DOCSLIB.ORG

Intricate Lines Catalogue 2016 a Journey Into the World of Printmaking and Statuary Introduction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Intricate Lines Catalogue 2016 a Journey Into the World of Printmaking and Statuary Introduction INTRICATE LINES CATALOGUE 2016 A JOURNEY INTO THE WORLD OF PRINTMAKING AND STATUARY INTRODUCTION N2N Gallery is an Abu Dhabi based art gallery born in May 2013 with the ambition to help everyone discover the rich diversity of the European Academic School of Painting, as well as the high professionalism of the contemporary European artists and their exceptional art. Founded by art enthusiast Natalya Muzaleva, the gallery blends sculpture, graphic art and paintings in a surprising fusion between realism and modernism. The gallery’s collection is being renewed constantly and it currently comprises over 170 original works, including paintings, graphics and sculptures. Additionally, N2N Gallery organizes art master classes, inviting well established artists to teach UAE art lovers and is genuinely committed to support the development and increase the interest and the dialogue within the local art scene. 1 PART I. GRAPHIC ARTS ETCHING / INTAGLIO / LINOCUT Oksana Stratiychuk I Nikolay Dudchenko I Alesya Dzuraeva I Andrew Levitsky AWARDS | SELECTED 2014 - Certificate for the Excellence, International Ex-libris and Mini-prints Biennial, Guangzhou, China 2012 - Honorable Mention Award, 34th International Ex-Libris Congress, Naantali, Finland 2012 - First Prize, Triennial of Graphic Arts, Kiev, Ukraine 2011 - Certificate of Appreciation, Bibliotheca Alexandrina, Alexandria, Egypt 2010 - Special Award, 4th International Ex libris and Small Graphic Form Competition “Solidarity of Nation”, Gdansk, Poland 2010 - Honorable Mention Award, Ruse Regional Library “Luben Karavelov”, Ruse, Bulgaria 2009 - Certificate for Outstanding Artistic Achievement, The Ex Libris Association of Vojvodina, Novi Sad, Serbia SOLO EXHIBITIONS | SELECTED 2012 - Contemplation, Tadzio Art Gallery, Kiev, Ukraine 2011 - Printmaking, Mystetsky Arsenal, Kiev, Ukraine 2009 - Black&White, Tadzio Art Gallery, Kiev, Ukraine 2006 - Alligator Loves Madly, Tadzio Art Gallery, Kiev, Ukraine 2005 - The Intaglio Territory, Tadzio Art Gallery, Kiev, Ukraine 2002 - Love Comes in the Town, Art Gallery Blok-A, Kiev, Ukraine 1996 - Dante Society, Munich, Germany 1995 - Koji Ikuta, Gallery ArtStudio92, Tokyo, Japan GROUP EXHIBITIONS, BIENNALES AND TRIENNIALES | SELECTED 2014 - International Ex-libris and Mini-prints Biennale, Guangzhou, China 2014 - 15th Biennale of Small Forms of Graphic and Exlibris, Ostrow Wielkopolski, Poland ANDREW LEVITSKY 2012 - Ukrainian Graphic Triennale, Kiev, Ukraine ARTIST/ PRINTMAKER 2011 - International Biennale for Miniature Graphics, Alexandria, Egypt 2011 - 23rd International Biennale Exhibition of Modern Exlibris, Malbork, Poland Andrew Levitsky was born in 1961 in Kiev, Ukraine. From 1986 – 1996 he studied in the Ukrainian Academy of Fine Arts, becoming a Master in 2010 - 4th International Ex-libris and Small Graphic Form Competition “Solidarity of Nation”, Gdansk, Poland Graphic Arts. Since his student days he has actively participated in prestigious international competitions in different fields of graphic arts. His 2010 - Art Master Gallery, Prague, Czech Republic countrywide and international success is evidenced as well by the fact that he is the winner of 14 international awards. 