Cheo Feliciano Sabor Y Sentimiento Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Cheo Feliciano Sabor Y Sentimiento mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Latin Album: Sabor Y Sentimiento Country: Puerto Rico Released: 1987 Style: Salsa, Bolero MP3 version RAR size: 1973 mb FLAC version RAR size: 1418 mb WMA version RAR size: 1410 mb Rating: 4.9 Votes: 858 Other Formats: RA MMF ASF MP4 WAV XM VQF Tracklist A1 Pero Miren Que Gente A2 Por Si Te Vuelvo A Ver A3 Manana Sera Carnaval A4 En Casa De Cheo A5 Empezar De Nuevo B1 Por Si Quisieras B2 Si Me Dejaras De Amar B3 Panama Si B4 Yo No Soy El Culpable Companies, etc. Record Company – Coche Records Inc. Distributed By – Coche Records Inc. Distributed By – Ritmo Records Phonographic Copyright (p) – Coche Records Inc. Copyright (c) – Coche Records Inc. Notes Original 1987 Coche Records, Inc. 1st release with Digitally Mastered branding on front cover, and included a full color poster. Barcode and Other Identifiers Matrix / Runout (Side A, etched, initials Ja in cursive): CRS-356 A Ja Matrix / Runout (Side B, etched, initials Ja in cursive): CRS-356 B Ja Other versions Category Artist Title (Format) Label Category Country Year Cheo Sabor Y Sentimiento Coche CRS-356 CRS-356 US Unknown Feliciano (CD, Album) Records Inc. 230 21158, Cheo Sabor Y Sentimiento Zeida, 230 21158, Colombia 1987 23021158 Feliciano (LP, Album) Codiscos 23021158 Cheo Sabor Y Sentimiento CHEML-1 Manzana CHEML-1 Spain Unknown Feliciano (LP, Album) Cheo Sabor Y Sentimiento Coche CRS-356 CRS-356 US 1987 Feliciano (LP, Album) Records Inc. Related Music albums to Sabor Y Sentimiento by Cheo Feliciano Cheo Feliciano - Profundo Cheo Feliciano - Canta Cheo Feliciano - Como Tu Lo Pediste Cheo Feliciano - Hace Furo / Salome Luis Alberto Del Parana - Amor Angelical / Coche Yara Purajhei Tite Curet Alonso - Tite Presenta A Sus Personajes Orquesta Tropicana - Salsa Y Sabor Cheo Feliciano - Estampas Various - Interpretan A Ruben Blades The Beatles - The Beatles (Vol. I - 1962/1966).

Copy Link

Recommended publications

Mario Ortiz Jr
Hom e | Features | Columns | Hit Parades | Reviews | Calendar | News | Contacts | Shopping | E-Back Issues NOVEMBER 2009 ISSUE FROM THE EDITOR Welcome to the home of Latin Beat Magazine Digital! After publishing Latin Beat Magazine for 19 years in both print and online, Yvette and I have decided to continue pursuing our passion for Latin music with a digital version only. Latin Beat Magazine will continue its coverage of Latin music through monthly in-depth articles, informative Streaming Music columns, concert and CD reviews, and extensive news and information for everyone. Access to Somos Son www.lbmo.com or www.latinbeatmagazine.com (Latin Beat Magazine Online) is free for a limited Bilongo time only. Windows Media Quicktime Your events and new music submissions are welcome and encouraged by emailing to: [email protected]. The Estrada Brothers Latin beat is number one in the world of authentic Latin music. For advertising opportunities in Mr. Ray lbmo.com, call (310) 516-6767 or request advertising information at Windows Media [email protected]. Quicktime Back issues are still in print! Please order thru the Shopping section! Manny Silvera Bassed in America This issue of Latin Beat Magazine Volume 19, Number 9, November 2009, is our annual "Special Windows Media Percussion/Drum Issue", which celebrates "National Drum Month" throughout North America. Our Quicktime featured artist this month is Puerto Rican percussionist/bandleader Richie Flores. In addition, also featured are Poncho Sanchez (who's enjoying the release of his latest production Psychedelic Blues), and trumpeter/bandleader Mario Ortiz Jr. (who has one of the hottest salsa Bobby Matos productions of the year).
