DOCSLIB.ORG

Proposal Template

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Proposal Template sacconi quartet SAMPLE PROGRAMMES 2020-21 String Quartet Repertoire Festival Programmes Haydn String Quartet in D min, Op. 76 No. 2 ‘Fifths’ These can be performed together as a concert or spread over the Panufnik String Quartet (Sacconi commission) course of a festival. Webern Langsamer Satz Roxanna Panufnik Schubert String Quartet in A min D. 804 ‘Rosamunde’ The Sacconi present a new disc of works and a new commission by acclaimed composer Roxanna Panufnik, with Roderick Williams OBE, Charles Purcell Fantasia No. 6 in F major Owen, Nicholas Daniel, Amy Harman and Mary Bevan: Purcell Chacony in G minor Purcell Fantasia No. 11 in G major Private Joe (Baritone & quartet) Cantator & Amanda (bassoon & quartet) Tippett String Quartet No. 2 Letters from Burma (oboe & quartet) Beethoven String Quartet Op. 59 No. 1 ‘Rasumovsky’ Second Home (piano, quartet, optional soprano) Beethoven String Quartet in F minor, Op. 95 ‘Serioso’ New Commission (quartet) Grime String Quartet Hora Bessarabia (violin & double bass) Canto (viola) Rachmaninov Romance Due for release on Signum Records in 2021 Mendelssohn String Quartet No. 1 in E flat major, Op. 12 Transatlantic Minimalism Beethoven String Quartet in F, Op. 18 No. 1 Graham Fitkin (piano) and Ruth Wall (harp). Judith Bingham New Work (written for Sacconi Quartet) Arvo Pärt Summa Schubert Death and the Maiden Cage Interlude 1 and Sonata 5 (arranged by Ruth Wall for prepared harp) Struggle and Oppression Menotti Cantilena and Scherzo for harp and string quartet Arvo Pärt Summa Fitkin Running and Breathing (solo piano) Shostakovich String Quartet No. 8 in C minor, Op. 110 Fitkin Servant Dove In Damascus for Tenor and String Quartet Fitkin String With Mark Padmore, James Gilchrist, or Robin Tritschler Fitkin Resistances (solo piano) Philip Glass String Quartet No. 2 ‘Company’ Sacconi Quartet and Freddy Kempf - Beethoven #250 Fitkin Recur Beethoven Piano Sonata in E minor Op. 90 Beethoven Quartet Op. 131 or Op. 132 Beethoven Piano Concerto No. 4 arr. Lachner Alternative Programmes Sacconi Quartet and Freddy Kempf Beethoven in the Dark Haydn String Quartet in D major, Op. 64 No. 5 ‘The Lark’ Beethoven String Quartet No. 14 in C sharp minor, Op. 131 Beethoven String Quartet in F minor Op. 95 ‘Serioso’ From memory and in the dark. A truly sonic, immersive experience of a Robin Ashwell Hannah Dawson Ben Hancox Cara Berridge profound and deeply moving piece, with the near-darkness of the stage EITHER Rachmaninov Romance & Kapustin Piano Quintet viola violin violin cello OR Schumann Piano Quintet allowing a closer connection with Beethoven's world. HEARTFELT Collaborations Beethoven String Quartet in A minor, Op. 132 www.heartfelt.org.uk An immersive, personal performance combining robotics, lighting and music Brahms String Sextets (with Villiers Quartet) in a radical re-interpretation of this iconic Beethoven quartet. Nicola LeFanu String Quintet (with Tim Lowe, cello) The Juliet Letters Stephen Goss Theorbo Concerto (arr. for theorbo and string quartet) with Costello & Brodsky Quartet The Juliet Letters blind lutenist Matthew Wadsworth A revival of the rarely performed Juliet Letters, composed and toured by the Octets Shostakovich, Enescu and Mendelssohn Brodsky Quartet, with folk singer Jon Boden (ex-frontman of Bellowhead). Brahms, Mozart, Beethoven, Schubert String Quintets Death’s Cabaret: A Love Story Piano Quintets (with Charles Owen) Dvořák, Brahms, Schumann, Elgar, A