South Africa: Trial by Torture
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2013 Annual Report
Our evolution 1990 Mr Nelson Mandela is released after over 27 years in prison. 1994 Mr Mandela becomes South Africa’s first democratically elected president. 1999 Mr Mandela steps down as president. The Nelson Mandela Foundation is established and houses Mr Mandela’s personal office. It implements a wide range of development projects, including education and health infrastructure. 2002 The Nelson Mandela Foundation moves to its current premises. 2004 Mr Mandela retires and famously says, “Don’t call me, I’ll call you.” He inaugurates the Nelson Mandela Centre of Memory project. The Nelson Mandela Foundation begins process of consolidation from project implementer to enabler and facilitator. 2008 Mr Mandela says at his 90th birthday concert in London, “It is time for new hands to lift the burdens. It is in your hands now.’’ 2009 The first Nelson Mandela Day is launched. The United Nations General Assembly declares, by unanimous resolution, 18 July as Nelson Mandela International Day. 2011 The Nelson Mandela Foundation enters the final phase of its transition; the Nelson Mandela Centre of Memory becomes the Foundation’s physical home. Our vision Our core work Our spiral A society which remembers its pasts, listens The Nelson Mandela Foundation delivers The spiral, which in many ancient to all its voices, and pursues social justice. to the world an integrated and dynamic societies symbolised constant renewal, information resource on the life and times simultaneously represents the centring of of Nelson Mandela, and promotes the memory, disseminating of information and Our mission finding of sustainable solutions to critical widening impact in the world, which is at To contribute to the making of a just society social problems through memory-based the heart of our work. -
President Zuma to Bestow 2017 National Orders Awards
PRESIDENT ZUMA TO BESTOW 2017 NATIONAL ORDERS AWARDS President Jacob Zuma, the Grand Patron of the National Orders, will today, 28 April 2017, bestow the 2017 National Orders Awards on distinguished local citizens and eminent foreign nationals who have played a significant role towards building a free democratic South Africa and improving the lives of South Africans in various ways. The National Orders are the highest awards that South Africa bestows, through the President of the Republic upon citizens and members of the international community who have contributed meaningfully towards making the country a free democratic and successful nation, united in its diversity. During the ceremony, President Zuma will bestow the Order of Ikhamanga, the Order of the Baobab, the Order of Luthuli, and the Order of the Companions of OR Tambo to the following deserving recipients. THE ORDER OF IKHAMANGA IN GOLD Mr Wayde van Niekerk: For his exceptional contribution to the sporting field of track running. His performance against all odds broke standing records of international legends and brought immense national pride. Mr Wayde van Niekerk was born on 15 July 1992 in Cape Town. He attended Bellville Primary and Grey College before studying marketing at the University of the Free State. Van Niekerk is a track and field sprinter who has brought national pride to this country. He competes in the 200 and 400 metres respectively. He is the current world record holder, world and Olympic champion in the 400m. He is also the first and only person in history to run 100m in less than 10 seconds, 200m in 20 seconds, and 400m in 44 seconds. -
Designing the South African Nation from Nature to Culture
CHAPTER 3 Designing the South African Nation From Nature to Culture Jacques Lange and Jeanne van Eeden There is to date very little published research and writing about South African design history. One of the main obstacles has been dealing with the legacy of forty years of apartheid censorship (1950 to 1990) that banned and destroyed a vast array of visual culture in the interests of propaganda and national security, according to the Beacon for Freedom of Expression (http://search.beaconforfreedom.org/about_database/south%20africa.html). This paucity of material is aggravated by the general lack of archival and doc- umentary evidence, not just of the struggle against apartheid, but also of the wider domain of design in South Africa. Even mainstream designed mate- rial for the British imperialist and later apartheid government has been lost or neglected in the inadequate archival facilities of the State and influential organizations such as the South African Railways. Efforts to redress this are now appearing as scholars start to piece together fragments, not in order to write a definitive history of South African design, but rather to write histories of design in South Africa that recuperate neglected narratives or revise earlier historiographies. This chapter is accordingly an attempt to document a number of key moments in the creation of South African nationhood between 1910 and 2013 in which communication design played a part. Our point of departure is rooted in Zukin’s (1991: 16) belief that symbolic and material manifestations of power harbour the ideological needs of powerful institutions to manipulate class, gender and race relations, ultimately to serve the needs of capital (and governance). -
