President Zuma to Bestow 2017 National Orders Awards
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Anc Today Voice of the African National Congress
ANC TODAY VOICE OF THE AFRICAN NATIONAL CONGRESS 14 – 20 May 2021 Conversations with the President South Africa waging a struggle that puts global solidarity to the test n By President Cyril Ramaphosa WENTY years ago, South In response, representatives of massive opposition by govern- Africa was the site of vic- the pharmaceutical industry sued ment and civil society. tory in a lawsuit that pitted our government, arguing that such public good against private a move violated the Trade-Relat- As a country, we stood on princi- Tprofit. ed Aspects of Intellectual Property ple, arguing that access to life-sav- Rights (TRIPS). This is a compre- ing medication was fundamental- At the time, we were in the grip hensive multilateral agreement on ly a matter of human rights. The of the HIV/Aids pandemic, and intellectual property. case affirmed the power of trans- sought to enforce a law allowing national social solidarity. Sev- us to import and manufacture The case, dubbed ‘Big Pharma eral developing countries soon affordable generic antiretroviral vs Mandela’, drew widespread followed our lead. This included medication to treat people with international attention. The law- implementing an interpretation of HIV and save lives. suit was dropped in 2001 after the World Trade Organization’s Closing remarks by We are embracing Dear Mr President ANC President to the the future! Beware of the 12 NEC meeting wedge-driver: 4 10 Unite for Duma Nokwe 2 ANC Today CONVERSATIONS WITH THE PRESIDENT (WTO) Agreement on Trade-Re- ernment announced its support should be viewed as a global pub- lated Aspects of Intellectual Prop- for the proposal, which will give lic good. -
A Teachers Guide to Accompany the Slide Show
A Teachers Guide to Accompany the Slide Show by Kevin Danaher A Teachers Guide to Accompany the Slide Show by Kevin Danaher @ 1982 The Washington Office on Africa Educational Fund Contents Introduction .................................................1 Chapter One The Imprisoned Society: An Overview ..................... 5 South Africa: Land of inequality ............................... 5 1. bantustans ................................................6 2. influx Control ..............................................9 3. Pass Laws .................................................9 4. Government Represskn ....................................8 Chapter Two The Soweto Rebellion and Apartheid Schooling ......... 12 Chapter Three Early History ...............................................15 The Cape Colony: European Settlers Encounter African Societies in the 17th Century ................ 15 The European Conquest of Sotho and Nguni Land ............. 17 The Birth d ANC Opens a New Era ........................... 20 Industrialization. ............................................ 20 Foundations of Apartheid .................................... 21 Chapter Four South Africa Since WurJd War II .......................... 24 Constructing Apcrrtheid ........................... J .......... 25 Thd Afriqn National Congress of South Africa ................. 27 The Freedom Chafler ........................................ 29 The Treason Trid ........................................... 33 The Pan Africanht Congress ................................. 34 The -
The Power of Heritage to the People
How history Make the ARTS your BUSINESS becomes heritage Milestones in the national heritage programme The power of heritage to the people New poetry by Keorapetse Kgositsile, Interview with Sonwabile Mancotywa Barbara Schreiner and Frank Meintjies The Work of Art in a Changing Light: focus on Pitika Ntuli Exclusive book excerpt from Robert Sobukwe, in a class of his own ARTivist Magazine by Thami ka Plaatjie Issue 1 Vol. 1 2013 ISSN 2307-6577 01 heritage edition 9 772307 657003 Vusithemba Ndima He lectured at UNISA and joined DACST in 1997. He soon rose to Chief Director of Heritage. He was appointed DDG of Heritage and Archives in 2013 at DAC (Department of editorial Arts and Culture). Adv. Sonwabile Mancotywa He studied Law at the University of Transkei elcome to the Artivist. An artivist according to and was a student activist, became the Wikipedia is a portmanteau word combining youngest MEC in Arts and Culture. He was “art” and “activist”. appointed the first CEO of the National W Heritage Council. In It’s Bigger Than Hip Hop by M.K. Asante. Jr Asante writes that the artivist “merges commitment to freedom and Thami Ka Plaatjie justice with the pen, the lens, the brush, the voice, the body He is a political activist and leader, an and the imagination. The artivist knows that to make an academic, a historian and a writer. He is a observation is to have an obligation.” former history lecturer and registrar at Vista University. He was deputy chairperson of the SABC Board. He heads the Pan African In the South African context this also means that we cannot Foundation. -
