Speaker Sings Praises of Islamic Religion

Total Page:16

File Type:pdf, Size:1020Kb

Speaker Sings Praises of Islamic Religion The Thunderword Leff ler questions life's complexities for thc same simple life style. Speaker thinks Today of! course Lcfflcr simplicity may pointcd out that it has obviously changed. material goods be the answer "Have all these choices that we have today made us happy?" if your effarts By Solana Kloby said Lcfflcr. He wondered why have little Staff Reporter we have 90 televisions stations instead of just six. effect?" Crime Blotter for the . He wondcrcdwhen peoplc =-Dr. Keith Leffler Our goals that are made out go out to eat, where do theygo? week Of 2/104f1?199 of our own self intercst lead to "Most of the time the dcci- risk issues,said Dr. Kcith sion on wherewe go to eat is to focusing on what they hrtvc. Leftlcr. confusing. have We "Stop, realizc and look that Lcfflcr, internationally McDonalds, Jack in thc Box, we are materialistic, why pursue known economist, spoke to stu- Taco Bell, etc.," Leffler said. material goods if your efforts dents in Contemporary Conver- He pointed out that all these have little effect?" said Lcffler. sations Wednesday in Building choices frustrate us rather than Leffler believesthat what Lemer 7. make us happy. material things people wantare Lcfflcr's cconomic happiness He also said that material changing, making it impossible rule #1 is "you can't be happy cated because we make our own wealth is a goal most peoplein to gain everything a person on an empty stomach.'' choices that are in our best in- this society wants to achieve. wants. Basic human needs such as terest and the government pro- "DoesthePapua New Although Leffler says that food, shelter and security have tects these individual rights. Guinea'lowlander sit around and wanting material things is not been for the most part estab- Leffler explained that when ask themselves if they need an- good, he is unsure about what lished in this country. life was much simpler we were other pot?" said Leffler. "Of affect thiscauses. Lxffler told students that life living among people we were course not because they already "For all of us there are things was much simpler then, with related to.The ones that we have one." we want more of, whether it is survival being the main goal. were not related to werekilled Leffler stressedthat most psychic goods (i.e. love) orma- Now it is much more compli- because they were competing people want more rather than terial goods," said Leffler. If you like to handle HCC changing Volunteers needed money, try accounting hours of operation for commencement Speakers from the Washing- Due to lack of participation, HCC's Commencement ton Society of Certified Public the Highline pool has decided to Committee needs volunteers for Accountants, which include open the pool laterin the morn- both commencement planning Public Accounting, Private Ac- ivg. Beginning Tuesday, Feb. and set up. Those interested counting and Governmental Ac- 16, the pool hours will be as fol- should call Margaret counting, will be visiting the lows: 9 a.m. to 2 p.m. Monday- Hunsperger at ext. 3875, or Ja- campus on Thursday, Feb. 18 Friday, 6-8 p.m. Monday, son Prenovost at ext. 3188. from 11a.m. to 1 p.m.They Wednesday, Friday and 5-7 p.m. Hawaii, UW Tacoma will be holding a seminar in Tuesday-Thursday. to visit campus Building 2 to show those inter- Job Club adviser finds new employer Hawaii Pacific University ested whatan accounting degree Job Club will be at Highline on Thursday, could do for them, focusing spe- to host Ivory Ellison leftHighline Feb. 18 to answer any questions cifically on how to open your interviewing forum for the Job Developer position regarding their programs. They own accounting service. The Job Club will be offering at Pacific Associates. will be located in Building 6, students a chance to tap into the "She was so succesful with across from registration from10 hidden job market on Thursday, the Job Club, she worked her- a.m. to 1 p.m. Adefua to celebrate Feb 18. Erin Stanford, Human self out of her own job," said UW Tacoma will also be on Black History Month Resources Professional, will be Janine Quinichett. campus to distribute informa- Adefua, an African Dance on hand to explain theart of net- Ellison's last day at Highline tion and answer any questions. group, will be here on Thursday, working and informational in- was Friday, Feb. 12. She was They will also be in Building 6, feb. 18 in the lower level of terviewing. respected by all her colleagues across from registration, from Building 8 from 11 a.m.to They will meet in Building for heraccomplishments at p.m. noon. 4-7 p.m. 