DOCSLIB.ORG

GURPS 4Th Edition

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GURPS 4Th Edition Volume 1 PLAYER’S CAMPAIGN GUIDE GURPS 4th Edition Legendary Britannia PLAYER’S CAMPAIGN GUIDE – GURPS 4TH EDITION Legendary Britannia 2008 Hyneks 1157 Hwy 965 NW • Cedar Rapids, Iowa • 52404 Phone 319-857-5426 • [email protected] Table of Contents INTRODUCTION..................................... I CREATURES .......................................... 59 WITH DISCLAIMERS AND APOLOGIES ........ I ORDINARY WILDLIFE.............................. 59 DOMESTIC ANIMALS ............................... 59 MAPS ......................................................... 1 OTHERS .................................................. 59 BRITANNIA ............................................... 1 GLOSSARY ............................................. 60 HIBERNIA ................................................. 2 ARMORICA ............................................... 2 CAMPAIGN NOTES .............................. 61 MAINLAND EUROPE ................................. 2 WHO’S WHO ........................................... 61 HISTORY .................................................. 7 WHERE’S WHERE ................................... 61 WHAT’S WHAT ....................................... 61 PRE-HISTORIC/PRE-ROMAN ALBION TIMELINE .................................................. 7 ROMAN BRITANNIA TIMELINE .................. 8 POST-ROMAN BRITANNIA TIMELINE (BEGINNING OF THE SAXON INVASIONS) 10 LIFE IN BRITANNIA ............................ 13 THE PEOPLE OF BRITANNIA .................... 13 KINGDOMS AND POLITICAL SYSTEMS ..... 17 TECHNOLOGY ......................................... 18 LANGUAGES ........................................... 19 STATUS AND RANK ................................. 20 ECONOMICS ............................................ 21 CRIME AND PUNISHMENT ....................... 22 RELIGION .............................................. 23 CHRISTIANITY/CATHOLICISM ................. 23 CELTIC PAGANISM/DRUIDISM ................ 24 ALL OTHERS ........................................... 27 HERB LORE AND MAGIC .................. 28 HERB LORE ............................................. 28 ALCHEMY ............................................... 31 MAGIC .................................................... 31 POWERS .................................................. 49 CHARACTER CREATION .................. 50 STARTING POINTS ................................... 50 DESIGNING CHARACTERS ....................... 50 NONHUMAN RACES ................................ 52 ADVENTURING CHARACTER TYPES ........ 56 Introduction With Disclaimers and Apologies This manual is the aggregation of a long abiding fascination with Arthurian legend and English history in general and my more recent introduction into to the world of role playing games. The material presented herein has been compiled and, in some cases, shamelessly stolen from: The history of Roman Britannia and post-Roman, dark age England as presented through various websites and literary texts1 Assorted Arthurian legends as presented through various websites and literary texts2 Wikipedia (http://en.wikipedia.org/wiki/Main_Page) The History Files (http://www.historyfiles.co.uk/MainFeaturesIndex.htm) GURPS 1st Edition Camelot GURPS 3rd Edition Spirits GURPS 3rd Edition Faerie GURPS 3rd Edition Celtic Myth Legends of Excalibur: Arthurian Adventures by Charles Rice The Great Pendragon Campaign 5th Edition by Greg Stafford Saxons! Wolves in the Fold of Arthur’s Britain by Loo F. Carrick and Roderick Robertson Etc., Etc., Et. Al. This manual is not meant for publication or sale. It has been compiled and provided free of charge as a visual aid to those playing in my Legendary Britannia role playing campaign. This manual is a living document and subject to change as appropriate. 1 I have perused far too many to list singly herein. However, this is a living document. Thus, as I revise and add to the material herein, I may come to rely on some individual references more than others. Should that happen, I will cite and give credit to those references. 