WSSRA Journal Jan 2020
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Nixon, in France,11
SEE STORY BELOW Becoming Clear FINAL Clearing this afternoon. Fair and cold tonight. Sunny., mild- Red Bulk, Freehold EIMTION er tomorrow. I Long Branch . <S« SeUdlf, Pass 3} Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 173 RED BANK, N. J., FRIDAY, FEBRUARY 28, 1969 26 PAGES 10 CENTS ge Law Amendments Are Urged TRENTON - A legislative lative commission investigat- inate the requirement that where for some of die ser- the Monmouth Shore Refuse lection and disposal costs in Leader J. Edward CrabieJ, D- committee investigating the ing the garbage industry. there be unanimous consent vices tiie authority offers if Disposal Committee' hasn't its member municipalities, Middlesex, said some of the garbage industry yester- Mr. Gagliano called for among the participating the town wants to and the au- done any appreciable work referring the inquiry to the suggested changes were left day heard a request for amendments to the 1968 Solid municipalttes in the selection thority doesn't object. on the problems of garbage Monmouth County Planning out of the law specifically amendments to a 1968 law Waste Management Authority of a disposal site. He said the The prohibition on any par- collection "because we feel Board. last year because it was the permitting 21 Monmouth Saw, which permits the 21 committee might never ticipating municipality con- the disposal problem is funda- The Monmouth Shore Ref- only way to get the bill ap- County municipalities to form Monmouth County municipal- achieve unanimity on a site. tracting outside the authority mental, and we will get the use Disposal Committee will proved by both houses of the a regional garbage authority. -
Steam Engine Time 5
Steam Engine T ime PRIEST’S ‘THE SEPARATION’ MEMOS FROM NORSTRILIA CENSORSHIP IN AUSTRALIA POLITICS AND SF Harry Hennessey Buerkett James Doig Paul Kincaid Gillian Polack Eric S. Raymond Milan Smiljkovic Janine Stinson Issue 5 September 2006 Steam Engine T ime 5 STEAM ENGINE TIME No. 5, September 2006 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from eFanzines.com or from either of our email addresses. Print edition available for The Usual (letters or substantial emails of comment, artistic contributions, articles, reviews, traded publications or review copies) or subscriptions (Australia: $40 for 5, cheques to ‘Gillespie & Cochrane Pty Ltd’; Overseas: $US30 or £15 for 5, or equivalent, airmail; please send folding money, not cheques). Printed by Copy Place, 415 Bourke Street, Melbourne VIC 3000. The print edition is made possible by a generous financial donation. Graphics Ditmar (Dick Jenssen) (front cover). Photographs Covers of various books and magazines discussed in this issue; plus photos of (p. 5) Christopher Priest, by Ian Maule; (p. 24) Roger Dard, supplied by Kim Huett; (p. 25) Roger Dard fanzine contributions, supplied by Kim Huett; (p. 32) Nigel Burwood, Martin Stone and Bill Blackbeard, by John Baxter; (p. 39) David Boutland. 3 EDITORIAL 1: 32 Letters of comment ‘Dream your dreams’: A meditation on Babylon 5 John Baxter Janine Stinson Rosaleen Love Steve Jeffery 4 EDITORIAL 2 E. B. Frohvet Bruce Gillespie Steve Sneyd Sydney J. -
JEAN ANOUILH the Australian Elizabethan Theatre Tru St
, .. ., ...I I I 1 • ,,~- • i' JEAN ANOUILH The Australian Elizabethan Theatre Tru st when you fly with Trans-AustraliaAirlines PAT RON : H ER MAJESTY T H E QUEE N P RE SIDE T The Rt. H on . Sir John Latham, G.C.M.G., Q .C. CH AIRM A1 Dr. H . C. Coombs EXECUTIVE Dffi ECTOR Hu gh Hunt HO . SECRETARY :l,faurire Parker STATE REPRESE , TAT JVES: , ew South \,Vales Mr. C. J. A. lvloscs, C.B .E. Qu eensland Prof esso r F. J . Schone II Western Australia Pr ofessor F. Alexander Victoria Mr . A . H. L. Gibson Sou tit Australia Mr. L. C. Waterm an Tasmania Mr . G. F. Davies In presenting TIME REMEMBERED , we are paying tribute to a dramatist whose contribution to the contemporary theatre scene is a11 outstanding one and whose influence has been most strongly felt during the post-war years in Europe. The J1lays of Jean An ouilh have not been widely produced in Cao raln and First Officer at the co mrol s of a TA A Viscount . Australia , and his masterly qualities as a playwright are not TAA pilots are well experi years of flying the length and sufficiently k11011·n. enced and maintain a high breadth of Australia. standard of efficiency in flying TAA 's Airmanship is the total TIME REME1vlBERED htippily contains some of the the nation's finest fleet of skill of many people-in the most typical aspects of his work . .. a sense of the comic, modern aircraft. air and on the ground-w ork ing toward s a common goal: almost biza1'1'e,and tl haunting nostalgia which together pro When you and your family fly your safety, satisfaction and T AA, you get with your ticket peace of mind. -
The Songs of a Sentimental Bloke (Dodo Press) Free Ebook