2010 - The Affordable Art Fair, London, United Kingdom 2010 - International Ex-libris Triennale, Arad, Romania Levitsky uses intaglio technique which includes different ways of work with metal - etching drypoint, engraving, mezzotint and aquatint. The methods 2009 - 15th International Print Biennale, Varna, Bulgaria he uses allow him to create complicated, expressive artworks, often filled with subtle symbolic meaning. His multiple talents and remarkable skills 2009 - International Biennial of Engraving, Cremona, Italy rely on the best traditions of graphic arts and therefore his artistic preoccupations are connected with a wide range of topics: nature, adventure, 2008 - International Print Exhibition Competition, Painting and Sculpture Museum Association, Istanbul, Turkey tribute to the great leaps in technology, science and art. 2008 - International Exhibition “Myths and Legends”, Museum of Visual Arts, Buenos Aires, Argentina “I could have been proud of my last works but I feel thrilled looking into the future. The best work is not done yet.” 2007 - The Affordable Art Fair, Autumn Collection, London, United Kingdom 2007 - 6th International Triennale of Small Graphic Forms, Vilnius, Lithuania Levitsky’s artworks are held in public and private collections in France, Germany, Italy, Japan, Poland, Turkey, Ukraine, United Kingdom and USA. 2007 - 6th International Mini Print Triennale, Lahti Art Museum, Lahti, Finland 4 5 AIRPLANES. FLIGHT WITH BIG TREES AEROSTAT & OLIVE intaglio, paper intaglio, paper 21X29, 2015 45X102, 2014 6 7 THE GUN NOT WENT OFF THE GUN NOT FIRE intaglio, paper 17X132, 2006 I’M GOINGFISHING intaglio, paper 14X148, 2014 8 9 VIEW OF THE TWO HORSES WHITE HORSE intaglio, paper intaglio, paper 20X30, 2009 20X30,2009 10 11 VIEW OF THREE LANDSCAPES. HEAVEN AVIA. COMETS intaglio, paper intaglio, paper 36X67, 2015 34X52, 2014 12 13 AWARDS / RECOGNITIONS | SELECTED 1990 - Honorary award for young artist, International Biennale of Graphic Arts InterPrint–90, Lviv, Ukraine 1992 - Internship at the Munich Academy of Arts, Munich, Germany 1998 - Residency at Druckwerkstatt Schloss, Wolfsburg, Germany 2006 - Winner of the National Artists’ Union of Ukraine, Kyiv Organization Awards, Kiev, Ukraine 2007 - Residency at Cité des Arts, Paris, France 2010 - Poland Minister’s of Culture Scholarship Program Gaude Polonia, Lodz Academy of Arts, Lodz, Poland 2014 - Printmaking residency Amsterdams Grafisch Atelier, Amsterdam, Netherlands SOLO EXHIBITIONS | SELECTED 2015 - Patterns of the Days, the National Museum of Russian Art, Kiev, Ukraine 2015 - Graphics, Gary Bowman’s Art Gallery, Lviv, Ukraine 2013 - N2N Gallery, Abu Dhabi, UAE 2012 - Window into the Luxembourg Garden, Gallery Parsuna, Kiev, Ukraine 2008 - Gallery Triptych, Kiev, Ukraine 2000 - A Glance into the Modern Style, Gallery Lavra, Kiev, Ukraine GROUP EXHIBITIONS, BIENNALES AND TRIENNIALES | SELECTED 2015 - International Art Fair Craft Vilnius’15, Vilnius, Lithuania 2015 - 5th Ukrainian Triennale of Graphic Arts, Kiev, Ukraine 2014 - International Print Triennale, Sofia, Bulgaria 2013 - Contemporary Ukrainian Art, Contemporary Art Institute, Chicago, USA 2011 - Munich-Kiev-Convergence, Furstenfeldbruck, Germany 2011 - Contemporary Ukrainian Graphics, Trenchin, Slovakia 2010 - Etching, the National Museum of Russian Art, Kiev, Ukraine OKSANA STRATYICHUK 2009 - Contemporary Ukrainian Graphics, the Mileshi Palace, Split, Croatia ARTIST/ PRINTMAKER 2007- Oksana Stratiychuk and Kateryna Radko, the Ukrainian Culture Center. Paris, France 2007 - Moscow International Art Salon, Moscow, Russia Oksana Stratiychuk was born in 1968 in Kiev, Ukraine. She is an artist and printmaker who graduated from The National Academy of Fine Arts 2006 - 5th Egyptian Triennale of Printing Techniques, Alexandria, Egypt and Architecture in 1992 and completed her postgraduate studies at the Ukrainian Academy of Arts in 1996. 2003 - 4th Egyptian Triennale of Printing Techniques, Cairo, Egypt 2002 - Nu (Nude Model in Art from 18th to 20th Century), Kiev Russian Art Museum. Kiev, Ukraine Her artistic creative work can be described as a combination of modern view and old technics. An excellent master of etching, one of the 1998 - Ukrainian Art (group exhibition with O. Plysiuk), Wolfsburg, Germany sophisticated technics of graphic arts, laborious and longtime process, she has an amazing patience and non-ordinary vision of ordinary things. 