Peck.Edward.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Peck.Edward.Pdf The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR EDWARD L. PECK Interviewed by: Charles Stuart Kennedy Initial interview date: June 29, 1989 Copyright 2020 ADST TABLE OF CONTENTS Background 1929–1961 Son of Russian immigrants Army service B.A. UCLA (1956) Project India Decision to enter Foreign Service Foreign Service Officer training class Trainee at Bureau of Economic Affairs Göteborg, Sweden 1959–1961 Difficulty of making changes in bureaucracy Advantages of Consulate General at first assignment Impressions of post Tangier 1962–1964 Arab language training Dialect problems Tunis, Tunisia 1964–1966 Inadequacy of language training Economic officer Ambassador Francis Russell Problem of ‘clientitis’ Effort to report economic problems Problems with official documents AID program in Tunisia Oran, Morocco 1966–1969 Origin of assignment Algiers in 1966 American interests in Algeria Value of consulates Differing perspectives in capital cities 1 1967 Arab-Israeli War Arab perspectives on the Arab-Israeli conflict Washington 1968–1974 Deputy Director of Office of Intelligence Coordination Changes in vulnerable platform intelligence program State Department role in intelligence operations Impressions of intelligence community Special Assistant to Secretary Alexis Johnson Impressions of Secretary Johnson Johnson compared with Kissinger and William Porter Operation of executive secretariat 1972 India-Pakistan War Impressions of Joe Sisco Revision of telegram messages to embassies Revision of COM handbook Economic/Commercial Officer in Cairo 1974–1977 Ambassador Ellis Aversion to AID mission Increase in size of AID mission IMF agreement controversy Economic problems in Egypt Kissinger’s increasing of AID program in Egypt Lack of restrictions in Israeli AID program Comparison between Israeli and Egyptian AID programs Principle Officer in Baghdad 1977–1980 Interest section of Belgian Embassy Issue of diplomatic relations Nature of assignments in the Foreign Service Situation in Iraq Nature of work Relations with the Iraqi Government Impressions of Saddam Hussein Problem of dealing with Iraq Goals and objectives of Interest Section Effects of Iranian Revolution Soviet presence in Iraq Human Rights issue Director of Egyptian Affairs 1980–1982 Origins of assignment Israeli-Egyptian relationship Problems in Office of Egyptian Affairs Role of EGY in Arab-Israeli matters 2 Problems with superiors Problems with AID programs Politics of Egyptian AID program Visitor problem in Embassy President Sadat Reaction to Sadat assassination and Mubarak Bureaucratic problems Arms sales to Egypt 1982 Egypt – Israeli Peace Treaty Israeli withdrawal from Sinai Israeli invasion of Lebanon Secretary Haig Ambassador to Mauritania 1983–1985 Origins of appointment Mauritania assignment from career perspective Mauritania in 1983 War against Polisarios American interests in Mauritania Anti-American demonstrations Expulsion of AID personnel Cutting off of AID program Problems within post Difficulty of post Problems with AID program Some successes in Mauritania Ambassador Reid and problem of clientitis Corruption within AID mission Deputy Director Vice President’s Task force on Terrorism 1985–1986 Impressions of George Bush Nature of work Terrorist threat against American diplomats Report of task force Office of Management Operations 1986–1988 Study to reduce diplomatic staffs Prospects for success Difficulty of bureaucracy Rewriting of COM handbook Outplacement training program Director of Career Transitions Retirement 1989 Conclusion 3 Careers after the Foreign Service A career in the Foreign Service INTERVIEW Q: Ed, I wonder if you could give a little about your background before we get you into ​ ​ the Foreign Service. PECK: Certainly. Los Angeles born and raised, of immigrant parents. Q: Immigrants from where? ​ ​ PECK: Russia. Q: Russia. ​ ​ PECK: Both of them. They didn't know each other. Q: Peck doesn't sound— ​ ​ PECK: Father always said that when he got off the boat, and they said, "What's your name?" and he answered, "Alexandroff Gregorivitch Pich," which became Alexander George Peck. His father came from Lithuania and migrated, for reasons which I've never known, down to the Odessa region, where dad was born, in a town called Akermann, which shows how the borders have changed. At the time of his birth, I think it was Romania. It later became Russia, an issue that the State Department focused on when I applied for the Service because one record showed Romanian birth and the other place showed Russian birth. They wanted to know why, I said, well, it's both, depends when you want to time it. I was raised there in L.A. One sister, older. Junior