[Show full text]
CBS International's Study
BEFORE THE COPYRIGHT ROYALTY TRIBUNAL WASHINGTON, D.C. In the Matter of ) ) 1984 Juke-Box Royalty ) Docket No. Distribution Proceedings ) SUPPLEMENTAL STATEMENT PURSUANT TO 37 C.F.R. SECTION 305.4 Asociacion de Compositores y Editores de Musica Latino- americana ("ACEMLA"), having duly filed a claim of entitlement pursuant to 37 C.F.R. Sections 305.2, 305.3 and having filed a statement pursuant to 37 C.F.R. Section 305.4 on November 5, 1985, submits this supplemental statement and documentation on November 5th filing. 1. In Paragraph 4 of ACEMLA's November 5th Statement, I ACEMLA cited a study undertaken by Discos CBS International as cited in the publication "Music Video Retailer" in January 1983. Attached hereto as Exhibit 1 is the article concerning Discos CBS International's study. 2. In Paragraph 5 of ACEMLA's November 5th Statement, an article entitled "Spanish Speaking Market on the Move" from the January 1983 issue of "Music Video Retailer" was also cited. This article is attached as Exhibit 2. 3. Paragraph 7 of ACEMLA's November 5th Statement noted that "throughout 1984 a significant number of hits whose copy rights were owned or administered by ACEMLA appeared in trade charts both in 45 rpm or LP form. These trade charts reflect the major songs in the United States Hispanic market." 4. Attached hereto as Exhibit 3 are hit Latin record charts from the publication "Canales", published in New York City, for the months of January 1984 through November 1984. The circled numbers next to the title and the circled titles in- dicate titles that are in in ACEMLA's catalogue.
[Show full text]
Almanaque Marc Emery. June, 2009
CONTENIDOS 2CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009. Jan Susler. 6ENERO. 11 LAS FASES DE LA LUNA EN LA AGRICULTURA TRADICIONAL. José Rivera Rojas. 15 FEBRERO. 19ALIMÉNTATE CON NUESTROS SUPER ALIMENTOS SILVESTRES. María Benedetti. 25MARZO. 30EL SUEÑO DE DON PACO.Minga de Cielos. 37 ABRIL. 42EXTRACTO DE SON CIMARRÓN POR ADOLFINA VILLANUEVA. Edwin Reyes. 46PREDICCIONES Y CONSEJOS. Elsie La Gitana. 49MAYO. 53PUERTO RICO: PARAÍSO TROPICAL DE LOS TRANSGÉNICOS. Carmelo Ruiz Marrero. 57JUNIO. 62PLAZA LAS AMÉRICAS: ENSAMBLAJE DE IMÁGENES EN EL TIEMPO. Javier Román. 69JULIO. 74MACHUCA Y EL MAR. Dulce Yanomamo. 84LISTADO DE ORGANIZACIONES AMBIENTALES EN PUERTO RICO. 87AGOSTO. 1 92SOBRE LA PARTERÍA. ENTREVISTA A VANESSA CALDARI. Carolina Caycedo. 101SEPTIEMBRE. 105USANDO LAS PLANTAS Y LA NATURALEZA PARA POTENCIAR LA REVOLUCIÓN CONSCIENTE DEL PUEBLO.Marc Emery. 110OCTUBRE. 114LA GRAN MENTIRA. ENTREVISTA AL MOVIMIENTO INDÍGENA JÍBARO BORICUA.Canela Romero. 126NOVIEMBRE. 131MAPA CULTURAL DE 81 SOCIEDADES. Inglehart y Welzel. 132INFORMACIÓN Y ESTADÍSTICAS GENERALES DE PUERTO RICO. 136DICIEMBRE. 141LISTADO DE FERIAS, FESTIVALES, FIESTAS, BIENALES Y EVENTOS CULTURALES Y FOLKLÓRICOS EN PUERTO RICO Y EL MUNDO. 145CALENDARIO LUNAR Y DÍAS FESTIVOS PARA PUERTO RICO. 146ÍNDICE DE IMÁGENES. 148MAPA DE PUERTO RICO EN BLANCO PARA ANOTACIONES. 2 3 CÁLCULOS ASTRONÓMICOS PARA LOS PRESOS Febrero: Memorias torrenciales inundarán la isla en el primer aniversario de la captura de POLÍTICOS PUERTORRIQUEÑOS EN EL AÑO 2009 Avelino González Claudio, y en el tercer aniversario de que el FBI allanara los hogares y oficinas de independentistas y agrediera a periodistas que cubrían los eventos. Preparado por Jan Susler exclusivamente para el Almanaque Marc Emery ___________________________________________________________________ Marzo: Se predice lluvias de cartas en apoyo a la petición de libertad bajo palabra por parte de Carlos Alberto Torres.