2 Ibid. i LEGENDARY BRITANNIA Chapter 1 Maps This chapter is subject to the most change, primarily in the form of additional maps. As player characters travel through Britannia, or anywhere else for that matter, they will have opportunities for access to maps. Those maps will be included in this section as appropriate over the course of the campaign. Britannia Albion is the oldest known name for the island of Britain. Albion and the surrounding islands were known as the Britanniae Isles. Upon occupation of the island, the Romans referred to it as Britannia. The term later came to mean the Roman province that extended over much of the island but did not include those land’s north of Hadrian’s Wall which was called Caledonia (known today as Scotland). Figure 1 indicates the names and locations of the Celtic tribes living on Britannia at the start of the Roman occupation in AD 43. Figure 2 is a political map of Britannia in AD 400 at the end of the Roman occupation. The kingdom names in many cases coincide with the primary tribe in the area. The primary Roman “states” are indicated in red. After the Roman withdrawal, this political structure was gradually abandoned in favor of the independent kingdoms. Of note, some tribes that existed prior to the Roman occupation were either Romanized beyond recognition, melded with other Celtic tribes in area, and/or pushed out of there native region to seek refuge in other parts of Britannia or on Hibernia. In some cases, as with the Icenii, the Romans decimated tribal populations altogether in response to resistance or uprisings. Figure 3 is a political map of Britannia in AD 475 at the time when the legendary Arthur was beginning his rise to power. The green regions indicate those areas either under Saxon control or Saxon invasion. 1 LEGENDARY BRITANNIA Hibernia Ierne is, arguably, the oldest name for the island of Ireland. The Romans referred to it as Hibernia or Scotia. Figure 2 contains a political map indicating the names and locations of Hibernian Celtic tribes/kingdoms at the end of the Roman occupation of Britannia. Hibernian influence may become more important as the campaign progresses. If so, this section will be augmented with additional information and materials as discovered by the player party or deemed appropriate by the GM. Armorica Armorica is an ancient name associated the a significant portion of Gaul (France) including the Brittany Peninsula, the territory between the Seine and Loire Rivers, down the Atlantic Coast, and inland to some indeterminate point. A large number of Celtic tribes lived in this area and trade between Britannia and Armorica was long established by the time the Romans occupied it. There were several migrations from Britannia to Armorica during the Roman occupation and after the Roman withdrawal, most likely due to increased raids by Vikings and Hibernians as well as the later invasion Britannia by the Saxons. Mainland Europe By the beginning of Arthur’s reign, the Rome Empire has lost much of its territory to invading Teutonic tribes, some of whom have been pushed from their traditional homelands by pressure from the Huns. Rome is the seat of the Papacy but Constantinople is the seat of the Roman Empire. Italy itself is under Teutonic rule. Rome makes repeated attempts to regain its lost territories with some near term success. Ultimately, Roman Imperial influence dwindles and fades. However, Roman traditions and laws have made their mark on the populations of Western Europe. These influences are seen incorporated into the law, religions, military strategies, and daily lives in the new Teutonic kingdoms. 2 LEGENDARY BRITANNIA Figure 1 – Britannia AD 43 – Celtic Tribes at the Beginning of Roman Occupation 3 LEGENDARY BRITANNIA Figure 2 – Britannia AD 400 – Political Map at the End of Roman Occupation 4 LEGENDARY BRITANNIA Figure 3 – Britannia AD 475 – Political Map at the Beginning of Arthur’s Rise to Power 5 LEGENDARY BRITANNIA Figure 4 – Armorica 54 BC – Roman Geographical Area of Armorica at Time of Julius Caesar Figure 5 – Europe AD 476 6 LEGENDARY BRITANNIA Chapter 2 History To understand the social, diplomatic, and military nuances of Arthurian Britannia it is important to have a brief understanding of the history of that region both before Julius Caesar invaded and during the Roman occupation. The period of time immediately following the final Roman withdrawal from Britannia is of greater import because it directly sets the stage for Arthur’s rise to power and defines the forces against which he struggled in order to unify Britannia. Pre-Historic/Pre-Roman Albion Timeline3 c.5000 BC The New Stone Age begins. The first evidence of farming appears; stone axes, antler combs, pottery in common use on Albion. c.4000 BC Construction of raised, wooden walkways as a way to traverse the low, boggy, swampy areas in the Somerset Levels, near present-day Glastonbury; earliest-known camps or communities appear. 