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Anc Today Voice of the African National Congress
ANC TODAY VOICE OF THE AFRICAN NATIONAL CONGRESS 14 – 20 May 2021 Conversations with the President South Africa waging a struggle that puts global solidarity to the test n By President Cyril Ramaphosa WENTY years ago, South In response, representatives of massive opposition by govern- Africa was the site of vic- the pharmaceutical industry sued ment and civil society. tory in a lawsuit that pitted our government, arguing that such public good against private a move violated the Trade-Relat- As a country, we stood on princi- Tprofit. ed Aspects of Intellectual Property ple, arguing that access to life-sav- Rights (TRIPS). This is a compre- ing medication was fundamental- At the time, we were in the grip hensive multilateral agreement on ly a matter of human rights. The of the HIV/Aids pandemic, and intellectual property. case affirmed the power of trans- sought to enforce a law allowing national social solidarity. Sev- us to import and manufacture The case, dubbed ‘Big Pharma eral developing countries soon affordable generic antiretroviral vs Mandela’, drew widespread followed our lead. This included medication to treat people with international attention. The law- implementing an interpretation of HIV and save lives. suit was dropped in 2001 after the World Trade Organization’s Closing remarks by We are embracing Dear Mr President ANC President to the the future! Beware of the 12 NEC meeting wedge-driver: 4 10 Unite for Duma Nokwe 2 ANC Today CONVERSATIONS WITH THE PRESIDENT (WTO) Agreement on Trade-Re- ernment announced its support should be viewed as a global pub- lated Aspects of Intellectual Prop- for the proposal, which will give lic good. -
President Zuma to Bestow 2017 National Orders Awards
PRESIDENT ZUMA TO BESTOW 2017 NATIONAL ORDERS AWARDS President Jacob Zuma, the Grand Patron of the National Orders, will today, 28 April 2017, bestow the 2017 National Orders Awards on distinguished local citizens and eminent foreign nationals who have played a significant role towards building a free democratic South Africa and improving the lives of South Africans in various ways. The National Orders are the highest awards that South Africa bestows, through the President of the Republic upon citizens and members of the international community who have contributed meaningfully towards making the country a free democratic and successful nation, united in its diversity. During the ceremony, President Zuma will bestow the Order of Ikhamanga, the Order of the Baobab, the Order of Luthuli, and the Order of the Companions of OR Tambo to the following deserving recipients. THE ORDER OF IKHAMANGA IN GOLD Mr Wayde van Niekerk: For his exceptional contribution to the sporting field of track running. His performance against all odds broke standing records of international legends and brought immense national pride. Mr Wayde van Niekerk was born on 15 July 1992 in Cape Town. He attended Bellville Primary and Grey College before studying marketing at the University of the Free State. Van Niekerk is a track and field sprinter who has brought national pride to this country. He competes in the 200 and 400 metres respectively. He is the current world record holder, world and Olympic champion in the 400m. He is also the first and only person in history to run 100m in less than 10 seconds, 200m in 20 seconds, and 400m in 44 seconds. -
The Power of Heritage to the People
How history Make the ARTS your BUSINESS becomes heritage Milestones in the national heritage programme The power of heritage to the people New poetry by Keorapetse Kgositsile, Interview with Sonwabile Mancotywa Barbara Schreiner and Frank Meintjies The Work of Art in a Changing Light: focus on Pitika Ntuli Exclusive book excerpt from Robert Sobukwe, in a class of his own ARTivist Magazine by Thami ka Plaatjie Issue 1 Vol. 1 2013 ISSN 2307-6577 01 heritage edition 9 772307 657003 Vusithemba Ndima He lectured at UNISA and joined DACST in 1997. He soon rose to Chief Director of Heritage. He was appointed DDG of Heritage and Archives in 2013 at DAC (Department of editorial Arts and Culture). Adv. Sonwabile Mancotywa He studied Law at the University of Transkei elcome to the Artivist. An artivist according to and was a student activist, became the Wikipedia is a portmanteau word combining youngest MEC in Arts and Culture. He was “art” and “activist”. appointed the first CEO of the National W Heritage Council. In It’s Bigger Than Hip Hop by M.K. Asante. Jr Asante writes that the artivist “merges commitment to freedom and Thami Ka Plaatjie justice with the pen, the lens, the brush, the voice, the body He is a political activist and leader, an and the imagination. The artivist knows that to make an academic, a historian and a writer. He is a observation is to have an obligation.” former history lecturer and registrar at Vista University. He was deputy chairperson of the SABC Board. He heads the Pan African In the South African context this also means that we cannot Foundation. -
Arts & Culture