Forced Removal of Population the Apartheid Regime Has Sought to Enforce Strict Territorial Segregation of the Different ‘Population Groups’
residence, commercial activities and industry for members of the White, Coloured and Asian groups (each in separate zones). Based on these group areas are segregated local government structures, and a segregated tricameral parliament with separate White, Coloured and Indian chambers, designed to preserve white political power while extending limited participation in central government to small sections of the Indian and Coloured communities. The majority of the population in South Africa is united in rejecting the segregated political structures of apartheid. Forced Removal of Population The apartheid regime has sought to enforce strict territorial segregation of the different ‘population groups’. People are forcibly evicted from their homes if they are in a zone which the government has asigned to another group. The government speaks, not of forced removal or eviction, but of Relocation and Resettlement. The evictions take place in many different kinds of areas and under different laws. In rural areas people are moved on a number of different pretexts. The places in which they live may be designated Black Spots — these are areas of land occupied and owned by Africans which the government has designated for another group, usually white. The occupiers are moved to a bantustan. Others are moved in the course of Consolidation of the bantustans, as the regime attempts to reduce the number of fragments of land which make up the bantustans. Over a million black tenants have been evicted from white owned farms since the 1960s. Tenants who paid cash rent to the farms were called Squatters, implying they had no right to be on the land. -
The Prison Narratives of Some South African Women
.. •"' Negoti~ting Truth, Freedom and Self: the Prison Narratives of Some South African Women Sandra M. Young Supervised by Assoc-Prof Dorothy Driver Submitted in fulfilment of the requirements for the degree of Master of Arts University of Cape Town Department of English Language and Literature 1996 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. For my mother Elizabeth compassionate and courageous in both living and dying iii Abstract The autobiographical prison writings of four South African women - Ruth First, Caesarina Kana Makhoere, Emma Mashinini and Maggie Resha - form the focus of this study. South African autobiography is burdened with the task of producing history in the light of the silences enforced by apartheid security legislation and the dominance of representations of white histories. Autobiography with its promise of 'truth' provides the structure within which to establish a credible subject position. In chapter one I discuss the use of authenticating devices, such as documentary-like prose, and the inclusion in numerous texts of the stories of others. Asserting oneself as a (publicly acknowledged) subject in writing is particularly difficult for women who historically have been denied access to authority: while Maggie Resha's explicit task is to highlight the role women have played in the struggle, her narrative must also be broadly representative, her authority communal. -
Arts & Culture
SOUTH AFRICA YEARBOOK 2013/14 The Department of Arts and Culture (DAC) con- tinues to make signifi cant strides in positioning Arts and the cultural and creative industries as one of the main drivers of economic growth and job crea- tion in South Africa. The success of the arts and culture sector is also reliant on effective governance, infra- Culture structure and skills development, partnerships, research, sharing of information and enterprise development. In this context, the department is committed to supporting a number of emergent shifts in the arts, culture and heritage sector over the next fi ve years. These shifts have the potential to increase the growth and development of the sector signifi cantly. They include addressing a number of inade- quacies in the policy and regulatory environment to strengthen governance in the sector, increase investment and improve information and sta- tistics for more effective planning and decision - making. The DAC is strengthening co - operation with a range of public and private sector institu- tions and stakeholders. The development and implementation of the Mzansi Golden Economy Strategy is an example of how to mobilise the resources of all stakeholders in the sector. Measures to promote the arts include: • providing fi nancial, as well as information and communication technology support to artists to enable the creation of works expressing national creativity, while opening space for vibrant debate • strengthening the Independent Communica- tions Authority of South Africa’s mandate for nation - building and value inculcation • incentivising commercial distribution networks to distribute and/or host art • developing and implementing plans for a more effective arts and culture curriculum in schools with appropriate educator support • supporting income-smoothing for artists in a special unemployment insurance scheme and evaluating funding models for such initiatives • developing sectoral determination legislation frameworks to protect arts-sector employees. -
