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THE LAST RAFT As It Appeared to a Contemporary
THE LAST RAFT As It Appeared to a Contemporary By LEWIS EDWIN THEISS W ITH the highly commendable purpose of giving the present generation a glimpse of a phase of the life of the past, Mr. R. Dudley Tonkin, a lumber operator of Tyrone, Pa., with his brother, C. Ord Tonkin, in the spring of 1938 constructed the Last Raft. The craft was put together at Burnside, above -iMc- Gee's Mills, far up the West Branch of the Susquehanna, and was to be floated to Harrisburg, approximately 200 miles dis- tant. There, through the cooperation of J. D. Bogar, Jr., a Har- risburg lumiber dealer, the logs would be purchased at the end of the journey. Thousands of persons would have an opportunity to see this log raft-the first to go down the river since 1912, when commercial log rafting came to an end. It was said, too, that Mr. Tonkin's effort was also to celebrate the centennial of his grandfather's first voyage down the river on a log raft. However that may be, this was truly an effort to resurrect the past; for not only would the raft be constructed exactly as log rafts had been fashioned for generations, but the men who would operate it were old time raftmen. Necessarily they were men of advanced years. Seldom has any effort along historical lines stirred up such tremendous interest. Here was to be no static picture of the past, carefully posed behind glass display windows, but an actual exhibition of the real thing-a bit of the past come to life. -
Download the Basketballplayer.Ngql Fle Here
Nebula Graph Database Manual v1.2.1 Min Wu, Amber Zhang, XiaoDan Huang 2021 Vesoft Inc. Table of contents Table of contents 1. Overview 4 1.1 About This Manual 4 1.2 Welcome to Nebula Graph 1.2.1 Documentation 5 1.3 Concepts 10 1.4 Quick Start 18 1.5 Design and Architecture 32 2. Query Language 43 2.1 Reader 43 2.2 Data Types 44 2.3 Functions and Operators 47 2.4 Language Structure 62 2.5 Statement Syntax 76 3. Build Develop and Administration 128 3.1 Build 128 3.2 Installation 134 3.3 Configuration 141 3.4 Account Management Statement 161 3.5 Batch Data Management 173 3.6 Monitoring and Statistics 192 3.7 Development and API 199 4. Data Migration 200 4.1 Nebula Exchange 200 5. Nebula Graph Studio 224 5.1 Change Log 224 5.2 About Nebula Graph Studio 228 5.3 Deploy and connect 232 5.4 Quick start 237 5.5 Operation guide 248 6. Contributions 272 6.1 Contribute to Documentation 272 6.2 Cpp Coding Style 273 6.3 How to Contribute 274 6.4 Pull Request and Commit Message Guidelines 277 7. Appendix 278 7.1 Comparison Between Cypher and nGQL 278 - 2/304 - 2021 Vesoft Inc. Table of contents 7.2 Comparison Between Gremlin and nGQL 283 7.3 Comparison Between SQL and nGQL 298 7.4 Vertex Identifier and Partition 303 - 3/304 - 2021 Vesoft Inc. 1. Overview 1. Overview 1.1 About This Manual This is the Nebula Graph User Manual. -
Pilot Stories
PILOT STORIES DEDICATED to the Memory Of those from the GREATEST GENERATION December 16, 2014 R.I.P. Norm Deans 1921–2008 Frank Hearne 1924-2013 Ken Morrissey 1923-2014 Dick Herman 1923-2014 "Oh, I have slipped the surly bonds of earth, And danced the skies on Wings of Gold; I've climbed and joined the tumbling mirth of sun-split clouds - and done a hundred things You have not dreamed of - wheeled and soared and swung high in the sunlit silence. Hovering there I've chased the shouting wind along and flung my eager craft through footless halls of air. "Up, up the long delirious burning blue I've topped the wind-swept heights with easy grace, where never lark, or even eagle, flew; and, while with silent, lifting mind I've trod the high untrespassed sanctity of space, put out my hand and touched the face of God." NOTE: Portions Of This Poem Appear On The Headstones Of Many Interred In Arlington National Cemetery. TABLE OF CONTENTS 1 – Dick Herman Bermuda Triangle 4 Worst Nightmare 5 2 – Frank Hearne Coming Home 6 3 – Lee Almquist Going the Wrong Way 7 4 – Mike Arrowsmith Humanitarian Aid Near the Grand Canyon 8 5 – Dale Berven Reason for Becoming a Pilot 11 Dilbert Dunker 12 Pride of a Pilot 12 Moral Question? 13 Letter Sent Home 13 Sense of Humor 1 – 2 – 3 14 Sense of Humor 4 – 5 15 “Poopy Suit” 16 A War That Could Have Started… 17 Missions Over North Korea 18 Landing On the Wrong Carrier 19 How Casual Can One Person Be? 20 6 – Gardner Bride Total Revulsion, Fear, and Helplessness 21 7 – Allan Cartwright A Very Wet Landing 23 Alpha Strike -
