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(C) 1978 by Random House, Inc. Introduction: "The Dean of Science
A Del Rey Book - Published by Ballantine Books Copyright (c) 1978 by Random House, Inc. Introduction: "The Dean of Science Fiction" Copyright (c) 1978 by J. J. Pierce All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Ballantine Books, a division of Random House, Inc., New York, and simultaneously in Canada by Ballantine Books of Canada, Ltd., Toronto, Canada. Library of Congress Catalog Card Number: 78-52210 ISBN 0-345-25800-2 Manufactured in the United States of America First Edition: April 1978 Cover art by H. R. Van Dongen ACKNOWLEDGMENTS "Sidewise in Time," copyright (c) 1934 by Street & Smith Publications, Inc., for Astounding Stories, June 1934. "Proxima Centauri," co~yright (c) 1935 by Street & Smith Pub.. lications, Inc., for Astounding Stories, March 1935. - "The Fourth-dimensional Demonstrator," copyright (c) 1935 by Street & Smith Publications, Inc., for Astounding Stories, December 1935. "First Contact," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1945. "The Ethical Equations," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, June 1945. "Pipeline to Pluto," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, August 1945. "The Power," copyright (c) 1945 by Street & Smith Publications, Inc., for Astounding Science Fiction, September 1945. "A Logic Named Joe," copyright (c) 1946 by Street & Smith Publications, Inc., for Astounding Science Fiction, March 1946. "Symbiosis," copyright (c) 1947 for Collier's Magazine, January 1947. "The Strange Case of John Kingman," copyright (c) 1948 by Street & Smith Publications, Inc., for Astounding Science Fiction, May 1948. -
Note to Users
NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
To Sunday 31St August 2003
The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made. -
Earl Kemp: Ei48
Vol. 9 No. 1 February 2010 –e*I*48– (Vol. 9 No. 1) February 2010, is published and © 2010 by Earl Kemp. All rights reserved. It is produced and distributed bi-monthly through http://efanzines.com by Bill Burns in an e-edition only. “Three Hearts,” by Brad Foster Contents – eI48 – February 2010 Cover: “Three Hearts,” by Brad Foster …Return to sender, address unknown….38 [eI letter column], by Earl Kemp Love Sucks, by Victor J. Banis I’m Writing the New Doctor Who, by Michael Moorcock Porn Noir, 1968—1974, by Jay A. Gertzman The Black Lensperson, by Jon Stopa A Faan For All Seasons, by Earl Terry Kemp Back cover: “Taking off or Landing,” by Ditmar [Martin James Ditmar Jenssen] THIS ISSUE OF eI is for megafans Richard and Pat Lupoff, because they deserve it. In the strictly science fiction world, it is also in memory of Knox Burger, Ken Krueger, Mark Owings, Robert Parker and Takumi Shibano. # As always, everything in this issue of eI beneath my byline is part of my in-progress rough-draft memoirs. As such, I would appreciate any corrections, revisions, extensions, anecdotes, photographs, jpegs, or what have you sent to me at [email protected] and thank you in advance for all your help. Bill Burns is jefe around here. If it wasn’t for him, nothing would get done. He inspires activity. He deserves some really great rewards. It is a privilege and a pleasure to have him working with me to make eI whatever it is. Other than Bill Burns, Dave Locke, and Robert Lichtman, these are the people who made this issue of eI possible: Victor J. -
Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Cyclopaedia 15 – Alternate History Overview
