Amy Green, Saxophone
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Piano Recital Prize and Arnold Schoenberg
1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’). -
Guest Recital, Trios for Two, September 16, 2016 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-16-2016 8:00 PM Guest Recital, Trios for Two, September 16, 2016 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Guest Recital, Trios for Two, September 16, 2016" (2016). Conservatory of Music Concert Programs. Program 64. http://lux.lawrence.edu/concertprograms/64 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Trios for Two Molly Gebrian, viola Danny Holt, piano and percussion Friday, September 16, 2016 8:00 p.m. Harper Hall Theatric No. 8 (2010) Casey Cangelosi (b. 1982) Second Take (2010) Karl Blench The Beginning (b. 1981) Barbarism Familiar Terrain In Abstract The End Third Nature (2010) Christopher Goddard (b. 1986) – Short Pause – Nomentum (2010) Ingrid Lee (b. 1990) Black and White (2015) Chiayu Hsu White (b. 1975) Black PROGRAM NOTES Of the works on this concert, Casey Cangelosi’s Theatric No. 8 uses the most pared-down instrumentation: the piano is augmented with kick drum and hi-hat. With the composer’s blessing, Danny chose to add snare drum (played with a foot pedal). The piece is an obsessive minimalist exploration. In the composer’s own words: “The driving force and functionality behind Theatric No. -
Senior Recital: Benjamin Miles, Saxophone
Kennesaw State University College of the Arts School of Music presents Senior Recital Benjamin Miles, saxophone Angelica Zeller, piano Wednesday, May 1, 2013 4:00 p.m. Dr. Bobbie Bailey & Family Performance Center Morgan Concert Hall One Hundred Thirty-seventh Concert of the 2012-2013 Season Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall May 1, 2013 Sonata Lawson Lunde (b. 1935) I. Allegro II. Andantino Cantabile III. Allegro Vivace Solo for Alto Saxophone and Piano Bernhard Heiden (b. 1910) Tableaux de Provence Paule Maurice (1910-1967) I. Farandoulo di Chatouno II. Cansoun per ma Mio III. La Boumiano IV. Dis Alyscamps L’amo Souspire V. Lou Cabridan This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Music Education. Mr. Miles studies saxophone with Sam Skelton. Lawson Lunde - Sonata (1956) Lunde, a Chicago-based composer and pianist, wrote thirteen composi- tions utilizing the saxophone, six of which are sonatas. As a pianist, he performed with the Chicago Symphony Orchestra at the age of 14, and lat- er studied composition with Vittorio Rieti and Robert Delaney. His com- positional style features great lyricism and rhythmic energy. This three- movement sonata was dedicated to Cecil Leeson and Brian Minor, two saxophonists that were vital in enhancing the reputation of the classical saxophone in the United States. Bernhard Heiden - Solo for Alto Saxophone and Piano (1969) Bernard Heiden was a German-American composer heavily influenced by his teacher, Paul Hindemith. Heiden’s music is described by composer Nicolas Slonimsky as “neoclassical in its formal structure, and strongly polyphonic in texture; it is distinguished also by its impeccable formal balance and effective instrumentation.” This particular work was commissioned by Eugene Rousseau, a well- known saxophonist and educator, for the first meeting of the World Saxo- phone Congress, held in December of 1969. -
03 May 2021.Pdf
3 May 2021 12:01 AM Francesco Geminiani (1687-1762) Concerto grosso in D minor, Op 7 No 2 La Petite Bande, Sigiswald Kuijken (conductor) DEWDR 12:10 AM Heitor Villa-Lobos (1887-1959) Prelude for guitar no.1 in E minor Norbert Kraft (guitar) CACBC 12:15 AM Sergey Rachmaninov (1873-1943) 2 Songs: When Night Descends in silence; Oh stop thy singing maiden fair Fredrik Zetterstrom (baritone), Tobias Ringborg (violin), Anders Kilstrom (piano) SESR 12:24 AM Jean Sibelius (1865-1957) Serenade no 2 in G minor for violin & orchestra, Op 69b Judy Kang (violin), Orchestre Symphonique de Laval CACBC 12:33 AM Franz Liszt (1811-1886) Polonaise No.2 in E major from (S.223) Ferruccio Busoni (piano) SESR 12:43 AM Giovanni Gabrieli (1557-1612) Exaudi me, for 12 part triple chorus, continuo and 4 trombones Danish National Radio Chorus, Copenhagen Cornetts & Sackbutts, Lars Baunkilde (violone), Soren Christian Vestergaard (organ), Bo Holten (conductor) DKDR 12:50 AM Joseph Haydn (1732-1809) Symphony no 104 in D major "London" (H.1.104) Tamas Vasary (conductor), Hungarian Radio Symphony Orchestra HUMR 01:15 AM Erich Wolfgang Korngold (1897-1957) Piano Quintet in E major, Op 15 Daniel Bard (violin), Tim Crawford (violin), Mark Holloway (viola), Chiara Enderle (cello), Paolo Giacometti (piano) CHSRF 01:47 AM Barbara Strozzi (1619-1677) "Hor che Apollo" - Serenade for Soprano, 2 violins & continuo Susanne Ryden (soprano), Musica Fiorita, Daniela Dolci (director) DEWDR 02:01 AM Maurice Ravel (1875-1937) Ma mère l'oye (suite) WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:18 AM Francis Poulenc (1899-1963) Concerto for Two Pianos in D minor, FP 61 Lucas Jussen (piano), Arthur Jussen (piano), WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:38 AM Ludwig van Beethoven (1770-1827) Symphony No. -