[Show full text]
Sammy Garcia
Sammy Garcia In the world of the tropical music, Sammy is counted as one of the very best amongst such legendary performers as: Conjunto Clásico, Willie Colón, Gilberto Santa Rosa, Tito Nieves, Puerto Rican Power, Celia Cruz, Cheo Feliciano, Víctor Manuell, Olga Tañón, Elvis Crespo y Ricardo Arjona, just to name a few. His professional experiences during his musical career, afforded him the opportunity to play in such great venues and events such as: Concerts in the Madison Square Garden, Aruba Jazz Festival, Feria de Calí, Festival de la Calle Ocho, New Orleans Jazz Festival, Carnaval de Panamá, Día Nacional de la Salsa y Congreso Mundial de la Salsa, among others. They serve as a strong center for his artistic foundation, entertaining diverse audiences around the world. His artistic path has been split between being a musician and a director and this immersion into the craft has led him to be an innovator in the world of modern salsa music. This innovative vision is truly realized in his latest project “El Sabor De Puerto Rico”, where under the direction of Sammy, never loses the “swing” and “cadence” of the traditional salsa music. Credits 2013 Me Llamaré Tuyo Victor Manuelle Congas 2013 Party & Dance Limi-T 21 Congas Gilberto Santa 2012 Gilberto Santa Rosa Bongos, Congas Rosa 2011 Aquí Estoy Yo Milly Quezada Congas Bongos, Congas, 2011 El Amor Existe Jerry Rivera Guiro, Maracas 2011 Mi Ultima Grabación Tito Nieves Congas ¡Sonó, Sonó…Tite Tite Curet 2011 Conga Drum Curet! Alonso De Andy Montañez Al 2010 Andy Montañez Congas Combo Congas,
[Show full text]
Redalyc.Salsa Music As Expressive Liberation
Centro Journal ISSN: 1538-6279 [email protected] The City University of New York Estados Unidos Berrios-Miranda, Marisol Salsa Music as Expressive Liberation Centro Journal, vol. XVI, núm. 2, fall, 2004, pp. 158-173 The City University of New York New York, Estados Unidos Available in: http://www.redalyc.org/articulo.oa?id=37716211 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Berrios(v7).qxd 3/1/05 7:33 AM Page 158 CENTRO Journal Volume7 xv1 Number 2 fall 2004 Salsa) Salsa Music as Expressive Liberation1 MARISOL BERRIOS-MIRANDA ABSTRACT In the span of a singe decade, the 1970s, young people in urban centers all over Latin America came to embrace salsa music as their preferred musical style and expression. Salsa’s unprecedented international popularity resulted from the confluence of several distinct social conditions and historical events: the Puerto Rican dilemma of colonial status, the civil rights and black pride movements in the U.S., the Cuban revolution’s promise of upliftment for the lower classes, urban migration, and the need for a Latino alter- native to the hegemony of Anglo rock. In this paper I will argue that salsa’s popularity needs to be understood in terms of a musical sound and a social style that responded effectively to these circumstances, captured beautifully in the film Our Latin Thing. I propose, furthermore, that the colonial dilemma of Puerto Ricans in the island and in New York motivated their creative contributions to salsa, which they experienced as a form expressive liberation and decolonization.