high school, high school, in Los Angeles, then the U.S. Army at the end of World War II. I am a veteran of World War II, by law, but I never left the States. Went from the Army to college—UCLA, majoring in forestry because I'd been a very active Boy Scout, and in my high school summers I worked in the Sierras with the Forestry Service. The Korean War came, I was recalled to active duty, spent another two years in the Army, came back and went to college again, this time as a business administration major, indicating very clearly that I didn't know what I wanted to do. In the summer between my junior and senior years (1955), I participated in a program called, "Project India," in which an interracial, interreligious group of twelve UCLA students went off in two teams of six and spent the summer in India, financed in part by the Rockefeller Foundation. A goodwill, sort of precursor of the Peace Corps, kind of thing. I spent eleven weeks in India. 4 Q: Where in India? ​ ​ PECK: Mostly in the south, the area now called Kerala. Partly in the north as well, ten days in Lucknow, a few days in Delhi, Calcutta, Bombay, Puri, all sorts of places. Traveled extensively. I was fascinated by it and decided that I would like to go into the ​ ​ Foreign Service. Graduated from college. I went to work for the Mobil Oil Company in their management program. Was fired from that job. Went to work for Shell, at which time the call from the Foreign Service came, and I joined in November of '57, and stayed with it until April of this year (1989). Q: What did you feel about the Foreign Service before you went in? I assume you'd done ​ ​ some reading about it and all. Did you feel that you were a Foreign Service type, or did you feel you were going to be somewhat different coming in? PECK: Well, I hadn't really thought about that. What I really tried to come into was USIS, and it's kind of interesting because most people in the Foreign Service believe that anybody who goes into the USIS end of things did so because they failed to get into the State Department Foreign Service. I did it the other way, and that was largely because the people who took care of us when I was in India, who set up the programs and traveled with us, were Branch Public Affairs Officers (BPAOs) from USIS, in posts which are now closed. They spoke the language, they knew the people, they were really living an interesting, challenging, rewarding, exotic kind of life, and I thought, boy, I'd like to do that. USIS found me unqualified because they were looking for people with backgrounds in USIS-type activities. Q: Newspapers, media. ​ ​ PECK: Media, that sort of thing, yes. So I took and passed the Foreign Service exam. Q: Could you explain what the Foreign Service exam was when you took it? ​ ​ PECK: That was the one day exam. Q: They'd switched over to that. ​ ​ PECK: They had already switched over to it. It was also given in various places. I took it in Los Angeles. Before taking the exam I went down and dug out the books written by a company called ARCO, to look at what the Foreign Service exam was like when it was three days long. That's a company that did all sorts of books on how to take exams. Mail handlers, you know, all sorts of positions of that sort. Q: Ah yes, yes. The civil service type things, yes. ​ ​ PECK: Right. I took the book home. It just fell open on the section on geography. In those days the correct answer was worth a point, a wrong answer was a minus point, and 5 a no answer was a minus half a point, which was an interesting way to do it. It fell open to geography and the first question, true or false, was: "In June the winds off the Malabar Coast blow generally from east to west." Well, I was one of those rare people who knew where the Malabar coast was because that's the part of India I had visited, but I didn't know which way the wind blew. Second true or false question was: "At noon on the fifteenth of November on the northern border of South Dakota"—notice that—"the sun is more than fifteen degrees south of the zenith." Well, you know. [Laughter] That's a different kind of exam than the one I took. I closed the book and returned it to its place on the shelf. Q: I know before I took the exam—I took the three-and-a-half day exam couple of years ​ ​ before— PECK: Oh. Q: I was in the military and all I did was I sat down and memorized who wrote operas. I ​ ​ just thought this is a cultural thing, and no operatic question appeared on the exam. PECK: When I took the written exam, they had a very heavy section on economics, because they had discovered that there was a dearth of people who could do that work, and there were a number of graphs and charts which destroyed all of the people from UCLA who took the test.
