DOCSLIB.ORG

AMNH Research Library, Photo Slide Collection Revised March 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
AMNH Research Library, Photo Slide Collection Revised March 2013 AMNH Research Library, Photo Slide Collection Revised March 2013 Call Number Creator Title Date Summary Extent Extent (format) General Notes Related Archival PSC 1 Cerro de la Neblina Cerro de la Neblina Expedition 1984-1989 Field photographs from the 1984-1985 Cerro de la 1 box (0.25 linear feet) 14 slides Includes field notes. Expedition (1984-1985) photographic slides Neblina expedition. Includes one slide from Amazonas, Rio Mavaca Base Camp, March 1989. PSC 2 Abbott, R. E. R. E. Abbott photographic slides undated Field photographs of North American birds in nature, 1 box (0.25 linear feet) 7 slides Includes field notes. includes Cardinals, red-shouldered hawks, and song sparrow. PSC 3 Byron, Oscar. Abyssinia duplicate slides undated Duplicate slides made from hand-colored lantern 1 box (0.25 linear feet) 100 slides Copy slides from hand colored slides of field photographs in Abyssinia [Ethiopia] lantern slides. circa 1920-1921. PSC 4 Jaques, Francis Lee. ACA textile photographic slides undated ACA Collection. Textiles, 15th to 18th century textiles 1 box (0.25 linear feet) 22 slides from various countries. PSC 5 Bierwert, Thane L. A. A. Allen photographic slides undated Field photographs of North American birds in nature. 1 box (0.25 linear feet) 154 slides Includes field notes. Collection contains USDE numbers and K numbers. PSC 6 Blanchard, Dean Hobbs. AG Southwest Native Americans undated Field photographs of Southwestern Native 1 box (0.25 linear feet) 3 slides Includes field photographs. photographic slides Americans PSC 7 Amadon, Dean Dean Amadon photographic slides of 1957 Slide of fence post with holes made by Acorn or 1 box (0.25 linear feet) 1 slide Fence post in AMNH Ornithology birds California woodpecker for storage. Department? PSC 8 American Museum of American Museum of Natural History undated Duplicate slides made from hand-colored lantern 1 box (0.25 linear feet) 175 slides Natural History. Photo photographic slides of Guyana, Brazil, slides of field photographs of the Amazon circa Studio. Venezuela, and the Amazon 1927. PSC 9 American Museum of African Peoples Hall photographic slide undated American Museum of Natural History Hall of African 1 box (0.25 linear feet) 35 slides Bruce Hunter is also credited as Natural History. Photo collection Peoples. a photographer. Studio. PSC 10 American Museum of Hall of Asian Mammals and Hall of undated Details of dioramas in the Hall of Asian Mammals, 1 box (0.25 linear feet) 11 slides Includes list of slides selected for Natural History. Photo Primates photographic slides including Siberian Tiger, Giant Panda, Indian scanning. Studio. Leopard and Bengal Tiger Group. Details of exhibit case in the Hall of Primates. PSC 11 American Museum of Natural History Magazine photo 1982 Natural History Magazine photo competition. 1982 1 box (0.25 linear feet) 2 slides Contains sheet from Public Additional slides of the Natural History. Photo competition slides winners: Robert Friedman, Raymond Pupedis. Affairs with detailed slide Natural History photo Studio. descriptions. competition can be found in PSC 61D. PSC 12 American Museum of Pacific and Asian artifacts photographic undated Studio photographs of Pacific and Asian artifacts 1 box (0.25 linear feet) 213 slides Descriptions included on some Natural History. Photo slides from Borneo, Japan and Australia. slides. Some slides have glass Studio. mounts. Includes list of slides selected for scanning. Collection contains K numbers and NEH numbers. PSC 13 American Museum of American Museum of Natural History circa 1971- Studio photographs of artifacts from Northeastern 1 box (0.25 linear feet) 60 slides Some slides contain detailed Natural History. Photo Pacific Peoples artifacts and exhibition 1980 Arnhem, Australia; Northern New Ireland; Papuan descriptions. Studio. photographic slides Gulf, New Guinea; Sepik Plains, New Guinea; Phillipines. Also includes interior views of the Margaret Mead Hall of Pacific Peoples taken in 1971 and Peoples of the Pacific taken in 1980. Page 1 of 54 Call Number Creator Title Date Summary Extent Extent (format) General Notes Related Archival PSC 14 American Museum of American Museum of Natural History Bird 1949, Slides of the American Museum of Natural History 1 box (0.25 linear feet) ca. 90 slides Some slides contain descriptions. Natural History. Photo Halls photographic slides undated Bird