3500-3000 BC First appearance of long barrows and chambered tombs. The primitive burial rite known as "corpse exposure" is practiced, wherein bodies are left in the open air to decompose or be consumed by animals and birds. 3000-2500 BC Castlerigg Stone Circle, one of Albion's earliest and most beautiful, begun. Pentre Ifan (Dyfed), a classic example of a chambered tomb, constructed. Bryn Celli Ddu (Anglesey), known as the "mound in the dark grove," begun, one of the finest examples of a "passage grave." c.2500 BC The Bronze Age begins with multi-chambered
Load more

Recommended publications
  • First Evidence of Farming Appears; Stone Axes, Antler Combs, Pottery in Common Use
    BC c.5000 - Neolithic (new stone age) Period begins; first evidence of farming appears; stone axes, antler combs, pottery in common use. c.4000 - Construction of the "Sweet Track" (named for its discoverer, Ray Sweet) begun; many similar raised, wooden walkways were constructed at this time providing a way to traverse the low, boggy, swampy areas in the Somerset Levels, near Glastonbury; earliest-known camps or communities appear (ie. Hembury, Devon). c.3500-3000 - First appearance of long barrows and chambered tombs; at Hambledon Hill (Dorset), the primitive burial rite known as "corpse exposure" was practiced, wherein bodies were left in the open air to decompose or be consumed by animals and birds. c.3000-2500 - Castlerigg Stone Circle (Cumbria), one of Britain's earliest and most beautiful, begun; Pentre Ifan (Dyfed), a classic example of a chambered tomb, constructed; Bryn Celli Ddu (Anglesey), known as the "mound in the dark grove," begun, one of the finest examples of a "passage grave." c.2500 - Bronze Age begins; multi-chambered tombs in use (ie. West Kennet Long Barrow) first appearance of henge "monuments;" construction begun on Silbury Hill, Europe's largest prehistoric, man-made hill (132 ft); "Beaker Folk," identified by the pottery beakers (along with other objects) found in their single burial sites. c.2500-1500 - Most stone circles in British Isles erected during this period; pupose of the circles is uncertain, although most experts speculate that they had either astronomical or ritual uses. c.2300 - Construction begun on Britain's largest stone circle at Avebury. c.2000 - Metal objects are widely manufactured in England about this time, first from copper, then with arsenic and tin added; woven cloth appears in Britain, evidenced by findings of pins and cloth fasteners in graves; construction begun on Stonehenge's inner ring of bluestones.
    [Show full text]
  • 19Tf? Annual Colorado Shakespeare 5®Stii>A(
    19tf? Annual Colorado Shakespeare 5®stii>a( The Comedy of Errors • The Tempest • King John DEPARTMENT OF THEATRE AND DANCE c n L n u a n o s rxjkesn«ciK« University of Colorado® Boulder, Colorado 80309 |Zc?sti'waL Summer 1976 Dear Lover of Shakespeare’s Works: Those who truly love Shakespeare in the theatre will be pleased to learn about the CSh A n ­ nual, a scholarly journal devoted to the art of producing Shakespeare for contemporary audi­ ences. Eighteen years of experience performing all the Shakespeare plays in the Mary Rip- pon Theatre leave us with a vivid realization of the extent to which the full appreciation of Shakespeare’s content and craftsmanship is dependent on relating to his work in the context for which it was written—the artistic transaction of theatrical production. A significant part of Shakespeare’s greatness has been his capacity to speak meaningfully and movingly to successive generations and diverse cultures. On whatever pedestals we would put him, we must certainly maintain a place for him in our contemporary theatres. His work calls for actors and scenic artists, stages and audiences. It also warrants the attention of those whose scholarship can reflect their practice of his own theatrical art and their sharing of his commitment to make scripts come alive in the theatre. To stimulate such at­ tention and to make available to others the fruits of such attention—these are the goals of the CSF Annual. The A nnual will grow out of each Colorado Shakespeare Festival. Its basic format will consist of three sections.
