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Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States
THEOLOGICAL <-*¡L>J*T> VOLUME 20 September 1959 NUMBER 3 Published by Theological Studies, Inc., for the Theological Faculties of the Society of Jesus in the United States WOODSTOCK COLLEGE ST. MARY'S COLLEGE WEST BADEN COLLEGE ST. MARY OF THE LAKE ALMA COLLEGE WESTON COLLEGE © THEOLOGICAL STUDIES, INC. 1959 r^L»JUr> TABLE OF CONTENTS ARTICLES Complacency and Concern in the Thought of St. Thomas Frederick E. Crowe, S J 343 The "Truth Drug" in Criminal Investigation Charhs E. Sheedy, C.S.C 396 NOTES Cullmann's New Testament Christology: An Appraisal David M. Stanley, S J 409 St. Augustine and the Recent Excavations of the Christian Monu ments of Hippo Thomas W. Phelan 422 Isidoriana Robert £. McNally, S J 432 BOOK REVIEWS 443 DANIÉLOU, J., S.J.: The Lord of History: Reflections on the Inner Meaning of History (tr. N. Abercrombie) BOUYER, L.: The Meaning of Sacred Scripture (tr. M. P. Ryan) RUDOLPH, W. : Jeremía MILIK, J. T.: Ten Years of Discovery in the Wilderness of Judaea (tr. J. Strugnell) CHEVALLIER, M.-A. : L'Esprit et le messie dans le bas-judaïsme et le Nouveau Testament ROBINSON, J. M. : A New Quest of the Historical Jesus DUPONT, J., O.S.B.: Les béatitudes: Le problème littéraire; Les deux versions du sermon sur la montagne et des béatitudes ELTESTER, F.-W. : Eikon im Neuen Testament St. Methodius: The Symposium: A Treatise on Chastity (tr.-ed. H. Musurillo, S.J.) CLARK, M. T., R.S.C.J.: Augustine, Philosopher of Freedom: A Study in Comparative Philosophy CANIVET, P., S.J.: Histoire d'une entreprise apologétique au Ve siècle Magni Aurelii Cassiodori Expositio psalmorum (éd. -
Texts G7 Sout Pole Expeditions
READING CLOSELY GRADE 7 UNIT TEXTS AUTHOR DATE PUBLISHER L NOTES Text #1: Robert Falcon Scott and Roald Amundsen (Photo Collages) Scott Polar Research Inst., University of Cambridge - Two collages combine pictures of the British and the Norwegian Various NA NA National Library of Norway expeditions, to support examining and comparing visual details. - Norwegian Polar Institute Text #2: The Last Expedition, Ch. V (Explorers Journal) Robert Falcon Journal entry from 2/2/1911 presents Scott’s almost poetic 1913 Smith Elder 1160L Scott “impressions” early in his trip to the South Pole. Text #3: Roald Amundsen South Pole (Video) Viking River Combines images, maps, text and narration, to present a historical NA Viking River Cruises NA Cruises narrative about Amundsen and the Great Race to the South Pole. Text #4: Scott’s Hut & the Explorer’s Heritage of Antarctica (Website) UNESCO World Google Cultural Website allows students to do a virtual tour of Scott’s Antarctic hut NA NA Wonders Project Institute and its surrounding landscape, and links to other resources. Text #5: To Build a Fire (Short Story) The Century Excerpt from the famous short story describes a man’s desperate Jack London 1908 920L Magazine attempts to build a saving =re after plunging into frigid water. Text #6: The North Pole, Ch. XXI (Historical Narrative) Narrative from the =rst man to reach the North Pole describes the Robert Peary 1910 Frederick A. Stokes 1380L dangers and challenges of Arctic exploration. Text #7: The South Pole, Ch. XII (Historical Narrative) Roald Narrative recounts the days leading up to Amundsen’s triumphant 1912 John Murray 1070L Amundsen arrival at the Pole on 12/14/1911 – and winning the Great Race. -
The Tween Ghost Story: Articulating the Tween Experience
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 The Tween Ghost Story: Articulating the Tween Experience Erica Rostedt [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation Rostedt, Erica, "The Tween Ghost Story: Articulating the Tween Experience" (2013). University of New Orleans Theses and Dissertations. 1665. https://scholarworks.uno.edu/td/1665 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Tween Ghost Story: Articulating the Tween Experience A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Erica Allison Rostedt B.A. University of Washington, 2004 May, 2013 © 2013, Erica Allison Rostedt ii Table -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl
Alphabetical Price List April 2020 SKU SKU Description Status Retail Whl Break 1 Break 1 Break 2 Break 2 Break 3 Break 3 Break 4 Break 4 10003 10003-Emb NYLT A 4.99 3.29 12 2.99 48 2.79 0 0 0 0 100 100-Applique Embd FDL 4pk A 2.99 2.24 12 1.99 48 1.59 0 0 0 0 1013 1013-Giftcard TrailsEndPrgrm 013 N 13 11.05 0 0 0 0 0 0 0 0 101 101-Pin FDL Silvertone 5/8"@ A 3.99 2.99 24 2.79 0 0 0 0 0 0 10202 10202-Emb Ptrl Antelope A 2.49 1.79 12 1.69 300 1.29 0 0 0 0 10206 10206-Emb Ptrl Beaver A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10209 10209-Emb Ptrl Bobwhite A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10211 10211-Emb Ptrl Dragon A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10212 10212-Emb Ptrl Eagle A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10213 10213-Emb Ptrl Flaming Arrow A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10215 10215-Emb Ptrl Fox A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10221 10221-Emb Ptrl Lightning A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10223 10223-Emb Ptrl Owl A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10226 10226-Emb Ptrl Pheasant N 0.39 0.39 0 0 0 0 0 0 0 0 1022 1022-Giftcard TrailsEndPrgrm 022 N 22 18.7 0 0 0 0 0 0 0 0 10230 10230-Emb Ptrl Rattlesnake A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10233 10233-Emb Ptrl Scorpion A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10234 10234-Emb Ptrl Shark A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10237 10237-Emb Ptrl Viking A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10239 10239-Emb Ptrl Wolf A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10240 10240-Emb Ptrl Blnk A 2.49 1.89 12 1.69 48 1.29 0 0 0 0 10302 10302-Emb Merit Camping A 2.79 2.39 12 2.19 144 1.89 0 0 0 0 10303 10303-Emb -
Wool Lien Cotton Used in Making Sweaters
Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more. -
Glossary of Terms
The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Glossary of Terms Bay: A compartment in a barn, used fore storing hay or grain. Britches or Breeches: Short trousers, especially fastened below the knee. Breeches were originally made of leather, but were made of various materials. Buckskin: Leather made from a buck’s skin, could also refer to a thick smooth cotton or woolen cloth. Coating: A cloth used for making coats. Drab coloured: A dull brownish yellow or dull gray color. Felt: A fabric made of wool and hair. Fife: A small high-pitched flute without keys, often used in military and marching bands. Fustian: A coarse sturdy cloth of a cotton-linen blend; any durable fabric with a raised nap made mainly from cotton, for example, corduroy or moleskin. Gaol: is an early Modern English spelling for jail, with the same pronunciation and meaning of a place of legal detention. Grogram: A rough fabric of silk and wool with a diagonal weave. High Dutch: An eighteenth century term for German. Homespun: Spun or woven in the home; a plain coarse woolen cloth made of homespun yarn. Instant (inst.): The current calendar month. Inventory: a detailed list of things in one’s view or possession; especially, a regular survey of all goods and materials in stock. Linsey Woolsey: A coarse fabric of cotton or linen woven with wool. Low Dutch: used to signify those persons of Netherlandish descent. Manchester velvet: A fine cotton used in making dresses. The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Nanekeen: A sturdy yellow or buff cotton cloth. -
Stony Brook Press V. 19, N. 06.PDF (8.570Mb)
