Cash Box TOP 100 JUNE 12, 1965
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AMNH Research Library, Photo Slide Collection Revised March 2013
AMNH Research Library, Photo Slide Collection Revised March 2013 Call Number Creator Title Date Summary Extent Extent (format) General Notes Related Archival PSC 1 Cerro de la Neblina Cerro de la Neblina Expedition 1984-1989 Field photographs from the 1984-1985 Cerro de la 1 box (0.25 linear feet) 14 slides Includes field notes. Expedition (1984-1985) photographic slides Neblina expedition. Includes one slide from Amazonas, Rio Mavaca Base Camp, March 1989. PSC 2 Abbott, R. E. R. E. Abbott photographic slides undated Field photographs of North American birds in nature, 1 box (0.25 linear feet) 7 slides Includes field notes. includes Cardinals, red-shouldered hawks, and song sparrow. PSC 3 Byron, Oscar. Abyssinia duplicate slides undated Duplicate slides made from hand-colored lantern 1 box (0.25 linear feet) 100 slides Copy slides from hand colored slides of field photographs in Abyssinia [Ethiopia] lantern slides. circa 1920-1921. PSC 4 Jaques, Francis Lee. ACA textile photographic slides undated ACA Collection. Textiles, 15th to 18th century textiles 1 box (0.25 linear feet) 22 slides from various countries. PSC 5 Bierwert, Thane L. A. A. Allen photographic slides undated Field photographs of North American birds in nature. 1 box (0.25 linear feet) 154 slides Includes field notes. Collection contains USDE numbers and K numbers. PSC 6 Blanchard, Dean Hobbs. AG Southwest Native Americans undated Field photographs of Southwestern Native 1 box (0.25 linear feet) 3 slides Includes field photographs. photographic slides Americans PSC 7 Amadon, Dean Dean Amadon photographic slides of 1957 Slide of fence post with holes made by Acorn or 1 box (0.25 linear feet) 1 slide Fence post in AMNH Ornithology birds California woodpecker for storage. -
Deutsche Songs ( Nach Titel )
Deutsche Songs ( nach Titel ) 36grad 2raumwohnung '54, '74, '90, 2006 Sportfreunde Stiller '54, '74, '90, 2010 Sportfreunde Stiller 1 2 3 4 Heute Nacht da Feiern wir Anna Maria Zimmermann 1 Tag Seer, Die 1., 2., 3. B., Bela & Roche, Charlotte 10 kleine Jägermeister Toten Hosen, Die 10 Meter geh'n Chris Boettcher 10 Nackte Friseusen Mickie Krause 100 Millionen Volt Bernhard Brink 100.000 Leuchtende Sterne Anna Maria Zimmermann 1000 & 1 Nacht Willi Herren 1000 & 1 Nacht (Zoom) Klaus Lage Band 1000 km bis zum Meer Luxuslärm 1000 Liter Bier Chaos Team 1000 mal Matthias Reim 1000 mal geliebt Roland Kaiser 1000 mal gewogen Andreas Tal 1000 Träume weit (Tornero) Anna Maria Zimmermann 110 Karat Amigos, Die 13 Tage Olaf Henning 13 Tage Zillertaler Schürzenjäger, Die 17 Jahr, blondes Haar Udo Jürgens 18 Lochis, Die 180 grad Michael Wendler 1x Prinzen, Die 20 Zentimeter Möhre 25 Years Fantastischen Vier, Die 30.000 Grad Michelle 300 PS Erste Allgemeine Verunsicherung (E.A.V.) 3000 Jahre Paldauer, Die 32 Grad Gilbert 5 Minuten vor zwölf Udo Jürgens 500 Meilen Santiano 500 Meilen von zu Haus Gunter Gabriel 6 x 6 am Tag Jürgen Drews 60 Jahre und kein bisschen weise Curd Jürgens 60er Hitmedley Fantasy 7 Detektive Michael Wendler 7 Sünden DJ Ötzi 7 Sünden DJ Ötzi & Marc Pircher 7 Tage Lang (Was wollen wir trinken) Bots 7 Wolken Anna Maria Zimmermann 7000 Rinder Troglauer Buam 7000 Rinder Peter Hinnen 70er Kultschlager-Medley Zuckermund 75 D Leo Colonia 80 Millionen Max Giesinger 80 Millionen (EM 2016 Version) Max Giesinger 99 Luftballons Nena 99 Luftballons; -
Guide to Ella Fitzgerald Papers
Guide to Ella Fitzgerald Papers NMAH.AC.0584 Reuben Jackson and Wendy Shay 2015 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Music Manuscripts and Sheet Music, 1919 - 1973................................... 5 Series 2: Photographs, 1939-1990........................................................................ 21 Series 3: Scripts, 1957-1981.................................................................................. 64 Series 4: Correspondence, 1960-1996................................................................. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Food & Entertainment
Food & Entertainment Food Page 35 fe expose Fuego Lights up KL Skyline Level 23A, The Troika is a hotbed of flavours and fun with Troika Fine Dining presenting Cantaloupe, Claret, Strato and now Fuego. Fuego brings scintillating South American flavours to Kuala Lumpur with flamed, grilled and smoked styles dominating a tantalising menu orchestrated by owners Eddie Chew and Christian Bauer. Elevated views of the floodlit Twin Towers provide a spectacular backdrop to this open-fronted outlet. South America is a continent of many national and regional cuisines and Fuego has selected popular styles and dishes from across the land plus some from neighbouring Mexico and Central America. Diners are encouraged to sample various dishes with sharing plates facilitating the process. Ceviche is available in four ways with barramundi, prawn, snapper and salmon prepared in lime. Grilled watermelon with fried halloumi, pickled tomato and raspberry vinegar is one of the more unique entrées. Enjoy desserts such as banana and salted caramel mini magnum ice cream plus a crunchy cookie and banana cream. Wines and spirits such as rums, tequilas and piscos feature on the beverages list. Like all outlets at Troika, bookings are essential with two seatings at 6pm and 8.30pm. www.troikaskydining.com New Japanese Restaurant at Pullman Bangsar Gohan Japanese Restaurant has just opened in a secluded location on the first floor of the Pullman Kuala Lumpur Bangsar to offer what Chef Hoi claims is traditional Japanese cuisine which, according to him, means serving kaiseki (dégustation) or seasonal dishes. The dynamic young chef trained in Singapore under Chef Hirohashi at Kumo Kaiseki Restaurant and then his passion for authentic Japanese food took him to Japan for two years on-the-job training. -
Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Masteroppgave Ingrid Liland Blokkjustert
Musical Analysis and Vocal Jazz Investigating Form in Ella Fitzgerald’s solo in “How High the Moon” (1960) Ingrid Husby Liland Master thesis in Musicology – Spring 2015 The Department of Musicology – University of Oslo © Ingrid Husby Liland 2015 Musical Analysis and Vocal Jazz Investigating Form in Ella Fitzgerald’s solo in “How High the Moon” (1960) Ingrid Husby Liland http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo 2 Acknowledgements I extend sincere appreciation to my thesis adviser, Anne Danielsen, for her support and guidance and detailed feedback. I also extend gratitude to Asbjørn Eriksen, my secondary thesis adviser, for constructive feedback on my analysis. Thank you to Anne Hagen for proof reading my thesis and to Eivind Dale for helping me with the layout. Thank you to the Department of Musicology for five great years of education. I offer a special thanks to my mother, my aunt and my sister for necessary advice and support. Thanks to my colleagues for necessary reality checks during the past year. Finally, I need to mention the moral and practical support and the promise of a long, happy summer from, among others: Eivind, Kristin, Rachel and Trøyel. 3 4 Contents Acknowledgements...........................................................................................................3! Chapter515Introduction ....................................................................................................7! The5Structure5of5this5Thesis....................................................................................................9! -
JREV3.6FULL.Pdf
KNO ED YOUNG FM98 MONDAY thru FRIDAY 11 am to 3 pm: CHARLES M. WEISENBERG SLEEPY I STEVENSON SUNDAY 8 to 9 pm: EVERYDAY 12 midnite to 2 am: STEIN MONDAY thru SATURDAY 7 to 11 pm: KNOBVT THE CENTER OF 'He THt fM DIAL FM 98 KNOB Los Angeles F as a composite contribution of Dom Cerulli, Jack Tynan and others. What LETTERS actually happened was that Jack Tracy, then editor of Down Beat, decided the magazine needed some humor and cre• ated Out of My Head by George Crater, which he wrote himself. After several issues, he welcomed contributions from the staff, and Don Gold and I began. to contribute regularly. After Jack left, I inherited Crater's column and wrote it, with occasional contributions from Don and Jack Tynan, until I found that the well was running dry. Don and I wrote it some more and then Crater sort of passed from the scene, much like last year's favorite soloist. One other thing: I think Bill Crow will be delighted to learn that the picture of Billie Holiday he so admired on the cover of the Decca Billie Holiday memo• rial album was taken by Tony Scott. Dom Cerulli New York City PRAISE FAMOUS MEN Orville K. "Bud" Jacobson died in West Palm Beach, Florida on April 12, 1960 of a heart attack. He had been there for his heart since 1956. It was Bud who gave Frank Teschemacher his first clarinet lessons, weaning him away from violin. He was directly responsible for the Okeh recording date of Louis' Hot 5. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system. -
1Lnecatalog.Pdf
9/21/2014 – 1/4/2015 One Language Is Never Enough ~ Un Idioma Nunca Es Suficiente / Fitchburg art museum 3 Table of contents // Tabla de contenido 1 Director's Foreword Prólogo del Director 3 Acknowledgments Agradecimientos 7 Introduction Introducción 8-113 Artwork Obras 114 Artists Artistas 116 Exhibition Checklist Lista de Verifcaciones de la Exposición One Language Is Never Enough ~ Un Idioma Nunca Es Suficiente / Fitchburg art museum director’s foreword // Prólogo del Director ecognizing that a great many residents of Fitchburg and surrounding econociendo que un gran mayoría de las residentes de Fitchburg y los pueblos Rtowns speak Spanish at home, the Fitchburg Art Museum has embarked Ralrededores hablan español en sus casas, el Museo de Arte de Fitchburg se on a Bilingual Museum Initiative. Tis multifaceted efort seeks to welcome ha embarcada en la Iniciativa Bilingüe del Museo. Este esfuerzo multifacético Latinos and Latino immigrants to FAM as we work towards the goal of serving se procura de dar la bienvenida a los Latinos y los Latinos inmigrantes a FAM EVERYONE in our community with understanding, compassion, and respect. mientras trabajamos hacia la meta de servir TODOS en nuestra comunidad con la compresión, compasión, y respeto. Much of the Bilingual Museum Initiative is institutional – free admission programs, English/Spanish signage indoors and out, a receptionist fuent in both Mucho de la Iniciativa Bilingüe del Museo es institucional - programas de admisión languages, and bilingual docent tours, Facebook posts, phone messages, and gratis, los letreros interiores y exteriores son en Ingles/Español, una recepcionista fuente eventually web site and printed materials.