halls including Whitney Hall Birds of Pacific and Two slides from Peruvian Hall Studio. Conservation Group from the Roosevelt Hall. included that may be misfiled. Images from dioramas. Captions describe bird Most slides contain K numbers. names and AMNH hall location. Some slides contain USDE numbers. PSC 15 American Museum of American Museum of Natural History circa 1993- Lienzo of Coixtlahuaca, 36 slides, Curator's report 1 box (0.25 linear feet) 56 slides Some slides include detailed Natural History. Photo photographic slides of Codices 1994 enclosed, titled "Report on the 1899 Copy of the descriptions. Most slides contain Studio. Lienzo of Coixtlahuaca II Curated at the American K numbers. Museum of Natural History" by Arthur A. Joyce, April 1993. Chavero Codex, August 1994, 20 slides. PSC 16 American Museum of American Museum of Natural History 1978-1979 American Museum of Natural History Corporate 1 box (0.25 linear feet) 142 slides Natural History. Photo Corporate Campaign Drive photographic Campaign Drive slides. Includes images of AMNH Studio. slides exhibits, artifacts, publications, educational programs, and collections. PSC 17A American Museum of Story of Ancient Man exhibition undated Early Man slides, includes some artifacts, stone 1 box (0.25 linear feet) ca. 50 slides Some slides contain descriptions. Natural History. Photo photographic slides tools, restoration pieces by McGregor and Keller, Studio. and paintings by Charles R. Knight. Slides were taken of the exhibition including exhibit panels. PSC 17B American Museum of American Museum of Natural History undated Primarily murals painted of dinosaurs painted by 1 box (0.25 linear feet) 15 slides Slide captioned "Late Neolithic Natural History. Photo mural painting slides Charles R. Knight. Some denote restoration pottery" may be misfiled. Studio. paintings. Other paintings of dinosaurs credited to Bob Kane and Walter Ferguson. One painting of Aurora Borealis 910(1) 9 P.M. (Northern Lights) by Howard Butler. PSC 18 American Museum of Evolutionary Tree of Fishes photographic undated Slides of the Evolutionary Tree of Fishes exhibition 1 box (0.25 linear feet) ca. 100 slides Slides PSC 24-54 through PSC PSC 24 has images from Natural History. Photo slides held at the American Museum of Natural History. 24-73 were moved to this the Hall of Ocean Life Studio. collection. exhibits. PSC 19 American Museum of African Reflections book photographic 1984-1985 Photographic slides (archive and artifact) from the 1 box (0.25 linear feet) ca. 60 slides Natural History. Photo slides book "African Reflections" by Enid Schildkrout. Studio. PSC 20 American Museum of Hall of Forestry and Hall of Landscape undated Images of the exhibitions and dioramas from the 1 box (0.25 linear feet) 25 slides Natural History. Photo photographic slides AMNH Hall of Forestry and Hall of Landscape. Studio. PSC 21 Van Pelt, Erica. Erica Van Pelt "Gems and Crystals" book undated Photos by Erica and Harold Van Pelt from "Gems & 1 box (0.25 linear feet) ca. 110 slides Slides contain detailed image slides crystals from the American Museum of Natural descriptions and page numbers. History" by Anna S. Sofianides and George E. Harlow. PSC 22 American Museum of Hall of Biology of Man photographic undated Slides from exhibits on display in the AMNH Hall of 1 box (0.25 linear feet) ca. 140 slides Many slides contain K numbers. Natural History. Photo slides Biology of Man including Circulatory System model, Studio. Piltdown Man, Man as a Hominid, Cell Structure as Revealed by an Electron Microscope, Stages of Development of Fetus, and Female Reproductive System. PSC 23 American Museum of Origami Christmas exhibit photographic 1973-1987 Indivudual origami ornaments in the studio and 1 box (0.25 linear feet) ca. 100 slides Natural History. Photo slides displayed on the tree. Includes images of the Studio. decorated tree on display in the museum. PSC 24 American Museum of Hall of Ocean Life and Hall of Biology of 1970-1998 Interior views of AMNH Hall of Ocean Life and Hall 1 box (0.25 linear feet) ca. 130 slides Else Sackler also credited as a Slides for the Evolutionary Natural History. Photo Fishes photographic slides of Biology of Fishes. Includes exhibits such as the photographer. Tree of Fishes exhibition Studio. Dolphin Group, Fur Seal Group, Walrus, Pearl located in PSC 18. Divers Group, Blue Whale, and some slides from the Evolutionary Tree of Fishes exhibit. Page 2 of 54 Call Number Creator Title Date Summary Extent Extent (format) General Notes Related Archival PSC 25 American Museum