13-104, fromnoon to 1:30 p.m. HCC. You don't have to Be a journalist, break your back or. just look like one. Find an exciting careeras a Chiropractic Tech- nician, right here at Highline. Chiropractic technicians are in high demand. Learn to make Sign up for x-rays, make spinal assessments, and process insurance claims. Lots of job opportunities; Journalism 101 earn $12-$15 an hour. ' ror mom informelion, Spring Quarter toll Dr. John Hubar, 206- and write for The Thunderword. i c Speaker sings praises of Islamic religion By Eric Worden from within their culture and and Yong Ellis their government, notthe Qur’an. m.8 whan an ln- Staff Reporters Joban was born in Indonesia. He graduated from Indonesian mate becomes Forget what you’ve heard- Islamic University with a Bach- Islam, the religion, is a good elor of Arts Degree in Arabic a Muslim... they thing for a modem world, a Language. He thenmoved to leading Muslim said here Tues- Egypt where he earned a Bach- are much more day. elor of Arts Degree in Theology, well behaved.” Imam Mohamad Awod Islamic Cult and Culture at Al- Joban, of the Masjid AI-Now/ Azhar University. He finally re- Islamic Center of Olympia, ceived his Master Degree in Is- --Mohamad Awod gave an “Introduction to Islam” lamic Studies at the Institute of Joban to about 30 people in Building Islamic studies. 7. While in Egypt he served as a The Arabic word Islam radio announcer. Egypt is con- both at the center and at vari- means peace, submission, and sidered the centerof Islamic cul- ous congregations in the Puget obedience. The religion of Is- ture. The station he worked for Sound area. lam is the complete acceptance broadcast Islamic messages Jobanalso serves as the of the teachings and guidanceof across the globe in 23 different Muslim Chaplain for the De- God as revealed to His Prophet Janguages. Joban translated and partment of Corrections in Muhammad, Joban said. announced the messages to the Washington State, a job he The Qur’an, the holy text of Indonesian section of the world. finds’ very fullfilling. Islam, was written in the 7th In 1988 Joban moved to the “Most Americans are too century. It provides moral guid- United States. Where he helped busy for religion, butin prison ance in all walks of life. For to start the Masjid AI-Now/ Is- you have much time on your that reason the valuesare not for Photo by Kirk Elliott lamic Center in Olympia. The hands.”said Joban. the ascetic but for the person Joban speaks out during the Islam conference. Center sehes as an Islamic Islam spreads very iast in who actively participatesin dif- neighborhood with a circle of prison becausethe inmates ferent spheres of life, and works the Islamic religionis misunder- thought of as some “Eastern” many homes centered around a like to tell each other aboutit. within them, according toa flyer stood by many people, Joban religion, Joban said. Mosque. The center is a comfort- “ If a gang leader in prison Joban distributed. said. In some partsof the world But Islam does not restrict able place for Muslims to live, converts to Islam usually thc The Prophetof Islam, and his it would seem exotic. human rights orprivileges tothe and also a place to learn about rest of the gang convertsalong companions,‘ developed andes- In Western society religion geographical limits of its own Muslim culture.Various high with him. The administiation tablished a complete model of generally does not dominateev- state. e school religious study classes fre- is very happy when an inmate Islam on this earthfor mankind eryday life, whereas for Mus- Joban said Islam is a loving quent the center as a field trip. becomes a Muslim because to follow, he said. lims, Islamis life, he said. religion not a violent or oppres- Joban serves as a teacher and they are much more well be- The concept of worship in For a while Islam was sive one. The oppression comes as an Imam or Religious leader, haved,” said Joban. Library offers expanded learning opportunities By Heidi Yi first grab the computers andtry to 8 a.m.-noon on Saturday Staff Reporter find what they want. And they 5:30-9:30 p.m. on Sunday never leave the seat. They just sit This week‘s workshops are: The library is now offering there for hours and hours trying Feb. 22, 11 a.m. Computer/ help to those who can’t seem to to figure out how to find the in- periodical resources, Building find information for papers. formation. But what they don’t 25- 120B. Highline’s library is offering know is that they can save time Feb. 23,7 p.m. World Wide a workshop for students who by asking oneof the librarians or Web Basics, Building 25- have no idea how ‘the library attending oneof the workshops,” 120B.