Recommended publications
  • Jay-Z: in Tha’ Mix
    ASC 1138--JAY-Z: IN THA’ MIX JAY-Z: IN THA’ MIX CREDIT HOURS Leta Hendricks [email protected] Tel: 614-688-7478 Classroom – Room 150A Thompson Library Class Meeting – Fridays – 1:30 – 2:18 p.m. January 11 – April 19, 2013 Office Hours – Tuesday – 9:00 – 11:00 a.m. and by appointment WEB Site – Twitter – Second Life- Hip Hop Underground http://slurl.com/secondlife/Cybrary%20City%20II/77/198/8 SYLLABUS COURSE DESCRIPTION JAY-Z is an entrepreneurial phenomenon of the last the twenty years. This seminar examines JAY-Z from different perspectives as an artist and as a businessman. The seminar will discuss perspectives and beliefs about rap music and popular culture. JAY-Z is currently one of the most influential iconic figures of Global Pop Culture. His music embodies the quintessentially “African American” genre of music, we will study his musical roots, trace the development of his career and connect JAY-Z with his culture. An analysis of his business empire will include his drug-marked youth, musical achievements, and urban-informed business savvy. The Seminar will discuss his lyrics and their meanings which reveal JAY-Z’s art and life. JAY-Z heavily borrows from American musical and literary traditions through an examination of select recordings, autobiography, film, essays and criticism, this Seminar will provide students the opportunity to discover the significance of JAY-Z’s contributions to lyric writing, popular music, and beyond. The following resources will facilitate students learning development by using multiple content formats. DJ Hero will engage students through gameplay, simulating DJ turntablism (mixing styles and techniques) connecting gaming activities to assignments, discussions, and projects on JAY-Z and current Rap artists.
    [Show full text]
  • 9 Lost and Found Westing Games Chapter
    9 ♦ Lost and Found Early the next morning a typed index card was tacked to the elevator’s back wall: LOST: Important business papers of no value to anyone but the owner. Please return to Sydelle Pulaski, 3C. No questions asked. The shorthand notebook was not returned, but the idea of a bulletin board was an instant success. By late afternoon the elevator was papered with notices and filled with tenants facing sideways and backwards, reading as they rode up and down. Lost: Silver cross on filigree chain, topaz pin and earrings, gold-filled cuff links. Return to Grace Windsor Wexler, 3D. REWARD! All players willing to discuss sharing their clues come to the coffee shop tomorrow 10 A.M. WHOEVER STOLE MY MICKEY MOUSE CLOCK BETTER GIVE IT BACK. JUST LEAVE IT IN THE HALL IN FRONT OF APARTMENT 3D WHEN NO ONE’S LOOKING. TURTLE WEXLER ORDER DOWN, NOT UP! Or come on up to the fifth floor and dine in elegance at SHIN HOO’S RESTAURANT Specializing in exquisite Chinese cuisine. LOST: STRING OF PEARLS. SENTIMENTAL VALUE. IF FOUND, PLEASE BRING THEM TO APARTMENT 2C. THANK YOU, FLORA BAUMBACH (DRESSMAKING AND ALTERATIONS, REASONABLY PRICED) FOUND: SIX CLUES The following clues, printed on squares of Westing Toilet Tissue, were found in the third floor hallway: BRAIDED KICKING TORTOISE ’SI A BRAT I am having an informal party this evening from eight o’clock on. You are all invited. Please come. J. J. Ford, apartment 4D Turtle, wherever you are— Be home at seven-thirty SHARP!!! Your loving mother “Mom, I’m home.” No one else was.