ground-breaking new kind of concerto - a cabaret concerto - Franck, Shostakovich, Dove commissioned for outstanding cellist, baritone and story-teller Matthew Clarinet Quintets Brahms, Mozart, Bliss, Weber, Glazunov, Bowen, Howells Sharp with the Sacconi Quartet from celebrated composer Stephen Baritone and String Quartet (with Roderick Williams OBE) Finzi By Footpath Deazley and award-winning writer Martin Riley. and Stile and John McCabe Silver Nocturnes String Sextets Strauss, Schoenberg Masterclasses Schubert Trout Quintet D. 667; Glinka: Grand Sextet in E flat major "An exceptional ensemble… a unanimous sense of Beethoven Septet in E flat major, Op. 20; Schubert: Octet in F, D. 803 musical breath and a meticulous attention to detail." The Sacconi Quartet offer a range of masterclasses, along with education and outreach work, as part of festival residencies Musical Opinion 20th anniversary tour! In the 2021-22 season, the Sacconi will celebrate their 20th anniversary (with their four founder members), with a worldwide tour of at least 20 concerts. guest composer: jonathan dove cbe The Sacconi are thrilled that renowned English composer Jonathan Dove CBE will be writing a new string quartet especially for their anniversary, to be premiered at Wigmore Hall. One of the most successful and consistently explored contemporary composers of the 21st Century, Jonathan Dove’s music delights audiences from around the world. The Sacconi have a special relationship with Jonathan; in 2017 they released a critically-acclaimed Dove album featuring his new cantata ‘In Damascus’. ARTIST MANAGER Ellie Shouls +44(0)20 7354 9199 [email protected] MANAGEMENT Ikon Arts Management Ltd 2-6 Baches Street London N1 6DN +44 (0)20 7354 9199 artist management www.ikonarts-edituionpeters.com.
Load more

Recommended publications
  • Piano Recital Prize and Arnold Schoenberg
    1 Welcome to Summer 2015 at the RNCM As Summer 2015 approaches, the RNCM Our orchestral concerts are some of our most prepares for one of its most monumental concerts colourful ones, and more fairytales come to life to date. This is an historic moment for the College with Kodaly’s Hary Janos and Bartók’s Miraculous and I am honoured and thrilled to be welcoming Mandarin as well as with an RNCM Family Day, Krzysztof Penderecki to conduct the UK première where we join forces with MMU’s Manchester of his magnificent Seven Gates of Jerusalem Children’s Book Festival to bring together a feast at The Bridgewater Hall in June. This will be of music and stories for all ages with puppetry, the apex of our celebration of Polish music, story-telling, live music and more. RNCM Youth very kindly supported by the Adam Mickiewicz Perform is back on stage with Bernstein’s award- Institute, as part of the Polska Music programme. winning musical On the Town, and our Day of Song brings the world of Cabaret to life. In a merging of soundworlds, we create an ever-changing kaleidoscope of performances, We present music from around the world with presenting one of our broadest programmes to Taiko Meantime Drumming, Taraf de Haïdouks, date. Starting with saxophone legend David Tango Siempre, fado singer Gisela João and Sanborn, and entering the world of progressive singer songwriters Eddi Reader, Thea Gilmore, fusion with Polar Bear, the jazz programme at Benjamin Clementine, Raghu Dixit, Emily Portman the RNCM collaborates once more with Serious and Mariana Sadovska (aka ‘The Ukranian as well as with the Manchester Jazz Festival to Bjork’).
