European Journal of American Studies, 10-3 | 2015, « Special Double Issue: the City » [En Ligne], Mis En Ligne Le 31 Décembre 2015, Consulté Le 08 Juillet 2021
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Critical Inquiry As Virtuous Truth-Telling: Implications of Phronesis and Parrhesia ______
______________________________________________________________________________ Critical Inquiry as Virtuous Truth-Telling: Implications of Phronesis and Parrhesia ______________________________________________________________________________ Austin Pickup, Aurora University Abstract This article examines critical inquiry and truth-telling from the perspective of two comple- mentary theoretical frameworks. First, Aristotelian phronesis, or practical wisdom, offers a framework for truth that is oriented toward ethical deliberation while recognizing the contingency of practical application. Second, Foucauldian parrhesia calls for an engaged sense of truth-telling that requires risk from the inquirer while grounding truth in the com- plexity of human discourse. Taken together, phronesis and parrhesia orient inquirers to- ward intentional truth-telling practices that resist simplistic renderings of criticality and overly technical understandings of research. This article argues that truly critical inquiry must spring from the perspectives of phronesis and parrhesia, providing research projects that aim at virtuous truth-telling over technical veracity with the hope of contributing to ethical discourse and social praxis. Keywords: phronesis, praxis, parrhesia, critical inquiry, truth-telling Introduction The theme of this special issue considers the nature of critical inquiry, specifically methodological work that remains committed to explicit goals of social justice and the good. One of the central concerns of this issue is that critical studies have lost much of their meaning due to a proliferation of the term critical in educational scholarship. As noted in the introduction to this issue, much contemporary work in education research that claims to be critical may be so in name only, offering but methodological techniques to engage in critical work; techniques that are incapable of inter- vening in both the epistemological and ontological formations of normative practices in education. -
Digital Parrhesia 2.0: Moving Beyond Deceptive Communications Strategies in the Digital World François Allard-Huver, Nicholas Gilewicz
Digital Parrhesia 2.0: Moving beyond deceptive communications strategies in the digital world François Allard-Huver, Nicholas Gilewicz To cite this version: François Allard-Huver, Nicholas Gilewicz. Digital Parrhesia 2.0: Moving beyond deceptive communi- cations strategies in the digital world. Handbook of Research on Digital Media and Creative Tech- nologies, pp.404-416, 2015, 978-1-4666-8205-4. 10.4018/978-1-4666-8205-4.ch017. hal-02092103 HAL Id: hal-02092103 https://hal.archives-ouvertes.fr/hal-02092103 Submitted on 7 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Digital Parrhesia 2.0: Moving beyond Deceptive Communications Strategies in the Digital World François Allard-Huver Sorbonne University, France Nicholas Gilewicz University of Pennsylvania, USA ABSTRACT Deceptive communications strategies are further problematized in digital space. Because digitally mediated communication easily accommodates pseudonymous and anonymous speech, digital ethos depends upon finding the proper balance between the ability to create pseudonymous and anonymous online presences and the public need for transparency in public speech. Analyzing such content requires analyzing media forms and the honesty of speakers themselves. This chapter applies Michel Foucault’s articulation of parrhesia—the ability to speak freely and the concomitant public duties it requires of speakers—to digital communication. -
Iron & Steel Entrepreneurs on the Delaware GSL22 12.15