FREETHE SONGS OF A SENTIMENTAL BLOKE (DODO PRESS) EBOOK C J Dennis | 72 pages | 30 Apr 2009 | Dodo Press | 9781409962762 | English | Gloucester, United Kingdom C. J. Dennis - Wikipedia It is one of the most successful Australian musicals of the 20th century. Albert Arlen and Nancy Brown had worked on the musical since Arlen and Brown went to England in to promote the show. This was unsuccessful so they returned to Australia, borrowed some money, and self-produced the musical in an amateur production at Canberra's Albert Hall in March The cast included Edwin Ride and Brown. The show had a one-week run in Canberra, which was so popular that extra seating The Songs of a Sentimental Bloke (Dodo Press) the aisles had to be arranged. Later that year, J. Williamson's produced the musical professionally in Melbourne. The original six-week season at Melbourne's Comedy Theatre from 4 Novemberdirected by John Young, was later extended to five months. Amateur theatre groups in Australia often perform the musical. Neglected Musicals revived the show in a professional, semi-staged The Songs of a Sentimental Bloke (Dodo Press) through at Hayes TheatreSydney in October A decision was taken that the whole thing should be very stylised in form. The Australian Ballet first presented this in in Australia, and subsequently on its tour of the Soviet Union. This production, hosted by The Melbourne Theatre Company, offered its first Auslan interpreted performance on 18 December From Wikipedia, the free encyclopedia. Redirected from The Sentimental Bloke musical. The Sentimental Bloke Original cast album. -
FABC Nov 07.Indd
Ver # 4 Update NOV 07:Update March 07**NEW R5 .qxd 12/11/07 4:01 PM Page 1 Friends of the ABC (NSW) Inc. quarterly newsletter November-December 2007 Vol 16, No. 5 update friends of the abc NSW FABC AWARD FOR EXCELLENCE IN Enemies of the ABC Darce Cassidy BROADCASTING for 2007 GOES TO While there is little to distin- ROBYN WILLIAMS and the RADIO guish between various parties on the issues of ABC funding, and NATIONAL SCIENCE SHOW advertising on the ABC, there are significant differences with regard to the appointment of the ABC Board. All governments have tended Producer (1972), and included to appoint their own sympathisers and presen- Investigations, Ockham’s Razor to the ABC’s governing body, but ter of The and In Conversation which fea- the Howard government has Science tures leading science writer and taken board stacking to new Show since broadcaster Robyn Williams talk- heights. The Fraser government its launch ing one-on-one with science pro- made generally conservative in August fessionals and other leading figures. appointments, but playwright 1975, David Williamson was a notable Robyn has Robyn describes The Science exception.The Hawke/Keating given 32 Show as follows: government appointed mostly years of outstanding and distin- “The program is essentially Labor sympathisers, but an excep- guished service to both the ABC unpredictable. This is to allow tion was the former Liberal min- and the listening public of maximum flexibility to accommo- ister Ian McPhee. Australia. Working within very date new material and talent. It But for the Howard govern- limited financial resources, Robyn can range from the regular maga- ment selecting a predominatly has, over those 32 years, provided zine program to lectures, scripted conservative board was not us with a program of a consistent- series, of which several by the late enough. -
Scientists to Swap Notes Before Trial
' .' Scientists to swap notes ~~~ ~. ~ before trial AMAGAZINE FORTHE UNIVERSITY Forensic scientists and pathologists will soon playa more assertive role in Registered by Australia Post - publication No. VBG0435 the legal process, says Professor Stephen Cordner, director of the new NUMBER 5-87 JULY 1, 1987 Victorian Institute of Forensic Pathology. The Forensic Science Society of Aus the new State Coronial Services Centre "Most places tend to be very service tralia is considering an ethic which in in South Melbourne, he is delighted with oriented and they don't have the-time or cludes consultation before a trial. what he describes as "an absolutely the staff for research. "Even though the lawyers may not ouroose-built facility". "We've got the facilities at the in like it, forensic scientists and path "There's nothing to touch it in stitute and that is going to be one of our ologists are going to work that way." he England, and there are only one or two big tasks." said. places in the United States and Canada Very fundamental things need to be •'The best forensic pathology which could be comparable. looked at, such as the ageing of injuries, evidence relies on the people involved "Forensic medicine owes Monash he said. getting together. University a great debt for its farsighted "We need a more accurate definition "The prosecution pathologist might ness and commitment." of the patterns of injury - at present it not have thought of everything, Victoria would soon have the capacity depends upon a forensic pathologist's although he ot she has tried very hard. -