Missed Experience and South African Documentary Photography
REDISCOVERING THE (EXTRA)ORDINARY: MISSED EXPERIENCE AND SOUTH AFRICAN DOCUMENTARY PHOTOGRAPHY ANDRÉ WIESNER 30 - Abstract Under apartheid, activist and commercial photog- André Wiesner is lecturer raphers confronted violent, traumatic events, and their in the Centre for Film and exposure of these to the wider world played a key role in Media Studies, University of bringing about the downfall of the state. Post-apartheid, Cape Town; e-mail: documentary photography has generally taken a diff erent [email protected]. direction, orienting attention to the surrounding society, and making good on all manner of missed experiences. In their move to peripheral situations, photographers dignify the culture-making of ordinary folk. The persons in the photographer’s gaze are frequently those caught in the shock waves of hostilities (Guy Tillim), affl icted by a dread epidemic (Kim Lubdrook), or exposed to a diff use 7 3, pp. (2007), No. Vol.14 condition of endangerment, like violent criminality (David Southwood). Photographers are themselves in a way fatally endangered from afar and their attempts to visualise what is out of frame can be seen as a form of self-defence and passionate search in a bid to come to terms with trouble. The essay probes the post-apartheid state of documentary photography and its current directions. 7 The Great Traditions In the year 2000 a young photographer called David Southwood held an exhibi- tion that to some would have looked rott en with fi n de siècle decadence. It featured an assortment of men and women in whom fl ickers of Southwood’s manner and morphology could be glimpsed, and was entitled, “People Who Other People Think Look Like Me.” Coming ten years aft er Nelson Mandela’s release from prison, and six years aft er South Africa’s landmark elections in 1994, the exhibition could be taken to epitomise the liberated, post-political sensibilities that fl ourished as the country shed its pariah status in the world at large and self-congratulatingly be- gan reinventing itself as a new and improved Rainbow Nation. -
A Teachers Guide to Accompany the Slide Show
A Teachers Guide to Accompany the Slide Show by Kevin Danaher A Teachers Guide to Accompany the Slide Show by Kevin Danaher @ 1982 The Washington Office on Africa Educational Fund Contents Introduction .................................................1 Chapter One The Imprisoned Society: An Overview ..................... 5 South Africa: Land of inequality ............................... 5 1. bantustans ................................................6 2. influx Control ..............................................9 3. Pass Laws .................................................9 4. Government Represskn ....................................8 Chapter Two The Soweto Rebellion and Apartheid Schooling ......... 12 Chapter Three Early History ...............................................15 The Cape Colony: European Settlers Encounter African Societies in the 17th Century ................ 15 The European Conquest of Sotho and Nguni Land ............. 17 The Birth d ANC Opens a New Era ........................... 20 Industrialization. ............................................ 20 Foundations of Apartheid .................................... 21 Chapter Four South Africa Since WurJd War II .......................... 24 Constructing Apcrrtheid ........................... J .......... 25 Thd Afriqn National Congress of South Africa ................. 27 The Freedom Chafler ........................................ 29 The Treason Trid ........................................... 33 The Pan Africanht Congress ................................. 34 The -
Forced Removal of Population the Apartheid Regime Has Sought to Enforce Strict Territorial Segregation of the Different ‘Population Groups’
residence, commercial activities and industry for members of the White, Coloured and Asian groups (each in separate zones). Based on these group areas are segregated local government structures, and a segregated tricameral parliament with separate White, Coloured and Indian chambers, designed to preserve white political power while extending limited participation in central government to small sections of the Indian and Coloured communities. The majority of the population in South Africa is united in rejecting the segregated political structures of apartheid. Forced Removal of Population The apartheid regime has sought to enforce strict territorial segregation of the different ‘population groups’. People are forcibly evicted from their homes if they are in a zone which the government has asigned to another group. The government speaks, not of forced removal