    [Show full text]
  • Guest Recital, Trios for Two, September 16, 2016 Lawrence University
    Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-16-2016 8:00 PM Guest Recital, Trios for Two, September 16, 2016 Lawrence University Follow this and additional works at: http://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Guest Recital, Trios for Two, September 16, 2016" (2016). Conservatory of Music Concert Programs. Program 64. http://lux.lawrence.edu/concertprograms/64 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Trios for Two Molly Gebrian, viola Danny Holt, piano and percussion Friday, September 16, 2016 8:00 p.m. Harper Hall Theatric No. 8 (2010) Casey Cangelosi (b. 1982) Second Take (2010) Karl Blench The Beginning (b. 1981) Barbarism Familiar Terrain In Abstract The End Third Nature (2010) Christopher Goddard (b. 1986) – Short Pause – Nomentum (2010) Ingrid Lee (b. 1990) Black and White (2015) Chiayu Hsu White (b. 1975) Black PROGRAM NOTES Of the works on this concert, Casey Cangelosi’s Theatric No. 8 uses the most pared-down instrumentation: the piano is augmented with kick drum and hi-hat. With the composer’s blessing, Danny chose to add snare drum (played with a foot pedal). The piece is an obsessive minimalist exploration. In the composer’s own words: “The driving force and functionality behind Theatric No.
    [Show full text]
  • Calefax Reed Quintet Oliver Boekhoorn Hautbois Ivar Berix Clarinette Raaf Hekkema Saxophone Jelte Althuis Clarinette Basse Alban Wesly Basson
    Musiques d’aujourd’hui Jeudi / Donnerstag / Thursday 20.03.2014 20:00 Salle de Musique de Chambre Calefax Reed Quintet Oliver Boekhoorn hautbois Ivar Berix clarinette Raaf Hekkema saxophone Jelte Althuis clarinette basse Alban Wesly basson Backstage 19:45 Salle de Musique de Chambre Meet the composers: Pre-concert talk with Willem Jeths and Sander Germanus (E) Conlon Nancarrow (1912–1997) Studies for Player Piano N° 2, N° 15, N° 44 & N° 3c (1945–1990) (arr. Raaf Hekkema) 17’ Willem Jeths (*1959) Maktub for reed quintet (2013, création / Uraufführung) ~10’ Sander Germanus (*1972) Nur für Verrückte for reed quintet, tape and spotlights (2013–2014, création / Uraufführung) — Hans Abrahamsen (*1952) Walden. Woodwind Quintet N° 2 (1978/1995) 11’ Carola Bauckholt (*1959) Zugvögel (2012) 12’ Graham Fitkin (*1963) Compel (2010) 12’ Les compositeurs Samuel Conlon Nancarrow est né le 27 octobre 1912 à Texarkana, dans l’Arkansas. Très tôt «contaminé par le virus de la musique», il commence à jouer du jazz à la trompette. L’occasion lui est offerte d’entendre l’une des toutes premières interprétations du Sacre du printemps aux États-Unis, par le Cincinnati Symphony Orchestra – événement à l’origine de sa fascination profonde et durable pour Stravinsky et pour le rythme. Il s’installe ensuite à Boston, où il suit, en privé, l’enseignement de Roger Sessions, Walter Piston et Nicolas Slonimsky. Il est probable qu’il ait croi- sé la route d’Arnold Schoenberg qui avait fui l’Europe en proie au nazisme. Les sympathies communistes de Nancarrow le con- vainquent de participer à la Guerre civile d’Espagne en 1937– 1938 avec la Brigade Abraham Lincoln.
    [Show full text]
  • Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
    We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day.
    [Show full text]
  • Download Booklet
    Digital Discoveries 2: On Shifting Ground British Music Collection | Sound and Music 1 RICHARD BAKER Angelus 5’25 2 PHILIP CASHIAN Stroke 4’11 3 MICHAEL ZEV GORDON Resolution 6’23 THREE STRANGE ANGELS 4 JOSEPH PHIBBS Ritual Songs and Blessings 16’38 5 JOHN COONEY On Shifting Ground 3'53 6 GRAHAM FITKIN Ardent 14’28 7 JOHN COONEY Chasing Shadows 7’28 8 JOSEPH PHIBBS Fanfares for Harry 3’24 CHROMA Total timing 61’52 THE MUSIC [1] RICHARD BAKER Angelus for percussion duo Richard Benjafield and Chris Brannick are two performers whom I have worked with many times in various ensembles, and I am always dazzled by their virtuosity, and amused by the air of pacific calm which surrounds them, even when confronted with the most heroic or extravagant parts to execute. In celebration of the founding of their new ensemble, Three Strange Angels, I wrote this little piece for tuned cowbells, crotales, tuned gongs and vibraphone. The title alludes not only to the name of the ensemble, but also to the insistent chiming and air of quiet reflection and meditation. Richard Baker Richard Baker is a leading figure on the British contemporary music scene as a composer-conductor. He studied composition in the Netherlands with Louis Andriessen and in London with John Woolrich, Hommagesquisse, was commissioned by BCMG to mark Pierre Boulez’s visit to that city in 2008. Richard’s compositions have been performed by the London Sinfonietta, BCMG, Britten Sinfonia, the Composers Ensemble, the Brunel Ensemble and the BBC Singers amongst many others. In 2010 his music was featured in the Philharmonia’s Music of Today series, and the same year he wrote Gaming, a substantial chamber work for cello, marimba and piano, to a commission from the New York-based trio Real Quiet.