Ealr, Volume 36, Number 2
Boston College Environmental Affairs Law Review Volume 36 Number 2 20-Ton Canaries: The Great Whales of the North Atlantic Introduction Symposium Articles Current Issues Facing North Atlantic Right Whales and Stakeholders Dr. Michael J. Moore [pages 309–318] Abstract: At the beginning of the Symposium sessions at the Massachu- setts Institute of Technology and at Boston College Law School, Dr. Mi- chael Moore provided a narrative and photographic introduction to current threats to whale survival, with particular reference to North At- lantic waters off the eastern coast of the United States and the most en- dangered whale species, the North Atlantic right whale, Eubalaena gla- cialis. The conditions experienced by North Atlantic right whales reflect conditions faced by all the great whales of the North Atlantic. Given the 1935 absolute moratorium on hunting right whales in any waters, there are three major areas of current concern for whale conservation and sur- vival noted in Dr. Moore’s presentation and addressed in legal terms by subsequent contributors to the Symposium: (1) entanglement in com- mercial fishing gear; (2) vessel strikes; and (3) ambient and episodic ma- rine noise. Each of these is generated by human activities on the oceans. Antarctic Whaling: Australia's Attempt to Protect Whales in the Southern Ocean Donald K. Anton [pages 319–352] Abstract: This Article examines Australia's attempt to protect whales in the Antarctic Southern Ocean, in an area that almost all states consider beyond national jurisdiction. Such an examination is important because of the apparently intractable divide on the issue in the International Whaling Commission. -
A Year in the City
A Year in the City Benjamin Peek Doctor of Philosophy. 2006 Benjamin Peek – A Year in the City. 2 Acknowledgements. It is said that you pay your debts to people in the front of books by mentioning them, and so it must be the same with a thesis. By far the greatest debt I owe is to that of my supervisor, Anne Brewster. Without her valued input and time on this project of mine, it would have been a very different and lesser thing. In addition, I owe a huge debt to Bruce Johnson, Christine Gregory, Cat Sparks, Deborah Biancotti, and Paul Dawson. Each read early drafts of the work and gave me invaluable feedback. Likewise, I wish to show gratitude to my mother and to my friends, Jason Vella, Darrell Barton, and Lindsay Craig, all who offered support to me in various different ways while writing this thing. Lastly, I’d like to thank everyone who found themselves caught up in the project, and didn’t resist it. Thanks to all. Benjamin Peek – A Year in the City. 3 Parts of this thesis have been published in different and earlier forms: ‘The Dreaming City,’ a different version of ‘The Dreaming City, Part One’, was published in the anthology, Leviathan Four: Cities, edited by Forrest Aguirre in 2004, by Ministry of Whimsy Press, a imprint of Nighshade Books. The story was reprinted in 2005 in The Year’s Best Australian Science Fiction and Fantasy, Volume 1, edited by Bill Congreve and Michelle Marquardt. The book was published in Australia by MirrorDanse Books, and in the United States by Prime Books. -
Australian Musical
ON STAGE The Spring 2004 newsletter of Vol.5 No.4 Is the ‘Australian musical’ an oxymoron? Was there ever such a thing? Or is it a search for the golden boomerang? Frank Van Straten reveals the true history of the Australian musical. hen I started going to the in the ensuing half century. And it also concentrate on stage works: book musicals, theatre the term ‘Australian tweaked my curiosity about what had gone and therefore not revue. That’s an entirely Wmusical’ was an oxymoron. An before, and a keen interest in what followed. different story! Australian musical? An Australian musical? This discourse, then, is a fairly selective And a ramble like this raises the Come on, Australians didn’t write musicals. précis of that sometimes heart-warming, question of what exactly is an Australian There was no point. Nobody would have sometimes heart-breaking history. We’ll musical. I’ve followed the line that we’re wanted to produce one because nobody touch occasionally on musicals on film, talking about shows developed and would have dreamed of going to see one! radio and television, but mainly we’ll produced in Australia by Then along came an extraordinary Australians, although, as you’ll see, character called Edmond Samuels. He’d there are some intriguing hybrids lurking made a fortune selling hangover cures at his in the wings. chemist’s shop in Sydney and he had And if I’ve left out some of your written a musical. The commercial favourites, I’m sorry. managements snubbed him so he decided ‘I wrote FFF to find an outlet for to put up a considerable amount of his own superfluous energy that would result in money to get the thing on stage. -
People Print Paper
