Was Jesse Marantz VIC 10. When I Fall Steve Lymburn VIC 9 Rock/Indie Category Kerryann McKittrick (NSW) 2012 Rock/Indie Category Winner 1. Little Joy KerryAnn McKittrick NSW 2. Time On Your Clock Brad Gandy WA 3. Too High Andrew Winton WA 4. Pleasure And The Pain Sam Korn NT 5. Clarity Peta Evans-Taylor NSW 6. Sunny Daze Diana Clark VIC 7. Been Down Danny Hooper SA 8. Happy Andrew Winton WA 9. The Way It Was Jesse Marantz VIC 10. Rock Man Graham Hull QLD Songs For Children Category Greg J Bryant (SA) 2012 Songs For Children Category Winner 10 1. The Caterpillar Song Greg J Bryant SA 2. Father’s Day John Littrich, Neil McCann & Paul McGee NSW 3. Freeze Stacy Tierney NSW 4. Don’t Misbehave Elizabeth Cornwall & Nick Howard NSW 5. Down On The Farm Rhonnie Tant & Darrell Beasant QLD 6. Coo-ee Kathy Prosser NSW 7. The Happy People Song Leo Kahans VIC 8. Here We Go Round Tonight David Harrison WA 9. Say G’Day Phil Splitter VIC 10. You Gotta Make It Happen Elizabeth Cornwall & Nick Howard NSW Spiritual Category Andre Leong (WA) 2012 Spiritual Category Winner 1. My Prayer Andre Leong WA 2. Free At Last Jacques Mario Gentile VIC 3. Looking For You Lola Brinton NSW 4. When He Comes Jacques Mario Gentile VIC 5. Compassion Dexter Moore NSW 6.
Recommended publications
  • 247. Org Apra Amcos Correction.Pdf
    COPYRIGHT AND THE DIGITAL ECONOMY APRA|AMCOS SUBMISSIONS TABLE OF CONTENTS EXECUTIVE SUMMARY ............................................................................................. 4 OVERVIEW ................................................................................................................. 5 Australia's emerging digital economy and the Australian music industry ................ 5 A response to the Issues Paper’s general introductory comments .......................... 6 The importance of the communication right .......................................................... 10 Commercial/non-commercial ................................................................................ 10 Matters outside the scope of this inquiry ............................................................... 12 International obligations ........................................................................................ 13 The US system ..................................................................................................... 15 The Inquiry ............................................................................................................ 17 Question 1 ......................................................................................................... 17 Guiding principles for reform ................................................................................. 29 Question 2 ......................................................................................................... 29 Caching, indexing and other
    [Show full text]
  • The Working-Class Experience in Contemporary Australian Poetry
    The Working-Class Experience in Contemporary Australian Poetry A thesis submitted for the degree of Doctor of Philosophy Sarah Attfield BCA (Hons) University of Technology, Sydney August 2007 i Acknowledgements Before the conventional thanking of individuals who have assisted in the writing of this thesis, I want to acknowledge my class background. Completing a PhD is not the usual path for someone who has grown up in public housing and experienced childhood as a welfare dependent. The majority of my cohort from Chingford Hall Estate did not complete school beyond Year 10. As far as I am aware, I am the only one among my Estate peers to have a degree and definitely the only one to have attempted a PhD. Having a tertiary education has set me apart from my peers in many ways, and I no longer live on the Estate (although my mother and old neighbours are still there). But when I go back to visit, my old friends and neighbours are interested in my education and they congratulate me on my achievements. When I explain that I’m writing about people like them – about stories they can relate to, they are pleased. The fact that I can discuss my research with my family, old school friends and neighbours is really important. If they couldn’t understand my work there would be little reason for me to continue. My life has been shaped by my class. It has affected my education, my opportunities and my outlook on life. I don’t look back at the hardship with a fuzzy sense of nostalgia, and I will be forever angry at the class system that held so many of us back, but I am proud of my working-class family, friends and neighbourhood.
    [Show full text]
  • Concert and Music Performances Ps48
    J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player).
    [Show full text]
  • Annual Financial Report 30 June 2020
    Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years.
    [Show full text]
  • The Life & Rhymes of Jay-Z, an Historical Biography
    ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
    [Show full text]
  • Music Reading Read the Passage, the E-Mail and the Festival Guide. the Glastonbury Festival Is an Unforgettable Sight. for Three
    Music Reading Read the passage, the e-mail and the festival guide. The Glastonbury Festival is an unforgettable sight. For three days, 280 hectares of peaceful farm country in the beautiful Somerset Valley become a vast, colourful tent city. The Glastonbury Festival is Britain's largest outdoor rock concert, and it attracts crowds of more than 100,000 people. It has six separate stages for musicians to play on. It has eighteen markets where fans can buy things. It has its own daily newspaper and is even broadcast live on television. It also raises large amounts of money for several charities, including Greenpeace and the Campaign for Nuclear Disarmament. Glastonbury is just one of many events on the international music festival calendar each year. For dance music fans, there's Creamfields, the Essential Festival and Homelands - all in the UK. Rock fans have Roskilde Festival in Denmark, Fuji Rock and Summer Sonic in Japan, and the Livid Festival and the Big Day Out in Australia. And the crowds just keep getting bigger. In fact, the size of some of these festivals is causing problems. Since the deaths of nine people at Roskiide in 2000 and the death of a young woman at the 2001 Big Day Out, festival organisers and local police have been working together to make sure festival-goers stay safe. Despite these tragic events, festivals are more popular than ever. And it's not just about the music. It's about making new friends and partying non-stop for days at a time. It's about dancing till you can't stand up anymore and then crashing in someone else's tent.
