Alternate History and the Normalization of the Traumatic Past in Philip K
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Program Book
GREETINGS to The 2 1st WO RETD SCIENCE E I C T I O KT C CONVENTION Th.e 2 1st 'WOFiLTD SCIENCE FICTION C ONVENTION VPtz shinqton, <DC 31 August 1 September 1 q e 3 2 September 'y am Cammittee: CRAFTY CHAIRMAN .................................... George Scithers TACHYLEGIC TREASURER ....................................... Bill Evans DESPOTIC DIPLOMAT .......................................... Bob Pavlat EXTEMPORANIZING EDITOR .................................... Dick Eney FLAMBOYANT FOLIATOR .................................... Chick Derry RECRUDESCENT RELIC ....................................... Joe Sarno MEMORIALIST of MISDEEDS.................................... Bob Madle TARTAREAN TABULIST .................................... Bill Osten PUBLICISTEAN PHOTOGRAPHIST .............................. Tom Haughey _A.n Appreciation of Murray £ein$ter It was in the year 1919 or '20, when I was fifteen and every fine fantasy story I read was an electric experience, that I read "The Mad Planet". It was a terrific nightmare vision and instantly I added the name of Murray Leinster to the list that already held A. Merritt, Edgar Rice Burroughs, and a few others. I have been reading and admiring his stories ever since, and I hope they go on forever. Mr. Leinster is a professional, in the finest sense of the word, meaning that he has the skills of his profession at his fingertips. And his profession is that of a master story-teller. His stories take hold of you from the first page and build with a sheer craftmanship and econ omy of effort that are the envy and despair of anyone who has ever tried to do the same thing. In science-fiction, imagination is even more important than writ ing skill, and the boldness of his imaginative concepts is one big rea son why Murray Leinster’s name has been up there in the bright lights for so long. -
Cyclopaedia 15 – Alternate History Overview
Cyclopaedia 15 – Alternate History By T.R. Knight (InnRoads Ministries * Article Series) Overview dimensions, or technological changes to explore these historical changes. Steampunk, Alternate History brings up many thoughts dieselpunk, and time/dimensional travel and feelings. To historical purists, this genre stories are good examples of this subcategory of fiction can look like historical revisionism. of Alternate History. Alternate History rides a Speculative fiction fans view these as “What fine line between Historical Fiction and If” scenarios that challenge us to think Science Fiction at this point. outside historical norms to how the world could be different today. Within the science Whatever type of Alternate History you fiction genre, alternate history can take on enjoy, each challenges your preconceived many sub-genres such as time travel, understandings and feelings for a time period alternate timelines, steampunk, and in history, perhaps offering you new dieselpunk. All agree that Alternate History perspectives on the people and events speculates to altered outcomes of key events involved. in history. These minor or major alterations Most common types of have ripple effects, creating different social, political, cultural, and/or scientific levels in Alternate History? the world. Alternate History has so many sub-genres Alternate History takes some queues from associated with it. Each one has its own Science Fiction as a genre. Just like Science unique alteration of history, many of which Fiction, Alternate History can be organized are considered genres or themes unto into two sub-categories that are “Hard” and themselves. “Soft” like Science Fiction. 80s Cold War invasion of United “Hard” Alternate History could be viewed as States stories and themes that stay as true to actual Axis victory in World War II history as possible with just one or two single Confederate victory in American changes that change the outcome, such as Civil War the Confederate Army winning the Civil War Dieselpunk or the Axis winning World War 2. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
V for Vendetta’: Book and Film
UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS DEPARTAMENTO DE ESTUDOS ANGLÍSTICOS “9 into 7” Considerations on ‘V for Vendetta’: Book and Film. Luís Silveiro Dissertação orientada por Doutora Teresa Cid MESTRADO EM ESTUDOS INGLESES E AMERICANOS (Estudos Norte-Americanos: Cinema e Literatura) 2010 Abstract The current work seeks to contrast the book version of Alan Moore and David Lloyd‟s V for Vendetta (1981-1988) with its cinematic counterpart produced by the Wachowski brothers and directed by James McTeigue (2005). This dissertation looks at these two forms of the same enunciation and attempts to analise them both as cultural artifacts that belong to a specific time and place and as pseudo-political manifestos which extemporize to form a plethora of alternative actions and reactions. Whilst the former was written/drawn during the Thatcher years, the film adaptation has claimed the work as a herald for an alternative viewpoint thus pitting the original intent of the book with the sociological events of post 9/11 United States. Taking the original text as a basis for contrast, I have relied also on Professor James Keller‟s work V for Vendetta as Cultural Pastiche with which to enunciate what I consider to be lacunae in the film interpretation and to understand the reasons for the alterations undertaken from the book to the screen version. An attempt has also been made to correlate Alan Moore‟s original influences into the medium of a film made with a completely different political and cultural agenda. -