    [Show full text]
  • Classical Music
    2020– 21 2020– 2020–21 Music Classical Classical Music 1 2019– 20 2019– Classical Music 21 2020– 2020–21 Welcome to our 2020–21 Contents Classical Music season. Artists in the spotlight 3 We are committed to presenting a season unexpected sounds in unexpected places across Six incredible artists you’ll want to know better that connects audiences with the greatest the Culture Mile. We will also continue to take Deep dives 9 international artists and ensembles, as part steps to address the boundaries of historic Go beneath the surface of the music in these themed of a programme that crosses genres and imbalances in music, such as shining a spotlight days and festivals boundaries to break new ground. on 400 years of female composition in The Ghosts, gold-diggers, sorcerers and lovers 19 This year we will celebrate Thomas Adès’s Future is Female. Travel to mystical worlds and new frontiers in music’s 50th birthday with orchestras including the Together with our resident and associate ultimate dramatic form: opera London Symphony Orchestra, Britten Sinfonia, orchestras and ensembles – the London Los Angeles Philharmonic, The Cleveland Symphony Orchestra, BBC Symphony Awesome orchestras 27 Orchestra and Australian Chamber Orchestra Orchestra, Britten Sinfonia, Academy of Ancient Agile chamber ensembles and powerful symphonic juggernauts and conductors including Sir Simon Rattle, Music, Los Angeles Philharmonic and Australian Choral highlights 35 Gustavo Dudamel, Franz Welser-Möst and the Chamber Orchestra – we are looking forward Epic anthems and moving songs to stir the soul birthday boy himself. Joyce DiDonato will to another year of great music, great artists and return to the Barbican in the company of the great experiences.
    [Show full text]
  • Disc A: Miniaturised Concertos (Total Duration 58:48)
    disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45
    [Show full text]
  • Chetham's International 'Online' Summer School & Festival for Pianists
    20th Chetham’s International ‘Online’ Summer School & Festival for Pianists Chetham’s Junior Online Piano Academy 8–13 August 2020 Chetham’s International Online Piano Summer School 14–20 August 2020 | Part 1 20–26 August 2020 | Part 2 Introduction It gives us enormous pleasure to welcome you all to the twentieth Chetham’s hen plans started in In addition to daily technical resources autumn 2019 we had no and films, we have some exceptionally idea of lockdown and touching and memorable concerts from the devastating effects past summer schools to enjoy watching WCovid- 19 would have on the world. The in the evenings as well as workshops decision to move online was taken and talks. It all adds up to an energising, after Kathryn had a sudden brainstorm inspirational and supportive programme in March- and the result is what you of events for pianofiles of every are about to experience in the coming description. days! Moving online has proved to be a popular decision, and in total, with the junior academy pianists included, we have over 280 participants enrolled. “we are absolutely determined to make We have been deeply touched and moved by the the course in 2020 as memorable, fun commitment to the course shown by our extraordinary faculty of over sixty world class pianist-teachers. They loving and helpful as always” really have shown exceptional generosity and goodwill There are many individuals and organisations to whom in offering to teach from their homes online. This we are indebted. Huge thanks to Forsyth’s Music Shop means that the ‘Chetham’s piano experience’ – though for not only providing their wonderful premises as a unquestionably rather different in 2020- remains as fabulous location for filming the technique films in, but vibrant, enriching, varied and inspirational as ever.