of Akeley Memorial Hall of African 1949, 1974, Primarily images from the dioramas in the the AMNH 1 box (0.25 linear feet) ca. 200 slides Includes CD-ROM of low Natural History. Photo Mammals photographic slides undated Akeley Memorial Hall of African Mammals with some resolution slide scans of AMNH Studio. interior views of the hall. Includes some images of diorama. Many slides contain K preparator refurbishing Cheetah Group inside the numbers. Many slides contain diorama, 1974. Also includes 5 duplicate slides of USDE numbers. black & white photographs depicting Carl Akeley in the field, a group photograph and an illustration of the African Mammal Hall. PSC 26 American Museum of African artifacts photographic slides undated Slides of African artifacts from Kenya, Nigeria, Ivory 1 box (0.25 linear feet) ca. 200 slides Some slides contain K numbers. Natural History. Photo & Gold Coast, Belgian Congo, Liberia, Zaire, Many slides have Anthropology Studio. Kenya,Tanzania, Ethiopia, Sudan. catalog numbers. Several slides labeled "From AFA Exhibition. Includes list of slides selected for scanning.
Load more

Recommended publications
  • Play-Guide Sunshine-Boys-FNL.Pdf
    TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit
    [Show full text]
  • Tibetans in the New York Metro Area QUICK FACTS: ALL PEOPLES INITIATI VE LAST UPDATED: 11/2009
    Tibetans in the New York Metro Area QUICK FACTS: ALL PEOPLES INITIATI VE LAST UPDATED: 11/2009 Place of Origin: Sonam Tashi, a Tibetan man whose father was killed by Chinese border patrol when he Tibet (China) via India was three years old, comes on March 10th of every year to a plaza by the UN building, ral- (mainly Dharamsala) lying on behalf of a free Tibet. He solemnly claims, “Every people need a freedom [....] Lot and Nepal of people in China are not free.” It has been about fifty years since the Chinese occupied Tibet, and the sting is still felt by the estimated three thousand Tibetans who now live in Significant Subgroups: the New York Metro area.1 On the March 10th National Tibetan Uprising Day, hundreds of Tibetans often organize along the four main Tibetans and sympathizers march to the UN and Chinese Consulate, shouting such cries schools of Tibetan Bud- as, “China lie, people die,” and, “China out of Tibet now.” While New York is where they dhism (Gelugpas, live, it is certainly not their home. Nyingmas, Sakyas, and Kagyus)2 When Did They Come to New York? Location in Metro New For centuries, Tibet was an isolated country. Very few came York: Queens (Jackson in. Very few went out. All of that changed in 1949 when the Heights, Astoria); Chinese took control of Tibet—an act that led tens of thou- Brooklyn (Crown sands of Tibetans to resettle in India and Nepal. The Tibet- Heights); Manhattan ans’ struggle for their homeland has continued ever since.
    [Show full text]
  • Canadian Centre for Architecture, Montreal 21— 24 September, 2014
    Canadian Centre Museum of for Architecture, Modern Art and Montreal Avery Library, 21— 24 September, New York 2014 25 — 28 September, 2014 Twenty-five years ago the Canadian Centre for Architecture (CCA) opened its doors for the first time and hosted, as one of its inaugural activities, icam 5. For the CCA, as for other members of icam, it is crucial to recognize that our immediate contexts and institutional mandates are quite different today from what they were then. Needless to say, the field is changing and the challenges we face in relation to the built environment are multiple, pressing and in need of re-evaluation. Technology, for example, has both infiltrated our way of life and affected the way in which institutions operate. At the same time, the primacy of historical research has been displaced by a desire to remain current, relevant and broadly recognized as shaping contemporary discourse. It is our responsibility to develop a voice that reaches out and establishes a cultural presence while introducing new questions and offering new possibilities to a larger public no longer determined by their physical vicinity. As resources become scarce, these pressures will likely continue to grow. In this sense it is an opportune moment to pursue the benefits of greater collaboration and take note of emerging models in Africa and Asia. These considerations, indicative of the need to rethink our institutional roles in the years to come, are essential if we wish to continue serving as platforms for future conversation. Mirko Zardini Canadian Centre for Architecture Much has changed since icam last visited New York in 1996.
