Dreams and Dynamics. Selected Papers from the Annual Conference

Total Page:16

File Type:pdf, Size:1020Kb

Dreams and Dynamics. Selected Papers from the Annual Conference DOCUMENT RESUME ED 399 930 IR 056 045 AUTHOR Hannesdottir, Sigrun Klara, Ed.; And Others TITLE Dreams and Dynamics. Selected Papers from the Annual Conference of the International Association of School Librarianship (22nd, Adelaide, South Australia, Australia, September 27-30, 1993). INSTITUTION International Association of School Librarianship, Kalamazoo, Mich. REPORT NO ISSN-0257-3229 PUB DATE 93 NOTE 88p.; For individual papers, see IR 056 046-057. Conference held concurrently with 13th Biennial Conference of the Australian School Library Association. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Childrens Literature; *Conference Proceedings; Elementary Secondary Education; Foreign Countries; Futures (of Society); *Information Technology; Learning Resources Centers; *Librarians; Library Development; Library Education; *Library Role; Partnerships in Education; Public Libraries; *School Libraries; User Needs (Information) IDENTIFIERS International AssociaLi.... Schf)ol Librarianship; - Teacher Librarians ABSTRACT The themes of the 22nd Annual International Association of School Librarianship conference were: "Building a Picture of Society in the Year 2000"; "Literature--Themes of the '90s Towards the Future"; "Education--Partnerships To Develop Life-Long Learners"; and "Technology into the 21st Century." The following papers were selected for publication by the editorial committee:(1) "Australia's Contribution to International School Librarianship" (Joe Hallein; and others);(2) "The Financial Value of the Teacher Librarian" (Fay Nicholson);(3) "Towards Achieving a Critical Thinking Society in Malaysia: A Challenge to School Libraries and Educational Systems" (Raja Abdullah Yaacob and Norma Abur Seman); (4) "Across the Curriculum: Across the World" (Blanche Woolls); (5) "Violence in Children's Literature Today" (Maureen Nimon);(6) "The Politics of Children's Literature" (Jean A. Webb);(7) "History, Dreams and Reality: Storytelling Programs in Malaysia" (Mohd Sharif Mohd Saad);(8) "Training School Librarians for the Nigerian School System: A New Perspective" (David F. Elaturoti);(9) "Managing Media Centers in Secondary Schools" (Jan A. Kruger); (10) "Library Training in the South Pacific from 1972-1993" (Melvyn D. Rainey); (11) "The Role of the Public Library in Supporting Education in the Natal Region" (Rookaya Bawa); and (12) "Computerizing the Chinese International School Libraries" (Marilyn McMahon). (SWC) -,...**1;A::*************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** U.S. DEPARTMENT OF EDUCATION Office of Educational Research and improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) This document has been reproduced as received from the person or organization originating it. Minor changes have been made to improve reproduction quality. 01 Points of view or opinions stated in this 01 document do not necessarily represent 01 official OERI position or policy. (2) 22nd Annual Conference INTIT4RNATIONAL ASSOCIA _ION 07 SCHOOL LI"'RARIANSHIP SELECT PAPERS ST. PETER'S LOLL A,G1,4' ADELAIDI4], SOUTH AUSTRALIA SHPTM R 27-30, 1993 1.0 "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY ISSN 0257-3229 Ken Haycock kr) 0 BEST COPY AVAILABLE TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." DREAMS and DYNAMICS Selected Papers from the 22nd Annual Conference International Association of School Librarianship held concurrently with The XIII Biennial Conference of The Australian School Library Association St. Peter's College Adelaide, South Australia International Association of School Librarianship P.O. Box 19586 Kalamazoo, MI 49019-0586 USA March 1993 ISSN 0257 3229 Any material copied for distribution from this publication must be credited to the International