Annotated Books Received
ANNOTATED BOOKS RECEIVED EDITOR'S NOTE: ANTHOLOGIES In 1983 when Translation Review began its "Annotated Books Received," approximately 60 publishers were represented. Over the years, the publishing of (French) A Flea in Her Rear (or Ants in Her Pants) and other translations has become more widespread and Translation Vintage French Farces. Tr. Norman R. Shapiro. Applause Review's contacts with publishers more numerous. The Books. 1994. 479 pp. Paper: $15.95; ISBN 1-55783-165-3. journal celebrates both that growth and those contacts with "Replete with mistaken identities, concealments and sudden this first issue of a separate "Annotated Books Received revelations, jack-in-the-box irruptions, physical disorder, and assaults on logic, both situational and linguistic..." [N.S.] the Supplement," in which almost 100 publishers are plays in this collection are such noted farces as "The Castrata," represented. This listing of books sent to Translation "Signor Nicodemo," "Boubouroche, or She Dupes to Review will be published twice each year. Conquer," "A Flea in Her Rear, or Ants in Her Pants," and "For Love or Monkey." Shapiro won the 1992 ALTA Outstanding Two primary reasons for the new publication are space Translation Award for his translation of The Fabulists French. and convenience. The "Annotated Books Received" section in regular issues of Translation Review has grown (Arabic) Arabic Short Stories. Tr. Denys Johnson-Davies. to the point of dominating issue space. This new University of California Press. 1994. 216 pp. Cloth: $32.00; supplement will allow more critical discussion and reviews ISBN 0-520-08563-9. Paper: $12.00; ISBN 0-520-08944-8. -
[O95Y]⋙ SS-GB by Len Deighton #514EY7KMZRX #Free Read Online
SS-GB Len Deighton Click here if your download doesn"t start automatically SS-GB Len Deighton SS-GB Len Deighton What if WWII went the other way? In this alternative-history novel, Deighton imagines a chilling world where British Command surrendered to the Nazis in 1941, Churchill has been shot, the King is in the dungeon, and the SS are in Whitehall. In occupied Britain, Scotland Yard conducts business as usual...only under the command of the SS. Detective Inspector Archer is assigned to what he believes is a routine murder case--until SS Standartenführer Huth arrives from Berlin with orders from Himmler himself to supervise the investigation. Soon, Archer finds himself caught in a high level, action-packed espionage battle. This is a spy story different from any other--one that only Deighton, with his flair for historical research and his narrative genius, could have written. Download SS-GB ...pdf Read Online SS-GB ...pdf Download and Read Free Online SS-GB Len Deighton From reader reviews: Inocencia Hensley: Do you have favorite book? For those who have, what is your favorite's book? Book is very important thing for us to learn everything in the world. Each book has different aim as well as goal; it means that book has different type. Some people experience enjoy to spend their time and energy to read a book. These are reading whatever they acquire because their hobby will be reading a book. How about the person who don't like studying a book? Sometime, particular person feel need book once they found difficult problem or exercise. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
An Introduction by David Robinson
how it Happened Here: An Introduction by David Robinson Every viewing of It Happened Here, I find, requires the same adjustment. You always prepare yourself to make allowances, to be indulgent because, after all, it is only an amateur film, made on half a shoestring – schoolboys’ pocket-money virtually – with the barest of technical resources and volunteer personnel who came and went as the shooting stretched on. Yet within the first few minutes, practically within the first few shots, you find that allowances and indulgences are quite misplaced, because what you are seeing is simply a good film at any level and by any standards. As sheer professional filmcraft it is admirable. The staging of the war and the war period have a conviction which eludes more glossy and expensive ‘historical’ productions. The narrative structure is loose and casual, which makes it all the more remarkable that the film has a dramatic drive which carries through from the first shot to the last. The credit titles are backed with martial music. Then, over an animated map of the British Isles, the voice of John Snagge sketches in the ‘historical’ background which is the premise of the film: ‘The German invasion of England took place in July 1940 after the British retreat from Dunkirk. Strongly resisted at first, the German army took many months to restore order. But the resistance movement, lacking outside support, was finally crushed. For three years it lay dormant. Collaboration increased as the population became adjusted to the tedium of occupation... Then, in 1944, the resistance movement reappeared ...’ The heroine, Pauline Murray, is one of the population trying to adjust to the circumstances of occupation. -
