Stone-Butch-Blues-By-Leslie-Feinberg.Pdf
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Practical Tips for Working with Transgender Survivors of Sexual Violence
Practical Tips: working with trans survivors michael munson Practical Tips for Working With Transgender Survivors of Sexual Violence Who Are Transgender People? Transgender is an umbrella term which encompasses the whole “gender community,” including transsexuals, cross‐dressers, intersexed individuals, androgynes, bigendered persons, genderqueers, SOFFAs (Significant Others, Friends, Family and Allies) and others. Transgender may also refer to people who do not fit neatly into either the “male” or “female” categories, instead crossing or blurring gender lines. The term can also refer to butch lesbians and effeminate gay men. In some communities, “transgender” refers only to cross‐dressers. By definition, transgender individuals piece together a self‐identity that is different from or in opposition to what everyone tells them they are. Although the rise of the Internet and growing public visibility of transgender people and issues are making it easier for individuals to tap into preexisting identity models, the transgender experience is still largely an isolated, individual one. This might be the primary reason why the nomenclature for the trans experience is both unsettled and, among trans people themselves, very hotly contested. There are literally hundreds of words used to describe a trans identity or experience (See last page). Therefore, definitions and examples should be used gingerly and in a way that makes it possible for each trans individual hirself to use the term(s) s/hei considers most reflective of hir self‐conception and experience. Key Concepts Our culture strongly promotes the idea of an immutable gender binary in which people are supposed to fit into only one of just two gender boxes, and stay there from birth to death. -
Bisexual Relationships: Investigating the Impact of Attitudes Regarding Bisexuality on Relationship Satisfaction Among Female Same-Gender Couples
Bisexual Relationships: Investigating the Impact of Attitudes Regarding Bisexuality on Relationship Satisfaction Among Female Same-Gender Couples Mary Rachel Nedela A Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Human Development April L. Few-Demo Erika L. Grafsky Katherine R. Allen Christine Kaestle December 12, 2019 Blacksburg, VA Keywords: bisexuality, bi-negativity, couples, relationship satisfaction Bisexual Relationships: Investigating the Impact of Attitudes Regarding Bisexuality on Relationship Satisfaction Among Female Same-Gender Couples Mary Rachel Nedela ABSTRACT Bisexual individuals experience negativity toward their identities from heterosexual as well as gay and lesbian individuals. While there is a large body of research on the negative mental health consequences due to bi-negativity among individuals who identify as bisexual, little research exists exploring the relational impacts of bi-negativity. Informed by symbolic interaction theory and minority stress theory, this study investigated the impacts of attitudes regarding bisexuality on relationship satisfaction in female same-gender couples with at least one bisexual-identified individual through the following research questions: (a) How, if at all, do the attitudes toward bisexuality of individual partners influence perceptions of relationship satisfaction? and (b) How do partners negotiate the influence of attitudes toward bisexuality on their relationship? To address these questions, data from semi-structured interviews of eight female same-gender couples were analyzed using constructivist grounded theory methodology. Findings indicated that couples moved through a process of the following: pre-relationship factors, relationship formation, relational emotion work, and shared relational meaning. -
Guide to the Firebrand Books Records, 1984-2000 Collection Number: 7670
Guide to the Firebrand Books Records, 1984-2000 Collection Number: 7670 Division of Rare and Manuscript Collections Cornell University Library Contact Information: Compiled Date EAD encoding: Division of Rare and Manuscript by: completed: Peter Martinez, April, Collections Brenda Marston March 15, 2001 2002 2B Carl A. Kroch Library Cornell University Ithaca, NY 14853 (607) 255-3530 Fax: (607) 255-9524 [email protected] http://rmc.library.cornell.edu © 2002 Division of Rare and Manuscript Collections, Cornell University Library DESCRIPTIVE SUMMARY Title: Firebrand Books records, 1984-2000 Collection Number: 7670 Creator: Firebrand Books (Ithaca, N.Y.). Quantity: 58 cubic ft. Forms of Material: Manuscripts, financial records, personnel records, computer files, ephemera. Repository: Division of Rare and Manuscript Collections, Cornell University Library Abstract: Files on published books; rejection letters; invoices; distributors' reports; vendor files; files on conferences and events the publisher attended; file from publisher's service on the Advisory Committee to the Human Sexuality Collection, 1991; mailing list; lists of Firebrand employees and interns; summary of financial donations to Firebrand; Firebrand's web site; and posters that decorated the office. Language: Collection material in English ORGANIZATIONAL HISTORY From 1984 to 2000, Firebrand Books published exceptional literary fiction, nonfiction, and poetry on lesbian and feminist themes. Publisher Nancy Bereano won the Publisher's Service Award at the "Lammy" or Lambda Literary -