SOUTH AFRICA YEARBOOK 2013/14 The Department of Arts and Culture (DAC) con- tinues to make signifi cant strides in positioning Arts and the cultural and creative industries as one of the main drivers of economic growth and job crea- tion in South Africa. The success of the arts and culture sector is also reliant on effective governance, infra- Culture structure and skills development, partnerships, research, sharing of information and enterprise development. In this context, the department is committed to supporting a number of emergent shifts in the arts, culture and heritage sector over the next fi ve years. These shifts have the potential to increase the growth and development of the sector signifi cantly. They include addressing a number of inade- quacies in the policy and regulatory environment to strengthen governance in the sector, increase investment and improve information and sta- tistics for more effective planning and decision - making. The DAC is strengthening co - operation with a range of public and private sector institu- tions and stakeholders. The development and implementation of the Mzansi Golden Economy Strategy is an example of how to mobilise the resources of all stakeholders in the sector. Measures to promote the arts include: • providing fi nancial, as well as information and communication technology support to artists to enable the creation of works expressing national creativity, while opening space for vibrant debate • strengthening the Independent Communica- tions Authority of South Africa’s mandate for nation - building and value inculcation • incentivising commercial distribution networks to distribute and/or host art • developing and implementing plans for a more effective arts and culture curriculum in schools with appropriate educator support • supporting income-smoothing for artists in a special unemployment insurance scheme and evaluating funding models for such initiatives • developing sectoral determination legislation frameworks to protect arts-sector employees. -
Presentation of National Orders Osefako Makgatho Presidential Guesthouse R Pretoria Tuesday, 8 December 2015
AWARD CEREMONY NATIONAL ORDERS National Orders 2015_inside_REV2.indd 1 2015/11/27 9:51 AM Order of Proceedings PRESENTATION OF NATIONAL ORDERS OSEFAKO MAKGATHO PRESIDENTIAL GUESTHOUSE R PRETORIA TUESDAY, 8 DECEMBER 2015 1. Nominees for the National Orders and guests take their seats 2. Arrival of the His Excellency President Jacob Zuma 3. Rendition of the South African National Anthem and the African Union Anthem 4. Word of welcome by the Programme Director 5. Ceremonial oration by the Grand Patron of National Orders 6. Investiture of the National Orders • THE ORDER OF MENDI FOR BRAVERY • THE ORDER OF IKHAMANGA • THE ORDER OF THE BAOBAB • THE ORDER OF LUTHULI • THE ORDER OF THE COMPANIONS OF OR TAMBO 7. The President, the Chancellor and recipients of National Orders proceed to the credentials room for a photo opportunity 8. The President, Chancellor and recipients of National Orders return to the Banquet hall for Luncheon Grand Patron of National Orders His Excellency President Jacob Zuma Chancellor of National Orders Dr Cassius Lubisi The Advisory Council on National Orders Ms Brigitte Mabandla; Mr Mandla Langa; Dr Glenda Gray; Dr Molefi Oliphant; Dr Lindiwe Mabuza; Prof Malegapuru Makgoba; Ms Mary Burton; Ms Sally Padayachie; Rev Buti Tlhagale; Mr James Motlatsi; Dr Fazel Randera and Ms Nothembi Mkhwebane. ii National Orders 2015_inside_REV2.indd 2 2015/11/27 9:51 AM Recipients THE ORDER OF MENDI FOR BRAVERY THE ORDER OF LUTHULI RBRONZE BRONZE 1. Jetro Ndlovu 18. Kay Moonsamy SILVER SILVER 2. Joseph Morolong (posthumous) 19. William Henry Frankel 3. Caleb Motshabi (posthumous) 20. Johnson Malcomess Mgabela 4. -
The National Identity Passport of Patriotism
The National Identity Passport of Patriotism Table of Contents Topic Pages Foreword Our Constitution 2 The Preamble of our Constitution 3 The National Flag 4 The National Flag Etiquette 5 The National Anthem 6 History of the National Anthem 7 The National Coat of Arms 8 The Provincial Coats of Arms 9 The National Animal 10 The National Flower 11 The National Tree 12 The National Bird 13 The National Fish 14 The National Orders 15 The Order of Mapungubwe 16 The Order of Baobab 16 The Order of the Companions of OR Tambo 16 The Order of Luthuli 17 The Order of Mendi 17 The Order of Ikhamanga 17 The Mace 18 The Black Rod 18 The Parliamentary Emblem 19 The African Union (AU) Flag 20 The African Union Anthem 21 MINISTER’S FOREWORD South Africa is a country of unique and original national symbols and its flag is one of the most recognizable in the world. With the re-issuing of this booklet, we are speed- ing up the program to heighten awareness and consciousness of our national symbols. This booklet includes many of our important sym- bols that define our national identity and promote nation building to inspire pride in being a South Afri- can. The importance of being a citizen of this great nation is when all our people are a living expression of our constitutional values, principles and ideals. As part of the celebration of the 20th anniversary of democracy and freedom milestone, we are proud to include details of our Constitution and that of the African Union (AU). -
2012 Awards Ceremony for National Orders