Association of School Librarianship with full bibliographic information. Contact the IASL Secretariat for permission if you propose to copy and/or distribute any portion of this publication. International Association of School Librarianship, P.O. Box 19586, Kalamazoo, MI 49019-0586, USA. TABLE OF CONTENTS Preface IASL Conference Program ii Australia's Contribution to InternationalSchool Librarianship by Joe Ha Nicholson, Judy Phillips, and Barbara llein, Fay Posten-Anderson 1 The Financial Value of the Teacher Librarian by Fay Nicholson 6 Towards Achieving a Critical Thinking Society in Malaysia: AChallenge to School Libraries and Educational Systemsby Dr. Raja Abdullah Yaacob and Seman Norma Abur 10 Across the Curriculum: Across the World by Blanche Woo lls 24 Violence in Children's Literature Today by Maureen Nimon 29 The Politics of Children's Literature by Jean A. Webb 3 4 History, Dreams and Reality:Storytelling Programs in Malaysia by Mohd Sa ad Shard Mohd 40 Training School Librarians for theNigerian School System: A New Elaturoti Perspective by David F 50 Managing Media Centers in Secondary Schools by Jan A. Kruger 56 Library Training in the South Pacific from 1972-1993 by Melvyn d.Rainey 61 The Role of the Public Library inSupporting Education in the Natal Region Ba wa by Rookaya 70 Computerizing the Chinese International School Libraries by Marilyn McMahon 7 6 Preface At each conference of the International Association of School Librarianship the president appoints an editorial committee to review all papers presented at the conference and select those that will be published as selected papers. Selection of papers is based upon the following criteria: Applies to the conference theme Integrates with other papers on the conference theme Presents information applicable to a large percentage of association members Is well written Presents new information or information new to association members Adheres to proposed length Unique information Represents a wide variety of countries. Papers are edited for clarity, grammar, and spelling by the committee members who forward their suggestions to the chair of the committee who is responsible for the final copy. The Editors: Sigrun Klara Hannesdottir Blanche Woolls Donald C. Adcock, Chair U IASL CONFERENCE PROGRAM Building a Picture of Society in the Year 2000 Australia's Contribution to International School Librarianship by Joe Hallein, Fay Nicholson, Judy Phillips and Barbara Posten-Anderson The Financial Value of the Teacher Librarian by Fay Nicholson Towards Achieving a Critical Thinking Society in Malaysia: A Challenge to School Libraries and Educational Systems by Dr. Raja Abdullah Yaacob and Norma Abu Semen Across the Curriculum: Across the World by Professor Blanche Woo lls Literature. .Themes of the 90's..Towards the Future Multicultural and Multilingual Materials in the Primary School: Why, What, and How? by Richard F. Barter Diaries, Dreams and Dynamics: An Introduction to a Video Book Talk on Diaries to 10th Grade Students by Valerie J. Downes Violence in Children's Literature Today by Maureen Nimon History, Dreams and Reality: Storytelling Programmes in Malaysia by Mohd Sharif Mohd Saad The Politics of Children's Literature by Dr. Jean A. Webb History, Dreams, and Reality: Storytelling Programs in Malaysia by Mohd Sharif Mohd Saad Education. .Partnerships to Develop Life-Long Learners The Role of the Public Library in Supporting Education in the Natal Region by Rookaya Bawa Libraries Go Public. .Relations That Is by Marvene Dearman and Ann Nauman Training School Librarians for the Nigerian School System: A New Perspective by David F. Elaturoti Managing Media Centres in Secondary Schools by John A. Kruger Library Training in the South Pacific from 1972-1993 by Melvyn D. Rainey Technology .into the 21st Century V-Lib in Chinese International School by Marilyn McMahon iii Australia's Contribution to