    [Show full text]
  • Catalogue and Musik” (Degenerate Music) Opened in Documentation of Sound) Should Düsseldorf
    zagreb | 2018. XVIII. SVJETSKI KONGRES SAKSOFONISTA ODRŽAVA SE POD POKROVITELJSTVOM MILANA BANDIĆA, GRADONAČELNIKA GRADA ZAGREBA | THE XVIII WSC IS HELD UNDER THE PATRONAGE OF MR MILAN BANDIĆ, MAYOR OF THE CITY OF ZAGREB gradonačelnik grada zagreba Poštovani sudionici, dragi gosti, Zagreb prvi put ugošćuje renomirani Svjetski kongres saksofonista. Domaćin ovogodišnjega 18. kongresa je naša Muzička akademija koja je u svijetu poznata po izvrsnosti svoje Zagrebačke saksofonističke škole koju je utemeljio profesor Josip Nochta. Tijekom 5 dana, na više od 400 događanja, na brojnim mjestima u gradu će se predstaviti i susresti vrhunski glazbeni profesionalci, studenti i amateri. Bit će to, uvjeren sam, praznik glazbe, prigoda za promociju različitih stilova i izričaja te za razmjenu ideja. Svojom otvorenosti za publiku Kongres će obogatiti Zagrebačko kulturno ljeto te će doprinijeti boljem pozicioniranju Zagreba i Hrvatske na svjetskoj karti kulturnog turizma. Zahvaljujem organizatorima na uspješnoj realizaciji Kongresa, osobito red. prof. art. Draganu Sremcu, umjetničkomu ravnatelju Kongresa i prodekanu za umjetnost i poslovanje Muzičke akademije Sveučilišta u Zagrebu. Svim sudionicima želim uspješno sudjelovanje i ugodan boravak u našem gradu! Gradonačelnik Grada Zagreba Milan Bandić Major of the City of Zagreb Esteemed participants, dear guests, Zagreb is hosting the renowned World Saxophone Congress for the irst time. The host of this 18th Congress is our Academy of Music, world- famous for the excellence of its Zagreb School of Saxophone, established by professor Josip Nochta. In the course of 5 days, in more than 400 events at various locations in the city, top music professionals, students and amateurs will present themselves and meet each other. I am sure that it will be a celebration of music, an opportunity to promote various styles and expressions and to exchange ideas.
    [Show full text]
  • International Conducting Studies Conference 2018 21St – 23Rd June St Anne’S College University of Oxford
    International Conducting Studies Conference 2018 21st – 23rd June St Anne’s College University of Oxford International Conducting 2018 Studies Conference 21-23 June, St Anne’s College WELCOME It is with great pleasure that we welcome you to St Anne’s College and the Oxford Conducting Institute International Conducting Studies Conference 2018. The conference brings together 40 speakers from around the globe, presenting on a wide range of topics that demonstrate the rich and multifaceted realm of conducting studies. The discipline of conducting is at the core of a multitude of global musical endeavours, continually shaping musical practices and experiences in substantial ways. Scholars and practitioners have explored, and continue to explore, historical, philosophical, social and psychological aspects of conducting across a wide range of practices; The OCIICSC 2018 aims to bring together these diverse perspectives in the pursuit of a shared and more cohesive knowledge. While professional organizations and educational institutions have worked to develop the field through conducting master-classes and conferences focused on professional development, and academic researchers have sought to explicate various aspects of conducting through focussed studies, researchers and practitioners are rarely in dialogue about these findings and experiences. The OCIICSC 2018 seeks to redress this by continuing the conversation fostered at the 2016 conference, again bringing together practitioners and researchers to participate in productive and scholarly dialogue. We hope that this conference will provide a fruitful exchange of ideas and again serve as a catalyst for the further development of the topic of Conducting Studies. The OCI International Conducting Studies Conference 2018 Committee Dr Cayenna Dr John Traill Prof.
