WITH INTRODUCTION Presented to the Graduate Council of The
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AMNH Research Library, Photo Slide Collection Revised March 2013
AMNH Research Library, Photo Slide Collection Revised March 2013 Call Number Creator Title Date Summary Extent Extent (format) General Notes Related Archival PSC 1 Cerro de la Neblina Cerro de la Neblina Expedition 1984-1989 Field photographs from the 1984-1985 Cerro de la 1 box (0.25 linear feet) 14 slides Includes field notes. Expedition (1984-1985) photographic slides Neblina expedition. Includes one slide from Amazonas, Rio Mavaca Base Camp, March 1989. PSC 2 Abbott, R. E. R. E. Abbott photographic slides undated Field photographs of North American birds in nature, 1 box (0.25 linear feet) 7 slides Includes field notes. includes Cardinals, red-shouldered hawks, and song sparrow. PSC 3 Byron, Oscar. Abyssinia duplicate slides undated Duplicate slides made from hand-colored lantern 1 box (0.25 linear feet) 100 slides Copy slides from hand colored slides of field photographs in Abyssinia [Ethiopia] lantern slides. circa 1920-1921. PSC 4 Jaques, Francis Lee. ACA textile photographic slides undated ACA Collection. Textiles, 15th to 18th century textiles 1 box (0.25 linear feet) 22 slides from various countries. PSC 5 Bierwert, Thane L. A. A. Allen photographic slides undated Field photographs of North American birds in nature. 1 box (0.25 linear feet) 154 slides Includes field notes. Collection contains USDE numbers and K numbers. PSC 6 Blanchard, Dean Hobbs. AG Southwest Native Americans undated Field photographs of Southwestern Native 1 box (0.25 linear feet) 3 slides Includes field photographs. photographic slides Americans PSC 7 Amadon, Dean Dean Amadon photographic slides of 1957 Slide of fence post with holes made by Acorn or 1 box (0.25 linear feet) 1 slide Fence post in AMNH Ornithology birds California woodpecker for storage. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Nixon, in France,11
SEE STORY BELOW Becoming Clear FINAL Clearing this afternoon. Fair and cold tonight. Sunny., mild- Red Bulk, Freehold EIMTION er tomorrow. I Long Branch . <S« SeUdlf, Pass 3} Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 173 RED BANK, N. J., FRIDAY, FEBRUARY 28, 1969 26 PAGES 10 CENTS ge Law Amendments Are Urged TRENTON - A legislative lative commission investigat- inate the requirement that where for some of die ser- the Monmouth Shore Refuse lection and disposal costs in Leader J. Edward CrabieJ, D- committee investigating the ing the garbage industry. there be unanimous consent vices tiie authority offers if Disposal Committee' hasn't its member municipalities, Middlesex, said some of the garbage industry yester- Mr. Gagliano called for among the participating the town wants to and the au- done any appreciable work referring the inquiry to the suggested changes were left day heard a request for amendments to the 1968 Solid municipalttes in the selection thority doesn't object. on the problems of garbage Monmouth County Planning out of the law specifically amendments to a 1968 law Waste Management Authority of a disposal site. He said the The prohibition on any par- collection "because we feel Board. last year because it was the permitting 21 Monmouth Saw, which permits the 21 committee might never ticipating municipality con- the disposal problem is funda- The Monmouth Shore Ref- only way to get the bill ap- County municipalities to form Monmouth County municipal- achieve unanimity on a site. tracting outside the authority mental, and we will get the use Disposal Committee will proved by both houses of the a regional garbage authority. -
Ticket Info ::: Directions 2021-22 Season
Please Note Evening Show shoW TiMEs ::: TicKET info ::: DirEcTIonS p.m. 7:30 Change To Time 2021-22 sEason Single Ticket Prices: Seating Chart Adults........................................................... $15 Seniors.(62 and over)................................ $14 5 13 Students.(18 and under).......................... $14 1 4 Stage 14 17 Left Center Right Gift.Certificates.. (Good for one Admission) ........................$15 1 4 5 13 14 17 To purchase tickets, please visit our website: auroraplayers.org. To purchase tickets over 1 16 the phone, you may leave a message at Riser 687-6727 and a volunteer will call you back as soon as possible. 1 21 Show Times: Order Tickets/Contact Us: Please Note Evening Show Time Change auroraplayers.org 716.687.6727 Friday, Saturday ......................... 7:30 p.m. Aurora Players, Inc. Sunday Matinée ............................. 2:30 p.m. P.O. Box 206, East Aurora, NY 14052 Historic Roycroft Pavilion Located at the NORTH GROVE STREET Home of Aurora Players, Inc. Welcome to theNORTH WILLOW STREET Historic Roycroft Pavilion: PARKDALE AVENUE RIDGE AVENUE CHURCH STREET northern end of RILEY STREET SHEARER AVENUE WHALEY AVENUE TO/FROM BOWEN ROAD PINE STREET Hamlin Park on SENECA STREET (RT. 16) MAPLE ROAD TO/FROM RT South Grove Street, W. FIL L MORE AVENUE FILL MORE AVENUE EAST FILL MORE AVENUE the historic Roycroft . 400 Middle Pavilion is home to School Aurora Players and M AIN STREET (RT. 20A) M AIN STREET (RT. 20A) PAINE STREET RT. 400 EXPRESSWAY PARK PL ACE SOUTH GROVE STREET OLEAN STREET (RT. 16) its productions. Roycroft Campus WALNUT STREET A picturesque CENTER STREET SOUTH WILLOW STREET Roycroft Inn ELM STREET OAKWOOD 30-minute drive ) A 0 2 . -
Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Physical Fitness Challenge
National Aeronautics and Space Administration www.nasa.gov Educational Product Educators Grades 3–5 EG-2005-10-09-LARC The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology The Case of the Physical Fitness Challenge educator guide is available in electronic format. A PDF version of the educator guide for NASA SCI Files™ can be found at the NASA SCI Files™ web site: http://scifiles.larc.nasa.gov NASA SCI Files™ is produced by NASA’s Center for Distance Learning, a component of the Office of Communication and Education at the NASA Langley Research Center, Hampton, VA, and is a collaborative endeavor of NASA with the organizations below. NASA’s Center for Distance Learning is operated under cooperative agreement. Use of trade names does not imply endorsement by NASA. www.swe.org www.buschgardens.com www.nsbri.org Apple Learning Interchange http://knowitall.org http://ali.apple.com http://www.ibiblio.org www.sbo.hampton.k12.va.us The NASA SCI Files™ The Case of the Physical Fitness Challenge An Educator Guide with Activities in Mathematics, Science, and Technology Program Overview ...........................................................5 Segment 4 National Science Standards ..........................................6 Overview ...........................................................................79 National Mathematics Standards ...............................8 Objectives .........................................................................80 National Educational Technology -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
Witty Songs ©Ted Schaar 2011
Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent. -
Steam Engine Time 5
Steam Engine T ime PRIEST’S ‘THE SEPARATION’ MEMOS FROM NORSTRILIA CENSORSHIP IN AUSTRALIA POLITICS AND SF Harry Hennessey Buerkett James Doig Paul Kincaid Gillian Polack Eric S. Raymond Milan Smiljkovic Janine Stinson Issue 5 September 2006 Steam Engine T ime 5 STEAM ENGINE TIME No. 5, September 2006 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from eFanzines.com or from either of our email addresses. Print edition available for The Usual (letters or substantial emails of comment, artistic contributions, articles, reviews, traded publications or review copies) or subscriptions (Australia: $40 for 5, cheques to ‘Gillespie & Cochrane Pty Ltd’; Overseas: $US30 or £15 for 5, or equivalent, airmail; please send folding money, not cheques). Printed by Copy Place, 415 Bourke Street, Melbourne VIC 3000. The print edition is made possible by a generous financial donation. Graphics Ditmar (Dick Jenssen) (front cover). Photographs Covers of various books and magazines discussed in this issue; plus photos of (p. 5) Christopher Priest, by Ian Maule; (p. 24) Roger Dard, supplied by Kim Huett; (p. 25) Roger Dard fanzine contributions, supplied by Kim Huett; (p. 32) Nigel Burwood, Martin Stone and Bill Blackbeard, by John Baxter; (p. 39) David Boutland. 3 EDITORIAL 1: 32 Letters of comment ‘Dream your dreams’: A meditation on Babylon 5 John Baxter Janine Stinson Rosaleen Love Steve Jeffery 4 EDITORIAL 2 E. B. Frohvet Bruce Gillespie Steve Sneyd Sydney J. -
JEAN ANOUILH the Australian Elizabethan Theatre Tru St
, .. ., ...I I I 1 • ,,~- • i' JEAN ANOUILH The Australian Elizabethan Theatre Tru st when you fly with Trans-AustraliaAirlines PAT RON : H ER MAJESTY T H E QUEE N P RE SIDE T The Rt. H on . Sir John Latham, G.C.M.G., Q .C. CH AIRM A1 Dr. H . C. Coombs EXECUTIVE Dffi ECTOR Hu gh Hunt HO . SECRETARY :l,faurire Parker STATE REPRESE , TAT JVES: , ew South \,Vales Mr. C. J. A. lvloscs, C.B .E. Qu eensland Prof esso r F. J . Schone II Western Australia Pr ofessor F. Alexander Victoria Mr . A . H. L. Gibson Sou tit Australia Mr. L. C. Waterm an Tasmania Mr . G. F. Davies In presenting TIME REMEMBERED , we are paying tribute to a dramatist whose contribution to the contemporary theatre scene is a11 outstanding one and whose influence has been most strongly felt during the post-war years in Europe. The J1lays of Jean An ouilh have not been widely produced in Cao raln and First Officer at the co mrol s of a TA A Viscount . Australia , and his masterly qualities as a playwright are not TAA pilots are well experi years of flying the length and sufficiently k11011·n. enced and maintain a high breadth of Australia. standard of efficiency in flying TAA 's Airmanship is the total TIME REME1vlBERED htippily contains some of the the nation's finest fleet of skill of many people-in the most typical aspects of his work . .. a sense of the comic, modern aircraft. air and on the ground-w ork ing toward s a common goal: almost biza1'1'e,and tl haunting nostalgia which together pro When you and your family fly your safety, satisfaction and T AA, you get with your ticket peace of mind.