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The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Label: Artwork Location: Title: Review Locati
Bob Dylan Title: 04271992 Start Date: 04/27/1992 Location: Paramount Theater, Seattle, WA Label: Artwork Location: Review Location: Recording Source: Disc Number: 1 73:28 1 Rainy Day Women #12 & 35 01:24 2 I Don't Believe You 04:40 3 Union Sundown 04:23 4 Just Like A Woman 05:24 5 Tangled Up In Blue 08:23 6 She Belongs To Me 05:01 7 Everything's Broken 04:02 8 Love Minus Zero/No Limit 02:39 9 Little Moses 03:47 10 A Hard Rain's A-Gonna Fall 06:48 11 It;s All Over Now, Baby Blue 06:32 12 Cats In The Well 04:36 13 Idiot Wind 09:12 14 The Times They Are A-Changin' 06:37 Disc Number: 2 65:22 1 Highway 61 06:35 2 Absolutely Sweet Marie 05:38 3 All Along The Watchtower 04:20 cut 4 Blowin' In The Wind 03:25 start of 4/28 filler 5 Sally Sue Brown 02:56 6 Stuck Inside Of Mobile 06:35 7 Simple Twist Of Fate 07:40 8 Watching The River Flow 03:45 9 Female Rambling Sailor 03:04 10 Gates Of Eden 04:51 11 Shooting Star 05:24 12 Like A Rolling Stone 05:33 13 Ballad Of A Thin Man 05:36 Bob Dylan Title: 07011978 Start Date: 07/01/1978 Location: Zeppelindfeld, Nurnberg, West Germany Label: Artwork Location: http://www.angelfire.com/yt/tyamabe/nurnberg/ Review Location: Recording Source: Disc Number: 1 70:28 1 She's Love Crazy 02:30 2 Baby Stop Crying 05:39 3 Mr, Tambourine Man 04:28 4 Shelter From The Storm 04:51 5 It's All Over Now, Baby Blue 04:24 6 Tangled Up In Blue 07:07 7 Ballad Of A Thin Man 04:35 8 Maggie's Farm 04:47 9 I Don't Belive You 04:26 10 Like A Rolling Stone 06:39 11 I Shall Be Released 04:13 12 Going, Going, Gone 04:23 13 A Change Is -
Drama Monologues
Drama Monologues Eye Contact Your crush is in study hall with you, you try to bring yourself to talk to him but don’t have the nerve. Oh-my-gosh! He’s looking at me! He can’t be looking at me! It’s impossible. I’m nobody, and he’s really, really, really somebody! There is no way he’s looking at me. Nope. Uh-uh. OK, just look casual. Yup, I’m just reading. Just doing my homework like everyone else here in study hall. Same ol’ routine. Now slowly look in his direction… He’ is looking at me! Oh, man why did I do that? Now I look like a dork! OK, calm down. Just thumb through the book. Now look super interested in this page. Good – very convincing… Now, just take a little teeny, tiny peek to see what he’s doing. Holy smoke, I think I’m going to faint! What do I do now? Do I wait till he says something? Maybe I should do something to let him know that…well…that it’s OK with me if he has something to tell me. I mean, what if he’s waiting for some kind of a sign that I’m…sort of…interested? I know! I could ask him if he wrote down the math assignment. Yeah! No wait…there’s no talking in study hall. Wouldn’t you know it! This is the most major opportunity of my life, and I’m forced into silence. OK, I’ve got it! I’ll write him a note! There’s got to be some paper in here! The bell! Wait! Where did he go? Man, another moment ruined by the bell! Female Monologue Chipmunk Emergency You just ran over a chipmunk while riding you bike. -
September 1988
Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C. -
Ecg1151 EJF2017 FINAL.Indd
14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint. -
Freedom High TRADE EDITION
ALL RIGHTS RESERVED Original Works Publishing CAUTION: Professionals and amateurs are hereby warned that this play is subject to royalty. It is fully protected by Original Works Publishing, and the copyright laws of the United States. All rights, including professional, amateur, motion pic- tures, recitation, lecturing, public reading, radio broadcasting, television, and the rights of translation into foreign languages are strictly reserved. Amateur and professional live stage performance rights to this play are controlled by Original Works Publishing and royalty arrangements and licenses must be secured well in advance of presentation. PLEASE NOTE that amateur royalty fees are set upon application in accordance with your producing circum- stances. When applying for a royalty quotation and license please give us the number of performances intended, dates of production, your seating capacity and admission fee. Royalties are payable with negotiation from Original Works Publishing. Royalty of the required amount must be paid whether the play is presented for charity or gain and whether or not admission is charged. Particular emphasis is laid on the question of amateur or professional readings, permission and terms for which must be secured from Original Works Publishing through direct contact. Copying from this book in whole or in part is strictly for- bidden by law, and the right of performance is not transferable. Whenever the play is produced the following notice must appear on all programs, printing, and advertising for the play: “Produced by special arrangement with Original Works Publishing. www.originalworksonline.com” Due authorship credit must be given on all programs, printing and advertising for the play. -