2012 NATIONAL ORDERS 2012Awards Ceremony for National Orders AMBASSADORS OF A FREE SOUTH AFRICA Produced by the Government Communication and Information System (GCIS) Celebrating freedom, celebrating honour Every year, on Freedom Day, South Africa pays homage to its heroes This resulted in the commissioning and ultimate design of the new and heroines and eminent foreign nationals who have played their part National Orders. in making South Africa what it is today. Today, South Africa is a country that embraces freedom and no longer EWith the birth of a new non-racial and non-sexist democracy in South excludes or discriminates on the basis of sex, colour and creed. As the W Africa 18 years ago, there was a critical need to review the system country moves forward, it is distinguished by a new culture of human of national orders and awards. The previous system consisted of one rights and respect for the dignity of the human spirit. Decoration and four Orders which did not embrace the spirit of the rebirth of South Africa. In so doing, new symbols that reflected our nation and its rebirth have evolved. The National Orders were conceived in that same spirit of In May 1998, the then newly-instituted President’s Advisory Council on rebirth and are the highest symbols of pride and honour in our country. National Orders was given the task to review the system of National Orders and awards. How the nomination process works The National Orders are the highest awards bestowed on ordinary South Africans or eminent foreigners who are doing or have done extraordi- nary things for our country. -
Young Women and South Africa's Liberation Struggles After 1976. Rachel E. Johnson
MAKING HISTORY, GENDERING YOUTH: Young Women and South Africa's Liberation Struggles after 1976. Rachel E. Johnson Thesissubmitted for the degreeof Doctor of Philosophy(PhD) Departmentof History, University of Sheffield April 2010 CONTENTS ACKNOWLEDGEMENTS ...................................................................4 6 SUMMARY ............................................................................................. ABBREVIATIONS .................................................................................7 INTRODUCTION ...................................................................................9 Nationalism I. History and ...................................................................................12 II. Silence 15 ........................................................................................................... How to history CHAPTER ONE: write a of youth? ......................... 19 Youth 20 I. Theorising .............................................................................................. Youth in SouthAfrica II. The Historiographyof ..............................................26 Archive 48 III. A Living .......................................................................................... CHAPTER TWO: The meanings of June 16th and the in South African histories gendering of youth ...................................54 56 I. The Nature of Newspapers .................................................................................. 1977-1986 II. June 16than episode within the struggle -
SA Yearbook 10/11: Chapter 4
ARTS AND CULTURE SOUTH AFRICA YEARBOOK 2010/11 2010/11 ARTS AND CULTURE 4 The Department of Arts and Culture is tasked Arts and culture organisa- with creating an environment conducive to the tions and institutions growth, development and flowering of South National Heritage Council Africa’s arts, culture and heritage land- (NHC) scape. The NHC, a statutory body that aims to The department leads and coordinates bring equity to heritage promotion and efforts to promote national identity and conserva tion, was officially constituted on social cohesion. 26 February 2004 in terms of the NHC Act, The 2010 FIFA World CupTM provided a 1999 (Act 11 of 1999). The council creates unique opportunity for the diverse South an environment for preserving and promot- African heritage, arts, crafts and cultural ing South African heritage. sectors to come to the fore. In July 2010, the NHC and Freedom A substantial investment was made by the Park held the Intergenerational Dialogues department to integrate these elements into for the celebration of Nelson Mandela Day the World Cup, as well as to amplify them as at the Freedom Park in Pretoria. The part of the South African experience offered Department of Arts and Culture and the to the world. NHC have embarked on the development The Department of Arts and Culture of the National Liberation Heritage Route, funded 21 World Cup Arts and Culture- which will highlight the contribution of related projects totalling R59 million and set national heroes to the struggle for freedom. aside R127 million for infrastructure devel- opment projects, which were regarded as South African Heritage 2010 legacy projects. -
Footprints on the Sands of Time;