    [Show full text]
  • COURT of APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE of CALIFORNIA the PEOPLE, Plaintiff and Respondent, V. VICTOR WARE
    Filed 7/29/20 (mod.); Certified for partial publication 7/31/20 (order follows unmodified opinion) ; THE SUPREME COURT OF CALIFORNIA HAS GRANTED REVIEW COURT OF APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE OF CALIFORNIA THE PEOPLE, D072515 Plaintiff and Respondent, (Super. Ct. No. SCD255884) v. ORDER MODIFYING OPINION VICTOR WARE et al., NO CHANGE IN JUDGMENT Defendants and Appellants. THE COURT: It is ordered that the opinion filed on July 21, 2020, be modified as follows: 1. Delete the first sentence on page 5, first full paragraph, and replace with the following sentence: "We reverse Simpson's and Hoskins's gang conspiracy convictions, but reject appellants' remaining arguments regarding their convictions." There is no change in the judgment. BENKE, Acting P. J. Copies to: All Parties Filed 7/21/20 P. v. Ware CA4/1 (unmodified opinion) COURT OF APPEAL, FOURTH APPELLATE DISTRICT DIVISION ONE STATE OF CALIFORNIA THE PEOPLE, D072515 Plaintiff and Respondent, (Super. Ct. No. SCD255884) v. VICTOR WARE et al., Defendants and Appellants. APPEALS from judgments of the Superior Court of San Diego County, Leo Valentine, Jr., Judge. Affirmed in part, reversed in part, and remanded for resentencing. Lynda A. Romero, under appointment by the Court of Appeal, for Defendant and Appellant Dionte Simpson. David L. Polsky, under appointment by the Court of Appeal, for Defendant and Appellant Victor Ware. Nancy E. Olsen, under appointment by the Court of Appeal, for Defendant and Appellant Nicholas Hoskins. Xavier Becerra, Attorney General, Gerald A. Engler, Chief Assistant Attorney General, Julie L. Garland, Assistant Attorney General, A. Natasha Cortina and Christine Levingston Bergman, Deputy Attorneys General, for Plaintiff and Respondent.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
    FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive.
    [Show full text]
  • Troubled Ethnicities in American Popular Music from Elvis Presley to Eminem
    TROUBLED ETHNICITIES IN AMERICAN POPULAR MUSIC FROM ELVIS PRESLEY TO EMINEM Stefan L. Brandt (University of Siegen, Germany / Harvard University) With the commodification of African American culture, Blackness has become an accessory that can be put on like burnt cork and hog fat: baggy pants, overpriced athletic shoes, corn rows or dread locks, gaudy jewelry, swiveling necks, snapping fingers, absent consonants.1 Introduction: Blackface, White Negritude, and Ethnic Identity On July 18, 1953, an 18-year old trucker named Elvis Presley decided to go to the Sun Record Company in Memphis and paid $3.98 to record a demo – a procedure that he repeated in January of 1954. It took another four months until Sun Records founder Sam Phillips, eager to capitalize upon the popularity of African American songs, accidentally discovered one of the tapes and took Presley under contract. Presley’s music, a combination of Rhythm & Blues, hillbilly, gospel, and boogie-woogie, dominated by an uptempo, backbeat-driven rhythm, was an instant success. Some forty years later, American popular music saw another successful ‘hybrid’ artist in the shape of Missouri-born white rapper Marshall Bruce Mathers III, better known as “Eminem” or “Slim Shady.” Like Elvis before him, Eminem cleverly took advantage of the appeal of a ‘black’ music style, in his case HipHop, integrating it into a mass-compatible crossover product. Eminem’s video clips are masterstrokes of ethnic marketing, deploying elements of ‘white trash’ imagery as well as of ‘black’ language and art. My essay is interested in those strategies of representation within American popular music that are designed to market what Harry J.