Roma and Sinti Under-Studied Victims of Nazism
UNITED STATES HOLOCAUST MEMORIAL MUSEUM CENTER FOR ADVANCED HOLOCAUST STUDIES Roma and Sinti Under-Studied Victims of Nazism Symposium Proceedings W A S H I N G T O N , D. C. Roma and Sinti Under-Studied Victims of Nazism Symposium Proceedings CENTER FOR ADVANCED HOLOCAUST STUDIES UNITED STATES HOLOCAUST MEMORIAL MUSEUM 2002 The assertions, opinions, and conclusions in this occasional paper are those of the authors. They do not necessarily reflect those of the United States Holocaust Memorial Council or of the United States Holocaust Memorial Museum. Third printing, July 2004 Copyright © 2002 by Ian Hancock, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by Michael Zimmermann, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by Guenter Lewy, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by Mark Biondich, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by Denis Peschanski, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by Viorel Achim, assigned to the United States Holocaust Memorial Museum; Copyright © 2002 by David M. Crowe, assigned to the United States Holocaust Memorial Museum Contents Foreword .....................................................................................................................................i Paul A. Shapiro and Robert M. Ehrenreich Romani Americans (“Gypsies”).......................................................................................................1 Ian -
FILE 770:15 Is Edit Ed by Mike Glyer, - 14974 Osceola St., H Sylmar CA 913^2
FILE 770:15 is edit ed by Mike Glyer, - 14974 Osceola St., H Sylmar CA 913^2. US/Canadian subscri- = ptions are 4/$2(US) H OVERSEAS RATES: f Number Fifteen: September 2,1979 $1US each airmail, § $2/4 seamail. Also available for news, § hot rumors, accept.- g ed artwork, § arranged trades - with other newzines s (otherwise trade for my genzine STFR)^ club listings and newsworthy phone s calls (NOT COLLECT) S to (213) 362-3754. 1 Due to my commuting s calling on weekends § is the best bet. --g Single issues 50/- s Back issues 8,12,13,14 in stocks EDITORIAL POLICIES; Where appropriate, Friends of Klingon news is directly attributed to my source. Correction of factual error invited, 1. DREAMSNAKE, Vonda McIntyre 2. THE WHITE DRAGON, Anne McCaffrey 3. THE FADED SUN: KESRITH, C.J. Cherryh (Tiptree’s UP THE WALLS OF THE WORLD was withdrawn after the ballots were published.) BEST NOVELLA, (1012) 1” "'The Persistence of Vision” - John Varley 2. "Fireship” - Joan D. Vinge 3. "The Watched" - Christopher Priest (Continued second page). 1160 valid ballots were cast by the deadline 7/31/79- They were counted by David Pringle and John Collick. Data taken from the Seacon daily newzine TSAR, BEST NOVELETTE (976) 1. “Hunter*s Moon" - Poul Anderson 2. "Mikal’s Songbird" - Orson Scott Card 3. "The Man Who Had No Idea" - Thomas Disch/ ./ BEST SHORT STORY (978) 1. "Cassandra" - C. J. Cherryh 2. ''Count the Clock That Tells The Time " - Harlan Ellison 3. "View From A Height" - Joan D. Vinge BEST DRAMATIC PRESENTATION (1079) BEST PROFESSIONAL' EDITOR (1052) 1. -
Roma Labelling: Policy and Academia Elena Marushiakova, Vesselin Popov
4 66 • 2018 ARTICLES ROMA LABELLING: POLICY AND ACADEMIA ELENA MARUSHIAKOVA, VESSELIN POPOV https://doi.org/10.26363/SN.2018.4.02 ©Institute of Ethnology and Social Anthropology of SAS Professor Elena Marushiakova, PhD, School of History, University of St Andrews, St Katharine’s Lodge, The Scores 14, St Andrews, Fife KY16 9BA, Scotland, UK; e-mail: [email protected] Professor Vesselin Popov, PhD, School of History, University of St Andrews, St Katharine’s Lodge, The Scores 14, St Andrews, Fife KY16 9BA, Scotland, UK; e-mail: vp43@ st-andrews.ac.uk For centuries in different countries of Central, South-eastern and Eastern Europe groups of people have lived who are all called by their surrounding population with different appellations, which is usually translated into English as “Gypsies”. In the last quarter of a century, instead of these names, a new common designation has been established in the region’s public discourse, based on their self-appellation “Roma”. The processes of labelling and imposition of the new name on these communities did not stop in this region, and the label “Roma” is increasingly spreading in the remaining parts of Europe and even beyond. This process of imposing “from above” of a “politically correct” labelling, however, has led to, for some perhaps unexpectedly, to others predictably, an impact on the field. Some local communities labelled today “Roma” started to demonstrate publicly their reluctance to comply with the designation imposed on them from the “outside”. The proposed article will reveal the historical sources of labelling of these communities and main dimensions of these contradictory processes. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).