Incoming Fifth Grade 2017 Summer Reading Our Reading Theme, in Fifth
Incoming Fifth Grade 2017 Summer Reading Our reading theme, in fifth grade, is perseverance. It is mandatory to read one of the three books listed below this summer. Each book features a courageous boy, who must persevere while facing great challenges far from home. The genre is historical fiction. Our initial discussions about literature will focus on these three books. ● Call it Courage - Armstrong Sperry ● Heart of A Samurai - Margi Preus ● Woods Runner -Gary Paulsen Summer Reading To-Do List ● Read at least four (4) books during the summer. ● Read across the genres to become a more effective reader. ● Select what you want to read, that includes comics and graphic novels, newspapers and magazines. ● Read as much non-fiction as fiction. ● Choose topics that might interest you. ● The following authors are popular with fifth graders: Rick Riordan, Erin Hunter, Tim Green, David Lubar, Suzanne Collins, Matthew Cody, D. J. McHale, Dan Gutman, and Chris Grabenstein. ● Read a series. ● Read books on the list and books not on the list. ● Send Mrs. Benditt the names of books that you would recommend. ● READ! Parent Tip: If you are in need of easier books or more challenging books, check the lists provided for either rising fourth or sixth graders. Suggestions FANTASY zz The Black Cauldron Lloyd Alexander The High King Lloyd Alexander Good Dog Avi Poppy Avi The Secret History of Tom Trueheart Ian Beck The Name of This Book is Secret Pseudonymous Bosch Redwall (series) Jacque Brian Medusa Jones Ross Collins Gregor the Overlander series Suzanne Collins Artemis Fowl (series) Eoin Colfer The Miraculous Journey of Edward Tulane Kate DiCamillo Powerless Matthew Cody The Maze Runner (series) James Dashner Young Wizards series Diane Duane Half Magic Edward Eager The Sea of Trolls (trilogy) Nancy Farmer Shadow Children series Margaret Peterson Haddix George's Secret Key to the Universe Lucy and Stephen Hawking Warriors series Erin Hunter The Lion, Witch and the Wardrobe C.S. -
Neri Oxman Material Ecology
ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177. -
Loom Abbreviation S JF January/February RH
Handwoven Index, 2012 – January/February 2018 Both authors and subjects are contained in the index. Keep in mind that people’s names can be either authors or subjects in an article. The column “Roving Reporters” is not indexed, nor is the “Letters” or “From the Editor,” unless it is substantial. Projects are followed by bracketed [ ] abbreviations indicating the shaft number and loom type if other than a regular floor loom. To find an article, use the abbreviations list below to determine issue and loom type. For instance, “Warped and twisted scarves. Handwoven: MJ12, 66-68 [4]” is a 4-shaft project found on pages 66-68 of the May/June 2012 issue. Issue Loom abbreviat abbreviation ions: s JF January/February RH Rigid heddle MA March/April F Frame loom MJ May/June P Peg or pin loom SO September/October C Card/tablet weave ND November/December I Inkle loom T Tapestry loom D Dobby loom 3-D weaving Weaving in 3-D. Handwoven: ND14, 63-64 A Abbarno, Luciano A weaver on the verge. Handwoven: ND12, 11 Abernathy-Paine, Ramona An Elizabethan sonnet in a shawl. Handwoven: JF14, 54-56 [10] Warped and twisted scarves. Handwoven: MJ12, 66-68 [4] absorbency Reflections on absorbency. Handwoven: SO14, 70-71 Acadian textiles Boutonné snowflake pillow. Handwoven: SO15, 67-68 [2, RH] Boutonné: an Arcadian legacy. Handwoven: SO15, 66-67 Cajun cotton. Handwoven: JF15, 66-67 Cajun-inspired cotton dish towels. Handwoven: JF15, 67-68 [4] Adams, Mark Tapestry through the ages. Handwoven: MJ15, 6 Adams, Theresa Blooming leaf runner. Handwoven: MA12, 36-37 [4] Adamson, Linda Summer and winter with a twist polka-dot towels. -
SAT I: Reasoning Test
SAT I: Reasoning Test Saturday, May 2002 1 YOUR NAME (PRINT) LAST FIRST MI TEST CENTER NUMBER NAME OF TEST CENTER ROOM NUMBER SAT ® I: Reasoning Test — General Directions Timing IMPORTANT: The codes below are unique to your •You will have three hours to work on this test. test book. Copy them on your answer sheet in boxes 8 • There are five 30-minute sections and two 15-minute sections. and 9 and fill in the corresponding ovals exactly as •You may work on only one section at a time. shown. • The supervisor will tell you when to begin and end each section. • If you finish a section before time is called, check your work on that 8. Form Code section. You may NOT turn to any other section. •Work as rapidly as you can without losing accuracy. Don't waste time on questions that seem too difficult for you. A A 0 0 0 Marking Answers B B 1 1 1 • Carefully mark only one answer for each question. C C 2 2 2 • Make sure each mark is dark and completely fills the oval. D D 3 3 3 • Do not make any stray marks on your answer sheet. E E 4 4 4 • If you erase, do so completely. Incomplete erasures may be scored as intended answers. F F 5 5 5 •Use only the answer spaces that correspond to the question G G 6 6 6 numbers. H H 7 7 7 • For questions with only four answer choices, an answer marked in I I 8 8 8 oval E will not be scored. -