Recommended publications
  • Kahlo in 1932, Photographed by Her Father, Guillermo Kahlo 1907–1924: Family and Childhood
    RICKMANSWORTH U3A ART APPRECIATION GROUP Frida Khalo February 2018 Rickmansworth and District U3A Art Appreciation Group Programme for 2018 22 January Members’ Suggestions. 26 February Paintings of Frida Khalo (following the Classic Film Club film). 26 March ‘Isms’ – Baroque overview, Allegoricism, Baroque Classicism, Pietism. 23 April British Art: British Women Artists. 21 May Alternative meeting to avoid Spring Bank Holiday – visit to Bushey Museum and Ben Uri collection exhibition. 25 June ‘Isms’ - Sectarianism, Gesturalism, Emotionalism, Caravaggism. 23 July Wallace Collection visit. 27 August Summer Bank Holiday. 24 September British Art: The Glasgow Boys (or other British School). 22 October Another visit/talk. 26 November ‘Isms’ – Absolutism, Rococo, Academicism, Neo-Classicism. December No meeting – Christmas and New Year. Hertfordshire County Council plans to sell 'non-relevant' art A consultation on the proposed sale of artwork worth thousands of pounds owned by a local authority has begun. Hertfordshire County Council has 1,828 works, valued at £26.2m, and wants to get rid of 90% as they are at risk of deterioration. It plans to sell off or gift to museums more than 1,600 pieces that it says have little relevance to the county, and could raise £400,000. The money it raises will be used to conserve the remaining 167 piece which include four Henry Moore and Barbara Hepworth sculptures, which alone are insured for £21.85m. Consultation timetable • Acrylics and oil paintings 22nd Jan 2018 - 4th Feb 2018 • Drawings and watercolours
    [Show full text]
  • Frida Kahlo I Diego Rivera. Polski Kontekst
    Polski kontekst I Polish context SPIS TREŚCI TABLE OF CONTENTS 9—11 7 Jacek Jaśkowiak 135—148 Helga Prignitz-Poda Prezydent Miasta Poznania I President of the City of Poznań Diego Rivera – prace I Diego Rivera – works Gdyby Frida była wśród nas… I If Frida were among us… 187—187 Helga Prignitz-Poda 19—19 Alejandro Negrín Nickolas Muray Ambasador Meksyku w Polsce I Ambassador of Mexico to Poland Frida Kahlo i Diego Rivera w Polsce: uniwersalizm kultury meksykańskiej 195—195 Ariel Zúñiga Frida Kahlo and Diego Rivera in Poland: the Universal Nature of Mexican Art O Bernice Kolko… I On Bernice Kolko… x1— 13 Anna Hryniewiecka 211—211 Dina Comisarenco Mirkin Dyrektor Centrum Kultury ZAMEK w Poznaniu I Director of ZAMEK Culture Centre in Poznań Grafiki Fanny Rabel (artystki w wieku pomiędzy sześćsetnym Frida. Czas kobiet I Frida. Time of Women i dwutysięcznym rokiem życia) I Graphic works by Fanny Rabel (artist between 600 and 2000 years of age) 17—17 Helga Prignitz-Poda Frida Kahlo i Diego Rivera. Polski kontekst. Sztuka meksykańska w wymianie kulturowej 135—224 Diego Rivera Frida Kahlo and Diego Rivera. Polish context. Mexican Art in Cultural Exchange O Fanny Rabel I About Fanny Rabel 17— 52 Elena Poniatowska 135—225 Frida Kahlo o Fanny Rabel, sierpień 1945 Frida Kahlo Frida Kahlo about Fanny Rabel, August 1945 0 53—53 Diego Rivera 227—227 Helga Prignitz-Poda Frida Kahlo i sztuka Meksyku I Frida Kahlo and Mexican Art Kolekcja prac z Wystawy sztuki meksykańskiej z 1955 roku w zbiorach Muzeum Narodowego w Warszawie I Works from the 1955 Exhibition
    [Show full text]
  • Scattergories 4 Questions by Will Nediger, Jinah Kim, and Joey Goldman Round 6
    Scattergories 4 Questions by Will Nediger, JinAh Kim, and Joey Goldman Round 6 1. An Eavan [AY-ven] Boland poem named for one of these things says that “an ageing woman finds no shelter in language” and that “[one of these things] is not a woman.” One of these things titles a theatrical monologue by Olwen Fouéré [fwair-AY] which adapts passages from a novel. A character who personifies one of these things is the subject of a chapter which begins with the words “O tell me all about [that character]” in the shape of a triangle, and ends with a request for stories about her children Shaun and (*) Shem. The names of hundreds of these things are referenced in a chapter about the gossip of two washerwomen