Cyclopaedia 15 – Alternate History By T.R. Knight (InnRoads Ministries * Article Series) Overview dimensions, or technological changes to explore these historical changes. Steampunk, Alternate History brings up many thoughts dieselpunk, and time/dimensional travel and feelings. To historical purists, this genre stories are good examples of this subcategory of fiction can look like historical revisionism. of Alternate History. Alternate History rides a Speculative fiction fans view these as “What fine line between Historical Fiction and If” scenarios that challenge us to think Science Fiction at this point. outside historical norms to how the world could be different today. Within the science Whatever type of Alternate History you fiction genre, alternate history can take on enjoy, each challenges your preconceived many sub-genres such as time travel, understandings and feelings for a time period alternate timelines, steampunk, and in history, perhaps offering you new dieselpunk. All agree that Alternate History perspectives on the people and events speculates to altered outcomes of key events involved. in history. These minor or major alterations Most common types of have ripple effects, creating different social, political, cultural, and/or scientific levels in Alternate History? the world. Alternate History has so many sub-genres Alternate History takes some queues from associated with it. Each one has its own Science Fiction as a genre. Just like Science unique alteration of history, many of which Fiction, Alternate History can be organized are considered genres or themes unto into two sub-categories that are “Hard” and themselves. “Soft” like Science Fiction. 80s Cold War invasion of United “Hard” Alternate History could be viewed as States stories and themes that stay as true to actual Axis victory in World War II history as possible with just one or two single Confederate victory in American changes that change the outcome, such as Civil War the Confederate Army winning the Civil War Dieselpunk or the Axis winning World War 2. -
Science Fiction List Literature 1
Science Fiction List Literature 1. “The Unparalleled Adventure of One Hans Pfaall,” Edgar Allan Poe (1835, US, short story) 2. Looking Backward, Edward Bellamy (1888, US, novel) 3. A Princess of Mars, Edgar Rice Burroughs (1912, US, novel) 4. Herland, Charlotte Perkins Gilman (1915, US, novel) 5. “The Comet,” W.E.B. Du Bois (1920, US, short story) 6. Fahrenheit 451, Ray Bradbury (1951, US, novel) 7. Limbo, Bernard Wolfe (1952, US, novel) 8. The Stars My Destination, Alfred Bester (1956, US, novel) 9. Venus Plus X, Theodore Sturgeon (1960, US, novel) 10. Do Androids Dream of Electric Sheep?, Philip K. Dick (1968, US, novel) 11. The Left Hand of Darkness, Ursula K. Le Guin (1969, US, novel) 12. The Female Man, Joanna Russ (1975, US, novel) 13. “The Screwfly Solution,” “The Girl Who Was Plugged In,” “The Women Men Don’t See,” “Houston, Houston Do You Read?”, James Tiptree Jr./Alice Sheldon (1977, 1973, 1973, 1976, US, novelettes, novella) 14. Native Tongue, Suzette Haden Elgin (1984, US, novel) 15. Stars in My Pocket Like Grains of Sand, Samuel R. Delany (1984, US, novel) 16. Neuromancer, William Gibson (1984, US-Canada, novel) 17. The Handmaid’s Tale, Margaret Atwood (1985, Canada, novel) 18. The Gilda Stories, Jewelle L. Gómez (1991, US, novel; extended edition 2016) 19. Dawn, Octavia E. Butler (1987, US, novel); Parable of the Sower, Butler (1993, US, novel); Bloodchild and Other Stories, Butler (1995, US, short stories; extended edition 2005) 20. Red Spider, White Web, Misha Nogha/Misha (1990, US, novel) 21. The Rag Doll Plagues, Alejandro Morales (1991, US, novel) 22. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
Confiction U.S
Third Class ConFiction U.S. Postage PAID c/o Massachusetts Convention Fandom, Inc. Permit # 228 P. O. Box 46, MIT Branch P. O. Framingham, Mass. Cambridge, MA 02139 United States of America AT 1008 - PR2 George Flynn Po Box 1069, Kendall Sq Stn CAMBRIDGE, MA 02142 VERENIGDE STATEN VAN AMERIKA ADDRESS CORRECTION REQUESTED FORWARDING AND RETURN POSTAGE GUARANTEED Nominated for a Hugo! Nominated for a Hugo Award after its first full year of The Best of Hugo Award Nominee publication, Aboriginal Science Fiction is the successful new, full-color, full-slick magazine that’s changing the way SF is done. ABO's first twelve issues are already collectors’s o Aboriginal r* items, selling for a premium. ABO-featured authors and ar tists include Harlan Ellison, Orson Scott Card, Frederik Science Fiction Pohl, Connie Willis, Brian W. Aldiss, Ben