COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station
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Member for Wakefield South Australia
Conference delegates 2016 *Asterisks identify the recipients of the 2016 Crawford Fund Conference Scholarships ACHITEI, Simona Scope Global ALDERS, Robyn The University of Sydney ANDERSON AO, John The Crawford Fund NSW ANDREW AO, Neil Murray-Darling Basin Authority ANGUS, John CSIRO Agriculture *ARIF, Shumaila Charles Sturt University ARMSTRONG, Tristan Australian Government Department of Foreign Affairs & Trade ASH, Gavin University of Southern Queensland ASTORGA, Miriam Western Sydney University AUGUSTIN, Mary Ann CSIRO *BAHAR, Nur The Australian National University BAILLIE, Craig The National Centre for Engineering in Agriculture (NCEA), University of Southern Queensland *BAJWA, Ali School of Agriculture & Food Sciences, The University of Queensland BARLASS, Martin Plant Biosecurity Cooperative Research Centre BASFORD, Kaye The Crawford Fund *BEER, Sally University of New England, NSW *BENYAM, Addisalem Central Queensland University BERRY, Sarah James Cook University / CSIRO *BEST, Talitha Central Queensland University BIE, Elizabeth Australian Government Department of Agriculture & Water Resources BISHOP, Joshua WWF-Australia BLACKALl, Patrick The University of Queensland *BLAKE, Sara South Australian Research & Development Institute (SARDI), Primary Industries & Regions South Australia BLIGHT AO, Denis The Crawford Fund *BONIS-PROFUMO, Gianna Charles Darwin University BOREVITZ, Justin The Australian National University BOYD, David The University of Sydney BRASSIL, Semih Western Sydney University BROGAN, Abigail Australian Centre -
Feedtime and Rachael Leahcar Rise to the Top Spots in the Community Radio Charts
Feedtime and Rachael Leahcar Rise To The Top Spots in The Community Radio Charts By Kate Marning Published April 26th, 2017 www.themusicnetwork.com/news/feedtime-and-rachel-leahcar-rise-to-the-top-spots-in- the-community-radio-charts Amrap Metro and Amrap Regional Charts provide insight into what’s gaining airplay and attention on community radio. The charts show the top ten tracks ordered for airplay by community broadcasters through the Amrap's AirIt music distribution service. This week feedtime move up into the top spot in the Amrap Metro Chart, with Rachael Leahcar rising up to #1 in the Amrap Regional Chart. Sydney-based trio feedtime have taken out #1 in the Amrap Metro Chart with Any Good Thing. Feedtime's latest album Gas, their first release in over 20 years, was PBS FM Melbourne's Feature Record of the Week. Any Good Thing features in Tone Deaf's 'The 7 Best Aussie Songs You Haven't Heard' with PBS FM Melbourne's Music Director Cam Durnsford'. Check out the article here. The post-punk charting track has received airplay support from 6HFM, Radio Goolarri and Harvey Community Radio in WA, OCR FM, 3WAY FM and 96.5 Inner FM in VIC, 5 Triple Z, Three D Radio, PBA FM and Three D Radio in SA as well as 2SEA, Yass FM, Nim FM, 2EAR FM, FBi Radio and Radio Skid Row in NSW. Rachael Leahcar has earned #1 in the Amrap Regional Chart with What They Don't Tell You. Watch the official video teaser for the pop-country track as featured viaAmrap pages, on station websites including Voice of the Avon FM in WA, Fraser Coast FM in QLD, PBA FM in SA, 3WAY FM and 979fm Community radio in VIC, as well as Northside Radio and Valley FM in NSW . -
The Concert Hall As a Medium of Musical Culture: the Technical Mediation of Listening in the 19Th Century
The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century by Darryl Mark Cressman M.A. (Communication), University of Windsor, 2004 B.A (Hons.), University of Windsor, 2002 Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the School of Communication Faculty of Communication, Art and Technology © Darryl Mark Cressman 2012 SIMON FRASER UNIVERSITY Fall 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Darryl Mark Cressman Degree: Doctor of Philosophy (Communication) Title of Thesis: The Concert Hall as a Medium of Musical Culture: The Technical Mediation of Listening in the 19th Century Examining Committee: Chair: Martin Laba, Associate Professor Andrew Feenberg Senior Supervisor Professor Gary McCarron Supervisor Associate Professor Shane Gunster Supervisor Associate Professor Barry Truax Internal Examiner Professor School of Communication, Simon Fraser Universty Hans-Joachim Braun External Examiner Professor of Modern Social, Economic and Technical History Helmut-Schmidt University, Hamburg Date Defended: September 19, 2012 ii Partial Copyright License iii Abstract Taking the relationship -
247. Org Apra Amcos Correction.Pdf