International School Librarianship by Joe Ha llein, Fay Nicholson, Judy Phillips, and Barbara Posten-Anderson Australia has played a very active role in pro- Vanuatu project will be presented later in the moting and developing school librarianship on a paper. international basis. Most of our aid projects in Australian input to school library develop- school library development have been in the ment has also taken placae as part of major Asia/Pacific region but programs have been car- educational development projects om the region. ried out in other areas as well.The largest Some of these have been multi-lateral programs school library development project that has sponsored by agencies such as the World Bank been carried out by Australians is the UNESCO which provided funding for the Solomon Islands School Libraries in Oceania Project that was Primary Education Expansion Project from launched by UNESCO in 1978 and has con- 1983 to 1985. As part of this project provincial tinued for thirteen years. A number of visits educational resource centers were established were carried out to investigate the state of and basic ref-erence collections were supplied to school libraries in the southwest Pacific and to schools. Project consultant, Joe Hallein, also make recommendations to UNESCO for projects conducted training courses for primary school to help develop school library programs.Law- educators in the effective use of educational rence McGraw, Margaret Trask, Barbara Pos- resources. This project as well as other such as ten-Anderson, and Joe Hallein visited a number the STEP project in western Samoa also of South Pacific nations during the 1970s and established libraries in the teacher
Recommended publications
  • Teater ‘Uraong Ulu WARGA MOTAC Hatinya Luke Lagih’ Oleh Kumpulan Kesenian Uraong Ulu (Keulu) Telah I Memenangi Tempat Ketiga Dalam Festival Teater Malaysia 2006
    3 FESTIVAL OF ASEAN CULTURAL EXPRESSIONS Festival Kesenian 2015 Orang Asli dan Peribumi Antarabangsa 2015 JKKN MENERAJUI HARI SUKAN NEGARA Teater ‘Uraong Ulu WARGA MOTAC Hatinya Luke Lagih’ Oleh Kumpulan Kesenian Uraong Ulu (Keulu) Telah i Memenangi Tempat Ketiga Dalam Festival Teater Malaysia 2006. Sudut Berita JKKN SEKILAS TINTA EDITOR YBhg. Datuk Norliza Rofli Ketua Pengarah YBrs. En. Mohamad Razy Mohd Nor Timbalan Ketua Pengarah (Sektor Dasar dan Perancangan) YBrs. Tn. Hj. Mesran Mohd Yusop Timbalan Ketua Pengarah (Sektor Kebudayaan dan Kesenian) Editor Assalamualaikum dan Salam 1Malaysia. Mohd Zin Mohd Sahid Penolong Editor Seni Budaya Malaysia semakin mengalami ketirisan. Membina masyarakat Zuriah Mohamad yang berbudaya dan berkeperibadian tinggi adalah menjadi tanggungjawab SIDANG EDITORIAL setiap rakyat Malaysia kerana setiap kita adalah pemimpin diperingkat sidang redaksi Penulis masing-masing. Peristiwa-peristiwa negatif yang pernah berlaku akibat • Mohd Zin Mohd Sahid kebiadaban segelintir rakyat yang tidak bertanggungjawab, seharusnya • Zuriah Mohamad • Muhammad Haqkam Hariri dijadikan iktibar agar tidak berulang dan menjadi gejala yang memusnahkan • Ismarizal Zulamran bangsa Malaysia. Kebiadaban tersebut seharusnya dibendung supaya ia • Muhammad Faizal Ruslee tidak menjadi gejala kepada masyarakat keseluruhannya. Hanya dengan • Siti Anisah Abdul Rahman • Fauziah Ahmad disiplin, kesedaran dan keimanan yang jitu pada setiap insan sahaja yang akan dapat mengatasinya. Pereka Grafik/Kreatif Bafti Hera Abu Bakar Sama-samalah kita menjadikan iktibar dan pengajaran bahawa salah Jurufoto Zaman Sulieman satu sebab kejatuhan kerajaan Melayu Melaka pada tahun 1511 ialah ‘angkara sikitul yang menjual maklumat kepada portugis’ ketika itu. Jika SIDANG REDAKSI kita sama-sama berpegang teguh kepada rukun negara dan disiplin • Unit Komunikasi Korporat diri, InshaAllah seni budaya Malaysia akan terus relevan selaras dengan • Bahagian Khidmat Pengurusan ungkapan ‘Tidak akan Melayu hilang di dunia’.
