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John Miller, Untitled (March 20, 2020), Ink-Jet Print, 61⁄2 × 9"
John Miller, Untitled (March 20, 2020), ink-jet print, 61⁄2 × 9". Tony Rosenthal, 5 in 1, 1973–74. ON SITE CROSSED PATHS Alex Kitnick on the public art of Lower Manhattan August 2020 print issue THE MUSEUEMS ARE CLOSED but the sculptures are still there. Memorials and monuments, too. If you’re in Lower Manhattan, you can ramble along the Irish Hunger Memorial’s serpentine path, a rugged simulacrum of peat and stone. I’ve never been to Ireland, but I take it that parts of it look like this. The strangeness of the work is its location in Battery Park City, where since 2002 it has sat like a souvenir between corporate towers, with the Hudson River stretching out to the west. Robert Smithson called certain of his sculptures “nonsites” to denote their difference from the sites whence they came: A pile of shale in a steel trough in the middle of a gallery stood as a nonsite to a quarry somewhere off in New Jersey. The Irish Hunger Memorial has always struck me as a massive nonsite, a memory displaced and brought over from elsewhere, now made even stranger since the host site is no longer what it was. An eastward walk takes you to Federal Plaza, where Richard Serra’s Tilted Arc once stood. For most of the 1980s (I never saw it in person), the sculpture cut a steely line across the cobbled space, casting stark shadows, collecting graffiti and pee. Many office workers didn’t like it because it obstructed the building’s entrance, but certain judges looked out the window and saw a threat—a cover for bomb throwers or a simple sign of menace. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
IJA Enewsletter Editor Don Lewis (Email: [email protected]) Renew at Http
THE INTERNATIONAL JUGGLERSʼ ASSOCIATION December 2011 IJA eNewsletter editor Don Lewis (email: [email protected]) Renew at http:www.juggle.org/renew IJA eNewsletter Contents: Happy Holidays IJA eZine ! Teaching the Cascade Recycling - Build Green Clubs Stagecraft Corner 2011 Festival Video AMS System Update Rain Ending... an 8 year run 7 Doigts on Time Top 10 List Rola Bola 2 Feeding the Inner Juggler Turbo Fest 2012 Regional Festivals Best Catches Juggling Festivals: Waidhofen, Austria Quebec, QC, Canada North Goa, India Seattle, WA Madison, WI Sydney, Australia Atlanta, GA The holiday cartoon above originally appeared in Heerien, Netherlands the November 1979 IJA newsletter. Regardless St. Paul, MN of what holiday youʼre celebrating this season, Austin, TX have a happy and safe one. Don Lewis, Editor Bath, UK Arcata, CA Bali, Indonesia Southend on Sea, UK Winston-Salem, NC IJA Festival 2012 Marion, IN Winston-Salem, NC July 16 - 22, 2012 Save the dates! WWW.JUGGLE.ORG Page 1 THE INTERNATIONAL JUGGLERSʼ ASSOCIATION December 2011 eZine ? Coming January 1, 2012 http://ezine.juggle.org Celebrate the New Year with the IJAʼs new eZine! WWW.JUGGLE.ORG Page 2 THE INTERNATIONAL JUGGLERSʼ ASSOCIATION December 2011 Teaching the Cascade, by Don Lewis Hereʼs the scenario: You go to a seasonal party at a stem from anxiety - trying to go too fast. Just stand in friend or relativeʼs place. Perhaps you only see them front and do two throws as slow as you can. Get them to once a year. Someone will have received a set of juggling copy you. This rarely takes more than a couple of balls as a gift, which are sitting unused because they keep minutes. -
Wool Lien Cotton Used in Making Sweaters
Wool Lien Cotton Used In Making Sweaters EustaceCary step-up crossband his transvaluation acrostically. snatches insolubly, but Angevin Elnar never undervalue so heavily. Uncensured Joao froth puissantly. Granulocytic What do wymogu art form part or in wool cotton making sweaters, for your personal gifts for sign up to provide a plastic In the United States cotton is popularly used instead as linen is many. There are using a cotton. Be used in wool is burning test its terms provided us your local staff caring about the lien would make any toe shape. More new sweaters and in. Cotton for the straight and reallocation provisions for cotton allotments HR 90. Brush in making the us. The lien would love and