or eviction, but of Relocation and Resettlement. The evictions take place in many different kinds of areas and under different laws. In rural areas people are moved on a number of different pretexts. The places in which they live may be designated Black Spots — these are areas of land occupied and owned by Africans which the government has designated for another group, usually white. The occupiers are moved to a bantustan. Others are moved in the course of Consolidation of the bantustans, as the regime attempts to reduce the number of fragments of land which make up the bantustans. Over a million black tenants have been evicted from white owned farms since the 1960s. Tenants who paid cash rent to the farms were called Squatters, implying they had no right to be on the land. -
The Prison Narratives of Some South African Women
.. •"' Negoti~ting Truth, Freedom and Self: the Prison Narratives of Some South African Women Sandra M. Young Supervised by Assoc-Prof Dorothy Driver Submitted in fulfilment of the requirements for the degree of Master of Arts University of Cape Town Department of English Language and Literature 1996 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. For my mother Elizabeth compassionate and courageous in both living and dying iii Abstract The autobiographical prison writings of four South African women - Ruth First, Caesarina Kana Makhoere, Emma Mashinini and Maggie Resha - form the focus of this study. South African autobiography is burdened with the task of producing history in the light of the silences enforced by apartheid security legislation and the dominance of representations of white histories. Autobiography with its promise of 'truth' provides the structure within which to establish a credible subject position. In chapter one I discuss the use of authenticating devices, such as documentary-like prose, and the inclusion in numerous texts of the stories of others. Asserting oneself as a (publicly acknowledged) subject in writing is particularly difficult for women who historically have been denied access to authority: while Maggie Resha's explicit task is to highlight the role women have played in the struggle, her narrative must also be broadly representative, her authority communal. -
Obituary: Professor Kenneth Cunningham Rankin FRCS, FCS (ECSA), OBE, Orthopaedic Surgeon, Human Rights Activist and Past President of ASEA
ISSN 20732073----999999999090 East Cent. Afr. J. surg. (Online) Obituary: Professor Kenneth Cunningham Rankin FRCS, FCS (ECSA), OBE, Orthopaedic Surgeon, Human Rights Activist and Past President of ASEA Born 22 January, 1939. Died in Newcastle, 3 July, 2011, aged 72 . Kenneth Cunningham Rankin was born in 1967. The following year he moved to Egypt on 22 nd January 1939 to George Rankin Baragwanath Hospital, Soweto and was and Christina Cunningham, while his father attached to KwaZulu Natal. While working was serving with the Royal Air Force in there he also visited the rural areas in Natal Alexandria. He undertook his undergraduate and elsewhere in order to assist people training at Edinburgh University and displaced by the apartheid regime. It was graduated in 1963. As a student Ken was during the course of this work that he met his inspired by the work of the medical future wife, a journalist and political activist missionary Albert Schweitzer in Africa. He Joyce Sikakane to whom he became secretly later served in various surgical posts in engaged. The harsh apartheid laws forbade an Edinburgh and his spare time was taken up inter-racial marriage and the two made plans with hill walking and sailing with friends to marry outside South Africa. However which became passionate lifetime pursuits. Joyce was detained by the authorities so in After acquiring his Fellowship in surgery he 1969 Ken and Joyce separately left South was appointed as ship's doctor on the Canberra Africa but their reunion was delayed by the and voyaged to Australia. detention of Joyce under the Apartheid Regime. -
Dennis Brutus: Activist for Non-Racialism and Freedom of the Human Spirit
Dennis Brutus: Activist for Non-racialism and Freedom of the Human Spirit Johannes A. Smit For the struggle for human rights, for justice, is one struggle (Dennis Brutus, ‘Steve Biko: In Memoriam’ [1978] 2006). Abstract This article provides a detailed overview of Dennis Vincent Brutus’s anti- apartheid sports activism. Focusing primarily on the period of 1948 – 1970, it traces Brutus’s activism from his earliest critical consciousness of racism in the apartheid state’s sport codes, positions it vis-à-vis apartheid as part of the struggle for freedom in 1950s South Africa, and follows him on his international travels in his quest for non-racialism in sport and the isolation of the apartheid sporting fraternity. Brutus’s literary activism as an integral component of his sports activism is also addressed. This is done in the broader theoretical framework of the ideological hegemony of the racist apartheid state, and Brutus’s advocacy for non-racial sports, as a conflict