    [Show full text]
  • M. Cohen on the Origin of the Komedie Stamboelpopular Culture, Colonial Society, and the Parsi Theatre Movement
    M. Cohen On the origin of the Komedie StamboelPopular culture, colonial society, and the Parsi theatre movement In: Bijdragen tot de Taal-, Land- en Volkenkunde 157 (2001), no: 2, Leiden, 313-357 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/10/2021 12:19:15AM via free access MATTHEW ISAAC COHEN On the Origin of the Komedie Stamboel Popular Culture, Colonial Society, and the Parsi Theatre Movement Introduction . The Komedie Stamboel, also known as the Malay Opera, occupies a prom- inent place in Indonesia's cultural history.1 lts emergence in 1891 has been characterized as a 'landmark' in the development of modern popular theatre (Teeuw 1979:207). The theatre later contributed greatly to the birth of Indo- nesian contemporary theatre and film2 and played a formative role in mod- ern political discourse and representation (see Anderson 1996:36-7). The Komedie Stamboel has been celebrated as one of the most significant 'artistic achievements' of the Eurasian population of colonial Java (see Van der Veur 1968a), but also damned for its deleterious influence on Java's classical and 1 This article was written while a postdoctoral research fellow at the International Institute for Asian Studies (DAS). It was presented in part as lectures at KAS and the Fifth International Humanities Symposium, Gadjah Mada University, in 1998.1 would like to thank all the particip- ants in the research seminar, 'Popular theatres of Indonesia', Department of Southeast Asian and Oceanic Languages and Cultures, Leiden University, where I developed some of the ideas pre- sented here, as well as Kathryn Hansen, Rakesh Solomon, Catherine Diamond, Surapone Virulrak, Hanne de Bruin, and two anonymous BKI reviewers for their comments.
    [Show full text]
  • Mek Mulung Di Pentas Dunia Pentas Di Mulung Mek
    ISSN 2180 - 009 X Bil 1/2015 NASKHAH PERCUMA Assalamualaikum dan Salam 1Malaysia Lafaz syukur seawal bicara yang dapat diungkapkan atas penerbitan buletin JKKN Bil 1/2015 yang kini dikenali sebagai “Citra Seni Budaya”. Penjenamaan semula buletin ini adalah bertitik tolak daripada hasrat dan usaha JKKN untuk melaksanakan transformasi bagi memastikan setiap program dan aktiviti yang dilaksanakan memberi impak positif kepada masyarakat di samping pulangan kepada peningkatan ekonomi negara. Merujuk kepada Kamus Dewan Edisi Ke-4, Dewan Bahasa dan Pustaka, perkataan “Citra” membawa maksud ‘gambaran’ atau ‘imej peribadi seseorang’. Oleh itu, “Citra Seni Budaya” adalah refleksi kepada usaha murni JKKN yang dilaksanakan secara berterusan untuk memartabatkan seni dan budaya. Ia akan menjadi wadah perkongsian ilmu serta maklumat mengenai seni dan budaya yang boleh dimanfaatkan sebagai salah satu sumber rujukan sampingan. Semoga usaha kecil ini boleh membantu merealisasikan hasrat JKKN bagi menyebarluaskan maklumat berkaitan seni budaya yang hakikatnya berada bersama kita saban hari. Salmiyah Ahmad CORETAN EDITOR CORETAN Editor JABATAN SIDANG KEBUDAYAAN DAN EDITORIAL KESENIAN NEGARA YBhg. Datuk Norliza Rofli • Muhammad Faizal Ruslee Ketua Pengarah • Siti Anisah Abdul Rahman • Fauziah Ahmad YBrs. En. Mohamad Razy Mohd Nor Timbalan Ketua Pengarah Pereka Grafik/Kreatif (Sektor Dasar dan Perancangan) Bafti Hera Abu Bakar YBrs. Tn. Hj. Mesran Mohd Yusop Jurufoto Timbalan Ketua Pengarah Zaman Sulieman (Sektor Kebudayaan dan Kesenian) SIDANG REDAKSI YBrs.