[Show full text]
Entrevista a Puchi Esposa De Hector Lavoe
Entrevista a puchi esposa de hector lavoe Continue Cantantes mi pequeño amigo Héctor Lavo, desde su cama enferma, una vez me preguntó, ¿qué tal mis amigos a donde ya no van? ¿Eso es lo que olvidé? ¿Ya no me quieren? Por eso me van a dar lo que me van a dar, me dan en la vida. De la canción El Gran Combo de Puerto Rico. Héctor Lavo, Héctor Juan Pérez Martínez en 1946 en Ponce, Puerto Rico, ha dedicado gran parte de su vida a hacer feliz a la gente. Era el cantante de salsa más popular y querido en los años 60, Los años 70 y partes de los 80, apodados para siempre por músicos y espectadores como cantantes cantantes, en otras palabras, amaban para mejor, en un momento en que Ismael Rivera, Cheo Feliciano, Santos Colón, Ismael Miranda, Rubén Blades, etc. En el momento de su muerte prematura, a la edad de 46 años, el público no podía creerlo. Cuando conocí su música, casi una década después, ni conociendo las circunstancias que la rodeaban. Un hombre que dedicó gran parte de su vida a hacer feliz a la gente murió solo y fue arrojado a un hospital de Nueva York en 1993. Ella fue la última de las traiciones que había presenciado. Los buitres, que durante décadas explotaron su voz y popularidad ya lo habían secado todo, incluso lo hicieron aparecer en un show de sillas de ruedas, su rostro paralizado, y cuando ya ni siquiera podía conseguir su voz. En el momento de su enfermedad y muerte, su carrera y la vida de los amigos no lo era.
[Show full text]
Managers Tun, to Indie Promotion
ICD 08120 LO9O6 t13 1-1Dti30 ONO-1 z W13 01Lf tt d ti A 3 l 0 1 !' 0 A1N3389 A1NDW 4'a adW ß2?Z09t099010 slv * ** YY i r 1986/$3.50 (U.S.) VOLUME 98 NO. 21 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT May 24, CDs Are A Growth Business LEVY ON AUDIO HARDWARE ONLY? For In -Store Thieves, T00 Senate Bill May Drop Tape Royalty Plan tion's higher cost, but also to tight provision to place a royalty fee on en -month -old bill, S. 1739, intro- BY GEOFF MAYFIELD supply. "When you've got a demand BY BILL HOLLAND blank tape when it takes the bill to duced by subcommittee chairman NEW YORK The compact disk is product that people can fence for WASHINGTON In a dramatic con- markup Wednesday (21). This could Charles McC. Mathias (R -Md.), may becoming the darling of profession- more than a record or tape -they cession to consumer electronics in- chop the anticipated $200 million an- find the necessary votes to send it al and amateur thieves. can get as much as $6 or $8 apiece dustry opponents of the audio-only nual royalty pool by more than half. to the full Judiciary Committee, At least two major chains and for CDs -the value of the product home taping bill, the Senate Copy- Sources say that with the hotly with only the hardware royalty fea- several regional webs report that (Continued on page 89) right Subcommittee may drop the contested provision deleted, the sev- ture intact.
[Show full text]
Live at Yankee Stadium”--The Fania All-Stars (1975) Added to the National Registry: 2003 Essay by Thomas Muriel (Guest Post)*
“Live at Yankee Stadium”--The Fania All-Stars (1975) Added to the National Registry: 2003 Essay by Thomas Muriel (guest post)* Original album The date Friday, August 23, 1973, is an historic one for Latin music. That night, Jerry Masucci, the ultimate gambler, was the last man laughing as his most bizarre gambit to date became a total success--his Fania All-Stars poured 40,000 screaming fans into Yankee Stadium for an unforgettable night of superb music. If Fania Records’ super-band was already famous at the time (thanks to the famed Cheetah club concert and the 1972 movie “Our Latin Thing”), this is the concert that made them a legend (the famous Cheetah club actually folded in 1974). That night, the All-Stars were scheduled to play two sets. The first set was a traditional one, with the All-Stars aided by guests Mongo Santamaría, Jan Hammer, Jorge Santana, and Billy Cobham, who quickly proved to the crowd that they could play soul as well as rock. The second set, another daring Masucci gambit, was never completed, as a bloody conga duel battle between Ray Barretto and Santamaría prompted the frenzied audience to bypass the security barriers to make their way into the playing field and onto the stage, triggering the concert’s abrupt ending. The orchestra had already gone through serious changes in personnel—now all the singers were either solo acts or bandleaders (or they were on the way to becoming both as part of the label’s expansion plans). But a bitter internal controversy involving three of their main stars provoked one of the most important changes to the band’s roster—this was the result of the harsh breakup of Barretto’s band, with five of his musicians leaving to form Típica ’73.