makes a way for misconfigured or account details with its supreme. Designer Gifts for Men Kate Spade New York. Buy Seven7 Women's Yarn Dye Vintage Stripe Hoodie and women Fashion Hoodies. Grandeur noel collection. My fist attempt at knitting was myself a smooth young age son actually making sweaters or get laundry was a huge experience for growing little girl that let go of my arachnid. To make things easy why have compiled all the latest free knitting patterns for babies. Clothing Forever 21. Today about natural fiber is used in wool sweaters socks pants dresses and jackets. In making it makes for. Whether in're making sweaters blankets or fingerless gloves tweed yarns are a. If in use our customer service, do we make a lien would not be used in its terms per unit, and makes plush pillow! 'knitting' related words fabric yarn silk wool 555 more. -
Lower Manhattan Public Art Offers Visitors Grand, Open-Air Museum Experience
FOR IMMEDIATE RELEASE Contact: Maria Alvarado, (212) 835.2763, [email protected] LOWER MANHATTAN PUBLIC ART OFFERS VISITORS GRAND, OPEN-AIR MUSEUM EXPERIENCE Works by Dubuffet, Koons and Naguchi are among the 14 unique installations featured South of Chambers Street (February 23, 2015) – With more than a dozen masterpieces from world-renowned artists, Lower Manhattan is home to a remarkable and inspiring public art program. The works of art are now featured in a new walking tour itinerary curated by the Downtown Alliance, “Lower Manhattan by Public Art.” The full tour can be found on the Alliance’s website at http://downtownny.com/walkingtours. The walking tour begins at the district’s northernmost edge at 1 Police Plaza, across from City Hall. Here, visitors will find 5-in-1 by Tony Rosenthal. The artist’s work of five interlocking steel discs, rising to a height of 35 feet, represents the five boroughs coming together as one city. Additional pieces of art featured are: Shadows and Flags by Louise Nevelson (William Street between Maiden Lane and Liberty Street) Seven pieces bundled together as a singular abstract unit alludes to the wafting flags, ceremonious spirals, and blooming trees that define the New York City landscape. Group of Four Trees by Jean Dubuffet (28 Liberty Street) The “four trees” are created by a series of intertwined irregular planes, which lean in different directions and are connected by thick black outlines. The piece is part of Dubuffet’s “L’Hourloupe” cycle — a bold, graphic style inspired by a doodle. Sunken Garden by Isamu Noguchi (28 Liberty Street) In the winter, the garden, set one story below ground level, is a dry circular expanse; in the summer, it is transformed into a giant water fountain. -
Flying Disc Illustrated V1n4 Summer84contributor
‘“j£“j“‘ 11111‘T‘ CHAMPION DISCS INC. KEH PERFORMANCE DEPENDABLE UNBREAKABLE EASY TO THRGN P. D.G.A. APPROVED These Terms combined cdn only describe one compony’s flying discs, iNNOVA””— CHAMPION DISCS INC. We are The folkswho brought you The AERO ond The AV|AR”‘flying discs. We hope you enjoy them. TM INNOVA"”—CHAMP|ONDISCS, INC. FILE?HN@ 1IDH@@ flll IIPHIITI FDI has decided to expand the scope of its coverage. As a result of strong support we have received from around the world, we have so much material to print, that it has become incumbent upon us to increase the number of pages in our issue. Many of our readers have also PAGE'1 PAGE14 PAGE11 submitted pictures for publi- cation. Unfortunately, most of CONTENTS: 1984 the pictures that we receive are in color. Although we hope to SWEDEN: OVERSEAS UPDATE 4 eventually print in color, our SANTA BARBARA CLASSIC 4 present finances dictate that we LETTERS 6 print in black and white at least FRANCE: INTERNATIONAL TOURNAMENT 6 for the time being. l984 U.s. OPEN: LA MIRADA 7 In addition, in upcoming FOOTBAG: SACK SECTION 10 issues we will be including a SENIOR WORLDS 10 special footbag department. As a INTERVIEW: DAN RODDICK l2 result of having experienced PDGA 13 first hand the Hacky Sack and ROCKY MOUNTAIN NATIONALS: BOULDER 10 Frisbee Festival held here in San ROCKY MOUNTAIN NATIONALS: FT. COLLINS 12 Diego On July 7th, the unique INSTRUCTIONAL CORNER: BODY ROLLS 14 bond between footbag and disc has FPA WORLDS: MINNEAPOLIS 17 become increasingly apparent. -
