Portraiture in Literary Reportage and Documentary Writing
THE EUROPEAN JOURNAL OF LIFE WRITING VOLUME IX (2020)43–69 The Writer as Reporter: Portraiture in Literary Reportage and Documentary Writing Jerome Boyd Maunsell University of Roehampton, London ABSTRACT This article explores how several novelists in the first half of the twentieth cen- tury, including James Agee, Jack London, George Orwell, and John Steinbeck, portrayed other, often marginal, real lives in works of reportage and documen- tary writing—terms variously defined and utilised by critics and practitioners, but seen here as hybrid, intersecting forms of life writing. It argues that such work has an extremely artful element of verbal portraiture of real-life people, often in dialogue with photography. The process of writing and witnessing reportage work differs substantially from that of fiction. Focusing on certain factors key to the portraiture in reportage—including unfamiliarity, represen- tativeness, standpoint, and objectivity—the article analyses these writers’ treat- ment of them. The extent to which these writers revealed their documentary or reportorial role to their subjects, or disguised it, is also considered. Moving between international, cultural, political and social contexts, and deeply in- formed by chance and accident, early twentieth century reportage emerges as a highly interactive, volatile, and intersubjective space in its portraiture of oth- ers, nonetheless defined finally by the writer’s point of view. Keywords: reportage; documentary writing; literary journalism; portraiture The late Polish writer Ryszard Kapuściński, who died in 2007, defined his own work as ‘literary reportage’: a hybrid form of writing at the intersec- tion of autobiography, biography, fiction, history, journalism, reporting, and travel writing, in which, as Kapuściński declared, ‘authentic events, European Journal of Life Writing, Vol IX, 43–69 2020.
[Show full text]