COPYRIGHT AND THE DIGITAL ECONOMY APRA|AMCOS SUBMISSIONS TABLE OF CONTENTS EXECUTIVE SUMMARY ............................................................................................. 4 OVERVIEW ................................................................................................................. 5 Australia's emerging digital economy and the Australian music industry ................ 5 A response to the Issues Paper’s general introductory comments .......................... 6 The importance of the communication right .......................................................... 10 Commercial/non-commercial ................................................................................ 10 Matters outside the scope of this inquiry ............................................................... 12 International obligations ........................................................................................ 13 The US system ..................................................................................................... 15 The Inquiry ............................................................................................................ 17 Question 1 ......................................................................................................... 17 Guiding principles for reform ................................................................................. 29 Question 2 ......................................................................................................... 29 Caching, indexing and other -
Latest Financials
Page 1 CONTENTS - Acknowledgment of country and partnerships - President's Report - Treasurer's Report - Station Manager's Report - Year at a glance - The Stats - Financial Report - 2018 AGM Meeting Minutes Page 2 We would like to start my report with acknowledging the traditional owners of the land that we meet, the station resides, and that we broadcast from. We pay our respects to the Yugara and Turrbal people and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past, present and emerging. Page 3 PRESIDENT'S REPORT Hi everyone and welcome to our AGM. As you will have been aware there have been huge changes at the Station and I would like to just take a few moments to put things into perspective. We have lived through what is probably the fastest changing dynamic the world has ever seen and the momentum is growing. When I grew up all we had was radio and we listened faithfully to all the programmes as there was only one Station – the BBC in England and the ABC here. I worked at the BBC in the 50s and we had the huge tapes that I recognised when I came to 4RHP about 12 years ago. My first training on a computer was in the mid 70s and that was at one of the first companies to use computers. All very strange to us. The machines were big and bulky and the computer had a whole room to itself. We slowly got used to that and when I opened my own business in the early 80s we had home computers and can you believe it a mobile phone that was huge. -
Apo-Nid63005.Pdf
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1991-92 Australian Broadcasting Tribunal Sydney 1992 ©Commonwealth of Australia ISSN 0728-8883 Design by Media and Public Relations Branch, Australian Broadcasting Tribunal. Printed in Australia by Pirie Printers Sales Pty Ltd, Fyshwick, A.CT. 11 Contents 1. MEMBERSIDP OF THE TRIBUNAL 1 2. THE YEAR IN REVIEW 7 3. POWERS AND FUNCTIONS OF THE TRIBUNAL 13 Responsible Minister 16 4. LICENSING 17 Number and Type of Licences on Issue 19 Grant of Limited Licences 20 Commercial Radio Licence Grant Inquiries 21 Supplementary Radio Grant Inquiries 23 Joined Supplementary /Independent Radio Grant Inquiries 24 Remote Licences 26 Public Radio Licence Grants 26 Renewal of Licences with Conditions or Licensee Undertaking 30 Revocation/Suspension/Conditions Inquiries 32 Allocation of Call Signs 37 5. OWNERSHIP AND CONTROL 39 Applications and Notices Received 41 Most Significant Inquiries 41 Unfinished Inquiries 47 Contraventions Amounting To Offences 49 Licence Transfers 49 Uncompleted Inquiries 50 Operation of Service by Other than Licensee 50 Registered Lender and Loan Interest Inquiries 50 6. PROGRAM AND ADVERTISING STANDARDS 51 Program and Advertising Standards 53 Australian Content 54 Compliance with Australian Content Television Standard 55 Children's Television Standards 55 Compliance with Children's Standards 58 Comments and Complaints 59 Broadcasting of Political Matter 60 Research 61 iii 7. PROGRAMS - PUBLIC INQUIRIES 63 Public Inquiries 65 Classification of Television Programs 65 Foreign Content In Television Advertisements 67 Advertising Time On Television 68 Film And Television Co-productions 70 Australian Documentary Programs 71 Cigarette Advertising During The 1990 Grand Prix 72 Test Market Provisions For Foreign Television Advertisements 72 Public Radio Sponsorship Announcements 73 Teenage Mutant Ninja Turtles 74 John Laws - Comments About Aborigines 75 Anti-Discrimination Standards 75 Accuracy & Fairness in Current Affairs 76 Religious Broadcasts 77 Review of Classification Children's Television Programs 78 8. -
Until the Late Twentieth Century, the Historiography and Analysis of Jazz Were Centered