Past the First Association
Arts & Entertainment 2 A Thursday, May 30,1985 Daily Nexus Past The First Association On the first listen Paul Young’s new album, The Secret of You Go Away.” Like most of Paul Young’s covers it’s Association gets lost in over-production and over-powering ambitious and showy, yet Young’s vocals never hit any details. The blend of rhythm and blues ballads and funky strains. With the contrast of modern instrumentation and dance tunes are, at first, buried in hard-to-follow melodies Temptation-sounding back-ups, “ Everytime” does more and confusing special effects. Give Association a few than justice to the original. It revives, enhances, and blends listens, however, and the lyrical content combined with its older rhythm and blues style into a heart breaking love Young’s incredibly powerful voice sends the album off and song. This song also shows, however, how good the flying. production of the entire album might have been. Most of Association has a sixties* R&B feel laced with modern synthesizers and off-beat effects. Young makes his The strength of The Secret of Association is the com first attempts at writing on half of the album with flair and bination of Young’s powerful voice and cutting lyrics. Both surprising depth. The R&B influence of the songs he côvers “ One Step Forward” and “ Soldier’s Things” have haunting clearly inspires his own writing. Most of Association con lyrics with images of the desolation of war. Like the soul he sists of fantastically stabbing ballads of love gone awry. -
Life Stories of Aboriginal and Torres Strait Islander Servicemen and Women / Noah Riseman
IN DEFENCE OF COUNTRY Life Stories of Aboriginal and Torres Strait Islander Servicemen & Women Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), Acton, ANU, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. IN DEFENCE OF COUNTRY Life Stories of Aboriginal and Torres Strait Islander Servicemen & Women NOAH RISEMAN Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Creator: Riseman, Noah, 1982- author. Title: In defence of country : life stories of Aboriginal and Torres Strait islander servicemen and women / Noah Riseman. ISBN: 9781925022780 (paperback) 9781925022803 (ebook) Series: Aboriginal history monograph. Subjects: Aboriginal Australians--Wars--Veterans. Aboriginal Australian soldiers--Biography. Australia--Armed Forces--Aboriginal Australians. Dewey Number: 355.00899915094 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. -
VOL.66 Piolo Amos Ezra Migael
PIOLO / PIOLO JR. / 1 VOLUME 66 AMOS / EZRA / MIGAEL David Mga Anak Ng FFFIIILLLEEE TTTIIITTTLLLEEE AAARRRTTTIIIISSSTTT 18935 Crazy Beautiful Pomeranz 19024 Iniwan Tupa Dolly Parton and Abaddon New Songs 19017 Cuddle Up Cozy Down Christmas Michael Buble 18892 Isang Buhay Julie Anne San The Pretenders GMA Christmas 18921 2000 Miles 18937 Dahil Sa 'Yo Natutong Magmahal Jose 19002 Isang Puso Ngayong Pasko Station ID 2020 Powfu ft. Carly Rae Ariana Grande 18922 34+35 18878 Death Bed Beabadoobee 19025 It's Not Christmas Till Somebody Cries Jepsen Bobby Darlene Love Ben&Ben 18924 All Alone On Christmas 18939 'Di Ka Sayang 18893 Jennifer Sherman 18861 Ang Pag Ibig Kong Ito Salbakuta 18880 Diamonds Sam Smith 18954 Kabilang Buhay Bandang Lapis 18926 Ang Sa Iyo Ay Akin Aegis 18941 Do What You Can Bon Jovi 19026 Kids Again Sam Smith Marilyn Moira, Inigo Richard Marx 18862 Angelia 18881 Don't Chase The Dead Manson 18895 Langit Lupa Pascual 18863 Anna Top Suzara 19018 Don't You Worry 'Bout A Thing Stevie Wonder 19003 Lapastangan St. Wolf Dua Lipa and Meghan Kyla 18864 Anong Daling Sabihin 18942 Fever Angele 18955 Last Christmas Trainor Sigala, James Ruel Eric Clapton 18927 As Long As You Care 18943 For Love On Christmas Day 18896 Lasting Lover Arthur Internet Money ft 18865 As Long As You Care Ruel 18944 Forever After All Luke Combs 18897 Lemonade Don Toliver, Gunna & NAV David Guetta & Pink Sweat Charlie Puth 19013 At My Worst 18883 Free 18898 Let's Love Sia Bruce Bruce Taylor Swift 18866 August 18945 Ghosts Springsteen 18956 Letter To You Springsteen -
The Australian Songwriter
