Architecture As Propaganda in Twentieth-Century Totalitarian Regimes
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The Influence of International Town Planning Ideas Upon Marcello Piacentini’S Work
Bauhaus-Institut für Geschichte und Theorie der Architektur und Planung Symposium ‟Urban Design and Dictatorship in the 20th century: Italy, Portugal, the Soviet Union, Spain and Germany. History and Historiography” Weimar, November 21-22, 2013 ___________________________________________________________________________ About the Internationality of Urbanism: The Influence of International Town Planning Ideas upon Marcello Piacentini’s Work Christine Beese Kunsthistorisches Institut – Freie Universität Berlin – Germany [email protected] Last version: May 13, 2015 Keywords: town planning, civic design, civic center, city extension, regional planning, Italy, Rome, Fascism, Marcello Piacentini, Gustavo Giovannoni, school of architecture, Joseph Stübben Abstract Architecture and urbanism generated under dictatorship are often understood as a materialization of political thoughts. We are therefore tempted to believe the nationalist rhetoric that accompanied many urban projects of the early 20th century. Taking the example of Marcello Piacentini, the most successful architect in Italy during the dictatorship of Mussolini, the article traces how international trends in civic design and urban planning affected the architect’s work. The article aims to show that architectural and urban form cannot be taken as genuinely national – whether or not it may be called “Italian” or “fascist”. Concepts and forms underwent a versatile transformation in history, were adapted to specific needs and changed their meaning according to the new context. The challenge is to understand why certain forms are chosen in a specific case and how they were used to create displays that offer new modes of interpretation. The birth of town planning as an architectural discipline When Marcello Piacentini (1881-1960) began his career at the turn of the 20th century, urban design as a profession for architects was a very young discipline. -
GSS Campestre
sede: via Botticelli, 35 – 04100 Latina - tel. 338-2485.356 – www.atleticalatina.it - [email protected] GSS - Finale Provinciale Corsa Campestre Cadetti COGNOME NOME ANNO ISTITUTO 32 1 PAIANO MATTEO 2004 IC FREZZOTTI CORRADINI LATINA 4'05 81 2 POPA STEFAN ALEXANDRU 2004 IC MS BIAGIO 4'06 31 3 CECCONI MARCO 2004 IC FREZZOTTI CORRADINI LATINA 4'07 58 4 DEDATO GIUSEPPE 2004 IC MATTEOTTI APRILIA 4'13 61 5 LAMBRAIA RAFFAELE 2004 IC MILANI FONDI 4'14 3 6 BROZZETTI SIMONE 2004 IC ALDO MANUZIO 4'15 26 7 MISSIO MARCO 2004 IC DON MILANI LATINA 4'16 50 8 MAZZAFERRI FLAVIO 2005 IC GRAMSCI APRILIA 4'18 90 9 SANTUCCI TIZIANO 2005 IC PACIFICI SEZZE BASSIANO 4'19 99 10 LUDOVISI ALESSIO 2004 IC TORQUATO TASSO 4'19 87 11 D'ANGELO LUIGI ALESSANDRO 2004 IC PACIFICI SEZZE BASSIANO 16 12 BIANCHI ALESSANDRO 2005 IC CENCELLI SABAUDIA 34 13 ZIMBARDI SIMONE 2004 IC FREZZOTTI CORRADINI LATINA 98 14 GUSELLA DAVIDE 2005 IC TORQUATO TASSO 21 15 LUDOVISI DANIELE 2004 IC DA VINCI SONNINO E RDV 51 16 ADINOLFI ALESSANDRO 2005 IC MANFREDINI PONTINIA 63 17 SACCOCCIO SLVATORE 2004 IC MILANI FONDI 53 18 NEGOSSI SAMUELE 2004 IC MANFREDINI PONTINIA 49 19 LORIA VALERTIO 2004 IC GRAMSCI APRILIA 101 20 ANGELOTTI LUCA 2004 IC VERGA PONTINIA 29 21 TRIPEPI SIMONE 2004 IC DON MILANI LATINA 76 22 STASI DOMENICO 2004 IC MONTESSORI TERRACINA 62 23 ORVETO KEVIN 2005 IC MILANI FONDI 65 24 STRAVATO NICOLAS 2004 IC MILANI FONDI 60 25 SPADACCIA DAVIDE 2005 IC MATTEOTTI APRILIA 72 26 ESPOSITO GAETANO 2004 IC MINTURNO 103 27 COLAUTTI LUCA 2004 IC VERGA PONTINIA 12 28 DI PASTENA ENRICO 2004 -