B 3. Vol. XIX No. 6 Don't Let The Door Hit Ya On The Tex-Ass November 12,1997 ISSUES Beyond Bubba University EMS and Fire Volunteers Practice Heavy Rescues By Michael Yeh mary responder for fires, vehicular extrication, bondage that comes with spinal immobilization. "I and hazardous materials," said SBVAC President never, ever want to be in a KED in my life," said The Stony Brook Volunteer Ambulance Corps Tim True. Christina Freudenberg, EMT-D of the tight jacket- paid its last respects to an old veteran -- by hack- "We need a new door there anyway," said like protective device. "But everybody was pretty ing it to pieces. Deputy Chief of Operations Jason Hellmann while cool, and they did a very good job." Emergency medical technicians and firefighters surveying the metallic carnage. "Until now, some "I felt that the technicians had control of what who serve the campus community participated in people thought heavy rescue meant a really fat was going on and were taking care of details that a heavy rescue drill at the Setauket Fire EMT named Bubba!" the accident victim would not normally be aware Department's Station 3 on SBVAC participants entered the of," said Kevin Kenny, EMT-Critical Care. Thursday, October 23. This was ambulance to find two other But most importantly, this drill gave the SBVAC the first mutual training event semi-conscious patients in the and Setauket volunteers a chance to see each other between SBVAC and neighbor- back. Since high-speed car acci- in action and to learn how to work together at a ing fire departments. -
Generic Requirements No.G/Cjm-32/02.May97
EXTERNAL PLANT ISSUE II: MAY’97 __________________________________________________________________________ __________________________________________________________________________ GENERIC REQUIREMENTS NO.G/CJM-32/02.MAY97 TELECOMMUNICATION ENGINEERING CENTRE KHURSHIDLAL BHAWAN, JANPATH NEW DELHI - 110001 INDIA GOVERNMENT OF INDIA DEPARTMENT OF TELECOMMUNICATIONS TELECOMMUNICATION ENGINEERING CENTRE NEW DELHI - 110 001 MOLSKIN (WIPING CLOTH ) NO. G/CJM-32/02.MAY 97 (This Generic Requirement is a revised issue of ITD No. S/YC-103 dated3-10-1974, renumbered as G/CJM- 32/01. This Document supersedes the said ITD specification.) 1.0 SCOPE: This document covers the technical requirements of moleskin (wiping cloth) used in plumbing lead sheathed cable joints. 2.0 GENERAL 2.1 moleskin is a heavy fustian (twilled cotton cloth type fabric with smooth face and twill back. 3.0 TEXTURE AND QUALITY: 3.1 The cloth shall be manufactured from unpolished yarn and should be unstarched to ensure proper impregnation by tallow and to prevent temporary stiffness of cloth which is likely to wear off with use making the cloth unsuitable for use. 3.2 Moleskin shall be produced from one series of warp threads and two series of picks inserted in the proportion of two face picks to one back pick. 3.3 It shall have a smooth and even surface. 3.4 The cloth shall conform to particulars given in table-I TABLE-1:PARTICULARS OF MOLSKIN -------------------------------------------------------------------------------------------------------------------------------- Count of Yarn Ends pick Weight in Warp Weft Per cm Per cm gms/sq. meters -------------------------------------------------------------------------------------------------------------------------------- 25 text/3 42 tex 15 160 Not less than (or 24s/3) (or 14s) 500 gms. Tex = weight in gr. Of 1 mm of yarn ------------------------------------------------------------------------------------------------------------------------------ 4.0 WIDTH : The width of the cloth shall be 750 mm. -
Harmonized Tariff Schedule of the United States (2020) Revision 28 Annotated for Statistical Reporting Purposes
Harmonized Tariff Schedule of the United States (2020) Revision 28 Annotated for Statistical Reporting Purposes CHAPTER 53 OTHER VEGETABLE TEXTILE FIBERS; PAPER YARN AND WOVEN FABRICS OF PAPER YARN 1/ XI 53-1 Statistical Note 1. For the purposes of the woven fabrics of chapter 53: (a) Unless the context otherwise requires, provisions relating to one or more weaves embrace only those fabrics which (excluding selvage) are wholly of the specified weave or weaves, including combinations exclusively thereof. (b) The term "poplin or broadcloth" means plain weave fabrics, not of square construction, whether or not napped, but does not include the following types: (i) Fabrics weighing not more than 200 grams per square meter, containing 33 or less warp ends and filling picks per square centimeter; and (ii) Fabrics weighing more than 200 grams per square meter, of average yarn number 26 or lower number. (c) The term "sheeting" means plain weave