The Australian Songwriter Issue 90, November 2012 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message Top 25 Category Winners in the 2012 Australian Songwriting Contest 2012 Australian Songwriters Hall of Fame Inductee: Don Walker (Cold Chisel) ASA Member Profile: Alec Raymer ASA Member Profile: Kaitlyn Thomas Ten Keys To Unlock Creative Songwriting: Final Members News Sponsors Profiles ASA Member Profile: Kylie Stephens ASA Member Profile: Kathy Prosser New ASA Regional Co-Ordinator for Western Australia: Mike Cardy Festivals Roundup The Load Out Official Sponsors of the 2012 Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators Chairman’s Message All ASA Members, Here we go! November will be the most hectic month on the ASA Calendar as we build to our 2012 National Songwriting Awards Night. Pretty soon our Finals Judges will come up with the Top Ten place getters in every Category of the ASA 2012 Song Contest. They will of course be announced and feted on our special evening in December. It will be huge. Between now and then there is just enough time to check out the ASA November 2012 e-mag. Our Vice Chairman/Financial Officer/Editor Alan Gilmour has been slaving away as usual to bring you lots of interviews and stories about Members, along with helpful hints from some of Australia’s best Songwriters. The 2012 Song Contest Finalists are also listed. -
THE POINT WHERE THEY MEET and OTHER STORIES a Thesis
THE POINT WHERE THEY MEET AND OTHER STORIES A thesis submitted to Kent State University in partial fulfillment of the requirements for the Degree of Master of Fine Arts by Brittany Stone May 2011 Thesis written by Brittany Stone M.F.A., Kent State University, 2011 B.A., Hiram College, 2008 Approved by _____________Robert Pope______________, Advisor, MA Thesis Defense Committee ___________Varley O’Connor____________, Members, MA Thesis Defense Committee _____________Robert Miltner____________, Members, MA Thesis Defense Committee Approved by ____________Ron Corthell_______________, Chair, Department of English ___________John R.D. Stalvey____________, Dean, College of Arts and Sciences ii TABLE OF CONTENTS ACKNOWLEDGEMENTS…………………………………………………………....vi A REAL HOLLYWOOD PRODUCTION…………………………………………….1 THE SPIDER………………………………………………………………………….23 THE POINT WHERE THEY MEET…………………………………………………46 BOBCAT……………………………………………………………………………...65 OF DESPERATION AND CARS…………………………………………………….75 THE HEN……………………………………………………………………………...92 AS GOOD AS MOTHER…………………………………………………………….111 THE HOUR BEFORE DEATH………………………………………………………128 SAILING MAN……………………………………………………………………….144 iii ACKNOWLEDGEMENTS This work is dedicated to my grandparents, Gene and Garcia Burchett of Duck, West Virginia. They’ve shown me that beauty, love, and joy can thrive in adversity. Little bits of their spirits are in each of these stories. Brittany Stone 3/15/11, Kent, OH iv A REAL HOLLYWOOD PRODUCTION The man came on a Saturday morning and knocked on Bud’s door. The man didn’t know Bud and Bud didn’t know him. Bud had been sitting in the kitchen in his big old house, writing a check for the gas. For as long as he’d had been paying his own way—too many years, as far as he was concerned—bills came first on Saturday mornings. He tucked the pen behind his ear and answered the door. -
Drexel Family to Reunite This Weekend
Find out about the latest video releases an d Eric Clapton*s ne w live album on page ten... Volume 67 • Number 5 October 18,1991 Founder’s D ay m a r k s D rexel’s centennial Gary Rosenzweig Walter Cronkite to moderate panel discussion celebrating it’s one hundredth Of The Triangle anniversary. will be questions taken from the The rededication ceremony McClements, Jr., chairman of There will be two events Celebration and ceremony audience. The event is being will begin at 6:00 p.m. on 32nd the centennial committee, and following the light show. One is will mark Drexel University’s filmed by Quantum Productions, street. According to Hanshew, it President Richard Breslin. a reception in the Quad open to Founder’s Day this Monday, who have been recording many will start with a “centennial This will all take place on a all, where hors d’oeuvres will be Oct. 21. Several events will take of the centennial events this salute” with trumpets and a specially built stage on the served. The other is a cocktails place starting with a panel year. There will also be a choir. There will be speeches by closed-off 32nd street. There and black-tie dinner for trustees, discussion on the future of continental breakfast served for , George Ross, chairman of the will be a light show featuring the corporate executives, and education moderated by former those attending in Mandell. Board of Trustees, Robert Main Building, which is also administrators. CBS news anchorman Walter Cronkite, and ending with a formal rededication of the Drexel University and an exclusive black-tie dinner.