    [Show full text]
  • Mapping the History of Malaysian Theatre: an Interview with Ghulam-Sarwar Yousof
    ASIATIC, VOLUME 4, NUMBER 2, DECEMBER 2010 Mapping the History of Malaysian Theatre: An Interview with Ghulam-Sarwar Yousof Madiha Ramlan & M.A. Quayum1 International Islamic University Malaysia It seems that a rich variety of traditional theatre forms existed and perhaps continues to exist in Malaysia. Could you provide some elucidation on this? If you are looking for any kind of history or tradition of theatre in Malaysia you won’t get it, because of its relative antiquity and the lack of records. Indirect sources such as hikayat literature fail to mention anything. Hikayat Raja-Raja Pasai mentions Javanese wayang kulit, and Hikayat Patani mentions various music and dance forms, most of which cannot be precisely identified, but there is no mention of theatre. The reason is clear enough. The hikayat generally focuses on events in royal court, while most traditional theatre developed as folk art, with what is known as popular theatre coming in at the end of the 19th century. There has never been any court tradition of theatre in the Malay sultanates. In approaching traditional theatre, my own way has been to first look at the proto- theatre or elementary forms before going on to the more advanced ones. This is a scheme I worked out for traditional Southeast Asian theatre. Could you elaborate on this? Almost all theatre activity in Southeast Asia fits into four categories as follows: Proto-Theatre, Puppet Theatre, Dance Theatre and Opera. In the case of the Philippines, one could identify a separate category for Christian theatre forms. Such forms don’t exist in the rest of the region.
    [Show full text]
  • Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings
    Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA TAJUK PERKARA MALAYSIA: PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS EDISI KEDUA Perpustakaan Negara Malaysia Kuala Lumpur 2020 © Perpustakaan Negara Malaysia 2020 Hak cipta terpelihara. Tiada bahagian terbitan ini boleh diterbitkan semula atau ditukar dalam apa jua bentuk dan dengan apa jua sama ada elektronik, mekanikal, fotokopi, rakaman dan sebagainya sebelum mendapat kebenaran bertulis daripada Ketua Pengarah Perpustakaan Negara Malaysia. Diterbitkan oleh: Perpustakaan Negara Malaysia 232, Jalan Tun Razak 50572 Kuala Lumpur Tel: 03-2687 1700 Faks: 03-2694 2490 www.pnm.gov.my www.facebook.com/PerpustakaanNegaraMalaysia blogpnm.pnm.gov.my twitter.com/PNM_sosial Perpustakaan Negara Malaysia Data Pengkatalogan-dalam-Penerbitan TAJUK PERKARA MALAYSIA : PERLUASAN LIBRARY OF CONGRESS SUBJECT HEADINGS. – EDISI KEDUA. Mode of access: Internet eISBN 978-967-931-359-8 1. Subject headings--Malaysia. 2. Subject headings, Malay. 3. Government publications--Malaysia. 4. Electronic books. I. Perpustakaan Negara Malaysia. 025.47 KANDUNGAN Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia i Prakata Pengenalan ii Objektif iii Format iv-v Skop vi-viii Senarai Ahli Jawatankuasa Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings ix Senarai Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Tajuk Perkara Topikal (Tag 650) 1-152 Tajuk Perkara Geografik (Tag 651) 153-181 Bibliografi 183-188 Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Sekapur Sirih Ketua Pengarah Perpustakaan Negara Malaysia Syukur Alhamdulillah dipanjatkan dengan penuh kesyukuran kerana dengan izin- Nya Perpustakaan Negara Malaysia telah berjaya menerbitkan buku Tajuk Perkara Malaysia: Perluasan Library of Congress Subject Headings Edisi Kedua ini.
    [Show full text]
  • Intercultural Theatre Praxis: Traditional Malay Theatre Meets Shakespeare's the Tempest
    University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2017 Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest Norzizi Zulkafli University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Zulkafli, Norzizi, Intercultural theatre praxis: traditional Malay theatre meets Shakespeare's The Tempest, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2017.