1998 - The Pages of Ukrainian Secession. History and Modernity, the National Art Museum. Kiev, Ukraine The floral motifs are reoccurring in her art, which consists of the complicated etching technique, prints on handmade paper, with touches of color 1997 - 19th Independent International Print Exhibition Kanagawa–97. Kanagawa, Japan and real natural elements. The style is reminiscent of the Old Dutch School, and throughout the years, has acquired a refined Zen-like mood 1996 - Midnight Love Talk (with I. Kyrychenko), Gallery Akasha, Krakow, Poland intended for aesthetic and philosophic contemplation. 1995 - 3rd International Triennale of Graphic Arts, Kochi, Japan Stratiychuk’s artworks are held in public collections in Ukraine (Russian Art Museum, National History Museum and National Museum of 1992 - 10th International Triennale of Graphic Arts, Fridriechstadt, Norway Applied Arts in Kiev), Russia (City Art Gallery in Kaliningrad), Japan (Tama Art Museum in Tokyo), Latvia (Exhibition House in Cesis) and Italy 1992 - 2nd International Biennale of Graphic Arts Kaliningrad–Kenigsberg’92, Kaliningrad, Russia (Pinacotheque in Torre Canavese). 1991 - International Biennale of Graphic Arts Cuprum V. Lubin, Poland 14 15 SEPTEMBER VI. SUNFLOWER paper, mokulito 50X110, 2015 16 17 STILL LIFE WITH RABBIT BEANS AND ROSES etching, paper etching, paper 55x65, 2005 55x65, 2004 18 19 SPRING FLOWERS THE TULIPS etching, paper etching, paper 50x64, 2008 50x52, 2009 20 21 AUTUMN BOUQUET DAHLIAS etching, paper etching, paper 65x55, 2004 65x55, 2011 22 23 POMEGRANATES STILL LIFE 1 etching, paper etching, paper 31x56, 2007 65x55, 1996 24 25 FIGURES WITH THE STILL LIFE etching, paper 64x50, 1997 26 EDUCATION 1964 - 1967 - studied at The Crimean Art College 1972 - graduated from the Kharkov Art and Industry Institute AWARDS / RECOGNITIONS | SELECTED 2014 - Diploma of the Russian Academy of Arts “for contribution to the development
Load more

Recommended publications
  • Sculptor Nina Slobodinskaya (1898-1984)
    1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia.
    [Show full text]
  • Federal Register/Vol. 79, No. 152/Thursday, August
    46302 Federal Register / Vol. 79, No. 152 / Thursday, August 7, 2014 / Notices FOR FURTHER INFORMATION CONTACT: information to be collected; (d) ways to (www.treasury.gov/ofac). Certain general Requests for additional information or minimize the burden of the collection of information pertaining to OFAC’s copies of the form(s) and instructions information on respondents, including sanctions programs is available via should be directed to Gary Swasey, through the use of automated collection facsimile through a 24-hour fax-on- Customer Service Branch, P.O. Box 603, techniques or other forms of information demand service, tel.: 202/622–0077. Philadelphia, PA 19154, (215) 516– technology; and (e) estimates of capital Notice of OFAC Actions 8145. or start-up costs and costs of operation, On March 17, 2014, OFAC blocked SUPPLEMENTARY INFORMATION: maintenance, and purchase of services the property and interests in property of Title: Claim Against the United States to provide information. the following four individuals pursuant for the Proceeds of a Government Check. Dated: July 31, 2014. to E.O. 13660: OMB Control Number: 1530–0010 Bruce A. Sharp, 1. AKSYONOV, Sergey Valeryevich (Previously approved as 1510–0019 as a Bureau Clearance Officer. collection conducted by Department of (a.k.a. AKSENOV, Sergei; a.k.a. [FR Doc. 2014–18512 Filed 8–6–14; 8:45 am] AKSYONOV, Sergei; a.k.a. the Treasury/Financial Management BILLING CODE 4810–35–P Service.) AKSYONOV, Sergey; a.k.a. Transfer of OMB Control Number: The AKSYONOV, Sergiy; a.k.a. Bureau of Public Debt (BPD) and the DEPARTMENT OF THE TREASURY AKSYONOV, Serhiy Valeryevich); Financial Management Service (FMS) DOB 26 Nov 1972; POB Balti, have consolidated to become the Bureau Office of Foreign Assets Control Moldova (individual) [UKRAINE].