who turn into a tree and a stone when night falls. The word for these things is implied to follow the words “a way a lone a last a loved a long the.” Anna Livia Plurabelle’s middle name references one of these geographical features. For 10 points, Finnegans Wake opens by describing what type of geographical feature running “past Eve and Adam’s”? ANSWER: rivers [accept riverrun; anti-prompt on “Liffey” by asking what the Liffey is] (The Boland poem is called “Anna Liffey” and the Fouéré play is called riverrun.) <WN> 2. A “madame” named after this author runs a brothel at which theology is secretly discussed in Ada Palmer’s Terra Ignota series, in which this author is called the Patriarch. A writer whose pseudonym is a contracted combination of this author and the town where this author lived secretly arranged for Thomas Jefferson to translate his radical book Ruins of Empires, from which the monster in Frankenstein learns history.
    [Show full text]
  • The Story of the Handless Maiden 11 Chapter 2
    Number Twelve Carolyn and Ernest Fay Series in Analytical Psychology David H. Rosen, General Editor The Carolyn and Ernest Fay edited book series, based initially on the annual Fay Lecture Series in Analytical Psychology, was established to further the ideas of C. G. Jung among students, faculty, therapists, and other citizens and to enhance scholarly activities related to analytical psychology. The Book Series and Lecture Series address topics of im- portance to the individual and to society. Both series were generously endowed by Carolyn Grant Fay, the founding president of the C. G. Jung Educational Center in Houston, Texas. The series are in part a memorial to her late husband, Ernest Bel Fay. Carolyn Fay has planted a Jungian tree carrying both her name and that of her late husband, which will bear fruitful ideas and stimulate creative works from this time forward. Texas A&M University and all those who come in con- tact with the growing Fay Jungian tree are extremely grateful to Caro- lyn Grant Fay for what she has done. The holder of the McMillan Professorship in Analytical Psychology at Texas A&M functions as the general editor of the Fay Book Series. Memories of Our Lost Hands Memories of Our Lost Hands Searching for Feminine Spirituality and Creativity sonoko toyoda Texas A&M University Press College Station Copyright © 2006 by Sonoko Toyoda Manufactured in the United States of America All rights reserved First edition The paper used in this book meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials, z39.48–1984.
    [Show full text]
  • Frida: the Biography of Frida Kahlo Free Ebook
    FREEFRIDA: THE BIOGRAPHY OF FRIDA KAHLO EBOOK Hayden Herrera | 528 pages | 03 Mar 2003 | Bloomsbury Publishing PLC | 9780747566137 | English | London, United Kingdom Frida: A Biography of Frida Kahlo by Hayden Herrera She grew up in the family's home where was later referred to as the Blue House or Casa Azul. Her father is a German descendant and photographer. He immigrated to Mexico where he met and married her mother Matilde. Her mother is half Amerindian and half Spanish. Frida Kahlo has two older sisters and one younger sister. Frida Kahlo has poor health in her childhood. She contracted polio at the age of 6 and had to be bedridden for nine months. This disease caused her right leg and foot to grow much thinner than her left one. She limped after she recovered from polio. She has been wearing long skirts to cover that for the rest of her life. Her father encouraged her to do lots of sports to help her recover. She played soccer, went swimming, and even did wrestle, which is very unusual at that time for a girl. She has kept a very close relationship with her father for her whole life. There are only thirty-five female students enrolled in that school and she soon became famous for her outspokenness and bravery. At this school she first met the famous Mexican muralist Diego Rivera for the first time. Rivera at that time was working on a mural called The Creation on the school campus. Frida often watched it and she told a friend she will marry him someday.