    [Show full text]
  • Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
    Billeri, Francesca (2019) Interrelations among genres in Khmer traditional music and theatre : Phleng Kar, Phleng Arak, Lkhaon Yiikee and Lkhaon Bassac. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30988 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. INTERRELATIONS AMONG GENRES IN KHMER TRADITIONAL MUSIC AND THEATRE: PHLENG KAR, PHLENG ARAK, LKHAON YIIKEE AND LKHAON BASSAC FRANCESCA BILLERI Thesis submitted for the degree of PhD 2019 Department of Music SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood Regulation 21 of the General and Admissions Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination.
    [Show full text]
  • 2019 Jamalludin Nur Izzati 1567945 Ethesis
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The origin, evolution and future of Mek Mulung a state heritage status and beyond Jamalludin, Nur Izzati Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 THE ORIGIN, EVOLUTION AND FUTURE OF MEK MULUNG: A STATE HERITAGE STATUS AND BEYOND Nur Izzati Jamalludin Submitted in fulfilment for the requirements for the degree of Doctor of Philosophy at King’s College London May 2019 1 Abstract This research was carried out to trace the development of Mek Mulung, a dance- drama which is native solely to the village of Wang Tepus, Kedah in peninsular Malaysia.
    [Show full text]
  • De La Versatilité (4) Le Luth Arabe Dans Les Genres Musicaux Du Corridor Malais
    De la versatilité (4) Le luth arabe dans les genres musicaux du corridor malais D HEROUVILLE, Pierre Draft 2013-15.0 - Avril 2021 Résumé : le présent article a pour objet l’origine et la diffusion des luths monoxyles en Malaisie et en Indonésie, en se focalisant sur l’histoire des genres musicaux locaux. Mots clés : diaspora hadhrami, gambus, marwas, hamdolok, zapin, harmonium, Abdoel Molok ; Au cours de sa recherche sur la diffusion du Gambus dans le monde malais, L.F. HILARIAN s’est évertué à dater la diffusion chez les premiers malais du luth iranien Barbat , ou de son avatar supposé yéménite Qanbus vers les débuts de l’islam. En l’absence d’annales explicites sur l’instrument, sa recherche a constamment corrélé historiquement diffusion de l’Islam à introduction de l’instrument. A défaut, nous suggérons que celui-ci aurait plutôt été (ré)introduit à Lamu, Zanzibar, en Malaisie et aux Comores par une vague d’émigration hadhramie plus tardive, ce qui n’exclut pas une présence sporadique antérieure. Nous n’étayons cette hypothèse sur la relative constance organologique et dimensionnelle des instruments à partir du 19 ème siècle. L’introduction dans ces contrées de la danse al-zafan et du tambour marwas , tous fréquemment associés au qanbus , indique également qu’il a été introduit comme un genre autant que comme un instrument. Nous nous attacherons à inventorier ici les arguments historiques de ces scénarii en synthétisant la lutherie et les genres relatifs en Malaisie et en Indonésie. La présence arabe est certes rapportée dés le 8 ème siècle dans les comptoirs de la côte malbare et le Sri Lanka [O’NEIL, 1994].
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The origin, evolution and future of Mek Mulung a state heritage status and beyond Jamalludin, Nur Izzati Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 THE ORIGIN, EVOLUTION AND FUTURE OF MEK MULUNG: A STATE HERITAGE STATUS AND BEYOND Nur Izzati Jamalludin Submitted in fulfilment for the requirements for the degree of Doctor of Philosophy at King’s College London May 2019 1 Abstract This research was carried out to trace the development of Mek Mulung, a dance- drama which is native solely to the village of Wang Tepus, Kedah in peninsular Malaysia.