between apartheid and human rights in ideological terms. The main contention of the article is that it was Brutus’s commitment to non-racialism and the ‘freedom of the human spirit’ that served as navigating mechanism through all the socio-political turmoil he has had to live and struggle as exile and activist. Keywords: Activism, Non-racialism, human rights, ideology, apartheid, IOC, SANROC Alternation 17,2 (2010) 8 - 71 ISSN 1023-1757 8 Dennis Brutus: Activist for Non-racialism and Freedom … Introduction Certainly one of the great political enigmas of the twentieth century is South Africa’s white minority’s decision to follow the road of apartheid while the rest of the enlightened and developing world took a firm decision for equality and human rights. -
South Africa Fact Sheet
South Africa Fact Sheet http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.af000016 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org South Africa Fact Sheet Alternative title South Africa Fact Sheet Author/Creator Rothmyer, Karen; Africa Fund Publisher Africa Fund Date 1977 Resource type Pamphlets Language English Subject Coverage (spatial) South Africa, United States Coverage (temporal) 1652 - 1977 Source Africa Action Archive Rights By kind permission of Africa Action, incorporating the American Committee on Africa, The Africa Fund, and the Africa Policy Information Center. Description Fact Sheet. Land. Government. Important Dates. African National Congress. Pan Africanist Congress. -
Patricia Van Der Spuy on Winnie Mandela: a Life
Anne Marie du Preez Bezdrob. Winnie Mandela: A Life. Cape Town: Zebra Press, 2003. xv + 287 pp. No price listed, cloth, ISBN 978-1-86872-662-2. Reviewed by Patricia Van Der Spuy Published on H-SAfrica (July, 2004) "Whenever her name was mentioned in secu‐ of Winnie Mandela. The cover portrait captures rity circles, a shudder went through the ranks," the tone of the book: a tribute to a tragic heroine. Eugene de Kock, security policeman. "No one who Her fatal faw in the Shakespearean tradition is has ever lived in this country can gainsay that perhaps her trusting nature; her fall, however, is Winnie was tremendous in her struggle role," attributed to a particular form of post-traumatic Archbishop Desmond Tutu. "Winnie Mandela's stress disorder, brought on by the unrelenting, hands are dripping with the blood of the people of torturous pressures of the apartheid regime. The South Africa," Xoliswa Falati, former friend. tragedy is well captured, although the premise is "[Winnie Mandela] is a political fgure of almost debatable. (Madikizela-Mandela is not, after all, a Shakespearean tragic proportions," Judge Dennis Shakespearean creation.) However, one is left un‐ Davis. certain of the precise nature of Winnie Mandela's These quotations from The Penguin Dictio‐ politics. None of those quoted on the book cover nary of South African Quotations (1999) appear seem to have been interviewed for this book, and on the back cover of Anne Marie du Preez Bez‐ nowhere are their statements analyzed. This book drob's Winnie Mandela: A Life, the frst book- could be critiqued from many different angles. -
H Ild a B E Rn S Te in /$G^>^Uncwv7april
hilda bernstein 'IM AG ES OF T O D A Y ' you <sr& inv/{e.cf -/o a PRIVATE VIEW /$g^>^uncWV7 April ,W 7 W 5pm+o7pm OLD MAYOR’S PARLOUR GALLERY j0 ^ 0 .3 CHURCH ST: i / L HHRHFOPX) gXH lBlTiO M OP EH DAILY 18-13 APRIL IO aw\ - ^-p rr - f o r sale- R-S-V-P PART PROCEEDS JUDY DIKOH io OXFAfA HEREFORD S outherh African Zfe9 9 9 8 PROJECTS 15 KUNSTLERINNEN in der . f . ^ GALERIE Hohe StraGe DIEBURG 16. Januar - 6. Februar 1987 Zu der Eroffnung der Ausstellung am Freitag, dem 16. Januarl987, um 20.00 Uhr laden wir Sie und Ihre Freunde hwrzlich ein. HILDA BERNSTEIN G ALERIE HoheStraBe DIEBURG 15 KUNSTLERINNEN i n d e r GALERIE Hohe StroBe DIEBURG HILDA BERNSTEIN Radierungen I terefoid/Englarid V ER O N IK A EMENDORFER Aquarelle Gottingen CLAIRE KILBER-BROSSOW Zeichnungen, Gouochen Frankfurt MARUS KRAUSE Mischfecbniken, Collagen Kloin-Zimmem LUCIA MAKEIIS Zeichnung&vMalerialbilder Frankfurt b a r b e l g . mcjhlschlegel Aquarelle Taunussteit> JULIA ROSELER Paslelle, Kleinplastiken Dieburg HEIDI SCHIMPKE Acryl quf Papier, Collagen Juqmiheim DOROTHEA-SCHNEIDER Olbllcler W ie n MARIANNE SCHRADER-BODI Aquarelle Otfenboch ERIKA SCHREITER Aquarelle, Mischiecliniken RoBdorf HEIDI STIEGLER Aquarellejusche MOnslhgen MARIA STIEHL Sandbilder, Obiekte Kroriberg MARIANNE WAGNER Bildhauerorbeiten Geofgenhouasn JA N IT H WIELER Mischtechnlken D a trm io d t Hohe Strafie 11 (gegertuber der Fachhochschule der DBP) GALERIE 6110 Dieburg HoheSlraBe DIEBURG *06071/1515 OflnyngsjeiK’ n. frwicgs und sonntags 16.00— 1900 Uhr Heiner Berflmcinn, * 06073/4349 Reinhurd Icillemann. S 06151/148538 06151/146634 CA GALLERIES William Wegman Retrospective Lower and There is a dog whose handsome yet dolorous features hang on Concourse the walls of numerous museums, have graced the covers of a Galleries variety of art magazines, and appeared on the Johnny Carson W ed 18 July show.