    [Show full text]
  • 49Th Country Music Awards Of
    49th Country Music Awards of Australia 2021 Toyota Golden Guitar Awards Handbook 49th Country Music Awards of Australia AWARDS HANDBOOK Contents 1. ENTRY DATES ............................................................................................................................................................ 2 2. GENERAL TERMS & CONDITIONS .............................................................................................................................. 2 3. CURRENT ELIGIBILITY PERIOD ................................................................................................................................... 3 4. DEFINITIONS ............................................................................................................................................................. 3 5. ALBUM CATEGORY REQUIREMENTS ........................................................................................................................ 4 6. CATEGORIES & ELIGIBILITY ....................................................................................................................................... 5 A TOYOTA ALBUM OF THE YEAR ................................................................................................................. 5 B ALT COUNTRY ALBUM OF THE YEAR ........................................................................................................ 5 C CONTEMPORARY COUNTRY ALBUM OF THE YEAR .................................................................................. 6 D TRADITIONAL COUNTRY
    [Show full text]
  • Annual Report 2019-20
    ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance.
    [Show full text]
  • 1489596882 BL Festivals Guid
    WE’RE FESTIVAL VETERANS Getting value for money from your festival branding activity requires research, planning, creativity, and an appreciation that you’re venturing into an environment where brands can be welcomed, tolerated, ignored or vilified. We have a long history of helping clients win cut through at festivals around the world, these include: R ECOVE FESTIVALS NOT RIGHT F OR YOU? THINK AGAIN With younger festival goers increasingly priced out of the game, today’s festival audience largely comprises Millenials, people in their thirties. This also explains the increasing number of festivals catering for families, cultural, literary and culinary enthusiasts. It also means an opening of the way for brands that previously might have never thought about investing in a festival. And a growing number are realising this is an environment that can yield results; there’s a lot more to festivals than mud, booze, rock and roll. KNOW YOUR FESTIVAL HEDONISTIC Global Gathering, Big Chill, Exit, Tribal Gathering, Tommorowland, Boom Town, 2000Trees MAINSTREAM Glastonbury, V Festival, Big Day Out, Tea in the Park, Oxygen, Isle of Wight, Wireless, Reading & Leeds Festivals FAMILY FRIENDLY/ CULTURAL Secret Garden Party, Sonar, Green Man, WOMAD, Camp Bestival, Big Feastival, Wilderness, Somersault Brands that can work their way into the festival environment in a natural, creative way can engage this audience while they’re in a highly receptive state. To do this, there are a couple of simple principles we employ: 1. IDENTIFY ‘WHY’ Identifying your ‘why’ is all about finding a festival with which your brand can legitimately demonstrate a shared purpose, common ethics and values.
    [Show full text]
  • Jessie Lloyd's Mission Songs Project
    7/10/2017 Media campaign: Jessie Lloyd’s Mission Songs Project – Wolfe Words Wolfe Words Writing, Publicity & Media Strategy Media campaign: Jessie Lloyd’s Mission Songs Project February 27, 2017June 1, 2017 The Songs Back Home is a collection of Australian Indigenous folk songs performed from 1900-1999 on Christian missions, settlements and native camps where Indigenous people were relocated. As part of her Mission Songs Project, Jessie Lloyd has spent the past two years faithfully exploring the journey of Indigenous Australian music, connecting traditional with contemporary, and charting continuing cultural practice and oral traditions well into the 21st century. The songs, largely hidden from the outside world, comprise rare and almost-forgotten stories, shedding light onto the history and experiences of Indigenous people, their families and communities. Jessie launched The Songs Back Home, the first of the Mission Songs Project collection, in March 2017 at the Brunswick Music Festival and is touring the album throughout the east coast of Australia. “The 20th Century songs composed and sung on Aboriginal missions and settlements are records of our history and history and tell us about the emotions and aspirations of their composers. Jessie Lloyd’s research to find these songs is a profoundly important contribution to our nation and music.”—Professor Marcia Langton, AM, Mission Songs Project advisor and contributor “Mission Songs Project presents contemporary folk songs that continue the ancient song lines of this country. The songs speak
    [Show full text]
  • Smash-Hits-1980-12-J
    TLY ...,., man League lbums lncolour be won ROXY MUSIC FLESH+BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimwn of £1.00 off tlte album's R.R.P. ALBUM & CASSETTE 1.,.,~.1EiJ NEW AMSTERDAM June 12-25 1980 Elvis Costello ...........................................4 It's tough atthe top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers ....................................4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees ....................... 5 people didn't recognise him . .. Our apologies next to the folks CRYING who were disappointed by the Don Mclean .............................................8 absence of the promised Dexy's colour poster in the lastjssue. CHINATOWN r----...:S~ee, thei:O• haef'already been 4 rattled off to the prlntws before THT:~EL~.1oivi. M·~A~s·~·H ........................ ·1 the actual shot arrived and we decided we needed to~ bett.er. The Mash ............................................... 14 have atlence ,and we1t bring LITTLE JEANNIE one soon. This time around eve definitely got a fantastic Elton John .............................................. 16 vid,c> game for our new IF LOVING YOU IS WRONG d prize, our Irresistible lffer OD page 26 plus a Rod Stewart ........................................... 16 S etro"c:ompetition on page • EVERYBODY'S GOTTO LEARN 28. So'-Juat think yourself lucky - we UNd_"to'"1ive7n a _rolled u SOMETIME -~e'.lnidHle ofthe"' The Korgis .............................................. 19 BACK TOGETHER AGAIN Roberta Flack & Donny Hathaway ........22 THE MAN WHO DIES EVERYDAY ntributon Ultravox .................................................29 qb' K'-atz TO BE OR NOT TO BE R~ttrr Fr,cl Deller B.
    [Show full text]
  • 1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
    Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J.
    [Show full text]