    [Show full text]
  • Off* for Visitors
    Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle.
    [Show full text]
  • Ann Shafel Special Talk
    12 བོད་ཁང་། Tibet House Cultural Centre of His Holiness the Dalai Lama Organizes A Lecture on "Science and the Sacred: the Preservation of Sacred Art" By Ms. Ann Shaftel & Dr. Robert J. Koestler Ann Shaftel Ann Shaftel serves as a Preservation Consultant for international clients. Ann has the highest international credentials in this field: Fellow of the International Institute of Conservation, Fellow of American Institute for Conservation, a member of Canadian Association of Professional Conservators. She holds an MS degree in Art Conservation, and MA degree in Asian Art History. Ann’s clients include governments, museums, archives, universities, and Buddhist monasteries worldwide, including the Art Institute of Chicago, American Museum of Natural History, Asian Art Museum of San Francisco, The Field Museum, Rubin Museum of Art, Yale University, University of Michigan Museum, University of Pennsylvania Museum, Jacques Marchais Museum of Tibetan Art, Royal Ontario Museum, National Gallery of Victoria, University of Melbourne, Library of Tibetan Works and Archives, Mindrolling Monastery and other monasteries and nunneries. Ann teaches training sessions on The Care of Sacred Art in North America, Europe, Australia, India, Bhutan, and China. Ann is active in Preservation Outreach, on TV, radio, online and in print. She has written and published many scholarly and practical articles, including in the Journal of Art Theft. Robert J. Koestler has been director of the Smithsonian’s Museum Conservation Institute (MCI) since August 2004. He has a 40 years of museum experience include nearly 24 years at New York’s Metropolitan Museum of Art and eight years at the American Museum of Natural History.
    [Show full text]
  • The American Museum of Natural History
    THE AMERICAN MUSEUM OF NATURAL HISTORY EIGHTY-FIFTH ANNUAL REPORT JULY, 1953, THROUGH JUNE, 1954 THE AMERICAN MUSEUM OF NATURAL HISTORY EIGHTY-FIFTH ANNUAL REPORT JULY, 1953, THROUGH JUNE, 1954 THE CITY OF NEW YORK 1954 EIGHTY-FIFTH ANNUAL REPORT OF THE PRESIDENT To the Trustees of The American Museum of Natural History and to the Municipal Authorities of the City of New York THE Museum's fiscal year, which ended June 30, 1954, was a good one. As in our previous annual report, I believe we can fairly state that continuing progress is being made on our long-range plan for the Museum. The cooperative attitude of the scientific staff and of our other employees towards the program set forth by management has been largely responsible for what has been accomplished. The record of both the Endowment and Pension Funds during the past twelve months has been notably satisfactory. In a year of wide swings of optimism and pessimism in the security markets, the Finance Committee is pleased to report an increase in the market value of the Endowment Fund of $3,011,800 (87 per cent of which has been due to the over-all rise in prices and 13 per cent to new gifts). Common stocks held by the fund increased in value approximately 30 per cent in the year. The Pension Fund likewise continued to grow, reaching a valuation of $4,498,600, as compared to $4,024,100 at the end of the previous year. Yield at cost for the Endow- ment Fund as of July 1 stood at 4.97 per cent and for the Pension Fund at 3.74 per cent.
    [Show full text]
  • LSNY Proceedings 54-57, 1941-1945
    Nf\- i\l HARVARD UNIVERSITY LIBRARY OF THE Museum of Comparative Zoology \ - .>v 4 _ ' /I 1941-1945 Nos. 54-57 PROCEEDINGS OF THE . LINNAEAN SOCIETY OF NEW YORK For the Four Years Ending March, 1945 Date of Issue, September 16, 1946 J • r'-' ;; :j 1941-1945 Nos. 54-57 PROCEEDINGS OF THE LINNAEAN SOCIETY OF NEW YORK For the Four Years Ending March, 1945 Date of Issue, September 16, 1946 S^t-, .7- Table of Contents Some Critical Phylogenetic Stages Leading to the Flight of Birds William K. Gregory 1 The Chickadee Flight of 1941-1942 Hustace H. Poor 16 The Ornithological Year 1944 in the New York City Region John L. Bull, Jr. 28 Suggestions to the Field Worker and Bird Bander Avian Pathology 36 Collecting Mallophaga 38 General Notes Rare Gulls at The Narrows, Brooklyn, in the Winter of 1943-1944 40 Comments on Identifying Rare Gulls 42 Breeding of the Herring Gull in Connecticut — 43 Data on Some of the Seabird Colonies of Eastern Long Island 44 New York City Seabird Colonies 46 Royal Terns on Long Island 47 A Feeding Incident of the Black-Billed Cuckoo 49 Eastern Long Island Records of the Nighthawk 50 Proximity of Occupied Kingfisher Nests 51 Further Spread of the Prairie Horned Lark on Long Island 52 A Late Black-Throated Warbler 53 Interchange of Song between Blue-Winged and Golden-Winged Warblers 1942- 53 Predation by Grackles 1943- 54 1944- Observations on Birds Relative to the Predatory New York Weasel 56 Clinton Hart Merriam (1855-1942) First President of the Linnaean Society of New York A.
