The Foreign Service Journal, January 1968
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Claiming Territory: Colonial State Space and the Making of British India’S North-West Frontier
CLAIMING TERRITORY: COLONIAL STATE SPACE AND THE MAKING OF BRITISH INDIA’S NORTH-WEST FRONTIER A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Science by Jason G. Cons January 2005 © 2005 Jason G. Cons ABSTRACT In this thesis, I examine the discursive construction of colonial state space in the context of British India’s turn of the century North-West Frontier. My central argument is that notions of a uniform state space posited in official theorizations of the frontier need to be reexamined not as evidence of a particular kind of rule, but rather as a claim to having accomplished it. Drawing on new colonial historiographies that suggest ways of reading archives and archival documents for their silences and on historical sociological understandings of state-formation, I offer close readings of three different kinds of documents: writing about the North-West Frontier by members of the colonial administration, annual general reports of the Survey of India, and narratives written by colonial frontier officers detailing their time and experience of “making” the frontier. I begin by looking at the writings of George Nathanial Curzon and others attempting to theorize the concept of frontiers in turn of the century political discourse. Framed against the backdrop of the “Great Game” for empire with Russia and the progressive territorial consolidation of colonial frontiers into borders in the late 19th century, these arguments constitute what I call a “colonial theory of frontiers.” This theory simultaneously naturalizes colonial space and presents borders as the inevitable result of colonial expansion. -
2018 S-Class
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Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey. -
A Splash of Color Is Just the Right Touch
Prowlers go 2-1 at Pequot Lakes tennis quadrangular THIEF RIVER FALLS New tennis coaches come full circle Sports - Page 1B DNESDAY, WE AUGUST 2 1 5, 202 $ 00 1 Volume 110, Number 34 • www.trftimes.com Newsstand Price Mask mandate in TRF schools is an option No masks now, duced to families in the Dis- trict last week. The matrix but that could can be found on the District’s website if parents did not re- change if it ceive it last week. In level 2, masks are highly recom- is warranted mended, not mandated. Mask mandates do not go into effect until level 3. by David Hill Superintendent Donita Editor Stepan emphasized several times during the meeting Spectators at the Thief that while the final author- River Falls School Board ity to make the decision meeting Monday spilled out rests in her hands, it isn’t into the hallways of the Dis- made alone. Past and future trict Service Center. Many decisions are and will be shared comments about a based on recommendations proposed plan that included from health experts in the mask mandates. community, a COVID re- The Board of Education sponse team, an administra- for School District 564, Thief tive team and guidance of River Falls, adopted two res- state and federal authori- olutions. The first resolution ties. She also committed to Mike and Kami Spears like to repurpose things that highlight and put on a post in front of their house in Rocksbury Town- delegated authority regard- consulting school board or enhance their gardens. This is a bedroom fan that was ship. -
Inaugural British Narration
! ! ! The American University! in Cairo School of Global Affairs! and Public Policy ! ! ! Resurrecting Eden: Inaugural British Narration! and Policy of Iraq ! ! ! A Thesis Submitted to the Middle East! Studies Center ! in partial fulfillment of the requirements for the degree of Master of Arts (M.A.)! in Middle East Studies ! ! ! by Timothy! Kennett ! ! ! under the supervision !of Dr. Walid Kazziha ! ! ! May !2015 ! ! © Copyright by Timothy Kennett 2015 All rights reserved ! The American University! in Cairo School of Global Affairs !& Public Policy (GAPP) Resurrecting Eden: ! Inaugural British Narration and Policy of Iraq ! A Thesis Submitted! by Timothy !Kennett ! to the Middle East! Studies Center May, !2015 In partial fulfillment of the requirements for The degree of Master of Arts in Middle East! Studies ! has been approved! by Dr. Walid Kazziha ____________________________________________________ Thesis Supervisor !Affiliation __________________________________________Date ____________ Dr. Sherene Seikaly ___________________________________________________ Thesis first Reader !Affiliation __________________________________________Date ____________ Dr. Marco Pinfari _____________________________________________________ Thesis Second Reader !Affiliation __________________________________________Date ____________ Dr. Sandrine Gamblin _________________________________________________ Department Chair !Date ____________________ Nabil Fahmy, Ambassador _______________________________________________ Dean of GAPP Date ____________________ -
The New Europe Group and New Britain Movement (1931–1935)