    [Show full text]
  • Social Portrait of a Pupil of the Simferopol Correctional Shelter for Minors (Late Xix - Early Xx Centuries)
    Propósitos y Representaciones Sep. 2020, Vol. 8, SPE(3), e746 ISSN 2307-7999 Special Number: Teaching for University Students in the Context of Quarantine Measures During Pandemics e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2020.v8nSPE3.746 RESEARCH NOTE Social Portrait of a Pupil of the Simferopol Correctional Shelter for Minors (Late Xix - Early Xx Centuries) Retrato social de un alumno del albergue correccional para menores de Simferopol (finales del siglo XIX - principios del siglo XX) Dmitriy Olegovich Egorov* Kazan Federal University, Russia ORCID: https://orcid.org/0000-0001-8030-9101 Alla Anatolyevna Zadereychuk Vernadsky Crimean Federal University, Russia ORCID: https://orcid.org/0000-0003-0140-1060 Valeria Andreevna Maslennikova Vernadsky Crimean Federal University, Russia ORCID: https://orcid.org/0000-0001-8807-5776 Received 06-14-20 Revised 08-10-20 Accepted 09-01-20 On line 09-25-20 *Correspondence Cite as: Email: [email protected] Egorov, D., Zadereychuk, A., & Maslennikova, V. (2020). Social Portrait of a Pupil of the Simferopol Correctional Shelter for Minors (Late Xix - Early Xx Centuries). Propósi- tos y Representaciones, 8 (SPE3), e746. Doi: http://dx.doi.org/10.20511/pyr2020.v8nSPE3.746 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2020. This article is distributed under license CC BY-NC-ND 4.0 International (http://creativecommons.org/licenses/by-nc-nd/4.0/) Social Portrait of a Pupil of the Simferopol Correctional Shelter for Minors (Late Xix - Early Xx Centuries) Summary The article presents a multiple-criteria analysis of the composition of the Simferopol correction- al shelter of the late XIX - early XX centuries.
    [Show full text]
  • Crimean Village Map
    Crimean Village Map Prepared for Use in Conjunction with Rosental Parish Catholic Church Records by Kenneth Vollman ©2019 Many of the villages named in the baptism records do not appear on the available maps of the Crimea, including on Stumpp’s well known map #9. The attached map was prepared specifically to provide context for the records. It is based on some 8000 German Catholic births and includes all villages that recorded five or more births. The search for new land by successive generations pushed our ancestors northward from the mother colonies until by the third generation they covered most of the arable land on the Crimean peninsula. Land in the northern part of the peninsula was not generally available until after the Crimean War of 1854-56. Thanks to Merv Weiss as well as several contacts, both locally and in Germany and Russia for their help in locating a number of hard-to-identify villages. Crimean Village Map Prepared for Use in Conjunction with Rosental Parish Catholic Church Records Rationale and Coordinates for Plotting Daughter Colonies on Crimea Map Alternative Strumpp JewishGen Mennonite Wahl Ulrich Germans from Russia Spelling Map 9 Gazetteer Historical Society Aspenleiter Mertens Settlement Locations *personal communication Five or more births: Ablesch (5) Ablesch-Deutsch, Prudy Yes 45°14' N 34°42' E 45°15' N 34°45' E Yes, no locAtion Yes, no locAtion 45.2409, 34.7085 Ak-Kodzha (10) Dozorne Yes 45°31' N 33°05' E 45°30' N 32°50' E Yes, no locAtion 45 km NW of EupAtoriA 45.5078, 33.0853 AkmAt (7) Adzhi AkhmAt, Grünfeld
    [Show full text]
  • History of Azerbaijan (Textbook)
    DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms………….