[Show full text]
Türkiye Dans Sporlari Federasyonu Sportif Sosyal Danslar (Salsa) 2020-2021 Sezonu Müzik Listesi 23.03.2021 (Güncel Liste) D Klasman
TÜRKİYE DANS SPORLARI FEDERASYONU SPORTİF SOSYAL DANSLAR (SALSA) 2020-2021 SEZONU MÜZİK LİSTESİ 23.03.2021 (GÜNCEL LİSTE) D KLASMAN 1. Adiviname y Olvidate – Edwin Bonilla 2. Ain’t No Sunshine – Alfredito Linares 3. Ay Mi Maria – Bloque 53 4. Cosas Nativas – Frankie Ruiz 5. Echale Mas Salsa – El Timba 6. El Pirulero – El Gran Combo De Puerto Rico 7. El Tiple y Su Rumba – La Sucursal S.A 8. Golpe Con Melodia – Tromboranga 9. Idilio – Sonora Cubannissimo 10. La Llave – Grupo Latin Vibe 11. Linda Mujer – El Timba 12. Mambo Fever – DJ Henrix 13. Maria Juliana – Calambuco 14. Me La Das – Ivan Venot Velardi 15. A Mi Me Gusta – George Delgado 16. Nabori – Cheo Feliciano 17. Para Los Bravos – Tito Allen 18. Soy Antillana – Celia Cruz 19. Temperatura – La Clave De Londres 20. Time to Spend – Kevin Davis 21. Topanga – Tony Velardi 22. Vamonos Pa Senegal – Tipica Ideal 23. Ven Devorame Otra Vez – Lalo Rodriguez 24. Vete Pa Ya – New Swing Sextet 25. Yamulemau – Joe Arroyo C KLASMAN 1. Abran Paso ( With Larry Harlow) - Ismael Miranda, Larry Harlow 2. Amor y Control - Ruben Blades 3. Asi Es la Mujer - Victor Manuelle 4. Cuba , que lindos son tus paisajes - Todos Estrellas 5. Cubanoson - Papo Ortega presents Cubanoson 6. Cuidate - El Combo de Pepe, Alfredo Linares, Charlie Palomares, Nilo Espinosa 7. Deja de Criticar - La Excelencia 8. Devuelveme Mis Discos - Tromboranga 9. Duelo de Bongo - La Excelencia 10. Echale Madera - Dj Ricky Campanelli, Jimmy Bosch 11. El Carretero - Guillermo Portabales 12. El Dia que Llego el Payaso - DDLO 13. El Tiroteo - New Swing Sextet 14.
[Show full text]
Fania Papo Luca Piano Man
Fania Papo Luca piano Man Born in Ponce, Puerto Rico on April 2, 1946, Enrique ‘Papo’ Lucca began playing the piano with his father’s band at age 11. Initially, La Ponceña performed covers of tropical hits of the moment by bands such as Cortijo y su Combo and La Sonora Matancera. In the late ’60s, Papo became La Ponceña’s musical director, beginning a deep transformation that would eventually establish the group as one of the most progressive outfits in the history of Afro-Caribbean music. Papo’s arrangements were daring and adventurous, experimenting with elements of Brazilian music, mainstream jazz and rock. Representing the authentic spirit of Puerto Rican salsa, his piano solos are velvety and funky, marked by their restrained, supremely elegant sense of swing. By the mid-’70s, La Ponceña was enjoying unprecedented critical and commercial success. The band recorded for the Inca label, which eventually became part of the Fania empire. Papo was called to arrange and play on sessions by some of the label’s biggest artists, including Johnny Pacheco, Celia Cruz and Cheo Feliciano. He was also invited to record and tour with the Fania All Stars. This compilation pays tribute to the artistry of Papo Lucca through 14 seminal tracks recorded between 1967 and 1981. Although Lucca has worked both as a solo artist and with a multitude of salsa stars, it is his work with La Ponceña that best distills his remarkable vision. This music is all about making people happy and ignite in them the desire to dance, says Lucca from his home in Puerto Rico.
