Len Deighton, Billion Dollar Brain
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The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
For 30 Minutes, James H. Howard Single-Handedly Fought Off Marauding German Fighters to Defend the B-17S of 401St Bomb Group. for That, He Received the Medal of Honor
For 30 minutes, James H. Howard single-handedly fought off marauding German fighters to defend the B-17s of 401st Bomb Group. For that, he received the Medal of Honor. One-Man Air Force By Rebecca Grant Mustang pilot who took on the German Air Force single-handedly, and saved on Nazi aircraft and fuel production. our 401st Bomb Group from disaster?” uesday, Jan. 11, 1944, was Devastating missions to targets such wondered Col. Harold Bowman, the a rough day for the B-17Gs as Ploesti in Romania had already unit’s commander. of the 401st Bomb Group. produced Medal of Honor recipients. Soon the bomber pilots knew—and TIt was their 14th mission, but the Many were awarded posthumously, and so did those back home. first one on which they took heavy nearly all went to bomber crewmen. “Maj. James H. Howard was identi- losses—four aircraft missing in ac- Waist gunners, pilots, and naviga- fied today as the lone United States tion after bombing Me 110 fighter tors—all were carrying out heroic acts fighter pilot who for more than 30 production plants at Oschersleben and in the face of the enemy. minutes fought off about 30 Ger- Halberstadt, Germany. The lone P-51 pilot on this bomb- man fighters trying to attack Eighth Turning for home, they witnessed ing run would, in fact, become the Air Force B-17 formations returning an amazing sight: A single P-51 stayed only fighter pilot awarded the Medal from Oschersleben and Halberstadt with them for an incredible 30 minutes of Honor in World War II’s European in Germany,” reported the New York on egress, chasing off German fighters Theater. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Ken Russell – 2001
KEN RUSSELL Nato il 3 luglio 1927 a Southampton, Hampshire, in Gran Bretagna, Ken Russell è davvero il ‘ragazzaccio’ del cinema inglese; i suoi fallimenti sono spesso più interessanti dei successi della maggior parte dei registi. La sua propensione per il bizzarro e l’eccessivo si è rivelata ben presto nella sua carriera, con la sua serie di biografie per la BBC su Debussy e Isadora Duncan. Russell ha esordito come regista cinematografico nel 1963 con French Dressing e successivamente ha diretto lo spy thriller Il cervello da un miliardo di dollari (1967, forse il suo film più convenzionale). Il suo terzo film, nel 1969, stato un adattamento sessualmente vivido ma (per i suoi canoni) abbastanza freddo di‘Women in love di D. H. Lawrence, che gli è valso una nomination agli Oscar e il plauso internazionale. E che gli ha anche dato la libertà di sbizzarrirsi con alcune singolari pseudobiografie come L’altra faccia dell’amore (1971), Messia selvaggio (1972), La perdizione (1974), Lisztomania (1975) e Valentino (1977), e di mostrare una strana sorta di versatilità nel 1971, passando dallo ‘scandaloso’I Diavoli a Il boy friend un omaggio ai musical degli anni ‘30. Nel 1975 si è dedicato all’opera rock degli Who Tommy dando al progetto il suo tocco personale: bisogna vedere una scena con Ann-Margaret per crederci. Ha avuto un forte successo commerciale in America con Stati di Allucinazione nel 1980, dopo il quale è tornato ai budget ridotti e ai suoi progetti personali con certi titoli brillanti come China Blue (1984), Gothic (1986), L’ultima Salomè e la commedia horror cult La tana del serpente bianco (entrambi del 1988). -
An Assessment of the Development of Target Marking Techniques to the Prosecution of the Bombing Offensive During the Second World War
Circumventing the law that humans cannot see in the dark: an assessment of the development of target marking techniques to the prosecution of the bombing offensive during the Second World War Submitted by Paul George Freer to the University of Exeter as a thesis for the degree of Doctor of Philosophy in History in August 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: Paul Freer 1 ABSTRACT Royal Air Force Bomber Command entered the Second World War committed to a strategy of precision bombing in daylight. The theory that bomber formations would survive contact with the enemy was soon dispelled and it was obvious that Bomber Command would have to switch to bombing at night. The difficulties of locating a target at night soon became apparent. In August 1941, only one in three of those crews claiming to have bombed a target had in fact had been within five miles of it. And yet, less than four years later, it would be a very different story. By early 1945, 95% of aircraft despatched bombed within 3 miles of the Aiming Point and the average bombing error was 600 yards. How, then, in the space of four years did Bomber Command evolve from an ineffective force failing even to locate a target to the formidable force of early 1945? In part, the answer lies in the advent of electronic navigation aids that, in 1941, were simply not available. -