    [Show full text]
  • Cash Box TOP 100 JUNE 12, 1965
    he soundtrack album of Walt Disney's “Mary Poppins” (starring Julie Andrews and Dick Van Dyke) is today the best-selling LP in the U.S., with additional smash sales in Eng- ind, Canada and Australia. As the fabulously successful film, winner of five Academy Awards, opens in other countries this summer and fall, the LP will probably become one of le world’s all-time sales champs. Close to 2 million disks have been sold in the U.S. alone since the Buena Vista item was released last fall. In addition, French, German, Italian BY ALL ODDS ONE OF THE BEST NEW SINGLES OF ’65! SING’JESSEJAM E S''c,w“S UZYL... ON OOLUMBIA REOORDSB — Gash Box CashBox Vol. XXVI-Number 47 June 12, 1965 FOUNDED BY BILL GERSH Gash Box (Publication Office) 1780 Broadway New York 19, N. Y. 10019 (Phone: JUdson 6-2640) CABLE ADDRESS: CASHBOX, N. Y. JOE ORLECK President and Publisher NORMAN ORLECK Vice President The Big Beat’s GEORGE ALBERT Vice President MARTY OSTROW Generai Manager MUSIC & RECORDS DITORIAL IRV LiCHTMAN Editor-in-Chief DICK ZIMMERMAN Associate Editor 1st Decade MIKE MARTUCCI Editorial Assistant JERRY ORLECK Editorial Assistant MARV GOODMAN Editorial Assistant TOM McENTEE Editorial Assistant DVERTISING STEVE CHAZEN BILL STUPER HARVEY GELLER, Hollywood Some purists may debate the point, hind the musical style. Significantly, MARTY TOOHEY but the trade generally claims 1955 as the sources who comment this time General Manager COIN MACHINES & VENDING the year that rock ’n roll first took a around see the idiom in a more favor- Assistant ED ADLUM, foothold on the pop music market.
    [Show full text]
  • Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane
    BAM 2013 Next Wave Festival #AnnaNicole Brooklyn Academy of Music New York City Opera Alan H. Fishman, Charles R. Wall, Chairman of the Board Chairman of the Board William I. Campbell, George Steel, Vice Chairman of the Board General Manager and Artistic Director Adam E. Max, Vice Chairman of the Board Jayce Ogren Music Director Karen Brooks Hopkins, President Joseph V. Melillo, present Executive Producer Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane BAM Howard Gilman Opera House Sep 17, 19, 21, 24, 25, 27 & 28 at 7:30pm Approximate running time: two hours and 30 minutes including one intermission Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London and premiered there in February 2011 Set design by Miriam Buether Costume design by Nicky Gillibrand Leadership support for opera at BAM provided by: Lighting design by Mimi Jordan Sherin & D.M. Wood The Andrew W. Mellon Foundation Choreography by Aletta Collins The Peter Jay Sharp Foundation Stage director Richard Gerard Jones Stavros Niarchos Foundation Supertitles by Richard Thomas Major support provided by Chorus master Bruce Stasyna Aashish & Dinyar Devitre Musical preparation Myra Huang, Susanna Stranders, Lynn Baker, Saffron Chung Additional support for opera at BAM provided by The Francena T. Harrison Foundation Trust Production stage manager Emma Turner Stage managers Samantha Greene, Jenny Lazar New York City Opera’s Leadership support for Assistant stage director Mike Phillips Anna Nicole provided by: Additional casting by Telsey + Company, Tiffany Little John H. and Penelope P. Biggs Canfield, CSA Areté Foundation, Edward E.