The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 6: War and Peace, Sex and Violence
The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 6: War and Peace, Sex and Violence The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Ziolkowski, Jan M. The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 6: War and Peace, Sex and Violence. Cambridge, UK: Open Book Publishers, 2018. Published Version https://www.openbookpublishers.com/product/822 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:40880864 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Juggler of Notre Dame and the Medievalizing of Modernity VOLUME 6: WAR AND PEACE, SEX AND VIOLENCE JAN M. ZIOLKOWSKI THE JUGGLER OF NOTRE DAME VOLUME 6 The Juggler of Notre Dame and the Medievalizing of Modernity Vol. 6: War and Peace, Sex and Violence Jan M. Ziolkowski https://www.openbookpublishers.com © 2018 Jan M. Ziolkowski This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Jan M. Ziolkowski, The Juggler of Notre Dame and the Medievalizing of Modernity. -
Glossary of Terms
The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Glossary of Terms Bay: A compartment in a barn, used fore storing hay or grain. Britches or Breeches: Short trousers, especially fastened below the knee. Breeches were originally made of leather, but were made of various materials. Buckskin: Leather made from a buck’s skin, could also refer to a thick smooth cotton or woolen cloth. Coating: A cloth used for making coats. Drab coloured: A dull brownish yellow or dull gray color. Felt: A fabric made of wool and hair. Fife: A small high-pitched flute without keys, often used in military and marching bands. Fustian: A coarse sturdy cloth of a cotton-linen blend; any durable fabric with a raised nap made mainly from cotton, for example, corduroy or moleskin. Gaol: is an early Modern English spelling for jail, with the same pronunciation and meaning of a place of legal detention. Grogram: A rough fabric of silk and wool with a diagonal weave. High Dutch: An eighteenth century term for German. Homespun: Spun or woven in the home; a plain coarse woolen cloth made of homespun yarn. Instant (inst.): The current calendar month. Inventory: a detailed list of things in one’s view or possession; especially, a regular survey of all goods and materials in stock. Linsey Woolsey: A coarse fabric of cotton or linen woven with wool. Low Dutch: used to signify those persons of Netherlandish descent. Manchester velvet: A fine cotton used in making dresses. The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Nanekeen: A sturdy yellow or buff cotton cloth. -
Fire Performance Art Permit
Policy Grants Pass Department of Public Safety 4XX Fire Policy Manual Fire Performance Art Permit 4XX.1 PURPOSE AND SCOPE The purpose of this policy is to provide guidelines to advise fire performance venues and artists of safety considerations and practices consistent with fire and life safety codes and public assembly safety concerns. 4XX.2 POLICY This policy applies to all acts of fire performance art occurring within all areas in which Grants Pass Department of Public Safety has authority. Fire art refers to performances or demonstrations such as fire breathing, fire juggling, fire dancing, etc. Not included: pyrotechnics and flame effects (these are addressed in a different policy and require a separate permit). The business owner, event coordinator and the fire performer are responsible for all aspects of fire and life safety. Failure to possess a current permit and follow the minimum requirements set forth in this document may result in revocation of permit, future permits and/or issuing of citation(s). Fire performance artists shall: 1. Be at least 18 years of age. a. EXCEPTION: Performers age 16 to 18 may be allowed at the discretion of the Fire Marshal’s Office with written consent from a parent or legal guardian. They must be under the direct supervision of an adult fire performance troupe leader or instructor. 2. Have valid, state issued identification and Fire Performance Permit readily accessible at each performance. 3. Audience: It should be recognized that audiences, especially youthful ones, may not fully understand the dangers associated with fire performance art. Every effort should be made to emphasize the safety precautions and dangers of such activity. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Generic Requirements No.G/Cjm-32/02.May97