Today we get excited about iPhones, iPads, and the like, but 160 years ago, when the key innovations were happening in railroads, iron, and steel, many people actually got excited about . I-beams! And among the centers of such excitement was Trenton, New Jersey. Figure 1: Petty's Run Steel renton became a center of these iron and steel innovations in the 19th Site, Trenton, 2013. In the century for the same reasons that spur innovation today—location, 1990s Hunter Research, Inc. uncovered the foundation of Tinfrastructure, skilled workers, and entrepreneurs. The city’s Benjamin Yard's 1740s steel resources attracted three of the more brilliant and visionary furnace, one of the earliest entrepreneurs of the 1840s—Peter Cooper, Abram S. Hewitt, and John A. steel making sites in the Roebling. They established iron and steel enterprises in Trenton that colonies. The site lies lasted for more than 140 years and helped shape modern life with between the N.J. State innovations in transportation, construction, and communications. Their House and the Old Barracks, legacy in New Jersey continues today with landmark suspension background, and the State and Mercer County have bridges, one of the State’s finest historic parks, repurposed industrial preserved and interpreted it. buildings, one of the best company towns in America, and in a new C.W. Zink museum. Abram Hewitt, Peter Cooper’s partner and future son-in-law, highlighted Trenton’s assets in 1853: “The great advantage of Trenton is that it lies on the great route between New York and Philadelphia” which were the two largest markets in the country. -
The Role of Dualism in Environmental Discourse: an Analysis of Documentary Films That Address the Agriculture Issue Matrizes, Vol
Matrizes ISSN: 1982-2073 ISSN: 1982-8160 [email protected] Universidade de São Paulo Brasil Muniz de Medeiros, Priscila; de Azevedo Mello Gomes, Isaltina Maria The role of dualism in environmental discourse: an analysis of documentary films that address the agriculture issue Matrizes, vol. 12, no. 3, 2018, pp. 277-296 Universidade de São Paulo Brasil DOI: https://doi.org/10.11606/issn.1982-8160.v12i3p277-296 Available in: https://www.redalyc.org/articulo.oa?id=143065736014 How to cite Complete issue Scientific Information System Redalyc More information about this article Network of Scientific Journals from Latin America and the Caribbean, Spain and Journal's webpage in redalyc.org Portugal Project academic non-profit, developed under the open access initiative 277 The role of dualism in environmental discourse: an analysis of documentary films that address the agriculture issue O papel do dualismo no discurso ambiental: uma análise a partir de filmes documentários sobre a questão agrícola PRISCILA MUNIZ DE MEDEIROSa Universidade Federal de Alagoas. Maceió – AL, Brazil ISALTINA MARIA DE AZEVEDO MELLO GOMESb Universidade Federal de Pernambuco, Graduate Program in Communication. Recife – PE, Brazil ABSTRACT Focusing on the concept of discursive formation, in this study we tested the hypothesis a Assistant professor of Universidade Federal de that dualism would play a central role within what we called an anti-industrial agriculture Alagoas (Ufal). Orcid: https:// discursive formation. Therefore, we analyzed the presence of several binary schemes orcid.org/0000-0003-3173-8596. E-mail: [email protected] shared by the six documentary films that composed the corpus of the study. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
Smash-Hits-1980-12-J
TLY ...,., man League lbums lncolour be won ROXY MUSIC FLESH+BLOOD Phone 01-200 0200 To find out the nearest shop where you can obtain "Flesh & Blood" at a minimwn of £1.00 off tlte album's R.R.P. ALBUM & CASSETTE 1.,.,~.1EiJ NEW AMSTERDAM June 12-25 1980 Elvis Costello ...........................................4 It's tough atthe top. Jerry TIN SOLDIERS Dammers just popped in to Stiff Little Fingers ....................................4 borrow a picture of himself. Seems he was trying to cash a CHRISTINE cheque at the bank and the Siouxsie & The Banshees ....................... 5 people didn't recognise him . .. Our apologies next to the folks CRYING who were disappointed by the Don Mclean .............................................8 absence of the promised Dexy's colour poster in the lastjssue. CHINATOWN r----...:S~ee, thei:O• haef'already been 4 rattled off to the prlntws before THT:~EL~.1oivi. M·~A~s·~·H ........................ ·1 the actual shot arrived and we decided we needed to~ bett.er. The Mash ............................................... 14 have atlence ,and we1t bring LITTLE JEANNIE one soon. This time around eve definitely got a fantastic Elton John .............................................. 16 vid,c> game for our new IF LOVING YOU IS WRONG d prize, our Irresistible lffer OD page 26 plus a Rod Stewart ........................................... 16 S etro"c:ompetition on page • EVERYBODY'S GOTTO LEARN 28. So'-Juat think yourself lucky - we UNd_"to'"1ive7n a _rolled u SOMETIME -~e'.lnidHle ofthe"' The Korgis .............................................. 19 BACK TOGETHER AGAIN Roberta Flack & Donny Hathaway ........22 THE MAN WHO DIES EVERYDAY ntributon Ultravox .................................................29 qb' K'-atz TO BE OR NOT TO BE R~ttrr Fr,cl Deller B. -