    [Show full text]
  • Delivering Service and Support
    THE TIBET FUND YEARS SPECIAL REPORT HIS HOLINESS THE 14TH DALAI LAMA 1 SIKYONG Dr. LOBSANG SANGAY Senator Dianne Feinstein 2 3 Program (KAP) was initiated to address and nunneries as well as cultural None of our work would have been the unmet medical, educational, and institutions such as the Tibetan possible without the support of our economic needs of Tibetans in Tibet. Institute for Performing Arts, Library partners, individual donors, grants PRESIDENT With funding from private donors, TTF for Tibetan Works and Archives, and from foundations, and major funding RINCHEN DHARLO built Chushul Orphanage and funded Nepal Lhamo Association. from the US Department of State’s two other children’s homes. TTF also Bureau of Population, Refugees and funded the construction of Lhasa Eye In 1997, we initiated the Blue Book Migration and Bureau of Education Center and sponsored several surgical Project, which is seen as an effective and Cultural Affairs, The Office of eyes camps restoring more than 2,000 way for individuals to support the Citizen Exchanges of the Bureau of sights. KAP at that time has won the Tibetan people. From 1997 to 2015, Educational and Cultural Affairs, support and confidence of Tibetan TTF has raised a total of over $310,000 and the USAID. We would like to authorities at the highest levels both in from individual donors and transferred express our deepest gratitude to the perSOnal Tibet and in exile and has successfully that fund to the Central Tibetan US Congress and Administration, reflections provided resources and training for Administration. Establishment of the whose continued support and belief education and health projects in Tibet Tibetan Sponsorship Program in 1999 in our mission has provided critical as well as in mainland China and study has also been very satisfying.
    [Show full text]
  • UC Santa Barbara Dissertation Template
    UNIVERSITY OF CALIFORNIA Santa Barbara Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Theater Studies by Brian Cornelius Granger Committee in charge: Professor Christina S. McMahon, Chair Professor W. Davies King Professor Stephanie L. Batiste June 2014 The dissertation of Brian Cornelius Granger is approved. ______________________________________________ Stephanie L. Batiste ______________________________________________ W. Davies King ______________________________________________ Christina S. McMahon, Committee Chair June 2014 Employing Africa in the Broadway Musical: Artistic Labors and Contested Meanings of the Racial Body, from 1903 to 2009 Copyright © 2014 by Brian Cornelius Granger iii ACKNOWLEDGEMENTS I could not have survived this dissertation process (or this degree program) without my faith in God and the spiritual support of my two church families: Saint Michael's Episcopal in Isla Vista, under the guidance of their fabulous vicar, Reverend Nicole Janelle; and Saint Ann's Episcopal in Nashville, Tennessee, under the guidance of the wonderful Father Rick Britton. I am deeply grateful for their love and resources. The St. Ann's choir, under the masterful direction of Rollie Mains, was an oasis of sound amid the generally isolated and silent work of writing. I am deeply appreciative of the following individuals who took the time to answer my questions,
    [Show full text]
  • Cornell Notes World War II to 1968
    The Papers of F. G. Marcham: III Cornell Notes World War II to 1968 By Frederick G. Marcham Edited by John Marcham The Internet-First University Press Ithaca, New York 2006 The Papers of F. G. Marcham: III Cornell Notes World War II to 1968 By Frederick G. Marcham Edited by John Marcham The Internet-First University Press Ithaca, New York 2006 The Internet-First University Press Ithaca NY 14853 Copyright © 2006 by John Marcham Cover: Professor Marcham in his office in McGraw Hall, March 4, 1987, in his 63rd year of teaching at Cornell University. —Charles Harrington, University Photos. For permission to quote or otherwise reproduce from this volume, write John Marcham, 414 E. Buffalo St., Ithaca, N.Y., U.S.A. (607) 273-5754. My successor handling this copyright will be my daughter Sarah Marcham, 131 Upper Creek Rd., Freeville, N.Y. 13068 (607) 347-6633. Printed in the United States of America ii Cornell Notes: World War II to 1968 by Frederick G. Marcham Contents Finding a President ...................................................................1 The Status of Faculty Trustees .................................................2 Dean of the Faculty Battles ......................................................3 Public Office Beckons ..............................................................7 To Be Annexed or Not? ............................................................8 And Now Mayor .....................................................................11 Village and Academe ..............................................................12
    [Show full text]