A Year in the City
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Nixon, in France,11
SEE STORY BELOW Becoming Clear FINAL Clearing this afternoon. Fair and cold tonight. Sunny., mild- Red Bulk, Freehold EIMTION er tomorrow. I Long Branch . <S« SeUdlf, Pass 3} Monmouth County's Home Newspaper for 90 Years VOL. 91, NO. 173 RED BANK, N. J., FRIDAY, FEBRUARY 28, 1969 26 PAGES 10 CENTS ge Law Amendments Are Urged TRENTON - A legislative lative commission investigat- inate the requirement that where for some of die ser- the Monmouth Shore Refuse lection and disposal costs in Leader J. Edward CrabieJ, D- committee investigating the ing the garbage industry. there be unanimous consent vices tiie authority offers if Disposal Committee' hasn't its member municipalities, Middlesex, said some of the garbage industry yester- Mr. Gagliano called for among the participating the town wants to and the au- done any appreciable work referring the inquiry to the suggested changes were left day heard a request for amendments to the 1968 Solid municipalttes in the selection thority doesn't object. on the problems of garbage Monmouth County Planning out of the law specifically amendments to a 1968 law Waste Management Authority of a disposal site. He said the The prohibition on any par- collection "because we feel Board. last year because it was the permitting 21 Monmouth Saw, which permits the 21 committee might never ticipating municipality con- the disposal problem is funda- The Monmouth Shore Ref- only way to get the bill ap- County municipalities to form Monmouth County municipal- achieve unanimity on a site. tracting outside the authority mental, and we will get the use Disposal Committee will proved by both houses of the a regional garbage authority. -
Jay-Z: in Tha’ Mix
ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists. -
9 Lost and Found Westing Games Chapter
9 ♦ Lost and Found Early the next morning a typed index card was tacked to the elevator’s back wall: LOST: Important business papers of no value to anyone but the owner. Please return to Sydelle Pulaski, 3C. No questions asked. The shorthand notebook was not returned, but the idea of a bulletin board was an instant success. By late afternoon the elevator was papered with notices and filled with tenants facing sideways and backwards, reading as they rode up and down. Lost: Silver cross on filigree chain, topaz pin and earrings, gold-filled cuff links. Return to Grace Windsor Wexler, 3D. REWARD! All players willing to discuss sharing their clues come to the coffee shop tomorrow 10 A.M. WHOEVER STOLE MY MICKEY MOUSE CLOCK BETTER GIVE IT BACK. JUST LEAVE IT IN THE HALL IN FRONT OF APARTMENT 3D WHEN NO ONE’S LOOKING. TURTLE WEXLER ORDER DOWN, NOT UP! Or come on up to the fifth floor and dine in elegance at SHIN HOO’S RESTAURANT Specializing in exquisite Chinese cuisine. LOST: STRING OF PEARLS. SENTIMENTAL VALUE. IF FOUND, PLEASE BRING THEM TO APARTMENT 2C. THANK YOU, FLORA BAUMBACH (DRESSMAKING AND ALTERATIONS, REASONABLY PRICED) FOUND: SIX CLUES The following clues, printed on squares of Westing Toilet Tissue, were found in the third floor hallway: BRAIDED KICKING TORTOISE ’SI A BRAT I am having an informal party this evening from eight o’clock on. You are all invited. Please come. J. J. Ford, apartment 4D Turtle, wherever you are— Be home at seven-thirty SHARP!!! Your loving mother “Mom, I’m home.” No one else was. -
COURT of APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE of CALIFORNIA the PEOPLE, Plaintiff and Respondent, V. VICTOR WARE
Filed 7/29/20 (mod.); Certified for partial publication 7/31/20 (order follows unmodified opinion) ; THE SUPREME COURT OF CALIFORNIA HAS GRANTED REVIEW COURT OF APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE OF CALIFORNIA THE PEOPLE, D072515 Plaintiff and Respondent, (Super. Ct. No. SCD255884) v. ORDER MODIFYING OPINION VICTOR WARE et al., NO CHANGE IN JUDGMENT Defendants and Appellants. THE COURT: It is ordered that the opinion filed on July 21, 2020, be modified as follows: 1. Delete the first sentence on page 5, first full paragraph, and replace with the following sentence: "We reverse Simpson's and Hoskins's gang conspiracy convictions, but reject appellants' remaining arguments regarding their convictions." There is no change in the judgment. BENKE, Acting P. J. Copies to: All Parties Filed 7/21/20 P. v. Ware CA4/1 (unmodified opinion) COURT OF APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE OF CALIFORNIA THE PEOPLE, D072515 Plaintiff and Respondent, (Super. Ct. No. SCD255884) v. VICTOR WARE et al., Defendants and Appellants. APPEALS from judgments of the Superior Court of San Diego County, Leo Valentine, Jr., Judge. Affirmed in part, reversed in part, and remanded for resentencing. Lynda A. Romero, under appointment by the Court of Appeal, for Defendant and Appellant Dionte Simpson. David L. Polsky, under appointment by the Court of Appeal, for Defendant and Appellant Victor Ware. Nancy E. Olsen, under appointment by the Court of Appeal, for Defendant and Appellant Nicholas Hoskins. Xavier Becerra, Attorney General, Gerald A. Engler, Chief Assistant Attorney General, Julie L. Garland, Assistant Attorney General, A. Natasha Cortina and Christine Levingston Bergman, Deputy Attorneys General, for Plaintiff and Respondent. -
Steam Engine Time 5
Steam Engine T ime PRIEST’S ‘THE SEPARATION’ MEMOS FROM NORSTRILIA CENSORSHIP IN AUSTRALIA POLITICS AND SF Harry Hennessey Buerkett James Doig Paul Kincaid Gillian Polack Eric S. Raymond Milan Smiljkovic Janine Stinson Issue 5 September 2006 Steam Engine T ime 5 STEAM ENGINE TIME No. 5, September 2006 is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia ([email protected]) and Janine Stinson, PO Box 248, Eastlake, MI 49626-0248, USA ([email protected]). Members fwa. First edition is in .PDF file format from eFanzines.com or from either of our email addresses. Print edition available for The Usual (letters or substantial emails of comment, artistic contributions, articles, reviews, traded publications or review copies) or subscriptions (Australia: $40 for 5, cheques to ‘Gillespie & Cochrane Pty Ltd’; Overseas: $US30 or £15 for 5, or equivalent, airmail; please send folding money, not cheques). Printed by Copy Place, 415 Bourke Street, Melbourne VIC 3000. The print edition is made possible by a generous financial donation. Graphics Ditmar (Dick Jenssen) (front cover). Photographs Covers of various books and magazines discussed in this issue; plus photos of (p. 5) Christopher Priest, by Ian Maule; (p. 24) Roger Dard, supplied by Kim Huett; (p. 25) Roger Dard fanzine contributions, supplied by Kim Huett; (p. 32) Nigel Burwood, Martin Stone and Bill Blackbeard, by John Baxter; (p. 39) David Boutland. 3 EDITORIAL 1: 32 Letters of comment ‘Dream your dreams’: A meditation on Babylon 5 John Baxter Janine Stinson Rosaleen Love Steve Jeffery 4 EDITORIAL 2 E. B. Frohvet Bruce Gillespie Steve Sneyd Sydney J. -
JEAN ANOUILH the Australian Elizabethan Theatre Tru St
, .. ., ...I I I 1 • ,,~- • i' JEAN ANOUILH The Australian Elizabethan Theatre Tru st when you fly with Trans-AustraliaAirlines PAT RON : H ER MAJESTY T H E QUEE N P RE SIDE T The Rt. H on . Sir John Latham, G.C.M.G., Q .C. CH AIRM A1 Dr. H . C. Coombs EXECUTIVE Dffi ECTOR Hu gh Hunt HO . SECRETARY :l,faurire Parker STATE REPRESE , TAT JVES: , ew South \,Vales Mr. C. J. A. lvloscs, C.B .E. Qu eensland Prof esso r F. J . Schone II Western Australia Pr ofessor F. Alexander Victoria Mr . A . H. L. Gibson Sou tit Australia Mr. L. C. Waterm an Tasmania Mr . G. F. Davies In presenting TIME REMEMBERED , we are paying tribute to a dramatist whose contribution to the contemporary theatre scene is a11 outstanding one and whose influence has been most strongly felt during the post-war years in Europe. The J1lays of Jean An ouilh have not been widely produced in Cao raln and First Officer at the co mrol s of a TA A Viscount . Australia , and his masterly qualities as a playwright are not TAA pilots are well experi years of flying the length and sufficiently k11011·n. enced and maintain a high breadth of Australia. standard of efficiency in flying TAA 's Airmanship is the total TIME REME1vlBERED htippily contains some of the the nation's finest fleet of skill of many people-in the most typical aspects of his work . .. a sense of the comic, modern aircraft. air and on the ground-w ork ing toward s a common goal: almost biza1'1'e,and tl haunting nostalgia which together pro When you and your family fly your safety, satisfaction and T AA, you get with your ticket peace of mind. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
The Songs of a Sentimental Bloke (Dodo Press) Free Ebook