And a Remote Literature Literat
Maria Oikonomou OnOnOn thethethe Clinical Picture ofofof NostalgiaNostalgia———— aaandandndnd aaa Remote Literature Nowhere does one find better somatization than among foreigners... (Julia Kristeva: Strangers to Ourselves ) When speaking of homesickness, Odysseus comes to mind as the first great nostalgist, who is fated to force his return against insurmountable resistance – not only against all the external adversities, but also against inner deviations and the ebbing of all motivation. Later on, in Tomis on the Black Sea, Ovid finds plaintive words for his longing for Rome, for his desiderium patriae . In his epistles Cicero laments the loss of his homeland, while Dante’s Divine Comedy speaks of the hour “that turns back desire in the sailors, and softens their hearts.”1 For the ancient and pre-modern world, homesickness – a longing for that which is lost and a profound desire to ease this deficiency – was at base a spiritual orientation, and only the use of metaphors could make this emotional state palpable. Sometimes, metaphors pertaining to the body seem to presage the path of homesickness through the history of the discourse. While Odysseus’ homesickness is soothed by the smoke of Ithaca, transient and incorporeal, for Dante it is the heart of the sailor, which seems to transfer homesickness not only into the material, but even the somatic realm. In that sense it is no longer a vague yearning, not scattered signs in the heavens, but an organ whose tissues and pulse are inscribed with emotion. This shift of a previously disembodied feeling of longing, which now enters the subject and its anatomy, presages the reconceptualizations of homesickness during the early modern differentiation of discourses. -
What Literature Knows: Forays Into Literary Knowledge Production
Antje Kley What Literature Knows: An Introduction The nexus of literature and knowledge is an underdetermined and capacious one� Both popular and culturally distinguished forms of literary writing ex- hibit a whole range of relations to knowledge landscapes, be they scientific, political, or administrative� Karl Richter, Jörg Schonert, and Michael Titz- mann have distinguished four general types of relation between literature and knowledge: first, literature may integrate bodies of knowledge in order to confirm, modify, or criticize them� Second, literature may entertain fields of knowledge that scientific discourses have not taken up (yet)� Third, literature may produce knowledge that is taken up and authorized later by academic discourses (e�g� psychoanalysis)� And fourth, specialized bodies of knowledge might remain difficult to mediate or even inaccessible for literary writing (30)� In all four types of relation literature functions as an ‘interdiscourse’ (Link, “Interdiscourse”) which may participate in and selectively connect other more specialized discursive formations�1 The contributions to this volume address all four types of interconnection, and they all insist that literature’s interdiscursive relation with specific areas of knowledge is fundamentally twofold, involving both the level of content and the level of discursive form, to selectively tap bodies of knowledge for representation and to produce knowledge in its own right� The essays collected here trace what the Münster research training group on “Literary Form: History -
Samuel T. Hauser and Hydroelectric Development on the Missouri River, 1898--1912
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1979 Victim of monopoly| Samuel T. Hauser and hydroelectric development on the Missouri River, 1898--1912 Alan S. Newell The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Newell, Alan S., "Victim of monopoly| Samuel T. Hauser and hydroelectric development on the Missouri River, 1898--1912" (1979). Graduate Student Theses, Dissertations, & Professional Papers. 4013. https://scholarworks.umt.edu/etd/4013 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB SISTS. ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY 7' UNIVERSITY OF MONTANA DATE: 1979 A VICTIM OF MONOPOLY: SAMUEL T. HAUSER AND HYDROELECTRIC DEVELOPMENT ON THE MISSOURI RIVER, 1898-1912 By Alan S. Newell B.A., University of Montana, 1970 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1979 Approved by: VuOiAxi Chairman,lairman, Board of Examiners De^n, Graduate SctooI /A- 7*? Date UMI Number: EP36398 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
1894. Congressional Record-House. 3025