Record-Mirror-1978-1
Record Mora, December 2. 1978 Alice inside out rr ALICE COOPER: 'From The Inside' (Warner Brothers K5677) t , t- THE BAT out of hell has clipped his wings, thrown sz away his last bottle of 1 booze and vowed never to be nAughty again. s Alice was In danger of A heading for that great boogie house In the sky, after years of pickling his Si liver with alcohol. But he pulled back and went on a cure. This album Is a loose a. concept of his reflections . and hospital experiences. t Apocalyptic tracks, , -k heavy with thunderous , II guitar and keyboards. The title track is a panoramic view of being on the road and how the booze troubles started. Imagine 'School's Out' meeting a quality disco track and you'll get the 'idea of how the song on the wagon sounds. ALICE COOPER: Alice now works many assorted seventies Highlights are the primarily with Bernie albums Rundgren has cocktail - piano intro to Taupin, who hasn't lost cleverly fused mid -sixties 'never Never Land' and his talent for incisive idyllic American emotional 'The Verb To lyrics. 'The Quiet Room' melodies with various Love' but 'Hello It's Me' Is full of opposing forms of heavy - rock. comes off best with Its parallels between soul; jazz, Eastern In- archetypal chorus thoughts of home and trigue and even modern utilising the vocal talents frustration about being Instrumental pieces akin of Hall and Oates, Stevie n M locked in a padded cell. to Debussy to create a Nicks (when she's not But Cooper isn't going complete 'pop - sound with her group she's to forget about his early encyclopaedia', and alright) and Rick "weirdo" Image. -
Kate Bornstein: a Transgender Transsexual Postm Odern Tiresias
Kate Bornstein: A Transgender Transsexual Postm odern Tiresias From Shannon Bell Gender School "Sex is fucking, everything else is gender" Kate told us on the first day of gender school: a four part, sixteen hour Cross-Gendered Perform ance Workshop which was part of Buddies in Bad Tim es Theatre sum m er school program . Kate is a Buddhist M-to-F transsexual perform ance artist and gender educator. Kate has been both m ale and fem ale and now is not one nor the other, but both-and-neither, as indicated in the title of her play The Opposite Sex...is Neither! The Cross-Gender W orkshop aim ed at deconstructing gender: shedding gender, trying on a new gender; getting to zero point and then construct ing a new gender. The first section of the workshop dealt with gender theory and learning how to build gender cues: physical cues - body, posture, hair, clothing, voice, skin, m ovem ent, space, weight; behavioral cues - m anners, decorum , protocol, deportm ent; textual cues - stories, histories, associates, relationships; power dynam ics - top, bottom , entitlem ent/ not; and sexual orientation (to whom am I attracted). This w as preparation for constructing a character which we would work on perform ing for the following three sessions. At the final class we did a one hour Zen walk across the theatre stage. For the first half-hour of the walk we shed all our acquired gender characteristics; for t he second half we took on our character's gender traits. The only constraint on selecting a character was that it be som e version of the opposite gender. -
Crossing the Road, Or What's a Nice Lesbian Feminist Like You Doing in a Place Like This?
NARRATIVES Crossing the Road, or What's a Nice Lesbian Feminist Like You Doing in a Place Like This? This narrative follows the author's journey in teaching Leslie Feinberg's Stone Butch Blues and teaching about the death of Brandon Teena, a person born biologically female but who lived a chosen male identity and who was murdered in Nebraska for that choice. Through reading, class discussion, student journals, and especially events such as the Michigan Womyn's Music Festival, speeches by transgender activists, and a rally in support of Brandon Teena, the author moves in her teaching from "add transgender and stir" to a conceptual framework which affects the way she sees everything. Her teaching transforms her. by tiven when I am reluc- "womyn-born-womyn" were Barbara DiBernard tant to follow, my teaching leads allow^ed, excluding transsexual me to the places I need to go. women. I had followed the de- Barbara DiBernard teaches One sunny day in the summer bate in the national lesbian women's literature at the of 1994 I found myself leaving press, but I remained unmoved, University of Nebraska at the grounds of the Michigan sure in my identity politics that Lincoln, where she is also Womyn's Music Festival and I knew what both "woman" and Director of the Women's crossing the county road to "lesbian" meant. I agreed with Studies Program. "Camp Trans," a camp of the argument that male to fe- transgender people and their male transsexuals had been so- allies who were there to protest cialized as males, and therefore the Festival's exclusion of trans- would still be male in some im- sexual women. -