I Within the Party
J'he fuse .\ Rule oi Sinsle P:rrtr- St:rtcs King-retained his o The statuto remained ltaly's constihrtion and the ' Mussolini was p"riti,ons as Head of stat'e and Commander-in-Chief. hesignated Head of Government and Duce of the Fascist Party. were still dominated o The civil service, including the prefects, and police " Bocchini, a tt;";eer-offici-aLs, rather tXan by Fascists; for ixample, Arturo l|rr nbn-Fascist, was Chief of Police (1926-40). (from 783,000 in 1923 to o The PNF',s membership expanded massively GT-I I,85i.,000 by 1934) and'mosl of those joining were careerists ancl public of officials. Consequently, the PNF became increasingly an organisation bureaucrats and'proie-ssionals,rather than militant activists. ;! over the Mussolini now created a personal dictatorship, extending his control Party bY: Fascist EI:I o Appointing Roberto Farinacci,one of the Ras,in 1925 as PNF SecretarY with instructions to impose greater discipline on the unrulY elements .I within the PartY. lEI o sacking Farinacci as PNF Secretary(April 1926) when Farinacci proved :I too independent-minded. t:qll:: o Appointing the compliant-Augusto Turati as PNF Secretary!o Farinacci.furati then set about, over the next three years,purging 60,000 :I FI members of the PNF. Most of those expelled were radicals or militant Mussolini loyalist, Achille squad members. During th9 l!3^0s unolh"r Starace,occupied the post of PNF Secretary' ;! were to be appointed o- A Party statuteof 7926laiddown that all.party posts from u'bo,u"(PNF headquartersin Rome),rather than electedfrom below or appointed by local Fascistbosses. -
ARCHITETTURA in ITALIA 1910 - 1980 Una Collezione Di Centodieci Libri E Documenti Originali
ARCHITETTURA IN ITALIA 1910 - 1980 Una collezione di centodieci libri e documenti originali L’ARENGARIO STUDIO BIBLIOGRAFICO Edizioni dell’Arengario Gussago Franciacorta 2017 ARCHITETTURA IN ITALIA 1910 - 1980 Una collezione di settandue libri e documenti originali a cura di Bruno Tonini, con un testo di Giovanni Michelucci L’ARENGARIO STUDIO BIBLIOGRAFICO “Io penso e credo in un tempo, vicino o lontano, in cui, come nelle antiche civiltà, tutto ciò che servirà alla vita sarà «vero», nato cioè spontaneamente con com- piuta conoscenza delle possibilità pratiche, economiche, tecniche e con piena convinzione che la struttura non si deve nascondere o mascherare ma svelare nella forma e che il «gusto» si modella sulla forma che nasce con l’urgenza e l’e- videnza di un fatto vitale. Allora le case, gli edifici pubblici, la forchetta, il ferro da stiro testimonieranno della unità d’intendimenti di un popolo, di affermare senza equivoco la propria realtà e la fiducia nella validità del proprio tempo: ogni oggetto troverà la sua forma nella collaborazione di una collettività, dove le qualità native diversissime di ciascuno potranno essere pienamente valorizzate e potenziate. Io non sono dunque libero dalle malìe della forma. Se ho insistito sul fattore eco- nomico è perché sono convinto che l’architettura non è nella varietà dei temi ma nella organizzazione di un’opera architettonica... Non credo tanto nella «im- maginazione» quanto invece nella «fantasia», che non sconfina mai nell’arbitrio, ma si vale appunto dei mezzi usuali e li dosa così, da ottenere variazioni infinite su pochi temi che esigenze economiche, sociali, tecniche hanno generalizzato.” Giovanni Michelucci [Giovanni Michelucci, Felicità dell’architetto, Firenze, Editrice Il Libro, 1949, pp. -