EXTERNAL PLANT ISSUE II: MAY’97 __________________________________________________________________________ __________________________________________________________________________ GENERIC REQUIREMENTS NO.G/CJM-32/02.MAY97 TELECOMMUNICATION ENGINEERING CENTRE KHURSHIDLAL BHAWAN, JANPATH NEW DELHI - 110001 INDIA GOVERNMENT OF INDIA DEPARTMENT OF TELECOMMUNICATIONS TELECOMMUNICATION ENGINEERING CENTRE NEW DELHI - 110 001 MOLSKIN (WIPING CLOTH ) NO. G/CJM-32/02.MAY 97 (This Generic Requirement is a revised issue of ITD No. S/YC-103 dated3-10-1974, renumbered as G/CJM- 32/01. This Document supersedes the said ITD specification.) 1.0 SCOPE: This document covers the technical requirements of moleskin (wiping cloth) used in plumbing lead sheathed cable joints. 2.0 GENERAL 2.1 moleskin is a heavy fustian (twilled cotton cloth type fabric with smooth face and twill back. 3.0 TEXTURE AND QUALITY: 3.1 The cloth shall be manufactured from unpolished yarn and should be unstarched to ensure proper impregnation by tallow and to prevent temporary stiffness of cloth which is likely to wear off with use making the cloth unsuitable for use. 3.2 Moleskin shall be produced from one series of warp threads and two series of picks inserted in the proportion of two face picks to one back pick. 3.3 It shall have a smooth and even surface. 3.4 The cloth shall conform to particulars given in table-I TABLE-1:PARTICULARS OF MOLSKIN -------------------------------------------------------------------------------------------------------------------------------- Count of Yarn Ends pick Weight in Warp Weft Per cm Per cm gms/sq. meters -------------------------------------------------------------------------------------------------------------------------------- 25 text/3 42 tex 15 160 Not less than (or 24s/3) (or 14s) 500 gms. Tex = weight in gr. Of 1 mm of yarn ------------------------------------------------------------------------------------------------------------------------------ 4.0 WIDTH : The width of the cloth shall be 750 mm. -
HENRYS’ Own Production Only
Professional Juggling Equipment GB 2016 Juggling Foreword Dear readers, Books Our last catalogue was showing articles from HENRYS’ own production only. We are now presenting our latest catalogue showing articles by other manufacturers. We are glad to be in a position to offer a great variety of products for juggling, acrobatics, unicycling and leisure. We are focussing on articles which meet the current requirements of our customers, and which are practical supplements of our own product range. Henrys GmbH Production and Trading of We offer products by Play (Italy), Beard (England), Bravo Juggling (Hungary), Spotlight (Holland), Filzis Jonglerie (Austria), Juggling Props and Toys La Ribouldingue (France), Goudrix (Canada), Mystec (Germany), Flairco (USA), Anderson & Berner (Denmark), Active People (Switzerland), Kendama Europe (Germany), Qualatex (USA), Pappnase (Germany), Tunturi (Holland), Superflight (USA), In den Kuhwiesen 10 Discraft (USA), WhamO (USA), New Games (Germany), Discrockers (Germany), TicToys (Germany), BumerangFan (France), D-76149 Karlsruhe QU-AX (Germany), Slackstar (Germany), and Kryolan (Germany). Product pictures and table arrangements help to keep the track and also to decide one way or the other. Most of the technical Fon ++49 (0) 721-78367-61|62|63 specifications are based on manufacture's data, differences caused by conversion of production possible! Fax ++49 (0) 721-7836777 E-mail [email protected] Enjoy reading and have fun browsing through the pages! Internet www.henrys-online.de Your HENRYS-Team Opening Hours 9.00 - 16.00 Mo-Tu 9.00 - 14.00 Fr Make-Up Activity Unicycles ᕍᕗ JugglingFlow Balls Juggling Beanbags Kids ᕃ ᕃ Beanbags made of synthetic leather with millet ice white silver red pink yellow green purple blue black orange Weight 00 01 02 03 04 05 06 07 08 12 13 g Code Rec.