Pioneers of European Federalism: the New Europe Group and New Britain Movement (1931–1935) By: David Graham Page A thesis submitted in partial fulfilment of the requirements for the degree of Master of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of History October 2016 ABSTRACT This thesis is the first in-depth study of the early 1930s Bloomsbury-based New Europe Group (NEG) and New Britain Movement (NBM), which constituted a politicised social movement led by Dimitrije Mitrinović. The Introduction situates the NEG/NBM as the British manifestation of the nouvelles relèves , the northwest European cluster of extra-parliamentary political groups that were neither plainly left-wing nor right-wing, but rather were infused with a spiritually based ideology influenced by the Personalist philosopher Emmanuel Mounier. Chapter 1 scrutinises the NEG/NBM as an antisystem challenger to the National Government, and analyses the movement’s ‘political perfectionist’ antisystemness in the context of the syncretic turn in British extra- parliamentary politics. Chapter 2 discusses the dynamics of the NEG/NBM, including its ‘prefigurative politics’ and Mitrinović’s use of ‘strategic ambiguity.’ Chapter 3 contextualises the European federalist thought of Mitrinović and other prominent figures in the NEG/NBM, and examines their understanding of the ‘European civil war’ and perception of the European and world ‘crisis.’ Chapter 4 begins with a comparative analysis of the proposals for European unity advanced by Richard Nikolaus von Coudenhove-Kalergi, Aristide Briand, and Mitrinović and the NEG/NBM. The chapter then details the lines of reasoning the NEG/NBM used to make a case for Eurofederalism, and explains the movement’s proposals for European governance and federal institutions. -
Karakorum Himalaya: Sourcebook for a Protected Area
7 Karakorum Himalaya: Sourcebook for a Protected Area Nigel J. R. Allan 8 The views expressed in this publication are not necessarily those of IUCN. IUCN-The World Conservation Union, Pakistan 1 Bath Island Road, Karachi 75530 © 1995 by IUCN-The World Conservation Union, Pakistan All rights reserved ISBN 969-8141-13-8 Contents Preface v Introduction 1 1 HISTORY Natural Heritage 11 Geology 11 Glaciology 14 Associative Cultural Landscape 17 Local Ideas and Beliefs about Mountains 17 Culturally Specific Communication Networks 20 2 DESCRIPTION AND INVENTORY Physiography and Climate 23 Flora 24 Fauna 25 Juridical and Management Qualities 29 3 PHOTOGRAPHIC AND CARTOGRAPHIC DOCUMENTATION Historial Photographs 33 Large Format Books 33 Landscape Paintings 33 Maps and Nomenclature 34 4 PUBLIC AWARENESS Records of Expeditions 37 World Literature and History 43 Tourism 52 Scientific and Census Reports 56 Guidebooks 66 International Conflict 66 5 RELATED BIBLIOGRAPHIC MATERIALS 69 Author Index 71 Place Index 81 iii iv4 5 Preface This sourcebook for a protected area has its origins in a lecture I gave at the Environment and Policy Institute of the East-West Center in Honolulu in 1987. The lecture was about my seasons of field work in the Karakorum Himalaya. Norton Ginsberg, the director of the Institute, alerted me to the fact that the Encyclopedia Britannica would be revising their entries on Asian mountains shortly and suggested that I update the Karakorum entry. The eventual publication of that entry under my name (Allan 1992), however, omitted most of the literature references I had accumulated. As my reference list continued to expand I decided to order them in some coherent fashion and publish them as a sourcebook to coincide with the IUCN workshop on mountain protected areas in Skardu in September 1994. -
The Education of Maharajah Kumar Sidkeon Namgyal
BULLETIN OF TIBETOLOGY 27 'THA T HE MA Y TAKE DUE PRlDE IN THE EMPIRE TO WHICH HE BELONGS': THE EDUCATION OF MAHARAJAH KUMAR SlDKEON NAMGY AL TULKU OF SIKKIM ALEXMcKAy University College London In 1879, the first wife of the 9th Maharajah of Sikkim, Thutob Namgyal, gave birth to their second son, Sidkeon Namgyal, following the birth of a daughter in 1876 and their first son, Tsodag Namgyal, in 1878. The Maharani died in childbirth in 1880, I and the years that followed were difficult ones for the Maharajah, as the interests of Sikkim clashed with those of the British Indian empire. Following the conflict of 1888, a British Political Officer was appointed to oversee the administration of Sikkim. The officer selected, John Claude White (1853-1918), was a mean, petty and domineering individual who, during the following two decades in which he dominated the state of Sikkim, carried 011 a long vendetta against both the Maharajah and his son Tsodag Namgyal. John Claude White's successors in the Gangtok Residency included some of the outstanding frontier officers of the British empire, men such as Lieutenant-Colonel F.M. Bailey (1882- 1967) and Lieutenant-Colonel Sir W.F. O'Connor (1870-1943), as well as f()f\vard-thinking and culturally sensitive diplomats such as Sir Charles Bell (1870-1945) and Sir Basil Gould (1883-1956). White, however, who came from the Public Works Department rather than the usual military or ICS background required of Political Officers, was the worst type of colonial official, lacking the background, training, and character that produced his successors. -
Blues Notes November 2017