Frank Lloyd Wright in Venice and the Masieri Memorial
MODERNISM CONTESTED: FRANK LLOYD WRIGHT IN VENICE AND THE MASIERI MEMORIAL DEBATE by TROY MICHAEL AINSWORTH, B.A., M.A. A DISSERTATION IN LAND-USE PLANNING, MANAGEMENT, AND DESIGN Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Michael Anthony Jones Co-Chairperson of the Committee Bryce Conrad Co-Chairperson of the Committee Hendrika Buelinckx Paul Carlson Accepted John Borrelli Dean of the Graduate School May, 2005 © 2005, Troy Michael Ainsworth ACKNOWLEDGMENTS The task of writing a dissertation is realized through the work of an individual supported by many others. My journey reflects this notion. My thanks and appreciation are extended to those who participated in the realization of this project. I am grateful to Dr. Michael Anthony Jones, now retired from the College of Architecture, who directed and guided my research, offered support and suggestions, and urged me forward from the beginning. Despite his retirement, Dr. Jones’ unfaltering guidance throughout the project serves as a testament to his dedication to the advancement of knowledge. The efforts and guidance of Dr. Hendrika Buelinckx, College of Architecture, Dr. Paul Carlson, Department of History, and Dr. Bryce Conrad, Department of English, ensured the successful completion of this project, and I thank them profusely for their untiring assistance, constructive criticism, and support. I am especially grateful to James Roth of the John F. Kennedy Library in Boston, Massachusetts, for his assistance, and I thank the John F. Kennedy Library Foundation for awarding me a research grant. Likewise, I extend my thanks to the Ernest Hemingway Foundation and Society for awarding me its Paul Smith-Michael Reynolds Founders Fellowship to enable my research. -
Consensus for Mussolini? Popular Opinion in the Province of Venice (1922-1943)
UNIVERSITY OF BIRMINGHAM SCHOOL OF HISTORY AND CULTURES Department of History PhD in Modern History Consensus for Mussolini? Popular opinion in the Province of Venice (1922-1943) Supervisor: Prof. Sabine Lee Student: Marco Tiozzo Fasiolo ACADEMIC YEAR 2016-2017 2 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Declaration I certify that the thesis I have presented for examination for the PhD degree of the University of Birmingham is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of my words. 3 Abstract The thesis focuses on the response of Venice province population to the rise of Fascism and to the regime’s attempts to fascistise Italian society. -
«Fu Turati a Trasformare Mussolini in Mito Vivente»
GIORNALE DI BRESCIA · Martedì 26 novembre 2019 37 CULTURA&SPETTACOLI [email protected] «Storie bresciane» L’uomo del Partito fascista Boochani: «Le Sabato 30 al Sociale parole sono con letture di Cabra più potenti BRESCIA. «Augusto Turati, il Fascista» è il terzo appuntamento della rassegna «Storie bresciane», promossa da Ctb e delle sbarre» Centro studi Rsi. Sabato 30 novembre, alle 10.30, sul palco del Sociale in via Cavallotti 20 in città, interverrà Emilio Gentile, storico del fascismo, professore emerito dell’Università di Roma La Lo scrittore curdo, da poco uscito Sapienza. Letture a cura di Fausto Cabra. Biglietti (5 euro) in vendita alla dalla detenzione a Manus Island, il biglietteria del teatro, al punto vendita Ctb in piazza Loggia 6 e su vivaticket.it. 28 si racconterà a Brescia via Skype L’ultimo incontro, sabato 7 dicembre alle 10.30 con lo storico Roberto Chiarini, coordinatore scientifico dell’iniziativa, così imprigionato nell’isola di sarà dedicato a Giuseppe Zanardelli. Festival della