    [Show full text]
  • Never Change 2.1
    Never Change 2.1: A Look at Jay-Z’s Lyrical Evolution kashema h. www.kashema.com Never Change 2.1: A look Jay-Z’s Lyrical Evolution By kashema h. “Intro” Jay-Z’s classic album Reasonable Doubt (1996) turned 20 years old this summer but it has been two years since he has released another album. He released “Spiritual” after the extrajudicial killings of Alton Sterling and Philando Castile. Jay is featured on the remix of “All the Way Up” and teamed up with DJ Khaled and Future to create “I Got the Keys.” Back in April, Mr. Carter made a cameo on his wife’s Beyoncé’s visual album, Lemonade as a family man. The last time we saw the lyricist in full rap mode (e.g. album, singles and tour) was for Magna Carta Holy Grail in 2013. The promotional On The Run trailer for the married couple’s tour stars Jay-Z and Beyoncé as bank robbers à la Bonnie and Clyde, and features all kinds of guns, ski masks, shady figures, cop chases and a line-up. In 2014, I started to think about Jay’s past criminal life as a drug dealer, and his references to it on his records. I let the thing between my eyes analyze Jay’s skills, then put it down—type Braille...you feel me? Last month, the rapper narrated the New York Times Op-Ed: “The War on Drugs Is an Epic Fail.” I went back to my study of Jay-Z and his lyrics with a more critical eye.
    [Show full text]
  • 13 Biibd: Music HOTR&Bfrfipap , YTM
    DECEMBER 13 BiIbd: Music HOTR&BfrFIPAP , YTM u w W w + TITLE = TITLE S _ TITLE Temptations, the Whispers and r g ARTIST (IMPRINT/PROMOTION LABEL) F , ARTIST (IMPRINT/PROMOTION LABEL) 1- g ARTIST (IMPRINT /PROMOTION LABEL) Y- NUMBER 1 Lakeside will be among the hon- 1 y2 1 Step In The Name Of Love wuallo.I 26 21 Clap Back ® 55 Quick To Back Down Rhythm R. KELLY IJIVEI ", JA RULE (MURDER INCJDEFJAM/IOJMG) orees at the second annual Black BRAVEHEARTS(ILL WIWCOLUMBINSUMI Q 5 You Don't Know My Name ® 41 Not Today 53 The Set Up Music Awards. The Dec. 14 ALICIA KEYS (JA1MG) MARY J. BLIGE FEAT. EVE ¡GEFFEN) OBIE TRICE FEAT. NATE DOGG ISHADY /INTERSCOPB soirée -presented by the Los 3 3 Walked Outta Heaven m 30 Gigolo 53 Touched A Dream & Blues JAGGED EDGE ICOLUMBINSUMI NICK CANNON FEAT. R. KELLY (NICK/JIVE) R. KELLY IJIVEI Angeles Black Music Assn. -will 4 4 The Way You Move 29 25 Thoia Thoing 66 Pop That Booty Conti'ued from page 32 be held at Los Angeles' Wilshire OUTKAST FEAT. SLEEPY BROWN IARISTAI R. KELLY (JIVE) MARQUES HOUSTON ITU.GJELEKTRNEEGI 5 2 Stand Up Q 39 Salt Shaker 52 Suga Suga Ebell Theater. For more details, LUDACRIS (DISTURBING THA PEACE/DEF JAM SOUTMOJMGI HING YANG TWINS ICOWPARK/IVTI BABY BASH FEAT. FRANKIE J IUNIVERSAL/UMRGI visit lablackmusicawards.com. 6 6 Damn! @ 36 Through The Wire 60 Rubber Band Man VOUNGBL000Z FEAT. UL JON (SO SO DEF/ ARISTA) KANYE WEST )ROC- A- FELLADEFJAM/IDJMGI T I. IGRAND HUSTLE/ATLANTICI (Dec.