Presentation of National Orders Osefako Makgatho Presidential Guesthouse R Pretoria Tuesday, 8 December 2015
AWARD CEREMONY NATIONAL ORDERS National Orders 2015_inside_REV2.indd 1 2015/11/27 9:51 AM Order of Proceedings PRESENTATION OF NATIONAL ORDERS OSEFAKO MAKGATHO PRESIDENTIAL GUESTHOUSE R PRETORIA TUESDAY, 8 DECEMBER 2015 1. Nominees for the National Orders and guests take their seats 2. Arrival of the His Excellency President Jacob Zuma 3. Rendition of the South African National Anthem and the African Union Anthem 4. Word of welcome by the Programme Director 5. Ceremonial oration by the Grand Patron of National Orders 6. Investiture of the National Orders • THE ORDER OF MENDI FOR BRAVERY • THE ORDER OF IKHAMANGA • THE ORDER OF THE BAOBAB • THE ORDER OF LUTHULI • THE ORDER OF THE COMPANIONS OF OR TAMBO 7. The President, the Chancellor and recipients of National Orders proceed to the credentials room for a photo opportunity 8. The President, Chancellor and recipients of National Orders return to the Banquet hall for Luncheon Grand Patron of National Orders His Excellency President Jacob Zuma Chancellor of National Orders Dr Cassius Lubisi The Advisory Council on National Orders Ms Brigitte Mabandla; Mr Mandla Langa; Dr Glenda Gray; Dr Molefi Oliphant; Dr Lindiwe Mabuza; Prof Malegapuru Makgoba; Ms Mary Burton; Ms Sally Padayachie; Rev Buti Tlhagale; Mr James Motlatsi; Dr Fazel Randera and Ms Nothembi Mkhwebane. ii National Orders 2015_inside_REV2.indd 2 2015/11/27 9:51 AM Recipients THE ORDER OF MENDI FOR BRAVERY THE ORDER OF LUTHULI RBRONZE BRONZE 1. Jetro Ndlovu 18. Kay Moonsamy SILVER SILVER 2. Joseph Morolong (posthumous) 19. William Henry Frankel 3. Caleb Motshabi (posthumous) 20. Johnson Malcomess Mgabela 4. -
South Africa: Trial by Torture
SOUTH AFRICA: TRIAL BY TORTURE - The Case of The 22. Published by: The International Defence and Aid Fund, 2, Amen Court, London, E.C.U. - 2 - TRIAL BT TORTURE The Case of The 22 CONTENTS Page Foreword 3 I. The Accused and the Charges 6 II. The Arrests 10 III. The TTial 12 IV. The Torture Ordeal 21 V. Fiendish Torture 30 VI. The Court Refuses 37 VII. The Two Who Would Not Testify Ho VIII. The Question of Justice h1 FOREWORD The South African Government spends an enormous amount of money on propaganda. Hostile world reactions to the Sharpeville shootings of i960 and still more the consequent flight of capital, affected even the isolationist Afrikaners very deeply and over the last ten years universal efforts have been made to present South Africa favourably to the outside world. This effort and the vast sums of money expended upon it, have met with consider able success. Large numbers of people, particularly British business men, politicians, journalists and others have been invited to South Africa, taken on guided tours, fed with various kinds of "information" and have returned to tell travellers' tales of the success of apartheid, of the happiness of the coloured people, of the stability and tranquillity of this smiling and beautiful land where white people certainly enjoy the highest standard of living in the world. The International Defence and Aid Fund is not in the above sense a propagandist organisation. It does not have vast sums of money to spend, and even if it did it could make better use of it. -
Obituary: Professor Kenneth Cunningham Rankin FRCS, FCS (ECSA), OBE, Orthopaedic Surgeon, Human Rights Activist and Past President of ASEA
ISSN 20732073----999999999090 East Cent. Afr. J. surg. (Online) Obituary: Professor Kenneth Cunningham Rankin FRCS, FCS (ECSA), OBE, Orthopaedic Surgeon, Human Rights Activist and Past President of ASEA Born 22 January, 1939. Died in Newcastle, 3 July, 2011, aged 72 . Kenneth Cunningham Rankin was born in 1967. The following year he moved to Egypt on 22 nd January 1939 to George Rankin Baragwanath Hospital, Soweto and was and Christina Cunningham, while his father attached to KwaZulu Natal. While working was serving with the Royal Air Force in there he also visited the rural areas in Natal Alexandria. He undertook his undergraduate and elsewhere in order to assist people training at Edinburgh University and displaced by the apartheid regime. It was graduated in 1963. As a student Ken was during the course of this work that he met his inspired by the work of the medical future wife, a journalist and political activist missionary Albert Schweitzer in Africa. He Joyce Sikakane to whom he became secretly later served in various surgical posts in engaged. The harsh apartheid laws forbade an Edinburgh and his spare time was taken up inter-racial marriage and the two made plans with hill walking and sailing with friends to marry outside South Africa. However which became passionate lifetime pursuits. Joyce was detained by the authorities so in After acquiring his Fellowship in surgery he 1969 Ken and Joyce separately left South was appointed as ship's doctor on the Canberra Africa but their reunion was delayed by the and voyaged to Australia. detention of Joyce under the Apartheid Regime. -