Pace Manus, dove centinaia di pro- fughi affollano il centro di de- tenzione costruito nella fore- travagliato da una grave crisi dopo Sarà una delle prime appari- sta, costretti a vivere in condi- l’ascesa al potere e soprattutto dopo zioni pubbliche da uomo libe- zioni umilianti, afflitti dalla fa- l’assassinio di Giacomo Matteotti. ro,quella che attende a Brescia me, in una situazione igienica Farinacci aveva costruito un partito Behrouz Boochani, lo scrittore degradata, disidratati dal cal- totalitario il cui segretario, nella sua curdocheda pochi giorni hala- do umido, perseguitati dal sole concezione, avrebbe dovuto essere una sciato il centro di detenzione tropicale «più spietato del figura parallela rispetto al capo del di Manus Island,in Papua Nuo- mondo». -
Partenze Da Latina
Orario in vigore dal 07 Jan 2016 al 28 Feb 2016 pag. 1/48 Partenze Da Latina Staz.FS, Latina Scalo FS DESTINAZIONE LUN-VEN SABATO FESTIVO per Bassiano p.zza G.Matteotti 04:591..05:171..05:521..06:371..07:021..08:101.. 04:591..05:171..06:001..06:451.. 12:111..14:361..15:061..17:281..18:381..20:311.. 07:101..08:151..12:151..14:401.. 17:281..18:401..20:351.. 1. Latina Fs Bv - Stabilimento Mistral - Doganella Bv per Norma Ninfa Ninfa 17:481.. 17:501.. 1. Latina Fs Bv - Stabilimento Mistral - Doganella Bv - Doganella Norma p.zza Roma 05:421..07:351..13:111..13:561..14:361..15:111.. 05:421..07:351..13:111..14:001.. 16:221..17:482..18:481..20:361.. 16:211..17:502..20:051.. 1. Latina Fs Bv - Stabilimento Mistral - Doganella Bv 2. Latina Fs Bv - Stabilimento Mistral - Doganella Bv - Doganella - Ninfa Gli orari in grassetto (ad es: 07.00) indicano le partenze da Capolinea. Gli orari di transito (ad es: 07.00), essendo soggetti alla variabilità del traffico ed essendo non previsti slarghi per l'attesa, possono subire variazioni anche in anticipo. E' pertanto opportuno anticipare l'attesa alla fermata. Servizio Sistemi Informativi Sistemi di Supporto all'Esercizio Stampato il 07/01/2016 Orario in vigore dal 07 Jan 2016 al 28 Feb 2016 pag. 2/48 per Sermoneta via Sermonetana 08:201..12:361.. 08:251..12:401.. 1. Latina Fs Bv - Murillo - Monticchio - Casal Dei Papi Gli orari in grassetto (ad es: 07.00) indicano le partenze da Capolinea. -
Cassani Simonetti Matteo Tesi.Pdf
Alma Mater Studiorum - Università di Bologna Dottorato di Ricerca in Architettonica Scuola di Dottorato in Ingegneria Civile ed Architettura XXVI Ciclo di Dottorato L’architettura di Piero Bottoni a Ferrara Occasioni di moderna composizione architettonica negli ambienti storici (1932-1971) Presentata da: Matteo Cassani Simonetti Coordinatore Dottorato: prof. Annalisa Trentin Relatore: prof. Giovanni Leoni Settore concorsuale: 08/E2 – Restauro e Storia dell’Architettura Settore scientifico disciplinare di afferenza: ICAR/18 Esame finale anno 2014 Intendo dire che la speculazione può spiccare il suo volo necessariamente spericolato con qualche prospettiva di successo, solo se, invece di indossare le ali di cera dell’esoterico, cerca la sua sorgente di forza unicamente nella costruzione. La costruzione richiedeva che la seconda parte del libro fosse formata essenzialmente di materiali filologici. Si tratta perciò meno di una «disciplina ascetica» che di una precau- zione metodologica…. Quando lei parla di una «esposizione allibita della fatticità», lei caratterizza in questo modo l’atteggiamento filologico genuino. Questo dovrebbe essere calato nella costruzione non solo per amore dei suoi risultati, ma come tale… l’apparenza della chiusa fatticità, che aderisce alla ricerca filologica e getta il ricercatore nell’incanto, svanisce nella misura in cui l’oggetto viene costruito nella prospettiva storica. Le linee di fuga di questa costruzione convergono nella nostra propria esperienza storica. Con ciò l’oggetto si costruisce come monade. Nella -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