Calefax Reed Quintet Oliver Boekhoorn Hautbois Ivar Berix Clarinette Raaf Hekkema Saxophone Jelte Althuis Clarinette Basse Alban Wesly Basson
Musiques d’aujourd’hui Jeudi / Donnerstag / Thursday 20.03.2014 20:00 Salle de Musique de Chambre Calefax Reed Quintet Oliver Boekhoorn hautbois Ivar Berix clarinette Raaf Hekkema saxophone Jelte Althuis clarinette basse Alban Wesly basson Backstage 19:45 Salle de Musique de Chambre Meet the composers: Pre-concert talk with Willem Jeths and Sander Germanus (E) Conlon Nancarrow (1912–1997) Studies for Player Piano N° 2, N° 15, N° 44 & N° 3c (1945–1990) (arr. Raaf Hekkema) 17’ Willem Jeths (*1959) Maktub for reed quintet (2013, création / Uraufführung) ~10’ Sander Germanus (*1972) Nur für Verrückte for reed quintet, tape and spotlights (2013–2014, création / Uraufführung) — Hans Abrahamsen (*1952) Walden. Woodwind Quintet N° 2 (1978/1995) 11’ Carola Bauckholt (*1959) Zugvögel (2012) 12’ Graham Fitkin (*1963) Compel (2010) 12’ Les compositeurs Samuel Conlon Nancarrow est né le 27 octobre 1912 à Texarkana, dans l’Arkansas. Très tôt «contaminé par le virus de la musique», il commence à jouer du jazz à la trompette. L’occasion lui est offerte d’entendre l’une des toutes premières interprétations du Sacre du printemps aux États-Unis, par le Cincinnati Symphony Orchestra – événement à l’origine de sa fascination profonde et durable pour Stravinsky et pour le rythme. Il s’installe ensuite à Boston, où il suit, en privé, l’enseignement de Roger Sessions, Walter Piston et Nicolas Slonimsky. Il est probable qu’il ait croi- sé la route d’Arnold Schoenberg qui avait fui l’Europe en proie au nazisme. Les sympathies communistes de Nancarrow le con- vainquent de participer à la Guerre civile d’Espagne en 1937– 1938 avec la Brigade Abraham Lincoln. -
Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day. -
Who Is Paule Maurice?? Her Relative Anonymity and Its Consequences
WHO IS PAULE MAURICE? HER RELATIVE ANONYMITY AND ITS CONSEQUENCES by Anthony Jon Moore A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL December 2009 Copyright © Anthony Jon Moore 2009 ii ACKNOWLEDGEMENTS I would like to express my sincere and deep appreciation to the many people who fielded my incessant queries and one-track mind conversations for the last two years, especially Dr. Kenneth Keaton, Dr. Laura Joella, Dr. Stuart Glazer, and my translator, Elsa Cantor. The unbelievable support that materialized from individuals I never knew existed is testimony to the legacy left behind by the subject of this thesis. I want to extend my heartfelt appreciation to Jean-Marie Londeix for responding to my many emails; Sophie Levy, Archivist of the Conservatoire National Supérieur de Musique de Paris for providing me with invaluable information; Marshall Taylor for donating his letter from Paule Maurice and his experiences studying Tableaux de Provence with Marcel Mule; Claude Delangle for Under the Sign of the Sun; James Umble for his book, Jean-Marie Londeix: Master of the Modern Saxophone; and Theodore Kerkezos for his videos of Tableaux de Provence. I want to thank Dr. Eugene Rousseau, Professor Emeritus Jack Beeson, Sarah Field, the Clarinet and Saxophone Society of Great Britain, Dr. Julia Nolan, Dr. Pamela Youngdahl Dees, Dr. Carolyn Bryan, and Dr. William Street, for generously taking a call from a stranger in search of Paule Maurice. -
Download Booklet
Digital Discoveries 2: On Shifting Ground British Music Collection | Sound and Music 1 RICHARD BAKER Angelus 5’25 2 PHILIP CASHIAN Stroke 4’11 3 MICHAEL ZEV GORDON Resolution 6’23 THREE STRANGE ANGELS 4 JOSEPH PHIBBS Ritual Songs and Blessings 16’38 5 JOHN COONEY On Shifting Ground 3'53 6 GRAHAM FITKIN Ardent 14’28 7 JOHN COONEY Chasing Shadows 7’28 8 JOSEPH PHIBBS Fanfares for Harry 3’24 CHROMA Total timing 61’52 THE MUSIC [1] RICHARD BAKER Angelus for percussion duo Richard Benjafield and Chris Brannick are two performers whom I have worked with many times in various ensembles, and I am always dazzled by their virtuosity, and amused by the air of pacific calm which surrounds them, even when confronted with the most heroic or extravagant parts to execute. In celebration of the founding of their new ensemble, Three Strange Angels, I wrote this little piece