    [Show full text]
  • The Peninsula of Fear: Chronicle of Occupation and Violation of Human Rights in Crimea
    THE PENINSULA OF FEAR: CHRONICLE OF OCCUPATION AND VIOLATION OF HUMAN RIGHTS IN CRIMEA Kyiv 2016 УДК 341.223.1+342.7.03](477.75)’’2014/2016’’=111 ББК 67.9(4Укр-6Крм)412 Composite authors: Sergiy Zayets (Regional Center for Human Rights), Olexandra Matviychuk (Center for Civil Liberties), Tetiana Pechonchyk (Human Rights Information Center), Darya Svyrydova (Ukrainian Helsinki Human Rights Union), Olga Skrypnyk (Crimean Human Rights Group). The publication contains photographs from public sources, o7 cial websites of the state authorities of Ukraine, the Russian Federation and the occupation authorities, Crimean Field Mission for Human Rights, Crimean Human Rights Group, the online edition Crimea.Realities / Radio Svoboda and other media, court cases materials. ‘The Peninsula of Fear : Chronicle of Occupation and Violation of Human Rights in Crimea’ / Under the general editorship of O. Skrypnyk and T. Pechonchyk. Second edition, revised and corrected. – Kyiv: KBC, 2016. – 136 p. ISBN 978-966-2403-11-4 This publication presents a summary of factual documentation of international law violation emanating from the occupation of the autonomous Republic of Crimea and the city of Sevastopol (Ukraine) by the Russian Federation military forces as well as of the human rights violations during February 2014 – February 2016. The publication is intended for the representatives of human rights organizations, civil activists, diplomatic missions, state authorities, as well as educational and research institutions. УДК 341.223.1+342.7.03](477.75)’’2014/2016’’=111 ББК 67.9(4Укр-6Крм)412 ISBN 978-966-2403-11-4 © S. Zayets, O. Matviychuk, T. Pechonchyk, D. Svyrydova, O. Skrypnyk, 2016 Contents Introduction.
    [Show full text]
  • The Jews of Simferopol
    BE'H The Jews of Simferopol This article is dedicated to two of our grandsons who are now Israeli soldiers: Daniel Prigozin and Yonaton Inegram. Esther (Herschman) Rechtschafner Kibbutz Ein-Zurim 2019 Table of Contents Page Introduction 1 Basic Information about Simferopol 2 Geography 2 History 3 Jewish History 4 The Community 4 The Holocaust 6 After the Holocaust 8 Conclusion 11 Appendices 12 Maps 12 Photos 14 Bibliography 16 Internet 16 Introduction The story of why I decided to write about the history of Simferopol is as follows. As many know, I have written a few articles and organized a few websites1. All of these are in connection to the places in Eastern Europe that my extend family comes from. A short while ago Professor Jerome Shapiro2,who had previously sent me material about his family for my Sveksna website wrote me an email and mentioned that he would like to have an article written about the place where his wife's family comes from: Simferopol, Crimea. Since I did not know anything about this place, I decided to take this upon myself as a challenge. This meant: 1. researching a place that I am not emotionally attached to 2. finding material about a place that is not well known 3. finding a website for placement of the article With the help of people I know by way of my previous researching3, people I met while looking for information, the internet (and the help of G-d), I felt that I had enough information to write an article. While researching for material for this article, I became acquainted with Dr.