Guidonia Citta Aero-Fu
GUIDONIA CITTA AERO-FU A RATIONALIST AND FASCIST COMPANY TOWN (1934-1938) JEAN-FRANCOIS LEJEUNE University of Miami notorious "Ascension Day's Speech" Mussolini defined new and radical objectives for the economic, social, and urbanistic reorganization of the Sational State. One of the main decisions was to limit the natural urban -growth and the uncontrolled geographic expansion of urban territories by re-equilibrating city and countryside. A major program the first I1eaisof the aeronautzcal retzz~alHe zi~ell of public works was initiated to restructure and modernize ctesel-1 ed to harle his tmrne be remembered for towns and countryside through the construction of post cerzturzes offices, train stations, roads and railways, and This tor1 12 appean 111 front oj us zi zth the tjpical representative buildings such as Case del Fascio. The aspect of Faaclst archztecture solid pleasant, a7zd reclamation of the Pontine Marshes and the foundation of industrial towns in Istria (Astria) and Sardinia (Fertilia and Carbonia) followed directly this line of ideological and o~lrcornrnde Calm Bin1 zi ho designed and l~z~ilt technical action.Aquote from Diane Ghirardo summarizes the clfl to his mzrizedzate collclhorators, and to all adequately the program of which Guidonia was also a the 11 orker,s part: .\of lo7zg ago I irzaug~~ratedAprilla, the fourth ~onz1ni17zeof the reclal~nedPorztirze reglo71 the %eestahlzshiizel~toj~Vez~~Tou ns i~~rcler~theairsp~tcs Tort IZ of the Earth (Cltt2 della terra1 Today I of rezlol~~tionaryFascistiz LL aspart of theprotnlae -
Italia'61 a Century of Italian Architecture, 1861-19611
PERIODICA POLYTECHNICA SER. ARCHITECTURE VOL. 30', NOS. 1-4, PP. 77-96 (1992) ITALIA'61 A CENTURY OF ITALIAN ARCHITECTURE, 1861-19611 Ferenc MERENYI Institute of History and Theorie of Architecture, Technical University of Budapest H-1.521 Budapest, Hungary This idea of mine and then the intention to get to know more throroughly, with its interconnecctions and contradictions, the architecture of a country which has an extremely complex historical past, and yet is barely one hun dred years old, was finally conceived, although not without antecedents, in the April of 1961. That spring Turin, the 'capital' of FIAT, was preparing for centenary festivities. One hundred years before, on the 17th March of 1861, after the adhering of Tuscany, and then Sicily, Naples, the Marches (Marche) and Umbric., the Parliament of Turin proclamed Victor Emman ual II King of Italy and thus, with the exception of Venice and Rome for the time being, unified Italy was born. To celebrate this historical event the city of Turin and the executives of the FIAT works organized a large national exhibition 'Italia'61', displaying the economic, social, political and cultural development and results of the one hundred years. \Vell, that specific April morning I shared with Italian and foreign colleagues the unforgettable ex perience of having the chance to stand in the middle of the Palazzo del Lavoro, the Labour Hall, (Fig. 1) just before completion, and to listen to the wise and patient answers of Professor PIER LmGI NERVI to questions not always benevolent. A wanton 'forest of columns?' He answered with a sligthly wry smile of the scholar forced to give explanations: ' No, signori ..