Living Blues 2021 Festival Guide
Compiled by Melanie Young Specific dates are provided where possible. However, some festivals had not set their 2021 dates at press time. Due to COVID-19, some dates are tentative. Please contact the festivals directly for the latest information. You can also view this list year-round at www.LivingBlues.com. Living Blues Festival Guide ALABAMA Foley BBQ & Blues Cook-Off March 13, 2021 Blues, Bikes & BBQ Festival Juneau Jazz & Classics Heritage Park TBA TBA Foley, Alabama Alabama International Dragway Juneau, Alaska 251.943.5590 2021Steele, Alabama 907.463.3378 www.foleybbqandblues.net www.bluesbikesbbqfestival.eventbrite.com jazzandclassics.org W.C. Handy Music Festival Johnny Shines Blues Festival Spenard Jazz Fest July 16-27, 2021 TBA TBA Florence, Alabama McAbee Activity Center Anchorage, Alaska 256.766.7642 Tuscaloosa, Alabama spenardjazzfest.org wchandymusicfestival.com 205.887.6859 23rd Annual Gulf Coast Ethnic & Heritage Jazz Black Belt Folk Roots Festival ARIZONA Festival TBA Chandler Jazz Festival July 30-August 1, 2021 Historic Greene County Courthouse Square Mobile, Alabama April 8-10, 2021 Eutaw, Alabama Chandler, Arizona 251.478.4027 205.372.0525 gcehjazzfest.org 480.782.2000 blackbeltfolkrootsfestival.weebly.com chandleraz.gov/special-events Spring Fling Cruise 2021 Alabama Blues Week October 3-10, 2021 Woodystock Blues Festival TBA May 8-9, 2021 Carnival Glory Cruise from New Orleans, Louisiana Tuscaloosa, Alabama to Montego Bay, Jamaica, Grand Cayman Islands, Davis Camp Park 205.752.6263 Bullhead City, Arizona and Cozumel, -
Autobiography, Transsexual by Brett Genny Beemyn
Autobiography, Transsexual by Brett Genny Beemyn Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2006 glbtq, Inc. Reprinted from http://www.glbtq.com The cover of the Cleis Press edition of Christine Over the last 75 years, transsexual individuals have published autobiographies not only Jorgensen's widely-read to tell or to clarify the stories of their lives, but also to educate others in an effort to autobiography. gain greater acceptance for transgender people. Courtesy Cleis Press. Many of the early autobiographies were written by transsexual women whose gender identities had been revealed by the press. Forced into the media spotlight because they were transsexual, their work often served as a response to the stereotypes and misinformation circulated about their experiences. But in the last decade, as the existence of transsexual individuals has become less of a novelty to much of society, transsexual women autobiographers have been able to shift their focus from challenging sensationalized portrayals of their personal lives to creating a public image that reflects how they understand their gender identities. Although comparatively fewer autobiographies have been published by transsexual men as opposed to transsexual women, a growing number of such works in the last few years has led to a greater recognition of the diversity of transsexual identities. Early Transsexual Autobiographies Given the unprecedented news coverage that Christine Jorgensen received beginning in 1952 for being the first person from the United States publicly known to have had a "sex change," it is not surprising that her 1967 life story would be the most widely known among the early transsexual autobiographies. -
Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
2018 S-Class
facebook.com/mercedesbenzusa linkedin.com/company/mercedes-benz-usa instagram.com/mbusa twitter.com/mbusa youtube.com/mbusa S-Class 2018 The personal rewards of striving to be the best are even more meaningful in the development of young people than they are for automobiles. Instilling the valuesf o leadership, goal-setting, discipline and teamwork in youth is an investment in everyone’s future. It’s why Mercedes-Benz USA is collaborating with the Laureus Sport for Good Foundation, with an ongoing commitment to train and place hundreds of coaches for after-school and in-school sports programs in communities around the country. Sports offer kids more than the chance to be physically active and have fun. It’s also an opportunity to have a mentor who can guide them, help them learn how to deal with major life issues, and help them grow stronger not just physically but in their character. As a Mercedes-Benz driver, you become a part of this effort to give hundreds of thousands of kids a better life today, and all of us a brighter tomorrow. Learn more about how Mercedes-Benz USA believes in giving back at MBUSA.com/community ©2018 Mercedes-Benz USA, LLC • 303 Perimeter Center North, Atlanta, GA 30346 • 1-800-FOR-MERCEDES • MBUSA.com Marketing Communications. All illustrations and specifications contained in this brochure are based on the latest product information available at the time of publication. Mercedes-Benz USA reserves the right to make changes at any time, without notice, to colors, materials, equipment, specifications and models. Any variations in colors shown are o due t reproduction variations of the printing process. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.