Bombing the European Axis Powers a Historical Digest of the Combined Bomber Offensive 1939–1945
Inside frontcover 6/1/06 11:19 AM Page 1 Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 Air University Press Team Chief Editor Carole Arbush Copy Editor Sherry C. Terrell Cover Art and Book Design Daniel M. Armstrong Composition and Prepress Production Mary P. Ferguson Quality Review Mary J. Moore Print Preparation Joan Hickey Distribution Diane Clark NewFrontmatter 5/31/06 1:42 PM Page i Bombing the European Axis Powers A Historical Digest of the Combined Bomber Offensive 1939–1945 RICHARD G. DAVIS Air University Press Maxwell Air Force Base, Alabama April 2006 NewFrontmatter 5/31/06 1:42 PM Page ii Air University Library Cataloging Data Davis, Richard G. Bombing the European Axis powers : a historical digest of the combined bomber offensive, 1939-1945 / Richard G. Davis. p. ; cm. Includes bibliographical references and index. ISBN 1-58566-148-1 1. World War, 1939-1945––Aerial operations. 2. World War, 1939-1945––Aerial operations––Statistics. 3. United States. Army Air Forces––History––World War, 1939- 1945. 4. Great Britain. Royal Air Force––History––World War, 1939-1945. 5. Bombing, Aerial––Europe––History. I. Title. 940.544––dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Book and CD-ROM cleared for public release: distribution unlimited. Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii NewFrontmatter 5/31/06 1:42 PM Page iii Contents Page DISCLAIMER . -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
The Economic Cost of Strategic Bombing
BRITAIN 1939 – 1945: THE ECONOMIC COST OF STRATEGIC BOMBING By John Fahey UNIVERSITY OF SYDNEY ABSTRACT BRITAIN 1939-1945: THE ECONOMIC COST OF STRATEGIC BOMBING By John Fahey Supervisor: Dr. Judith Keene Department of History The strategic air offensive against Germany during World War II formed a major part of Britain’s wartime military effort and it has subsequently attracted the attention of historians. Despite the attention, historians have paid little attention to the impact of the strategic air offensive on Britain. This thesis attempts to redress this situation by providing an examination of the economic impact on Britain of the offensive. The work puts the economic cost of the offensive into its historical context by describing the strategic air offensive and its intellectual underpinnings. Following this preliminary step, the economic costs are described and quantified across a range of activities using accrual accounting methods. The areas of activity examined include the expansion of the aircraft industry, the cost of individual aircraft types, the cost of constructing airfields, the manufacture and delivery of armaments, petrol and oil, and the recruitment, training and maintenance of the necessary manpower. The findings are that the strategic air offensive cost Britain £2.78 billion, equating to an average cost of £2,911.00 for every operational sortie flown by Bomber Command or £5,914.00 for every Germany civilian killed by aerial bombing. The conclusion reached is the damage inflicted upon Germany by the strategic air offensive imposed a very heavy financial burden on Britain that she could not afford and this burden was a major contributor to Britain’s post-war impoverishment. -
Books for You: a Booklist for Senior High Students