    [Show full text]
  • Manual of Mythology
    ^93 t.i CORNELL UNIVERSITY LIBRARY GIFT OF HENRY BEZIAT IN MEMORY OF ANDRE AND KATE BRADLEY BEZIAT 1944 Cornell University Library BL310 .M98 1893 and Rom No Manual of mythology. Greek « Cornell University S Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029075542 'f' liiiiiliilM^^ ^ M^ISTU^L MYTHOLOGY: GREEK AND ROMAN, NORSE, AND OLD GERMAN, HINDOO AND EGYPTIAN MYTHOLOGY. BY ALEXANDER S. MURRAY, DEPARTMENT OF GREEK AND ROMAN ANTIQUITIES, BRITISH MUSEUM- REPRINTED FROM THE SECOND REVISED LONDON EDITION. •WITH 45 PLATES ON TINTED PAPER, REPRESENTING MORE THAN 90 MYTHOLOGICAL SUBJECTS. NEW YORK: CHARLES SCRIBNER'S SONS, 1893. ; PUBLISHERS' NOTE. Murray's Manual of Mythology has been known to the American public thus far only through the English edition. As originally published, the work was deficient in its account of the Eastern and Northern Mythology; but with these imperfections it secured a sale in this country which proved that it more nearly supplied the want which had long been felt of a compact hand-book in this study than did any other similar work. The preface to the second English edition indicates the important additions to, and changes which have been made in, the original work. Chapters upon the North- ern and Eastern Mythology have been supplied ; the descrip- tions of many of the Greek deities have been re-written accounts of the most memorable works of art, in which each deity is or was represented, have been added ; and a number iii IV PUBLISHERS NOTE.
    [Show full text]
  • Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars.
    [Show full text]
  • THE SUN, the MOON and FIRMAMENT in CHUKCHI MYTHOLOGY and on the RELATIONS of CELESTIAL BODIES and SACRIFICE Ülo Siimets
    THE SUN, THE MOON AND FIRMAMENT IN CHUKCHI MYTHOLOGY AND ON THE RELATIONS OF CELESTIAL BODIES AND SACRIFICE Ülo Siimets Abstract This article gives a brief overview of the most common Chukchi myths, notions and beliefs related to celestial bodies at the end of the 19th and during the 20th century. The firmament of Chukchi world view is connected with their main source of subsistence – reindeer herding. Chukchis are one of the very few Siberian indigenous people who have preserved their religion. Similarly to many other nations, the peoples of the Far North as well as Chukchis personify the Sun, the Moon and stars. The article also points out the similarities between Chukchi notions and these of other peoples. Till now Chukchi reindeer herders seek the supposed help or influence of a constellation or planet when making important sacrifices (for example, offering sacrifices in a full moon). According to the Chukchi religion the most important celestial character is the Sun. It is spoken of as an individual being (vaúrgún). In addition to the Sun, the Creator, Dawn, Zenith, Midday and the North Star also belong to the ranks of special (superior) beings. The Moon in Chukchi mythology is a man and a being in one person. It is as the ketlja (evil spirit) of the Sun. Chukchi myths about several stars (such as the North Star and Betelgeuse) resemble to a great extent these of other peoples. Keywords: astral mythology, the Moon, sacrifices, reindeer herding, the Sun, celestial bodies, Chukchi religion, constellations. The interdependence of the Earth and celestial as well as weather phenomena has a special meaning for mankind for it is the co-exist- ence of the Sun and Moon, day and night, wind, rainfall and soil that creates life and warmth and provides the daily bread.