VOLUME TWENTY-TWO, NUMBER ELEVEN • NOVEMBER 2017 The Rex Granite Band featuring Sarah Benck THURSDAY CD RELEASE PARTY NOVEMBER 2ND @ 6PM CHROME LOUNGE $10 Wednesday November 22nd The B. • 4330 Leavenworth (side door to Barrett Castle) Music starts at 8:00 PM • $5 cover • CDs $15 JIM SUHLER and MONKEY BEAT with Special Guest 25th ANNIVERSARY TOUR! THE Wednesday, Nov. 15th TIM BUDIG The Bourbon Saloon • 311 S. 15th St BAND 6pm Showtime • $10 Cover JIM HEEMSTRA PHOTO Chrome Lounge 8552 Park Drive, Omaha 402 - 339 - 8660 All shows 6 pm unless noted The Blues Society of Omaha Presents Thursday Nov. 2nd...... Dustin Arbuckle and the Damnations ($10) Thursday Nov. 9th............................................Sailing in Soup ($5) Thursday Nov. 16th............................. The Bruce Katz Band ($10) Thursday Nov. 30th (5:30 pm).................Davina & the Vagabonds w/ Gracie Curran ($15) Saturday Dec. 2nd .....Heather Newman Band CD Release (7pm) Thursday Dec. 7th ..................................................Mike Zito ($15) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Why Join the Blues Society Of Omaha with Your Membership Donation? The Blues Society of Omaha, Inc. is a 501(c)(3) non-profit organization formed in 1998. We are an all-volunteer organization with over 800 dues-paying members. BSO’s mission is “Keepin’ the Blues Alive”. We are recognized as one of the top Blues Societies in the country. With the help of your tax-deductible donation we continue to promote blues music, blues musicians, and live music venues & events. Among our many projects and accomplishments are these: • BSO promotes musicians and venues by maintaining a comprehensive live music calendar on our website, omahablues.com. -
Relations Between the British and the Indian States
THE POWER BEHIND THE THRONE: RELATIONS BETWEEN THE BRITISH AND THE INDIAN STATES 1870-1909 Caroline Keen Submitted for the degree of Ph. D. at the School of Oriental and African Studies, University of London, October 2003. ProQuest Number: 10731318 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731318 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 ABSTRACT This thesis explores the manner in which British officials attempted to impose ideas of ‘good government’ upon the Indian states and the effect of such ideas upon the ruling princes of those states. The work studies the crucial period of transition from traditional to modem rule which occurred for the first generation of westernised princes during the latter decades of the nineteenth century. It is intended to test the hypothesis that, although virtually no aspect of palace life was left untouched by the paramount power, having instigated fundamental changes in princely practice during minority rule the British paid insufficient attention to the political development of their adult royal proteges. -
UNIVERSITY of CALIFORNIA SAN DIEGO Max Roach and M'boom
UNIVERSITY OF CALIFORNIA SAN DIEGO Max Roach and M’Boom: Diasporic Soundings in American Percussion Music A dissertation submitted in partial satisfaction of the requirements of the degree Doctor of Musical Arts in Contemporary Music Performance by Sean Leah Bowden Committee in charge: Professor Steven Schick, Chair Professor Amy Cimini Professor Anthony Davis Professor Stephanie Richards Professor Emily Roxworthy 2018 The Dissertation of Sean Leah Bowden is approved, and it is acceptable in quality and form for publication on microfilm and electronically: __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ __________________________________________________________________________ Chair University of California San Diego 2018 iii TABLE OF CONTENTS Signature Page…………………………………………………………………………………… iii Table of Contents………………………………………………………………………………… iv Acknowledgements………………………………………………………………………………. v Vita…………………………………………………………………………………………………. vi Abstract of the Dissertation……………………………………………………………………… vii Introduction………………………………………………………………………………………... 1 Jazz Drumming: Possibilities, Limitations……………………………………………………… 7 Spatial Eruptions in the Space Age……………………………………………………. 9 Freedom From/ Freedom To: The Multiple Avant-Gardes of 1970s Jazz………………….. 20 Searching for the Sound of Diaspora………………………………………………………….. -
Fresh Off Grammy Win Jeff Lorber Fusion Puts the Pedal to the Metal and Delivers Impact!
FRESH OFF GRAMMY WIN JEFF LORBER FUSION PUTS THE PEDAL TO THE METAL AND DELIVERS IMPACT! Lorber’s Epic Odyssey Takes Us To Two Mythical Locations Inspired by J.R.R. Tolkien “I’m a science fan and like to watch youtube from videos from different lectures about various scientific subjects especially physics,” confesses Jeff Lorber. Those who know Lorber’s music are probably not surprised, as he is a force of nature. His pressure-cooked grooves are kinetic energy at work. The velocities of his virtuosic solos hitting the right momentum create an electric field of pure joy. Trailblazing pianist, composer, producer and bandleader Jeff Lorber has hit a career stride and shows no signs of slowing down. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, Lorber has triumphed as one of the most innovative musical minds in contemporary jazz. Last year Lorber marked his 40th recording anniversary and in January 2018, he scored his first Grammy win for his Jeff Lorber Fusion recording Prototype in the category of Best Contemporary Instrumental Album. “The whole thing was a bit surreal,” recalls the Cheltenham, PA born and LA based pianist. “Winning a Grammy was a thrill, especially after not winning after the last six nominations. It felt very different to hear my name rather than somebody else’s after ‘the winner is…!’” The experience left Lorber and longtime collaborator and bassist Jimmy Haslip (founding member of The Yellow Jackets) recharged and ready to start work on their next album. Lorber shares, “I’m always giving Jimmy a hard time about “moguling” because he’s always on the phone talking to clients he’s producing.” Lorber and Haslip’s plan was simple.