    [Show full text]
  • Graham Fitkin Composer
    GRAHAM FITKIN COMPOSER Graham Fitkin lives and works as a composer in Cornwall. He works with dance, film and digital media alongside concert orchestral and chamber music. He runs his own ensemble of 9 soloists which tours new material each year. Between 1994 and 1996 Graham was resident composer with the Royal Liverpool Philharmonic Orchestra producing five new works. Since then commissions have come from the Halle, BBC Philharmonic, Tokyo Symphony, RSNO, BBC Orchestra of Wales, Athens Camerata, BBC Symphony Orchestra, Nederlands Radio Orchestra etc. He has conducted orchestras in venues from Lincoln Center to South Bank to Aula Magna. Graham has collaborated with many of today’s foremost performers of new music including Powerplant, Nederlands Blazersensemble, Yo-Yo Ma, Kathryn Stott, Will Gregory, Smith Quartet, Piano Circus, Ensemble Bash and London Sinfonietta. A ‘Composer Award’ in 1990 led to a new work for David Massingham Dance. Ever since then Graham has worked frequently with choreographers with recent performances being given by Shobana Jeyasingh Dance Company, Wayne McGregor’s Random Dance, Pacific Northwest Ballet, New York City Ballet, San Francisco Ballet, Bi-Ma, Sidonie Rochon, Munich Ballet and National Ballet of Portugal. He won the International Grand Prix Music for Dance Award in 2000 and has since won two British Composer awards. Over the past 15 years Graham has directed educational and community projects including 3 UK PRS Composer residencies, 9 regional community projects, university seminars, masterclasses and directed workshops in UK, Japan, Italy and Soweto. Recent works include CIRCUIT, a double concerto for two pianos and orchestra for soloists Kathryn Stott and Noriko Ogawa, PAWN for the Duke Quartet, LENS for Janine Jansen at the Concertgebouw in Holland and TWENTY SIX DAYS for 10:10 at HCMF.
    [Show full text]
  • Mckenzie Sawers Duo After the Tryst 1 Sally Beamish (B
    After the Tryst New music for saxophone and piano mckenzie sawers duo After the Tryst 1 Sally Beamish (b. 1956) Caliban (2014) [4:16] 2 James MacMillan (b. 1959) After the Tryst (1988, arr. 1995)** [2:47] New music for saxophone and piano arr. Gerard McChrystal Judith Weir (b. 1954) Sketches from a Bagpiper’s Album (1984)** 3 1. Salute [3:31] mckenzie sawers duo 4 2. Nocturne [1:39] 5 3. Lament, over the sea [2:37] 6 Michael Nyman (b. 1944) Miserere Paraphrase (1989/94) [6:45] 7 Alasdair Nicolson (b. 1961) Slow Airs and March (1994)* [12:45] Sue McKenzie soprano saxophone (tracks 1–7, 9–12), 8 Joe Duddell (b. 1972) Fracture (1999)* [4:36] alto saxophone (track 8) 9 Ian Wilson (b. 1964) Drive (1992)* [6:13] Ingrid Sawers piano 10 Cecilia McDowall (b. 1951) Mein blaues Klavier (2006)* [10:56] 11 Michael Nyman Shaping the Curve (1990) [8:39] 12 Graham Fitkin (b. 1963) Bob (1996)** [2:14] Total playing time [67:06] * premiere recording ** first recording of this version Sue McKenzie would like to thank Kerry Long at Recorded on 11-13 July 2017 Cover image: Sorrow is Kissing Me, Join the Delphian mailing list: Yanagisawa Saxophones, Tom Bacon and Jean- at Broughton St Mary’s Parish Berlin, Germany, 2010; black and white www.delphianrecords.co.uk/join Church, Edinburgh photograph © Ronny Behnert / François Bescond at D’Addario Woodwinds, Ruth Like us on Facebook: Producer/Engineer: Paul Baxter Bridgeman Images www.facebook.com/delphianrecords Prowse and Malcolm Kirkpatrick at The Wind 24-bit digital editing: Matthew Swan Artist photography © Marc Marnie Section, Judith Walsh, Mike Brogan, all the Philps 24-bit digital mastering: Paul Baxter Design: John Christ Follow us on Twitter: and especially Mackinnon and Emily Green.
    [Show full text]