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Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
A Splash of Color Is Just the Right Touch
Prowlers go 2-1 at Pequot Lakes tennis quadrangular THIEF RIVER FALLS New tennis coaches come full circle Sports - Page 1B DNESDAY, WE AUGUST 2 1 5, 202 $ 00 1 Volume 110, Number 34 • www.trftimes.com Newsstand Price Mask mandate in TRF schools is an option No masks now, duced to families in the Dis- trict last week. The matrix but that could can be found on the District’s website if parents did not re- change if it ceive it last week. In level 2, masks are highly recom- is warranted mended, not mandated. Mask mandates do not go into effect until level 3. by David Hill Superintendent Donita Editor Stepan emphasized several times during the meeting Spectators at the Thief that while the final author- River Falls School Board ity to make the decision meeting Monday spilled out rests in her hands, it isn’t into the hallways of the Dis- made alone. Past and future trict Service Center. Many decisions are and will be shared comments about a based on recommendations proposed plan that included from health experts in the mask mandates. community, a COVID re- The Board of Education sponse team, an administra- for School District 564, Thief tive team and guidance of River Falls, adopted two res- state and federal authori- olutions. The first resolution ties. She also committed to Mike and Kami Spears like to repurpose things that highlight and put on a post in front of their house in Rocksbury Town- delegated authority regard- consulting school board or enhance their gardens. This is a bedroom fan that was ship. -
Blues Notes November 2017
VOLUME TWENTY-TWO, NUMBER ELEVEN • NOVEMBER 2017 The Rex Granite Band featuring Sarah Benck THURSDAY CD RELEASE PARTY NOVEMBER 2ND @ 6PM CHROME LOUNGE $10 Wednesday November 22nd The B. • 4330 Leavenworth (side door to Barrett Castle) Music starts at 8:00 PM • $5 cover • CDs $15 JIM SUHLER and MONKEY BEAT with Special Guest 25th ANNIVERSARY TOUR! THE Wednesday, Nov. 15th TIM BUDIG The Bourbon Saloon • 311 S. 15th St BAND 6pm Showtime • $10 Cover JIM HEEMSTRA PHOTO Chrome Lounge 8552 Park Drive, Omaha 402 - 339 - 8660 All shows 6 pm unless noted The Blues Society of Omaha Presents Thursday Nov. 2nd...... Dustin Arbuckle and the Damnations ($10) Thursday Nov. 9th............................................Sailing in Soup ($5) Thursday Nov. 16th............................. The Bruce Katz Band ($10) Thursday Nov. 30th (5:30 pm).................Davina & the Vagabonds w/ Gracie Curran ($15) Saturday Dec. 2nd .....Heather Newman Band CD Release (7pm) Thursday Dec. 7th ..................................................Mike Zito ($15) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Why Join the Blues Society Of Omaha with Your Membership Donation? The Blues Society of Omaha, Inc. is a 501(c)(3) non-profit organization formed in 1998. We are an all-volunteer organization with over 800 dues-paying members. BSO’s mission is “Keepin’ the Blues Alive”. We are recognized as one of the top Blues Societies in the country. With the help of your tax-deductible donation we continue to promote blues music, blues musicians, and live music venues & events. Among our many projects and accomplishments are these: • BSO promotes musicians and venues by maintaining a comprehensive live music calendar on our website, omahablues.com. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Why the Sky Stays Up
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Why the Sky Stays Up Brigid G. Fister Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fiction Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fister, Brigid G., "Why the Sky Stays Up" (2018). Senior Projects Spring 2018. 226. https://digitalcommons.bard.edu/senproj_s2018/226 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Why the Sky Stays Up A Senior Project submitted to The Division of Language and Literature Of Bard College by Brigid Fister Annandale-On-Hudson, New York May 2018 Acknowledgments: Thank you to my mother for her unwavering presence and constant light in my life. Thank you to the mentors, professors, friends and strangers who have altered my course and led me to the places I am and have been. And thank you to my Senior Project advisor, the most wonderful, Brad Morrow. For my father. Table of Contents Why the Sky Stays Up…………………………………………………………………………….1 Fear Only Wind………………………………………………………………………………..…..8 By Anxious Melancholy…………………………………………………………………………21 In Tennessee, Waltzing…………………………………………………………………………..34 In the Blind (I-IV.)……………………………………………………………………………… 46 Morning is the Long Way Home………………………………………………………………...61 You/ The Urge/ The Sky…………………………………………………………………………74 Waiting for the Thaw…………………………………………………………………………… 88 I. -
FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22 -
Exemplar Texts for Grades
COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects _____ Appendix B: Text Exemplars and Sample Performance Tasks OREGON COMMON CORE STATE STANDARDS FOR English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Exemplars of Reading Text Complexity, Quality, and Range & Sample Performance Tasks Related to Core Standards Selecting Text Exemplars The following text samples primarily serve to exemplify the level of complexity and quality that the Standards require all students in a given grade band to engage with. Additionally, they are suggestive of the breadth of texts that students should encounter in the text types required by the Standards. The choices should serve as useful guideposts in helping educators select texts of similar complexity, quality, and range for their own classrooms. They expressly do not represent a partial or complete reading list. The process of text selection was guided by the following criteria: Complexity. Appendix A describes in detail a three-part model of measuring text complexity based on qualitative and quantitative indices of inherent text difficulty balanced with educators’ professional judgment in matching readers and texts in light of particular tasks. In selecting texts to serve as exemplars, the work group began by soliciting contributions from teachers, educational leaders, and researchers who have experience working with students in the grades for which the texts have been selected. These contributors were asked to recommend texts that they or their colleagues have used successfully with students in a given grade band. The work group made final selections based in part on whether qualitative and quantitative measures indicated that the recommended texts were of sufficient complexity for the grade band. -
UNIVERSITY of CALIFORNIA SAN DIEGO Max Roach and M'boom
UNIVERSITY OF CALIFORNIA SAN DIEGO Max Roach and M’Boom: Diasporic Soundings in American Percussion Music A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Musical Arts in Contemporary Music Performance by Sean Leah Bowden Committee in charge: Professor Steven Schick, Chair Professor Amy Cimini Professor Anthony Davis Professor Stephanie Richards Professor Emily Roxworthy 2018 The Dissertation of Sean Leah Bowden is approved, and it is acceptable in quality and form for publication on microfilm and electronically: __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ Chair University of California San Diego 2018 iii TABLE OF CONTENTS Signature Page…………………………………………………………………………………… iii Table of Contents………………………………………………………………………………… iv Acknowledgements………………………………………………………………………………. v Vita…………………………………………………………………………………………………. vi Abstract of the Dissertation……………………………………………………………………… vii Introduction………………………………………………………………………………………... 1 Jazz Drumming: Possibilities, Limitations……………………………………………………… 7 Spatial Eruptions in the Space Age……………………………………………………. 9 Freedom From/ Freedom To: The Multiple Avant-Gardes of 1970s Jazz………………….. 20 Searching for the Sound of Diaspora………………………………………………………….. -
Fresh Off Grammy Win Jeff Lorber Fusion Puts the Pedal to the Metal and Delivers Impact!
FRESH OFF GRAMMY WIN JEFF LORBER FUSION PUTS THE PEDAL TO THE METAL AND DELIVERS IMPACT! Lorber’s Epic Odyssey Takes Us To Two Mythical Locations Inspired by J.R.R. Tolkien “I’m a science fan and like to watch youtube from videos from different lectures about various scientific subjects especially physics,” confesses Jeff Lorber. Those who know Lorber’s music are probably not surprised, as he is a force of nature. His pressure-cooked grooves are kinetic energy at work. The velocities of his virtuosic solos hitting the right momentum create an electric field of pure joy. Trailblazing pianist, composer, producer and bandleader Jeff Lorber has hit a career stride and shows no signs of slowing down. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, Lorber has triumphed as one of the most innovative musical minds in contemporary jazz. Last year Lorber marked his 40th recording anniversary and in January 2018, he scored his first Grammy win for his Jeff Lorber Fusion recording Prototype in the category of Best Contemporary Instrumental Album. “The whole thing was a bit surreal,” recalls the Cheltenham, PA born and LA based pianist. “Winning a Grammy was a thrill, especially after not winning after the last six nominations. It felt very different to hear my name rather than somebody else’s after ‘the winner is…!’” The experience left Lorber and longtime collaborator and bassist Jimmy Haslip (founding member of The Yellow Jackets) recharged and ready to start work on their next album. Lorber shares, “I’m always giving Jimmy a hard time about “moguling” because he’s always on the phone talking to clients he’s producing.” Lorber and Haslip’s plan was simple. -
Leaves of Grass
Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence............................................................................... -
On Pumpkin Chocolate Chip Cookie Mix! Turkey Favorites Are Back!
The prices in this catalog are valid at www.alisonspantry.com from September 8th-October 4th, 2021 *The food industry is experiencing unprecedented changes and market fluctuations. Prices in catalog are subject to change without notice. Catalog No. 10 | 2021 Please see website for most current pricing. MAKE COOKING MORE FUN! SAVE on Pumpkin Chocolate Chip Cookie Mix! See page 38. NORBEST turkey favorites are back! See page 12. BREAKFAST sandwich sales! See page 7. COVER FEATURES: #1966 Alison's Pantry Pumpkin Chocolate Chip Cookie Mix, pg. 38 (with candy corn added to tops) Certain exclusions apply. Please see full details on page 2. SEEKING REPRESENTATIVES NOW IN: CONTENTS Oakley, KS • Duchesne, UT • Brigham City, UT • Kamas, UT • Casper, WY • Sterling, CO • Helena, MT • Elsinore, UT New Products ...................................................4-5 Breakfast ..........................................................6-7 Pork ..................................................................8-9 Poultry ..............................................................10-13 "I've been an AP sales rep in Ephraim, UT for four Beef ..................................................................14-15 years. I initially started selling Alison's Pantry as a Seafood ............................................................16-17 way to get some quality food in my home and have Mexican ............................................................18-19 a little extra cash each month to do fun stuff with my Italian ...............................................................20