    [Show full text]
  • Artist Song Album Blue Collar Down to the Line Four Wheel Drive
    Artist Song Album (BTO) Bachman-Turner Overdrive Blue Collar Best Of BTO (BTO) Bachman-Turner Overdrive Down To The Line Best Of BTO (BTO) Bachman-Turner Overdrive Four Wheel Drive Best Of BTO (BTO) Bachman-Turner Overdrive Free Wheelin' Best Of BTO (BTO) Bachman-Turner Overdrive Gimme Your Money Please Best Of BTO (BTO) Bachman-Turner Overdrive Hey You Best Of BTO (BTO) Bachman-Turner Overdrive Let It Ride Best Of BTO (BTO) Bachman-Turner Overdrive Lookin' Out For #1 Best Of BTO (BTO) Bachman-Turner Overdrive Roll On Down The Highway Best Of BTO (BTO) Bachman-Turner Overdrive Take It Like A Man Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Best Of BTO (BTO) Bachman-Turner Overdrive You Ain't Seen Nothing Yet Best Of BTO (BTO) Bachman-Turner Overdrive Takin' Care Of Business Hits of 1974 (BTO) Bachman-Turner Overdrive You Ain't Seen Nothin' Yet Hits of 1974 (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr. Blue Sky Greatest Hits of ELO (ELO) Electric Light Orchestra Rockaria Greatest Hits of ELO (ELO) Electric Light Orchestra Showdown Greatest Hits of ELO (ELO) Electric Light Orchestra Strange Magic Greatest Hits of ELO (ELO) Electric Light Orchestra Sweet Talkin' Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Telephone Line Greatest Hits of ELO (ELO) Electric Light Orchestra Turn To Stone Greatest Hits of ELO (ELO) Electric Light Orchestra Can't Get It Out Of My Head Greatest Hits of ELO (ELO) Electric Light Orchestra Evil Woman Greatest Hits of ELO (ELO) Electric Light Orchestra Livin' Thing Greatest Hits of ELO (ELO) Electric Light Orchestra Ma-Ma-Ma Belle Greatest Hits of ELO (ELO) Electric Light Orchestra Mr.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Inside Cover .......................................................................................... i Inside Title ............................................................................................ ii Declaration page .................................................................................... iii Motto ...................................................................................................... iv Dedication page ..................................................................................... v Thesis Advisor’s Approval .................................................................. vi Thesis Examiner’s Approval ............................................................... vii Acknowledgements ............................................................................... viii Table of Contents ................................................................................ x List of Appendices ................................................................................. xiv Abstract .................................................................................................. xv Intisari .................................................................................................... xvi CHAPTER 1 INTRODUCTION 1.1 Background of the Study ................................................................... 1 1.2 Statement of the Problems ............................................................... 7 1.3 Objective of the Study .....................................................................
    [Show full text]
  • News from Sun Assembly
    News from Sun Assembly Spring 2017 Like us on Facebook! Newsletter editor: Pat Petersen Spring DanceFest!! Welcoming the New Year DanceFest 2017 is upon us! It’s Saturday and Thanks to all the teachers, volunteers, refreshment Sunday, March 11-12. We are very fortunate to providers, musicians, and DANCERS who made have Gene Murrow from New York as our dance this past New Years Eve dance a great success! caller. Gene is in demand worldwide as a caller, musician, and organizer. Our dance venue at the Summer Dancing! Murphey School is a beautiful place to dance and Where will you be escaping the NC heat this we’ll have wonderful music. Check the Sun summer? CDSS offers camps at Pinewoods, Assembly website for details and schedule. Spring Ogontz, and now in Michigan. There are dance DanceFest has become a Sun Assembly tradition weeks to suit all tastes—check them out. A number because the past events have been so much fun. of camp scholarships are available for those in need. Don’t miss it. Many will travel far to attend, but it is in your own backyard! No partner necessary; we Pat Shaw Centennial mix it up a lot! You don’t need much experience; This year we celebrate the 100th anniversary of the basic knowledge of the calls and a general idea of birth of Pat Shaw (1917-1977), prolific and the forms will serve you well. No need for ball inventive choreographer, musician, singer, gowns and tuxes; just come wearing the clothes you collector, composer of tunes and rounds, and dance like to dance in.
    [Show full text]