    [Show full text]
  • CYMBELINE" in the Fllii^Slhi TI CENTURY
    "CYMBELINE" IN THE fllii^SLHi TI CENTURY Bennett Jackson Submitted in partial fulfilment for the de ree of uaster of Arts in the University of Birmingham. October 1971. University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis consists of an Introduction, followed by Part I (chapters 1-2) in which nineteenth- century criticism of the play is discussed, particular attention being paid to Helen Faucit's essay on Imogen, and its relationship to her playing of the role. In Part II the stags-history of Oymbcline in London is traced from 1785 to Irving's Lyceum production of 1896. Directions from promptbooks used by G-.P. Cooke, W.C. Macready, Helen Eaucit, and Samuel ±helps are transcribed and discussed, and in the last chapter the influence of Bernard Shaw on Ellen Terry's Imogen is considered in the light of their correspondence and the actress's rehearsal copies of the play. There are three appendices: a list of performances; transcriptions of two newspaper reviews (from 1843 and 1864) and one private diary (Gordon Crosse's notes on the Lyceum Gymbeline); and discussion of one of the promptbooks prepared for Charles Kean's projected production.
    [Show full text]
  • CHRISTOPHER HITCHENS Aator Del Aclamado Dios No Es Bueno Dios No Existe
    LECTURAS ESENCIALES PARA EL NO CREYENTE escogidas y presentadas por CHRISTOPHER HITCHENS aator del aclamado Dios no es bueno Dios no existe Lecturas esenciales para el no creyente CHRISTOPHER HITCHENS La editorial ha intentado por todos 10s medios localizar y contactar a 10s propietarios de 10s derechos de 10s textos a uireproducidos. Si, apesar de ello, existen errores u omisiones, la editorij se compromete a subsanar en futuras ediciones aauellos aue le Sean advertidos. reconociendo tarnbiin la titularidad de 10s bropietirios de 10s derechos de reproducci6n y su de- recho a percibir las remuneraciones que pudieran ~orres~onderles. Crkditos y permisos en la pig. 649 Titulo original: The Portable Atheist Primera edici6n: mayo de 2009 O 2007, Christopher Hitchens, por la introducci6n O 2009, de la presente edici6n en castellano para Espafia y Amirica Latina: Random House Mondadori, S. A. Travessera de Gricia, 47-49. 08021 Barcelona Quedan prohibidos, dentro de 10s limites establecidos en la ley y bajo 10s apercibimientos legalmente previstos, la reproducci6n total o parcial de esta obra por cualquier rnedio o procedimiento, ya sea electr6nico o me- cinico, el tratamiento informbtico, el alquiler o cualquier otra forma de cesi6n de la obra sin la autorizaci6n previa y por escrito de 10s titulares del copyright. Dirijase a CEDRO (Centro Espafiol de Derechos Reprogri- ficos, http:llwww.cedro.org) si necesita fotocopiar o escanear algun frag- mento de esta obra. Printed in Spain - Impreso en Espaiia ISBN: 978-84-8306-824-3 Dep6sito legal: M-12.240-2009 Compuesto en Fotocomposici6n 2000, S. A. Impreso y encuadernado en DCdalo Offset Ctra.