for tuned cowbells, crotales, tuned gongs and vibraphone. The title alludes not only to the name of the ensemble, but also to the insistent chiming and air of quiet reflection and meditation. Richard Baker Richard Baker is a leading figure on the British contemporary music scene as a composer-conductor. He studied composition in the Netherlands with Louis Andriessen and in London with John Woolrich, Hommagesquisse, was commissioned by BCMG to mark Pierre Boulez’s visit to that city in 2008. Richard’s compositions have been performed by the London Sinfonietta, BCMG, Britten Sinfonia, the Composers Ensemble, the Brunel Ensemble and the BBC Singers amongst many others. In 2010 his music was featured in the Philharmonia’s Music of Today series, and the same year he wrote Gaming, a substantial chamber work for cello, marimba and piano, to a commission from the New York-based trio Real Quiet. -
Classical Music
2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences. -
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45 -
Chetham's International 'Online' Summer School & Festival for Pianists
20th Chetham’s International ‘Online’ Summer School & Festival for Pianists Chetham’s Junior Online Piano Academy 8–13 August 2020 Chetham’s International Online Piano Summer School 14–20 August 2020 | Part 1 20–26 August 2020 | Part 2 Introduction It gives us enormous pleasure to welcome you all to the twentieth Chetham’s hen plans started in In addition to daily technical resources autumn 2019 we had no and films, we have some exceptionally idea of lockdown and touching and memorable concerts from the devastating effects past summer schools to enjoy watching WCovid- 19 would have on the world. The in the evenings as well as workshops decision to move online was taken and talks. It all adds up to an energising, after Kathryn had a sudden brainstorm inspirational and supportive programme in March- and the result is what you of events for pianofiles of every are about to experience in the coming description. days! Moving online has proved to be a popular decision, and in total, with the junior academy pianists included, we have over 280 participants enrolled. “we are absolutely determined to make We have been deeply touched and moved by the the course in 2020 as memorable, fun commitment to the course shown by our extraordinary faculty of over sixty world class pianist-teachers. They loving and helpful as always” really have shown exceptional generosity and goodwill There are many individuals and organisations to whom in offering to teach from their homes online. This we are indebted. Huge thanks to Forsyth’s Music Shop means that the ‘Chetham’s piano experience’ – though for not only providing their wonderful premises as a unquestionably rather different in 2020- remains as fabulous location for filming the technique films in, but vibrant, enriching, varied and inspirational as ever. -
Analysis of Tableaux De Provence and Concerto in E-Flat Major for Saxophone and String Orchestra
Eastern Illinois University The Keep Undergraduate Honors Theses Honors College 2012 Analysis of Tableaux de Provence and Concerto in E-flat Major for Saxophone and String Orchestra Jessie Svenningsen Follow this and additional works at: https://thekeep.eiu.edu/honors_theses Part of the Music Commons Analysis of Tableauxde Provence and Concerto in E-jlatMajor for Saxophoneand String Orchestra MUS 4644 Undergrad Honors Thesis Dr. Sam Fagaly By Jessie Svenningsen December 13, 2012 Introduction This paper is an analysis of two works that are part of the saxophone literature repertoire. The paper is divided into two halves-the first introduces Paule Maurice and her work, Tableaux de Provence. The analysis of the piece follows the background information on the composer and the work itself. The second half of the writing follows the same format-Alexander Glazunov and his saxophone conce110 are discussed, and the analysis of Concerto in E17atMajor.fir Saxophone and String Orchestra, Op. 109 follows. Paule Maurice Not much information is widely known on the life and career of Paule Maurice. She was a French composer and educator born in Paris, France in 19 10. She studied harmony and counterpoint with the Gallon brothers and composition with Henri Brusser at the Paris conservatory (Moore 13). She began her professional career as a composer in the late 1930's. She was appointed as professorof sight reading in 1942 and of harmonic analysis in 1965 at the Paris conservatory (Moore 14). She also worked as an assistant to Jean Gallon, her harmony professor from 1933 until 1947 (Moore 14). She was married to Pierre Lantier, a professor of harmony and counterpoint who also worked at the Paris Conservatory.