    [Show full text]
  • Finding Aid to the Nelleke Nix and Marianne Huber Collection: the Frida Kahlo Papers, 1930-1954 Archives of Women Artists
    Finding Aid to the Nelleke Nix and Marianne Huber Collection: The Frida Kahlo Papers, 1930-1954 Archives of Women Artists Finding Aid Prepared by and Collection Processed by: Jason Stieber (December, 2007) and Jennifer Page, (March, 2012) Betty Boyd Dettre Library & Research Center Email: [email protected] Phone: 202-266-2835 Table of Contents (Click a section title to skip down.) Overview ................................................................................................................................. 1 Administrative Information ............................................................................................... 2 Biographical Note ................................................................................................................ 3 Scope and Content Note ................................................................................................... 6 Organization and Arrangement Information ............................................................... 7 Names and Subject Terms ............................................................................................... 7 Container Inventory ............................................................................................................ 8 Series1: Correspondence ............................................................................................... 8 Series 2: Drawings ......................................................................................................... 21 Series 3: Printed Matter ..............................................................................................
    [Show full text]
  • Frida in Focus
    Frida in Focus Frida in Focus is dedicated to the 49 victims and families of the deadliest mass shooting in modern American history, the Orlando nightclub shooting (June 12, 2016). Published on the occasion of the Frida in Focus exhibition organized in association with UC's Hispanic Heritage Month celebration and with the generous support of UC's Office of the Vice President of Research. Foreword 1 Essays 4 Kate Bonansinga 1940: Bernard G. Silberstein on Frida Kahlo and Diego Rivera 8 Adriana Zavala pho·to·gen·ic Poems 24 Caitlin Doyle Self-Portrait With Monkeys 25 Stephanie Alcantar También las piedras hibernan 26 Translated by: Linwood Rumney and Stephanie Alcantar Even the stones hibernate 27 Edward B. Silberstein Bernard G. (Bernie) Silberstein (1905-1999) 29 Photos 37 Photo Bibliography 39 Acknowledgments 41 Contributors' Research Bios Frida Exhibit Foreword Each year, along with many other institutions across the nation, the University of Cincinnati observes National Hispanic Heritage Month by celebrating the culture of American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America. We are very proud to present one of the main events scheduled for HHM 2016: a Frida Kahlo-themed exhibition in Niehoff Urban Studio, with a series of related events to take place during the month (September 15 to October 15). Mexican painter Frida Kahlo (July 6, 1907-July 13, 1954) transcended her métier to become one of the most recognizable artists of the 20th Century. As such, she is still an ubiquitous popular culture fixture, featured in movies, documentaries, and books.