[Show full text]
En Esta Ocasión Fue Dedicada La Edición Del Puerto Rico
JULIO 2014 | HORIZONTE COOPERATIVO EDITORIAL ATENTADO GUBERNAMENTAL AL COOPERATIVISMO l Gobierno de Puerto Rico presentó en la Legislatura varios proyectos dirigidos a desestabilizar el funcionamiento y eficiencia de la Corporación Pública para la Supervisión y Seguro de Cooperativas (COSSEC) y el Movimiento Cooperativo puertorriqueño en general. VEGACOOP TE INFORMA E 1. Proyecto del Senado 1082 y Proyecto de la Cámara 1912: dirigidos a aprobar una asignación recurrente anual de nueve millones, quinientos mil dólares ($9,500,000) del presupuesto de COSSEC, para enviarlos a la industria 2 EDITORIAL lechera del país; o sea, se los quita a los pobres para dárselos a los ricos. 3 PON TUS FINANZAS AL DÍA 2. Proyecto del Senado 1087: busca sacar los ahorros de las corporaciones públicas para aportar al fondo de 4-5 A ORDEÑAR PA' OTRO LA'O promoción de empleos y actividades económicas. 3. Proyecto de la Cámara 1884: atenta contra el control democrático de los socios al impedir la participación de 6-7 ¿EL CUERPO TE HABLA O TE GRITA? los líderes profesionales en las asambleas de cooperativas de seguros, limitando así las determinaciones y la 8 ¿PUEDO DESHEREDAR A MI HIJO? autonomía de las juntas de directores de las cooperativas. 9 ¿SE ES, O NO SE ES? 4. Proyecto de la Cámara 2004: modifica la composición de la Junta de COSSEC reduciendo la participación del cooperativismo y darle control de COSSEC al gobierno, alterando así el principio de autonomía e 10-11 DESDE MI BALCÓN... PAPO RESTAURA EL BOLILLO Y OPINA SOBRE CANNABIS independencia del cooperativismo alcanzado por muchos años.
[Show full text]
Description: Hilltop Home with Breathtaking Views
Baila Bello - Issue 1.2 SA - October 2008 Suggested Salsa Artists and Songs! Different tempos, different styles. Just a few picks of legendary salsa artists and songs representing music from each decade going back to the late 1960’s (although Salsa has been influenced by artists since the 1930’s). Many of the suggested artists below had musical careers and first debuts in New York City. Pick your choice of salsa music based on any combination of artists below! ARTIST SONG SAMPLES ORIGIN OF INFLUENCE ♫ Beny Moré Que Bueno Baila Usted, Maracaibo Oriental ♫ Buena Vista Social Club Chan Chan, El Carretero ♫ Celia Cruz La Vida Es Un Carnival, Canto A La Habana ♫ Cubanismo Descarga De Hoy, Salsa Pilón Other influential rhythms: - Son ♫ Gloria Estefan Mi Tierra, Abriendo Puertas - Afro-Son - Son-Montuno - Rumba ♫ Issac Delgado Catalina, La Sandunguita - Guajira - Guaracha ♫ La Lupe Me Siento Guajira, Toitica Tuya - Danzón - Guaguanco ♫ Los Van Van El Negro Está Cocinando, Por Encima Del Nivel - Mambo - Cha Cha Chá ARTIST SONG SAMPLES ORIGIN OF INFLUENCE ♫ Cheo Feliciano Anacaona, A Las Seis ♫ Eddie Palmieri Vamanos Pal’ Monte, Bilongo ♫ El Gran Combo Aguacero, Brujeria ♫ Gilberto Santa Rosa Conciencia, Perdoname ♫ Hector Lavoe Mi Gente, El Cantante ♫ Puerto Rican Power Tu Cariñito, Me Tiene Loco Other influential rhythms: ♫ Richie Ray Richie’s Jala Jala, Aguzate - Danza - Bomba ♫ Tito Puente Salsa Salsa, Guaguanco Tropicanca - Plena - Jíbara ARTIST SONG SAMPLES ORIGIN OF INFLUENCE ♫ Fruko y Sus Tesos El Preso, Cali De Rumba ♫ Grupo Niche Una
[Show full text]