1894. CONGRESSIONAL RECORD-HOUSE. 3025 do not want to make any comparison on that line, but it seems ject was to reduce the expenditures of the @fficeforce. I believe to me that an expression of that sort is unparliamentary, unbe there are too many people there. For inst:mce, the Blue Book coming: and entirely out of place. That is parliamentary lan shows that there were as many as 11 messengers employed at· guage\ is it not? There is another set on that sjdeof the House, one time in that office. I thought that the Secretary of the radiating out from the gentleman from Maine-- Treasury, in connection with the Superintendent of the Coast A ME~ER. What do you mean by a ' 'set"? and Geodetic Survey, might rearrange the force of this Bureau Mr. STOCKDALE. Well,anothercorps; thatisbatter. The so as to redt: ce the cost $113 ,600. That was my only purpose. gentleman from Maine, when he r ises to speak, stands over Mr. DINGLEY. I have no doubt that the purpose of the there, looks over to this side of the House and says: '' Let us do chairman of the committee in this matter was exactly as he has this by the rules of common sense," a.ll the time insisting ths.t shted; but my inquiry was as to what the effect might b.e; the Democratic side of this House are without knowledge on the whether this legislation might not go much further than the ~ubject. And then some smaller men will rise and say that we chairman had in tended it should go. -
Whole Day Download the Hansard
Tuesday Volume 628 12 September 2017 No. 26 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 12 September 2017 © Parliamentary Copyright House of Commons 2017 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 617 12 SEPTEMBER 2017 618 Mr Speaker: We await the hon. Lady’s oration on that House of Commons occasion with eager anticipation. Tuesday 12 September 2017 Albert Owen (Ynys Môn) (Lab): The Minister’sresponse is simply not good enough. We have waited for report after report, and these carbon budgets have been delayed The House met at half-past Eleven o’clock time and again. I know that we have had an unnecessary and uncosted election, but even the United Nations is PRAYERS saying that our air is not clean. It is time that the Government took this seriously, acted and told the House the exact figures. [MR SPEAKER in the Chair] Claire Perry: I think the hon. Gentleman is showing BUSINESS BEFORE QUESTIONS the effect of our late sitting hours with his grumpiness. He should be celebrating the fact that Britain has led the world in decarbonising our economy, while growing MIDDLE LEVEL BILL the economy at a greater rate than any other G7 country. Motion made, If he wants more affirmation, he should read the PwC That the promoters of the Middle Level Bill, which originated report on that. What we have to do now is set out a very in this House in the previous Session on 24 January 2017, may difficult and long-term plan to meet the fourth and fifth have leave to proceed with the Bill in the current Session carbon budgets and to go beyond. -
Musician Neneh Cherry on Addressing Politics in Your Art
October 29, 2018 - As told to T. Cole Rachel, 2891 words. Tags: Music, Politics, Process, Collaboration. On addressing politics in your art Musician Neneh Cherry on what makes a good a collaborator, the headspace required for making thoughtful art, and why sometimes being quiet is a radical act. What’s the kind of headspace you need to be in when you’re working on music? It’s somewhat different every time, but recently I had a place that I wanted to go in my spirit and soul, through the songs and with the songs. I knew it was going to need me to be in a more… not a static place, exactly, but a more still place. It was almost like I could feel the songs around my head. Of course, the collaborative journey played an important part in actually reaching the goal. In the case of Broken Politics, I think we reached the goal I had in mind. I work with Cameron McVey, who is my husband and my creative partner, beyond just the spousal stuff. We’ve also had a very intimate creative journey. Quite often we’re working with other programmers and musicians when we’re writing, so there are all of these different things to figure out and negotiate. He’s a really fast writer. I’m a much slower writer. A lot of the time we’re in the studio by ourselves, each working at our own pace. Sometimes, even when you have an idea of where you want to go, it’s still a struggle getting there and getting past all the little weird obstacle courses that your brain sets up for you in order to get to that place where you’re creatively open.