Bova, Charles L. Tales of the Human Kind J 1988 Annual Anthology/$4.50 Grant, Ian Watson, Carl Lundgren, Bob Eggleton and many talented newcomers. Because we have nearly run out of back issues, we have Stories by: published a special full-color anthology. The 80-page anthol ogy includes 12 stories and 19 pages of full-color art from our Orson Scott Card first seven issues and regularly retails for $4.50. But if you subscribe for 12 or 18 issues we’ll give you a FREE copy of the anthology along with your subscription. How good is Aboriginal SF? Here is what people are say ing about it: “Aboriginal is unique even in the science fiction field, a labor of love with a very special, individual character, and always a treat to read." — Poul Anderson “ — the most daring, innovative sf magazine the U.S. -
[email protected] Terms of Sale
Yesterday’s Muse Books SEPTEMBER 2015 CATALOG Yesterday’s Muse Books, ABAA 32 W Main St Webster NY 14580 585-265-9295 www.yesterdaysmuse.com [email protected] Terms of Sale: All items subject to prior sale. Orders can be placed by phone or e-mail, or directly through our website. Payment is expected at the time of your order and may be made by check, credit card, or PayPal direct transfer. Institutions, fellow booksellers, and repeat customers may request to pay on invoice, with payment due upon receipt unless other arrangements have been made prior to purchase. All items are guaranteed to be as described with respect to edition, condition, and authenticity. Returns will be accepted for any reason, though we ask that you provide notice within a reasonable timeframe. Our usual trade courtesies extended (please inquire). Shipping: All prices include free shipment with tracking by USPS Media Mail. Upgrades to USPS Priority Mail, FedEx Ground, etc., as well as international shipping, are available, and will be charged at cost (please inquire for quote). All orders are carefully wrapped and packaged in sturdy shipping boxes. Catalogs: To receive future catalogs by e-mail, please contact us to be added to our mailing list, or join directly on our website. Printed versions of all our catalogs are also available upon request. Previous catalogs are archived on our website. 3 1. [Adventure] Peary, Robert E. [Edwin] Secrets of Polar Travel New York: The Century Co., 1917. First edition. ix, [5], 313 pp. 8vo. Photographic frontispiece depicting the Stars & Stripes flying over the North Pole, photographic plates throughout text. -
The G Ods of M Ars Edgar Rice B Urroughs. the Gods of Mars the G
Picture here The Gods . The Gods of Mars By Edgar Rice Burroughs (1875-1950) The Gods of Mars is a 1918 Edgar Rice Burroughs science fiction novel, the second of his famous Barsoom series. It can be said that ofMars the novel set the tone for much science fiction to come. Its influence can clearly be seen in franchises such as Star Trek and Farscape. While Burroughs no doubt borrowed liberally from the pulp fiction of his day, particularly westerns and swashbuckling Edgar Burroughs Rice tales, the pacing and themes set the tone for the soft science fiction genre. The protagonist, John Carter, with his proficiency in hand-to-hand combat and flirtations with beautiful alien women, could be said to have set the mold for later influential icons like Captain James T. Kirk and James Bond. At the end of the first book, A Princess of Mars, John Carter is unwillingly transported back to Earth. The Gods of Mars begins with his arrival back on Barsoom (Mars) after a ten year hiatus, separated from his wife Dejah Thoris, his unborn child, and the Red Martian people of the nation of Helium, whom he has adopted as his own. Unfortunately, John Carter materializes in Edgar Burroughs Rice the one place on Barsoom from which nobody is allowed to depart: the Valley Dor, which is the Barsoomian heaven. (Summary from wikipedia) Read by JD Weber. Total Running Time: 07:41:49 ofMars This recording is in the public domain and may be reproduced, distributed, or modified without permission. For more information or to volunteer, visit librivox.org.