The Drink Tank Sixth Annual Giant Sized [email protected]: James Bacon & Chris Garcia
The Drink Tank Sixth Annual Giant Sized Annual [email protected] Editors: James Bacon & Chris Garcia A Noise from the Wind Stephen Baxter had got me through the what he’ll be doing. I first heard of Stephen Baxter from Jay night. So, this is the least Giant Giant Sized Crasdan. It was a night like any other, sitting in I remember reading Ring that next Annual of The Drink Tank, but still, I love it! a room with a mostly naked former ballerina afternoon when I should have been at class. I Dedicated to Mr. Stephen Baxter. It won’t cover who was in the middle of what was probably finished it in less than 24 hours and it was such everything, but it’s a look at Baxter’s oevre and her fifth overdose in as many months. This was a blast. I wasn’t the big fan at that moment, the effect he’s had on his readers. I want to what we were dealing with on a daily basis back though I loved the novel. I had to reread it, thank Claire Brialey, M Crasdan, Jay Crasdan, then. SaBean had been at it again, and this time, and then grabbed a copy of Anti-Ice a couple Liam Proven, James Bacon, Rick and Elsa for it was up to me and Jay to clean up the mess. of days later. Perhaps difficult times made Ring everything! I had a blast with this one! Luckily, we were practiced by this point. Bottles into an excellent escape from the moment, and of water, damp washcloths, the 9 and the first something like a month later I got into it again, 1 dialed just in case things took a turn for the and then it hit. -
Einstein, History, and Other Passions : the Rebellion Against Science at the End of the Twentieth Century
Einstein, history, and other passions : the rebellion against science at the end of the twentieth century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Holton, Gerald James. 2000. Einstein, history, and other passions : the rebellion against science at the end of the twentieth century. Cambridge, MA: Harvard University Press. Published Version http://www.hup.harvard.edu/catalog.php?isbn=9780674004337 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:23975375 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA EINSTEIN, HISTORY, ANDOTHER PASSIONS ;/S*6 ? ? / ? L EINSTEIN, HISTORY, ANDOTHER PASSIONS E?3^ 0/" Cf72fM?y GERALD HOLTON A HARVARD UNIVERSITY PRESS C%772^r?<%gf, AizziMc^zzyeZZy LozzJozz, E?zg/%??J Q AOOO Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and Addison-Wesley was aware of a trademark claim, the designations have been printed in capital letters. PHYSICS RESEARCH LIBRARY NOV 0 4 1008 Copyright @ 1996 by Gerald Holton All rights reserved HARVARD UNIVERSITY Printed in the United States of America An earlier version of this book was published by the American Institute of Physics Press in 1995. First Harvard University Press paperback edition, 2000 o/ CoMgre.w C%t%/og;Hg-zM-PMMt'%tz'c7t Dzztzz Holton, Gerald James. -
OBLIO VI, 21 227 Anna Fasano Giuseppe Marchetti Testi E Pretesti
OBLIO VI, 21 Anna Fasano Giuseppe Marchetti Testi e pretesti Prefazione di Claudio Magris Parma Edizioni Diabasis ISBN 978-88-8103-773-5 In Testi e pretesti Giuseppe Marchetti, critico letterario de «La Gazzetta di Parma», torna a raccontare il Novecento letterario italiano. Come scrive Claudio Magris nella prefazione, l’autore, da critico militante, guida il lettore tra le affascinanti insidie della letteratura e lo fa «con indipendenza di giudizio e in un’inconfondibile simbiosi di fermezza e levità». Marchetti, coi lavori qui raccolti, costruisce un percorso che divide in tre parti: parte prima: Prosatori e Saggisti, parte seconda: Poesia e parte terza: Tra Raccoglitore e Officina. La parte prima, che si apre con il breve saggio Cento anni di Futurismo, contiene i lavori dedicati a Carlo Michelstaedter, al Novecento di Marco Forti tra narrativa e romanzo, a