FREETHE SONGS OF A SENTIMENTAL BLOKE (DODO PRESS) EBOOK C J Dennis | 72 pages | 30 Apr 2009 | Dodo Press | 9781409962762 | English | Gloucester, United Kingdom C. J. Dennis - Wikipedia It is one of the most successful Australian musicals of the 20th century. Albert Arlen and Nancy Brown had worked on the musical since Arlen and Brown went to England in to promote the show. This was unsuccessful so they returned to Australia, borrowed some money, and self-produced the musical in an amateur production at Canberra's Albert Hall in March The cast included Edwin Ride and Brown. The show had a one-week run in Canberra, which was so popular that extra seating The Songs of a Sentimental Bloke (Dodo Press) the aisles had to be arranged. Later that year, J. Williamson's produced the musical professionally in Melbourne. The original six-week season at Melbourne's Comedy Theatre from 4 Novemberdirected by John Young, was later extended to five months. Amateur theatre groups in Australia often perform the musical. Neglected Musicals revived the show in a professional, semi-staged The Songs of a Sentimental Bloke (Dodo Press) through at Hayes TheatreSydney in October A decision was taken that the whole thing should be very stylised in form. The Australian Ballet first presented this in in Australia, and subsequently on its tour of the Soviet Union. This production, hosted by The Melbourne Theatre Company, offered its first Auslan interpreted performance on 18 December From Wikipedia, the free encyclopedia. Redirected from The Sentimental Bloke musical. The Sentimental Bloke Original cast album. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem
TROUBLED ETHNICITIES IN AMERICAN POPULAR MUSIC FROM ELVIS PRESLEY TO EMINEM Stefan L. Brandt (University of Siegen, Germany / Harvard University) With the commodification of African American culture, Blackness has become an accessory that can be put on like burnt cork and hog fat: baggy pants, overpriced athletic shoes, corn rows or dread locks, gaudy jewelry, swiveling necks, snapping fingers, absent consonants.1 Introduction: Blackface, White Negritude, and Ethnic Identity On July 18, 1953, an 18-year old trucker named Elvis Presley decided to go to the Sun Record Company in Memphis and paid $3.98 to record a demo – a procedure that he repeated in January of 1954. It took another four months until Sun Records founder Sam Phillips, eager to capitalize upon the popularity of African American songs, accidentally discovered one of the tapes and took Presley under contract. Presley’s music, a combination of Rhythm & Blues, hillbilly, gospel, and boogie-woogie, dominated by an uptempo, backbeat-driven rhythm, was an instant success. Some forty years later, American popular music saw another successful ‘hybrid’ artist in the shape of Missouri-born white rapper Marshall Bruce Mathers III, better known as “Eminem” or “Slim Shady.” Like Elvis before him, Eminem cleverly took advantage of the appeal of a ‘black’ music style, in his case HipHop, integrating it into a mass-compatible crossover product. Eminem’s video clips are masterstrokes of ethnic marketing, deploying elements of ‘white trash’ imagery as well as of ‘black’ language and art. My essay is interested in those strategies of representation within American popular music that are designed to market what Harry J. -
Never Change 2.1
Never Change 2.1: A Look at Jay-Z’s Lyrical Evolution kashema h. www.kashema.com Never Change 2.1: A look Jay-Z’s Lyrical Evolution By kashema h. “Intro” Jay-Z’s classic album Reasonable Doubt (1996) turned 20 years old this summer but it has been two years since he has released another album. He released “Spiritual” after the extrajudicial killings of Alton Sterling and Philando Castile. Jay is featured on the remix of “All the Way Up” and teamed up with DJ Khaled and Future to create “I Got the Keys.” Back in April, Mr. Carter made a cameo on his wife’s Beyoncé’s visual album, Lemonade as a family man. The last time we saw the lyricist in full rap mode (e.g. album, singles and tour) was for Magna Carta Holy Grail in 2013. The promotional On The Run trailer for the married couple’s tour stars Jay-Z and Beyoncé as bank robbers à la Bonnie and Clyde, and features all kinds of guns, ski masks, shady figures, cop chases and a line-up. In 2014, I started to think about Jay’s past criminal life as a drug dealer, and his references to it on his records. I let the thing between my eyes analyze Jay’s skills, then put it down—type Braille...you feel me? Last month, the rapper narrated the New York Times Op-Ed: “The War on Drugs Is an Epic Fail.” I went back to my study of Jay-Z and his lyrics with a more critical eye.