'DOCUMENT RESUME ED 130 270 CS 202 973 AUTHOR Donelson, Kenneth L., Ed.; And Others TITLE Books for You: A Booklist for Senior High Students. Sixth Edition. INSTITUTION National Council of Teachers of English, Urbana, PUB DATE 76 NOTE 490p.; Compiled by the Committee on the Senior High School Booklist of the National Council of Teachers of English AVAILABLE gRomNational Council of Teachers of English, 1111Kenyon Road, Urbana, Illinois 61801 (Stock No. 03626, $2.95 non-member, $2.25 member) .EDRS PRICE MF-$1.00 HC-$26.11 Plus Postage. DESCRIPTORS *Adolescent Literature; *Annotated Bibliographies; *Booklists; *Books; *High School Students; literature; Reading, Materials; Secondary Education; Teenagers ABSTRACT The books listed in this annotated bibliography have been selected to provide pleasurable reading for,high school students. Books are arranged alphabetically by author,under 43_main categories. Concluding the book are a directory of publishersand indexes of authors and titles. (JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * * materials not available from other sources. ERIC makesevery effort * * to obtain'the best'copy available. Nevertheless, itemsof marginal * * reproducibility are often encountered and this affects the quality. * * .of the:microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS isnot * responsible for the quality.of the original document. leproductions* * supplied by EDRS are the best that can be made from the original. * *********************************************************************** . U.S. DEPARTMENT OF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE DF EDUCATION THIS DOCUMENT HAS BEEN REPRO- DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN- ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRE- SENT OFFICIAL NATIONAL INSTITUTE OF z EDUCATION POSITION OR POLICY. -
^Monster' Bomber P^Es Nazi Raiders; Sinking of Refugee / Stuns Britons
ft)U K TEE N SATURDAY, SEPTEMBER 21,1940^ A v e n e . Daily CircuUtiori Hbuirlirstnr Sontfata ISmDi The WeBther For the Month ol August, 1946 roreeast ef U. h. Weather Bureau Stanley C. Deller of 128 Center ing Ir to be added J o the grand About Town street U attending Lawrence In Spencer Case Engaged to Wed Plans Further lUt of the Eighth School and Util- 6,331 Fair teulghtJ Tuesday oleudy; stitute of Technology, Detroit. lUea District. In the matter of Member of the Audit sheseers Wednesday... Slewly risiag Mich, where he la taking a course sanitary requirements the new DANCING TONIGHT teiufetaturea Taeaday. in aeronautical engineering. He Is Is Up Again Home Building sewage plant completed last year at Bnreuu ef Otrontetious H i* r*KUlar. Monday nlgbt the son of Mr. and Mrs. Stanley can toke care of this addition. Manchenter^A City of Village Charm, ' 9rldg* for Maaon* and their Deller and was graduated from ffrfend* win atart September 28d Manchester High school In the Zoning Board of Ap Greenway Padk to Be DANTE'S RESTAURANT St 8 o clock. It win be played with June class of 1939, and was also a to East Ceater Street Odd Fellasvs Building VOL. LIX., NO. 302 Advertlateg *a Pagt IS) "MANCHESTER, CONN„ MONDAY, SEPtEMBER 2 ^ 1940 (FOURTEEN PAGES) PRICE THREE CENTS ^ tba same partners for one series cooperative student at the local peals to Dispose o f It F urther Expanded; ' c t five weeks. Featuring Freeh Clams and Oysters On the llalfebell State Trada school. -
Ow Video Arrow Arrow Video Arrow Vi Arrow Video
O ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDE O ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDE O ARROW VIDEO 1 ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDE VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO ARROW A Donald P. Borchers Production A Ken Russell Film ARROW VIDEO Kathleen Turner Anthony Perkins 2 Music Score Composed and Performed by John LaughlinStarring ARROW VIDEOBruceAnnie Davison Potts Rick Wakeman Director of Photography Dick Bush Film Editor Brian Tagg Art Director ARROW Steve Marsh Executive Producer Larry Thompson DonaldCo-Produced P. Borchers by BarryWritten Sandler by Produced by ARROWBarry Sandler Directed by Ken Russell 3 VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO3 CONTENTS ARROW VIDEO 7 Cast and Crew 16 Jules et Jim for 42nd Street (2016) by Paul Sutton 21 Films and Filming Interview: Ken Russell (1985) by Allan Hunter 22 ARROW Correspondence ARROW About the Restoration VIDEO ARROW VIDEO ARROW ARROW VIDEO 4 ARROW VIDEO ARROW ARROW 5 VIDEO VIDEO ARROW VIDEO JULES ET JIM FOR 42 ND STREET ARROW VIDEO by Paul Sutton On May 1st 2011, I was with Ken Russell at a private reception for him at London’s Liverpool Street Station Hotel, whose Masonic Temple he used as a location for Valentino (1977). The party of nine included the film critic, Derek Malcolm. Malcolm said to Russell: “I saw Crimes of Passion again this week, in preparation for meeting you, and I must say that it is a better ARROWfilm now than it was when it was released.” “No,” replied Ken.