Walter Pedullà del volume Per esempio il Novecento, a Mario Lavagetto, all’Ardengo Soffici dell’ampia biografia e revisione critica di Simonetta Bartolini, «Ardengo Soffici. Il romanzo di una vita», al Meridiano di Alba De Céspedes, a Mario Soldati, a Guido Morselli, a Daniele Del Giudice di Orizzonte mobile, ai Meridiani di Alberto Arbasino, a Tonino Guerra, Raffaele La Capria, Roberto Calasso, Umberto Eco, ai racconti di Leonardo Sciascia e alle pagine in ricordo di Antonio Delfini, Giorgio Bassani, Giorgio Manganelli, Romano Bilenchi e Carlo Bo. La parte seconda inizia col saggio Poiesis sulla Poesia-Pittura e di questo scambio poesia/pittura l’autore ricorda numerosi casi («vediamo Simone Martini attraverso Petrarca e Luzi»). La sezione ospita poi Antonio Delfini delle Poesie della fine del mondo, del prima e del dopo, Mario Luzi delle ultime poesie, il ricordo di Pier Paolo Pasolini a trent’anni dalla morte, interventi sulle poesie e l’addio ad Andrea Zanzotto, pezzi su Vittorio Sereni, Giuseppe Ungaretti, Alda Merini, due interventi su Edoardo Sanguineti, Gaetano Arcangeli a cent’anni dalla nascita e un pezzo sull’autobiografia di Franco Loi. -
JOURNEY to the CENTER of the EARTH by DIANA MITCHELL
A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF JULES VERNE’S JOURNEY TO THE CENTER OF THE EARTH By DIANA MITCHELL SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of Jules Verne’s Journey to the Center of the Earth 2 INTRODUCTION Journey to the Center of the Earth by Jules Verne is a novel that literally plunges the reader into the center of the earth through vivid description, detailed explanations, and the “eyewitness” accounts of the narrator. On the most basic level, Journey is an adventure story—a tale of the obstacles, encounters, and wonders. The eccentric scientist Professor Hardwigg finds directions to the center of the earth in an old book and sets out, along with his nephew Henry and the guide Hans, to Iceland where they find the mountain and the shaft that allows them access to the depths of the earth. On a deeper level the story can be seen as man’s journey into himself, always probing deeper for what lies at his center. Written in 1864 this novel is a remarkable look into the future. Although students will recognize scientific predictions that were based on inaccurate assumptions, language that is somewhat antiquated, and a beginning that proceeds at a leisurely pace, they will appreciate Verne’s ability to weave into the story information and questions about science that will keep them in a state of curiosity and wonderment. -
Attilio Bertolucci Traduttore Di Wordsworth. Stimoli Creativi E Riflessi Poetici in Le Forme Del Comico Atti Delle Sessioni Para
ROSARIO VITALE Attilio Bertolucci traduttore di Wordsworth. Stimoli creativi e riflessi poetici In Le forme del comico Atti delle sessioni parallele del XXI Congresso dell’ADI (Associazione degli Italianisti) Firenze, 6-9 settembre 2017 a cura di Francesca Castellano, Irene Gambacorti, Ilaria Macera, Giulia Tellini Firenze, Società Editrice Fiorentina, 2019 Isbn: 978-88-6032-512-9 Come citare: http://www.italianisti.it/Atti-di- Congresso?pg=cms&ext=p&cms_codsec=14&cms_codcms=1164 [data consultazione: gg/mm/aaaa] ROSARIO VITALE Attilio Bertolucci traduttore di Wordsworth. Stimoli creativi e riflessi poetici Attilio Bertolucci (1911-2000) appartiene ad una generazione di poeti, la Terza, che si è dedicata attivamente alla pratica traduttiva. Anche Bertolucci affronta questa impegnativa forma espressiva, con traduzioni che spaziano dai francesi agli inglesi agli americani. In particolare negli anni Quaranta traduce alcuni testi di William Wordsworth (1770-1850): «La valle di Airey-Force», «Per nocciole», due frammenti del «Preludio» e una sequenza di «L’escursione». Traduzioni pubblicate su «Poesia» (1948), in seguito confluite nel volume, dal titolo indicativo, «Imitazioni». L’“incontro” con Wordsworth rappresenta un’esperienza fondamentale per la sua evoluzione poetica, perché i versi del poeta inglese costituiscono una ricca fonte di stimoli creativi sia sul versante tematico sia sotto il profilo metrico e stilistico. Muovendo da questi componimenti che Bertolucci traduce, con focus su «The Prelude», il contributo punta a cogliere, attraverso dei richiami teorici e una capillare analisi intertestuale, i riflessi nella sua poesia, in relazione soprattutto alle sue opere dall’andamento narrativo, quali il poemetto «La capanna indiana» e il romanzo in versi «La camera da letto».