    [Show full text]
  • PRISON BOWL XI: WE LOVE NO FISH Head Edited by Chloe Levine
    PRISON BOWL XI: WE LOVE NO FISH Head Edited by Chloe Levine. Vice Head Edited by Gilad Avrahami and Daniel Ma. Section Edited by Chloe Levine, Gilad Avrahami, Daniel Ma, Sam Brochin, and Rachel Yang. Written by Hunter College High School Quiz Bowl (Chloe Levine, Gilad Avrahami, Daniel Ma, Sam Brochin, Rachel Yang, Ben Chapman, Asher Jaffe, Ella Leeds, Alice Lin, Brian Lu, Cerulean Ozarow, Abishrant Panday, David Godovich) with help from Matthew Lehmann (Chicago). Special thanks to Tadhg Larabee (Richard Montgomery), Ms. Caitlin Samuel, Mr. Ross Pinkerton, Lily Goldberg, Ms. Lindsay Samuel, Julia Tong (Darien), and Finnegan the Dog. PACKET EIGHT Tossups 1. During one episode in this novel, the protagonist remembers Amy’s gray eyes in contrast with Mrs. Garner’s. One character in this novel is said to have a “tree on her back,” and earlier, some relatives of a schoolteacher stole her milk. Another character in this novel, originally named Joshua, gives his wife to a (*) white man and ​ thus renames himself Stamp Paid. A central location in this novel was once inhabited by Baby Suggs after her departure from Sweet Home to Cincinnati and has the address 124 Bluestone Road. For 10 points, name this novel in which Sethe kills her baby to save it from slavery, a work by Toni Morrison. ANSWER: Beloved <CL> ​ ​ 2. In one commercial appearance, this figure was captured on a Memorex tape singing a note so high that it shattered a glass. It’s not Jaco Pastorius or Shirley Bassey, but this artist released albums subtitled The ​ Birthday Concert and Mack the Knife which were recorded in Rome and Berlin, respectively.
    [Show full text]
  • Master Thesis
    Palacký University Olomouc Filozofická Fakulta Dějin umění Master Thesis (The Pain in Frida Kahlo’s art) Author: Bc. Harisa Haznadar Supervisor: Prof. PhDr. Pavel Štěpánek, Ph.D., Academic Year: 2011/2012 1 ACKNOWLEDGEMENTS I would like to express my thanks to dear Professor Pavel Štěpánek for his guidance and corrections. I would also like to thank all of the professors on Dějin umění for all the help and support for the last two years. I would not be where I am today, if there was not for my dear family and their unconditional love and support in every segment of my life. Thank You…. 2 The Pain in Frida Kahlo's art CONTENTS INTRODUCTION 2 CONTEMPORARY RESEARCH 4 BROKEN CHILDHOOD 8 DIFFICULT LOVE 15 LIFE BETWEEN REALITY AND VISION 42 OBSESSION IN THE MIRROR OF SELF-PORTRAITS 53 DISABILITY AS POWER IN HER WORKS 69 CONCLUSION 77 BIBLIOGRAPHY 78 ILLUSTRATIONS 80 ‘If Diego did not open car doors for Frida, he opened worlds.’ 3 INTRODUCTION Frida Kahlo is widely regarded as the most important twentieth-century woman artist in the Americas. In Mexico Frida is recognized as the country’s greatest woman artist. In 1984.the Mexican government decreed Frida’s work to be national patrimony. This paper is about to deal with one of the most famous female Mexican artist. Not only that her life was an unordinary one, which could present an interesting topic for various biographers, but the fact that she tended to reflect it into her canvas is marvelous. Through out the paper we will learn what were the circumstances that introduced Frida to the world of art and the way she introduced herself to the world.
    [Show full text]
  • 1. the Self-Portrait: from Renaissance to the Photographic Portrait………………………………………… 11 the Impulse to Represent the Self……………………………………………………………
    CRUEL BEAUTY The articulation of ‘self’, ‘identity’ and the creation of an innovative feminine vocabulary in the self-portrait paintings of Frida Kahlo Figure 1. Fragment of Frida Kahlo’s, The Broken Column (1944), oil on tin, Source: Herrera, Hayden, Frida : A Biography, Harper and Row, New York, 1983. By Tatiana Pentes BA Usyd, Mart CoFa, UNSW A dissertation submitted in fulfillment of the requirements of the Master of Letters (Art History & Theory/ Gender Studies) University of Sydney, 1998 (Examination result: with Merit) Contents Table of Contents………………………………………………………………………………… 2 Preface…………………………………………………………………………………….……… 3 Acknowledgements……………………………………………………………………….……… 4 Abstract…………………………………………………………………………………………… 5 List of Figures…………………………………………………………………………….. 