    [Show full text]
  • Gaya Bahasa Dalam Teater Tradisional Mek Mulung
    61 ICOMHAC2015 eproceedings 16-17 Disember 2015, Century Helang Hotel, Pulau Langkawi UiTM Cawangan Kedah-INSPIN Gaya Bahasa Dalam Teater Tradisional Mek Mulung Mohamad Yazi Bin Kerya Institut Pendidikan Guru Kampus Darulaman, Malaysia [email protected] Fatahiyah Binti Mohd Ishak Institut Pendidikan Guru Kampus Darulaman, Malaysia [email protected] Wan Roslina Binti Wan Ismail, Phd Institut Pendidikan Guru Kampus Sultan Abdul Halim, Malaysia [email protected] Abstrak Mek Mulung merupakan sebuah teater tradisonal Melayu Kedah yang mempunyai bentuk dan struktur persembahan yang hampir menyamai teater tradisional Mak Yong, Menora dan Jikey. Namun persembahannya agak berbeza kerana teater tradisional Melayu Kedah ini menggunakan dialek Kedah. Persembahannya menggabungkan elemen gerak lakon, tarian, muzik dan lagu. Teater warisan milik negeri Kedah ini dapat digolongkan sebagai sebuah persembahan dalam bentuk tradisi lisan dan merupakan sebuah warisan penting di utara Semenanjung Malaysia. Objektif kajian ini adalah untuk mengenal pasti gaya bahasa dialog dan lagu dalam teater Mek Mulung. Dapatan kajian ini diharapkan dapat memberi kepentingan dalam usaha menjadikan kajian ini sebagai sebahagian daripada dokumen ilmiah untuk rujukan tambahan dan memperkayakan lagi koleksi penyelidikan yang bersesuaian dengan pengisytiharan Mek Mulung sebagai seni warisan milik negeri Kedah. Kajian terhadap teater ini dilakukan secara kerja lapangan dengan menonton sendiri persembahannya dan menemu bual pewaris-pewaris serta penggiat seni tersebut. Selain itu, kajian kepustakaan juga dilakukan untuk meneliti dan menganalisis gaya bahasa yang terdapat dalam skrip cerita “Putera Cahaya Bulan” yang telah diolah dan ditulis semula serta dipersembahkan dalam bentuk moden. Kajian ini terbatas kepada aspek gaya bahasa dalam dialog dan lagu yang dipersembahkan. Dapatan kajian menunjukkan gaya bahasa pengulangan, iaitu anafora dan epifora telah mendominasi dialog dan lagu sepanjang cerita tersebut.
    [Show full text]
  • Instrumental Ghazal Melayu: a Functional Analysis Introduction the Ghazal Is Seen As a Poetic Genre Which Has Spread Into South Asia in the 12Th Century
    Chinthaka Prageeth Meddegoda Instrumental Ghazal Melayu: A Functional Analysis Introduction The ghazal is seen as a poetic genre which has spread into South Asia in the 12th century. Education typically available only to the upper classes was required to decode the complex lyrics of ghazals, mostly defining cultural behavior and the ideology of musicians and admirers in the respective society. Today ghazal lyrics are found in the poetry of many languages of the Indian sub-continent. It is commonplace that ghazal poetry is presented through singing accompanied by musical instruments since its main purpose is to convey the lyrical meaning. Ghazal Melayu is one of many ghazal genres which evolved in the Malay world by merging poetical and musical ideas coming from Middle East and India. Nevertheless, sung melodies of ghazal Melayu are also presented through musical instruments implying that ghazal Melayu is not merely a poetry based music genre but also understood as an instrumental music form which is called ‘Instrumental Ghazal Melayu’. As a general interpretation about music, Sunni Islam beliefs do not encourage instrumental music in Malaysia. As already emphasized by Al Ghazali (1058- 1111 AD), and later on disseminated in many versions, instrumental music is not deemed as being generally permissible. This paper discusses how Malays justify the idea that Instrumental Ghazal Melayu should be tolerated in Malaysian Islam although other forms of instrumental music are seen as rather questionable. In conclusion, this study provides insights into the discussion regarding the dichotomy between secular and religious music as expressed in instrumental music practice and the relationship of musical ideas thought vocally and instrumentally.
    [Show full text]