FOOTPRINTS IN THE SANDS OF TIME CELEBRATING EVENTS AND HEROES OF THE STRUGGLE FOR FREEDOM AND DEMOCRACY IN SOUTH AFRICA 2 3 FOOTPRINTS LABOUR OF LOVE IN THE SANDS OF TIME Unveiling the Nkosi Albert Luthuli Legacy Project in August 2004, President Thabo Mbeki reminded us that: “... as part of the efforts to liberate ourselves from apartheid and colonialism, both physically and mentally, we have to engage in the process of telling the truth about the history of our country, so that all of our people, armed with this truth, can confidently face the challenges of this day and the next. ISBN 978-1-77018-205-9 “This labour of love, of telling the true story of South Africa and Africa, has to be intensified on © Department of Education 2007 all fronts, so that as Africans we are able to write, present and interpret our history, our conditions and All rights reserved. You may copy material life circumstances, according to our knowledge and from this publication for use in non-profit experience. education programmes if you acknowledge the source. For use in publication, please Courtesy Government Communication and Information System (GCIS) obtain the written permission of the President Thabo Mbeki “It is a challenge that confronts all Africans everywhere Department of Education. - on our continent and in the Diaspora - to define ourselves, not in the image of others, or according to the dictates and Enquiries fancies of people other than ourselves ...” Directorate: Race and Values, Department of Education, Room 223, President Mbeki goes on to quote from a favourite 123 Schoeman Street, Pretoria sub·lime adj 1. -
Emerging Political Subjectivities in a Post Migrant Labour Regime: Mobilisation, Participation and Representation of Foreign Workers in South Africa (1980-2013)
Title: Emerging political subjectivities in a post migrant labour regime: Mobilisation, participation and representation of foreign workers in South Africa (1980-2013) By: Janet Munakamwe A THESIS submitted to the FACULTY OF HUMANITIES, at the UNIVERSITY OF THE WITWATERSRAND, JOHANNESBURG, in fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Migration & Displacement Studies Supervisor: Professor Aurelia Segatti Co- Supervisor: Professor Jo Vearey Johannesburg: May, 2018 DECLARATION I, Janet Munakamwe, declare that this is my own unaided work submitted to the Faculty of Humanities, University of the Witwatersrand for the Doctor of Philosophy degree (Migration and Displacement). It has not been submitted before for examination in any other university. However, part of my thesis appears in my previous publications on ‘ZamaZama’; the most recent one being a book chapter published in 2017 entitled: 1. Munakamwe, J. (2017). “ZamaZama livelihood strategies, mobilisation and resistance in Johannesburg, South Africa” in Wakarindwa, T. and Nhemachena, A. (Eds) (2017). Mining Africa: A Critical Multidisciplinary Interrogation of Theories and Practices. Bamenda: Langa Publishers (Langaa RPCIG). Pages 104 -132. ISBN-10: 9956-764- 32-9 ISBN-13: 978-9956-764-32-7© 2. Munakamwe, J. (2015): Review of Costello, C. and Freedland, M. (eds.) (2014) Migrants at Work: Immigration and Vulnerability in Labour Laws by Global Labour Journal: https://escarpmentpress.org/globallabour/issue/view/246 3. Munakamwe, J. (2015). “The interface between the legal and illegal mining processes: unpacking the value chain of illegally mined gold” “Sharing the Gains – Containing Corporate Power.” 10th Annual Global Labour University Conference, FL‐CIO Washington, D.C. headquarters. -
South African Political Prison-Literature Between 1948 and 1990: the Prisoner As Writer and Political Commentator
SOUTH AFRICAN POLITICAL PRISON-LITERATURE BETWEEN 1948 AND 1990: THE PRISONER AS WRITER AND POLITICAL COMMENTATOR by GILLIAN CAROL BOOTH-YUDELMAN submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject ENGLISH at the UNIVERSITY OF SOUTH AFRICA PROMOTER: DR MC ANDERSEN 30 NOVEMBER 1997 SUMMARY This thesis examines works written about imprisonment by four South African political prison writers who were incarcerated for political reasons. My Introduction focuses on current research and literature available on the subject of political prison-writing and it justifies the study to be undertaken. Chapter One examines the National Party's policy pertaining to the holding of political prisoners and discusses the work of Michel Foucault on the subject of imprisonment as well as the connection he makes between knowledge and power. This chapter also considers the factors that motivate a prisoner to write. Bearing in mind Foucault's findings, Chapters Two to Five undertake detailed studies of La Guma's The Stone Country, Dennis Brutus's Letters to Martha, Hugh Lewin's Bandiet and Breyten Breytenbach's The True Confessions of an Albino Terrorist, respectively. Particular emphasis is placed on the reaction of these writers against a repressive government. In addition, Chapters Two to Five reflect on the way in which imprisonment affected them from a psychological point of view, and on the manner in which they were, paradoxically, empowered by their prison experience. Chapters Four and Five also consider capital punishment and Lewin and Breytenbach's response to living in a hanging jail. I contemplate briefly the works of Frantz Fanon in the conclusion in order to elaborate on the reasons for the failure of the system of apartheid and the policy of political imprisonment and to reinforce my argument.