    [Show full text]
  • CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL B
    CHARLES FUSSELL: CYMBELINE CHARLES FUSSELL b. 1938 CYMBELINE: DRAMA AFTER SHAKESPEARE (1984, rev. 1996) CYMBELINE [1] I. Prelude 4:03 [2] II. Duet: Imogen and Posthumus 3:26 [3] III. Interlude 1:39 [4] IV. Aria: Iachimo 1:10 [5] V. Imogen 3:39 [6] VI. Scene with Arias: Iachimo 10:19 [7] VII. Interlude 2:14 [8] VIII. Scene: Cloten 1:21 [9] IX. Song: Cloten 3:22 [10] X. Recitative and Arioso: Imogen and Belarius 3:04 ALIANA DE LA GUARDIA soprano [11] XI. Duet, Dirge: Guiderius and Arviragus 3:58 MATTHEW DiBATTISTA tenor [12] XII. Battle with Victory March 4:05 DAVID SALSBERY FRY narrator [13] XIII. Scene: Ghosts (Mother and Sicilius) and Jupiter 5:17 [14] XIV. Duet: Imogen and Posthumus 3:07 BOSTON MODERN ORCHESTRA PROJECT [15] XV. Finale: Soothsayer and Cymbeline 4:14 Gil Rose, conductor TOTAL 55:02 COMMENT By Charles Fussell The idea of a musical depiction of this work came as a result of seeing the Hartford Stage productions of Shakespeare. Their Cymbeline, directed by Mark Lamos (who later moved to opera), ended with an unforgettable scene between Imogen and her husband: “Why did you throw your wedded lady from you? Think that you are upon a rock and throw me again.” His reply, “Hang there like fruit, my soul, till the tree die.” This exchange touched me deeply and really convinced me to try some music for the songs that appear in the play as well as this beautiful expression of love. I noticed the familiar “Hark, hark the lark” was sung by the frightful Cloten.
    [Show full text]
  • In Het Spoor Van De Discipelen / De Vergeten Beginjaren Van Het Christendom
    In het spoor van In het spoor van de discipelen - De beginjaren vergeten van het Christendom de discipelen De vergeten beginjaren Jozef van Arimathea stichtte eerste Christelijke kerk in Brittannië van het Christendom Dit boek pakt de geschiedenis op kort na de verrijzenis van de Here Jezus Christus. Jozef van Arimathea speelde in die geschiedenis een belangrijke rol. Zeer oude geschriften vertellen dat deze man door zijn genadeloze vijanden op zee werd gezet. Samen met een paar trouwe metgezellen, in een open boot zonder roeiriemen of zeil, dreven zij ver van hun Judeese thuisland af. Zij keerden ook nooit meer terug, maar stonden daarentegen aan de basis van de verbreiding van het Christelijk geloof. Jozef van Arimathea was de eerste apostel aan Brittannië. Hij plantte het vaandel van Christus 562 jaar voor Augustinus voet zette op het door zeeën omringde eiland. Met twaalf andere discipelen van de Here Jezus stichtte hij, in wat nu Engeland heet, de eerste openlijke Christelijke kerk. Brittannië werd de voedingsbodem, waar een niet aflatende stroom van jonge bekeerlingen werd opgeleid door de apostelen en discipelen van Christus, die daarna werden uitgezonden naar andere landen om het evangelie te onderwijzen. Dit boek verhaalt ook zeer boeiend over de het ontstaan van de eerste George F. Jowett F. George Christelijke gemeente in Rome, de aanvaarding van het Evangelie door de Kelten, hun oorlogen tegen de Romeinse keizers en de gruwelijke Christenvervolgingen, die uiteindelijk tot staan werden gebracht door de Brit Constantijn, de erfgenaam en wettelijke vertegenwoordiger van de Christelijke dynastie in Brittanië en latere keizer van het Romeinse Rijk.