6 Introduction ……………………………………………………………………………………… 8 1. The Self-Portrait: From Renaissance to the Photographic Portrait………………………………………… 11 The Impulse to Represent the Self…………………………………………………………….. 12 Photographic Portraiture………………………………………………………………………… 13 2. The Bus Accident “Assassinated by Life”………………………………………………………………………… 21 3. The Struggle for Identity Socialism, Myths of Origin, and the Birth of Mexico (La Indigena)……………………….. 35 4. Mexican Folk Retablo (Catholicism) & Ex-Votive Painting…………………………………………………………………………. 41 5. European Surrealism & Latin American Modernism "Ribbon Arond A Bomb"……………………………………………………………………… 48 6. Conclusion An Innovative Feminine Vocabulary…………………………………………………………. 54 7. Chronology Quoted from The Diary of Frida Kahlo and Martha Zamora's Frida
    [Show full text]
  • Frida Kahlo in Multimedia
    Frida Kahlo in Multimedia 1 © 2017 NextLesson NextLesson is not affiliated with persons or brands mentioned. Frida Kahlo in Multimedia 2 NextLesson is not affiliated with persons or brands mentioned. © 2017 NextLesson Frida Kahlo in Multimedia 3 © 2017 NextLesson NextLesson is not affiliated with persons or brands mentioned. Frida Kahlo, Documentary http://www.fridakahlofans.com/filmsenglish.html Portrait of an Artist: Frida Kahlo (1983) VHS Version Produced By: RM Arts/Hershon Guerra/WDR Production (1983) DVD Version Produced By: Art Haus Musik/Eila Hershon & Roberto Guerra (2009) Narrated By: Sada Thompson (Commentary by Hayden Herrera) Run Time: 62 min Language: VHS: English DVD: English, German, French, Spanish Synopsis: This award-winning documentary (Montreal International Festival of Films - Best Biography of an Artist) provides a stirring look at the life and times of Mexico's most famous woman painter, Frida Kahlo. Although the film is old, with simple editing techniques, it eloquently portrays the artist's life in the famous "Blue House" outside of Mexico City that she shared with her husband, the famous muralist and painter Diego Rivera. A near fatal bus accident, years of traumatic surgery, and endless heartache left Frida Kahlo devastated, relentlessly transferring her physical and emotional pain to the canvas. Readings from her diaries, archival photographs, and film footage offer an intimate portrait of one of the most astonishing figures of the twentieth century. Narrated by Sada Thompson and commentary written by Hayden Herrera, this documentary explores Kahlo as the center of the Mexican renaissance of the 1920s and 1930s. Not just as an artist, but as a tragic figure as it follows her painting career, her growing interest in politics and her turbulent relationship with her husband, Diego.
    [Show full text]
  • Lost Frida Kahlo Painting and Diego Rivera Mural at Centre of New Show
    AiA Art News-service Lost Frida Kahlo painting and Diego Rivera mural at centre of new show looking at couple’s Russian links As the exhibition opens in Moscow, curators hope a photograph of the missing work might jog the memory of any witnesses SOPHIA KISHKOVSKY 20th December 2018 11:13 GMT Diego Rivera’s 4m-wide mural Glorious Victory (1954, top) languished in a store room at the Pushkin State Museum of Fine Arts in Moscow for around half a century© Courtesy of the Pushkin State Museum of Fine Arts, Moscow Glorious Victory (1954), a four-metre-wide mural by Diego Rivera, and a photograph of Frida Kahlo’s lost painting The Wounded Table (1940), are among the highlights of a Moscow survey of the Mexican couple. The exhibition, which opens today (20 December), includes more than 90 works, with most of the loans coming from the Museo Dolores Olmedo in Mexico City, supplemented by private collections in Mexico and Europe, as well as previously unpublished material from the Russian state archives. The central draw is Kahlo and Rivera’s relationship to Russia. Rivera, a communist, was invited to the Soviet Union in 1927 and made subsequent visits but was later expelled. Glorious Victory, which he gave to the Soviet Union during one of his visits, is on loan from the Pushkin State Museum of Fine Arts, where it was in storage for around 50 years until it was rediscovered a decade ago. The show’s curator, Katarina Lopatkina, says works by Mexican artists were often categorised as “formalist art”, a derogatory term for works “not subject to public display for ideological reasons”.
    [Show full text]