People, A catalogue of a travelling exhibition celebrating the books of Australia, 1788-1988 print& paper Title page from Song of the Wheat (165). People, A catalogue of a travelling exhibition celebrating the books of Australia, 1788-1988 Michael Richards print & National Library of Australia paper Canberra First published 1988 by National Library of Australia, Canberra This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Inquiries should be made to the Library. Typeset by Ruskin Press, Melbourne Printed in Australia by Griffin Press, Adelaide. Designed by Adrian Young, MCSD Exhibition Design: Ingrid Slamer, B.A. Vis. Com. Exhibition Sound: Sound Design Studio, Melbourne. The publication of this catalogue has been supported by Angus &. Robertson Publishers; Griffin Press; and Associated Pulp and Paper Mills. National Library of Australia Cataloguing in Publication entry Richards, Michael, 1952-. People, print & paper. Bibliography. Includes index. ISBN 0 642 10451 4. 1. Book industries and trade — Australia — Exhibitions. 2. Booksellers and bookselling — Australia — Exhibitions. 3. Authors, Australian — Exhibitions. 4. Australian literature — Bibliography — Exhibitions. 5. Australia in literature — Exhibitions. 6. Australia — Bibliography — Exhibitions. I. National Library of Australia. II. Title. PREFACE A book is at once the most fragile and the most Books are life's best business: vocation to these durable of man's artifacts. I can think of no better hath more emolument coming in, than all the way of introducing this exhibition than by remind other busy terms of life. -
TRUST NEWS Is a Publication of the Australian Elizabethan Theatre Trust Which Is Produced Exclusively for Its 10,000 Members Throughout Australia
THE TRUST THE AUSTRALIAN ELIZABETHAN THEATRE TRUST The Quiet Achiever The Trust's Australian Content Department has long No Sugar, because of its unusual staging and had a commitment to Aboriginal theatre through true story, was the play chosen to be the first the work of Western Australian Jack Davis. Since Aboriginal theatre seen in London. The Marli Biyol 1984 several plays for both adults and children have Company was invited to the Riverside Studios in been commissioned and toured extensively in Hammersmith where critics were unanimous in Australia and overseas. their praise, describing it as a During the Bicentennial year brilliant and sophisticated it was imperative that Jack portrait of Aboriginal life ... Davis' work was given a national unfortunately the season focus to counterbalance white couldn't be extended as the Australia's birthday party Marli Biyol was booked to return celebrations. to Brisbane to perform The Australian Content De Barungin at Expo and on to the partment therefore commis South Pacific Festival in sioned a further play, Barungin Townsville. (Smell the Wind) which brought At the conclusion of this the history of the Wallitch family season, the company, which up to the present time - a expanded to 22 for some plays, family inhabiting a limbo world had acted in 90 performances, of prison deaths and forgotten had been seen by 26,000 people or broken promises. and been employed for eight To present Barungin, The . months. Marli Biyol Company (Swan Jack DaVIs. River) was formed, with Jack as Artistic Director and -------------------- Lynette Narkle, John Moore and Kelton Pell playing Give our regards to Broadway the main roles. -
Seaborn, Broughton & Walford Foundation Newsletter
Seaborn, Broughton & Walford Foundation Newsletter Suite 10, 20 Young Street Neutral Bay NSW 2089 Phone-9955 5444 Email –[email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday – 10.15am – 4.15pm Volume Number 26 Issue Number 2 2 May 2018 President’s Letter DILOMACY at the ENSEMBLE THEATRE Dear Friends, We secured 90 tickets to Diplomacy, the extremely I am writing to share some exciting developments at popular ‘sold out’ play with brilliant performances from the Seaborn, Broughton & Walford’s new home at John Bell and John Gaden, and many Friends enjoyed Neutral Bay. I would also like to take this dinner before the show and post-show drinks with the opportunity, to express my profound thanks, on your cast This was our most successful party on record. behalf, to our staff and volunteers. They have been working with great skill, devotion and enthusiasm to VALE PETER STANNARD ensure that our important Performing Arts Collection It is with great sadness that we note the passing of our is being cared for professionally, and that our dear friend Peter Stannard. An important Australian Foundation Friends’ events will continue to be so composer, and also a good friend of the Foundation. He varied and successful. was an enthusiastic supporter of the Foundation’s We were gratified that our collective efforts have Independent Theatre restoration project and generously been valued and recognised in the recent 2018 North played the piano for many of our fundraising events. We Shore Achievement Awards. include a tribute to Peter Stannard in this Newsletter.