    [Show full text]
  • The Earl Hoke Butterfly Collection
    This spreadsheet is a part of The Earl Hoke Butterfly and Moth Exhibit Kamden Rudin's Eagle Scout FRAME COLOR Peach (1) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Row 1 Dynamine mylitta (Mexico) Nessalea anclaeus (Peru) Didoni's aganisa (Mexico) Callithea optima (Ecuador) Aasterope pechueli Row 2 Pareute charops (Mexico) Bolboneura sylphis (Mexico) Eunica monima (Mexico) "underside" Callithea optima (Ecuador) Row 3 Bolboneura syphis (Mexico) Eunica tatila (Mexico) Perisana vaninka (Columbia) Row 4 Lyropteryx apollonia (Peru) Peach (2) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Row 1 Thisbe (Irenea) Colobura dirce (2) Myselia cyamanthe Eumaeus Eunie tatila Row 2 Pereute charops ♀♂ Canteophele nystinas ♀♂ Row 3 "underside" Callicure anna ♂ Peach (3) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Row 1 Pareba issoria (2) Pardopsis punctatissima Napeogenes tolosa amara (2) Acraea encedon Row 2 Pardopsis punctatissma Actinote leucomelas (2)♂ Agraea encedon (Form Lycdides) Acraea Row 3 Agraea eponina Agraea encedon (Form Lycdides) Row 4 Acraea violarum Acraea machequena (Bottom) Acraea violarum Peach (4) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Scientific name (Country) Row 1 Ixias pyreng (India) Eurehea (2 Underside) Eurema westwoodi
    [Show full text]
  • Shakespeare's Cymbeline and the Mystical
    International Journal of Transpersonal Studies Volume 32 | Issue 2 Article 13 7-1-2013 Shakespeare’s Cymbeline and the Mystical Particular: Redemption, Then and Now, for a Disassembled World Judy Schavrien Sofia University Follow this and additional works at: https://digitalcommons.ciis.edu/ijts-transpersonalstudies Part of the Philosophy Commons, Psychology Commons, Religion Commons, and the Sociology Commons Recommended Citation Schavrien, J. (2013). Schavrien, J. (2013). Shakespeare’s Cymbeline and the mystical particular: Redemption, then and now, for a disassembled world. International Journal of Transpersonal Studies, 32(2), 122–140.. International Journal of Transpersonal Studies, 32 (2). http://dx.doi.org/10.24972/ijts.2013.32.2.122 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Special Topic Article is brought to you for free and open access by the Journals and Newsletters at Digital Commons @ CIIS. It has been accepted for inclusion in International Journal of Transpersonal Studies by an authorized administrator of Digital Commons @ CIIS. For more information, please contact [email protected]. Shakespeare’s Cymbeline and the Mystical Particular: Redemption, Then and Now, for a Disassembled World Judy Schavrien Sophia University Palo Alto, CA, USA Cymbeline reflected Shakespeare’s late-in-life aspirations for a world redeemed. Those in baroque England, past the first burgeoning of Renaissance vision, were nevertheless making a literal New World abroad. Likewise, Shakespeare arrived at a vision both post-innocent and post-tragic. As they compared to tragic heroes, he down-sized the late play characters; still, he granted them a gentler end.
    [Show full text]
  • Download Learning from the Ancestors for FREE
    In almost every traditional culture throughout the world, including Europe until comparatively recent times, there have been ways of ‘honouring’ at least some of the dead, those who were regarded as key founders and ancestors. Learning from the Ancestors shows how such traditional ways of thinking – and doing – are of benefit in the modern Western world. Beatrice Walditchmostly explores the ancestors of England, although also shows how similar ideas and concepts are found elsewhere in Britain and beyond. She explains how ‘listening’ and learning from the ancestors should be done in a ritual manner, not necessarily in ways which would be appropriate in other situations. Learning from the Ancestors is the third book in the Living in a Magical World series. These books will challenge you to recognise the traditional magic still alive in modern society, and empower you with a variety of skills and insights. Previous books by BeatriceWalditch from Heart of Albion You Don't Just Drink It! What you need to know – and do – before drinking mead Listening to the Stones (Volume One of the Living in a Magical World series) Knowing Your Guardians (Volume Two of the Living in a Magical World series) Living in a Magical World: Volume Three Learning from the Ancestors BeatriceWalditch Heart of Albion Learning from the Ancestors Beatrice Walditch ISBN978-1-905646-27-2 © Text copyright Beatrice Walditch2015 © illustrations copyright contributors 2015 minor revisions 2020 The moral rights of the author and illustrators have been asserted. All rights reserved. No part of this book may be reproduced in any form or by any means without prior written permission from Heart of Albion, except for brief passages quoted in reviews.
    [Show full text]