fabrics, whether or not napped, of the following types: (i) Fabrics weighing not more than 200 grams per square meter, of square construction, containing more than 33 warp ends and filling picks per square centimeter, of average yarn number 68 or lower number, but not including printcloth; and (ii) Fabrics weighing more than 200 grams per square meter, but does not include: (A) Fabrics of which the warp or filling consists of multiple (folded) or cabled yarns, of average yarn number 26 or lower number; and (B) Fabrics of average yarn number 27 or higher number, not of square construction. (d) The term "printcloth" means plain weave fabrics, weighing not more than 200 grams per square meter, of average yarn numbers 43-68, containing more than 33 singles yarns per square centimeter and not containing multiple (folded) or cabled yarns, of square construction, not combed, whether or not napped. -
Sandler Uccs 0892D 10567.Pdf (1.548Mb)
EXPLORING THE EVOLUTION OF FIRST-YEAR EDUCATORS’ DISPOSITIONS TOWARD DIVERSE STUDENTS AND PERCEPTIONS OF PERFORMANCE AS CULTURALLY RESPONSIVE EDUCATORS: A PORTRAITURE CASE STUDY by HOLLY A. SANDLER B.A., University of Florida, 1983 M.S., Pace University, 1995 M.A., New York Institute of Technology, 2001 A dissertation submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Leadership, Research, and Foundations 2020 © 2020 HOLLY A. SANDLER ALL RIGHTS RESERVED This dissertation for the Doctor of Philosophy degree by Holly A. Sandler has been approved for the Department of Leadership, Research, and Foundations by Robert Mitchell, Chair Sylvia Mendez Andrea Bingham Patricia Witkowsky Leslie Grant Date July 13, 2020 ii Sandler, Holly A. (Ph.D., Educational Leadership, Research, and Policy) Exploring the Evolution of First-year Educators’ Dispositions Towards Diverse Students and Perceptions of Performance as Culturally Responsive Educators: A Portraiture Case Study Dissertation directed by Assistant Professor Robert Mitchell ABSTRACT As we enter the year 2020 the plurality of races and ethnicities within the United States is reflected in the students attending our nation’s public schools. For the first time in American history the majority of students attending the nation’s public schools are students of color. The multiplicity of races and ethnicities of the nation’s students, however, is not mirrored in the demographics of public-school teachers who remain 77% White and 80% female. Researchers have found the absence of parity in student-teacher demographic problematic since a large number of White adults, teachers among them, are reported to accept negative racial stereotypes as truth. -
FABRICS/ DYING Dictionary
FABRICS/ DYING dictionary ACRYLIC BABYCORD Acrylic fabric is a manufactured fiber with a soft wool-like feel and Babycord is a ribcord fabric with a very small and thin rib line. The an uneven finish. It is used widely in knits as the fabric has the same fabric is often lighter and softer than normal or corduroy fabric. It is cozy look as wool. Acrylic fabric is favored for a variety of reasons very soft and comfortable, and is often made in a stretch quality. it is warm, quite soft, holds color well, is both stain and wrinkle resistant and it doesn’t itch. These qualities make acrylic a great BLEND substitute for wool. A blend fabric or yarn is made up of more than one fibre. In the yarn, two or more different types of fibres are used to form the yarn. ALPACA Blends are used to create a more comfortable fabric with a softer Alpaca wool comes from a South American animal that roams the feel. A good example is a cotton/wool blend; the mixture of cotton mountain slopes of Ecuador, Peru, Bolivia and Chile. The fleece and wool will prevent the fabric from being excessively warm and from an alpaca is similar to wool or mohair, but is softer, silkier, and will make the fabric softer to the skin. warmer. Because alpaca wool takes much longer to grow it is often more expensive and exclusive. However, garments made from this BOUCLE fabric are stronger and more comfortable. The term boucle is derived from the French word boucle, which literally means “to curl”.