The National Identity Passport of Patriotism
The National Identity Passport of Patriotism Table of Contents Topic Pages Foreword Our Constitution 2 The Preamble of our Constitution 3 The National Flag 4 The National Flag Etiquette 5 The National Anthem 6 History of the National Anthem 7 The National Coat of Arms 8 The Provincial Coats of Arms 9 The National Animal 10 The National Flower 11 The National Tree 12 The National Bird 13 The National Fish 14 The National Orders 15 The Order of Mapungubwe 16 The Order of Baobab 16 The Order of the Companions of OR Tambo 16 The Order of Luthuli 17 The Order of Mendi 17 The Order of Ikhamanga 17 The Mace 18 The Black Rod 18 The Parliamentary Emblem 19 The African Union (AU) Flag 20 The African Union Anthem 21 MINISTER’S FOREWORD South Africa is a country of unique and original national symbols and its flag is one of the most recognizable in the world. With the re-issuing of this booklet, we are speed- ing up the program to heighten awareness and consciousness of our national symbols. This booklet includes many of our important sym- bols that define our national identity and promote nation building to inspire pride in being a South Afri- can. The importance of being a citizen of this great nation is when all our people are a living expression of our constitutional values, principles and ideals. As part of the celebration of the 20th anniversary of democracy and freedom milestone, we are proud to include details of our Constitution and that of the African Union (AU). -
2012 Awards Ceremony for National Orders
2012 NATIONAL ORDERS 2012Awards Ceremony for National Orders AMBASSADORS OF A FREE SOUTH AFRICA Produced by the Government Communication and Information System (GCIS) Celebrating freedom, celebrating honour Every year, on Freedom Day, South Africa pays homage to its heroes This resulted in the commissioning and ultimate design of the new and heroines and eminent foreign nationals who have played their part National Orders. in making South Africa what it is today. Today, South Africa is a country that embraces freedom and no longer EWith the birth of a new non-racial and non-sexist democracy in South excludes or discriminates on the basis of sex, colour and creed. As the W Africa 18 years ago, there was a critical need to review the system country moves forward, it is distinguished by a new culture of human of national orders and awards. The previous system consisted of one rights and respect for the dignity of the human spirit. Decoration and four Orders which did not embrace the spirit of the rebirth of South Africa. In so doing, new symbols that reflected our nation and its rebirth have evolved. The National Orders were conceived in that same spirit of In May 1998, the then newly-instituted President’s Advisory Council on rebirth and are the highest symbols of pride and honour in our country. National Orders was given the task to review the system of National Orders and awards. How the nomination process works The National Orders are the highest awards bestowed on ordinary South Africans or eminent foreigners who are doing or have done extraordi- nary things for our country. -
Dennis Brutus: Activist for Non-Racialism and Freedom of the Human Spirit
Dennis Brutus: Activist for Non-racialism and Freedom of the Human Spirit Johannes A. Smit For the struggle for human rights, for justice, is one struggle (Dennis Brutus, ‘Steve Biko: In Memoriam’ [1978] 2006). Abstract This article provides a detailed overview of Dennis Vincent Brutus’s anti- apartheid sports activism. Focusing primarily on the period of 1948 – 1970, it traces Brutus’s activism from his earliest critical consciousness of racism in the apartheid state’s sport codes, positions it vis-à-vis apartheid as part of the struggle for freedom in 1950s South Africa, and follows him on his international travels in his quest for non-racialism in sport and the isolation of the apartheid sporting fraternity. Brutus’s literary activism as an integral component of his sports activism is also addressed. This is done in the broader theoretical framework of the ideological hegemony of the racist apartheid state, and Brutus’s advocacy for non-racial sports, as a conflict between apartheid and human rights in ideological terms. The main contention of the article is that it was Brutus’s commitment to non-racialism and the ‘freedom of the human spirit’ that served as navigating mechanism through all the socio-political turmoil he has had to live and struggle as exile and activist. Keywords: Activism, Non-racialism, human rights, ideology, apartheid, IOC, SANROC Alternation 17,2 (2010) 8 - 71 ISSN 1023-1757 8 Dennis Brutus: Activist for Non-racialism and Freedom … Introduction Certainly one of the great political enigmas of the twentieth century is South Africa’s white minority’s decision to follow the road of apartheid while the rest of the enlightened and developing world took a firm decision for equality and human rights.