2 Diasporic Jazz Abstract: Until the late twentieth century, the historiography and analysis of jazz were centered on the US to the almost complete exclusion of any other region. This was largely driven by the assumption that only the “authentic” version of the music, as represented in its country of origin, was of aesthetic and historical interest in the jazz narrative; that the forms that emerged in other countries were simply rather pallid and enervated echoes of the “real thing.” With the growth of the New Jazz Studies, it has been increasingly understood that diasporic jazz has its own integrity, as well as holding valuable lessons in the processes of cultural globalization and diffusion and syncretism between musics of the supposed center and peripheries. This has been accompanied by challenges to the criterion of place- and race-based authenticity as a way of assessing the value of popular music forms in general. As the prototype for the globalization of popular music, diasporic jazz provides a richly instructive template for the study of the history of modernity as played out musically. The vigor and international impact of Australian jazz provide an instructive case study in the articulation and exemplification of these dynamics. Section 1 Page 1 of 19 2 Diasporic Jazz Running Head Right-hand: Diasporic Jazz Running Head Left-hand: Bruce Johnson 2 Diasporic Jazz Bruce Johnson New Jazz Studies and Diaspora The driving premise of this chapter is that “jazz was not ‘invented’ and then exported. It was invented in the process of being disseminated” (Johnson 2002a, 39). With the added impetus of the New Jazz Studies (NJS), it is now unnecessary to argue that point at length. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
Techno-Punk and Terra-Ism
Making a Noise – Making a Difference: Techno-Punk and Terra-ism GRAHAM ST JOHN UNIVERSITY OF QUEENSLAND Abstract This article charts the convergence of post-punk/post-settler logics in the techno-punk development in Australia. Exploring how punk would become implicated in the cultural politics of a settler society struggling for legitimacy, it maps the ground out of which Labrats sound system (and their hybrid outfit Combat Wombat) arose. It provides an entry to punk through an analysis of the concept of hardcore in the context of cultural mobilisations which, following more than two centuries of European colonisation, evince desires to make reparations and forge alliances with Indigenous people and landscape. To achieve this, the article traces the contours and investigates the implications of Sydney’s techno-punk emergence (as seen in The Jellyheads, Non Bossy Posse, Vibe Tribe and Ohms not Bombs), tracking the mobile and media savvy exploits of 1990s DIY sound systems and techno terra-ists, aesthetes and activists adopting intimate and tactical media technologies, committing to independent and decentralised EDM creativity, and implicated in a movement for legitimate presence. Keywords techno, anarcho-punk, hardcore, sound systems, postcolonialism, Sydney techno-punk scene Figure 1: Outback Stack. Photo by Pete Strong Dancecult: Journal of Electronic Dance Music Culture 1(2) 2010, 1-28 ISSN 1947-5403 ©2010 Dancecult http://www.dancecult.net/ 2 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Making a Difference “Why do they keep calling our generation, generation x, when actually we’re genera- tion y?... Why? Because we’re the one’s asking the questions”. -
Media Tracking List Edition January 2021
AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
Annual Report 2019-20
ANNUAL REPORT 2019-20 Photographer: Martin Philbey CONTENTS About Us 03 Chair’s Report 04 Chief Executive Officer’s Report 06 Treasurer’s Report 08 Mission Statement and Vision 10 Three Year Strategy 11 Music Victoria Advocacy 14 Advisory Panels 15 Victorian Music Development Office 16 Professional Development Program 18 Music Victoria Awards 2019 19 Live Music Professionals 20 Cultivate 22 Music Victoria Board Members 24 Music Victoria Staff 27 Sponsorship and Partners 30 Financial Report 31 Page 02 ABOUT US Contemporary Music Victoria Inc. (Music Victoria) The organisation is governed by a volunteer Board is an independent, not-for-profit organisation and of Directors comprising of 6 members elected the state peak body for contemporary music. by members of Music Victoria, and 3 appointed members by the Board. Music Victoria operates It represents musicians, venues, music businesses under its Rules of Association, updated on 22 and professionals, and music lovers across the October 2019. contemporary Victorian music community. Music Victoria provides advocacy on behalf of the music sector, actively supports the development of the Victorian music community, and celebrates and promotes Victorian music. Photographer: Josh Brnjac Page 03 CHAIR’S REPORT SALLY HOWLAND music venues. The result, as referred to in Patrick’s report, was a significant investment from Creative Victoria who readily understand the central importance of safeguarding live music. Never before has the economic, social and cultural impact of music been so profoundly evident. Our second response was to offer free membership. Whilst this meant a hit to our budget, the Board took the view that offering a connection, a sense of belonging and support to the industry was of paramount importance.