    [Show full text]
  • DEPARTMENT of the TREASURY Office of Foreign Assets Control Designation of Individuals and Entities Pursuant to Executive Order
    This document is scheduled to be published in the Federal Register on 08/07/2014 and available online at http://federalregister.gov/a/2014-18683, and on FDsys.gov DEPARTMENT OF THE TREASURY Office of Foreign Assets Control Designation of Individuals and Entities Pursuant to Executive Order 13660 or Executive Order 13661 AGENCY: Office of Foreign Assets Control, Treasury. ACTION: Notice. --------------------------- SUMMARY: The Department of the Treasury’s Office of Foreign Assets Control (OFAC) is publishing the names of eighteen individuals and one entity whose property and interests in property have been blocked pursuant to Executive Order 13660 of March 6, 2014, “Blocking Property of Certain Persons Contributing to the Situation in Ukraine” (E.O. 13660). OFAC is also publishing the names of twenty-seven individuals and eighteen entities whose property and interests in property have been blocked pursuant to Executive Order 13661 of March 16, 2014, “Blocking Property of Additional Persons Contributing to the Situation in Ukraine” (E.O. 13661). DATES: The blocking of the property and interests in property of the individuals and entities identified in this notice was effective on March 17, 2014, March 20, 2014, April 11, 2014, April 28, 2014, or June 20, 2014, as specified in the “Notice of OFAC Actions” section below. FOR FURTHER INFORMATION CONTACT: Assistant Director, Sanctions, Compliance & Evaluations Office of Foreign Assets Control Department of the Treasury 1500 Pennsylvania Avenue NW (Treasury Annex) Washington, DC 20220, Tel.: 202/622-2490. SUPPLEMENTARY INFORMATION: Electronic and Facsimile Availability This document and additional information concerning OFAC are available from OFAC’s website (www.treasury.gov/ofac).
    [Show full text]
  • A Moral Persuasion: the Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002-2013
    A MORAL PERSUASION: THE NAZI-LOOTED ART RECOVERIES OF THE MAX STERN ART RESTITUTION PROJECT, 2002-2013 by Sara J. Angel A thesis submitted in conformity with the requirements for the degree of PhD Graduate Department Art University of Toronto © Copyright by Sara J. Angel 2017 PhD Abstract A Moral Persuasion: The Nazi-Looted Art Recoveries of the Max Stern Art Restitution Project, 2002-2013 Sara J. Angel Department of Art University of Toronto Year of convocation: 2017 In 1937, under Gestapo orders, the Nazis forced the Düsseldorf-born Jewish art dealer Max Stern to sell over 200 of his family’s paintings at Lempertz, a Cologne-based auction house. Stern kept this fact a secret for the rest of his life despite escaping from Europe to Montreal, Canada, where he settled and became one of the country’s leading art dealers by the mid-twentieth century. A decade after Stern’s death in 1987, his heirs (McGill University, Concordia University, and The Hebrew University of Jerusalem) discovered the details of what he had lost, and how in the post-war years Stern travelled to Germany in an attempt to reclaim his art. To honour the memory of Max Stern, they founded the Montreal- based Max Stern Art Restitution Project in 2002, dedicated to regaining ownership of his art and to the study of Holocaust-era plunder and recovery. This dissertation presents the histories and circumstances of the first twelve paintings claimed by the organization in the context of the broader history of Nazi-looted art between 1933-2012. Organized into thematic chapters, the dissertation documents how, by following a carefully devised approach of moral persuasion that combines practices like publicity, provenance studies, law enforcement, and legal precedents, the Max Stern Art Restitution Project set international precedents in the return of cultural property.
    [Show full text]
  • Crimea______9 3.1
    CONTENTS Page Page 1. Introduction _____________________________________ 4 6. Transport complex ______________________________ 35 1.1. Brief description of the region ______________________ 4 1.2. Geographical location ____________________________ 5 7. Communications ________________________________ 38 1.3. Historical background ____________________________ 6 1.4. Natural resource potential _________________________ 7 8. Industry _______________________________________ 41 2. Strategic priorities of development __________________ 8 9. Energy sector ___________________________________ 44 3. Economic review 10. Construction sector _____________________________ 46 of the Autonomous Republic of Crimea ________________ 9 3.1. The main indicators of socio-economic development ____ 9 11. Education and science ___________________________ 48 3.2. Budget _______________________________________ 18 3.3. International cooperation _________________________ 20 12. Culture and cultural heritage protection ___________ 50 3.4. Investment activity _____________________________ 21 3.5. Monetary market _______________________________ 22 13. Public health care ______________________________ 52 3.6. Innovation development __________________________ 23 14. Regions of the Autonomous Republic of Crimea _____ 54 4. Health-resort and tourism complex_________________ 24 5. Agro-industrial complex __________________________ 29 5.1. Agriculture ____________________________________ 29 5.2. Food industry __________________________________ 31 5.3. Land resources _________________________________
    [Show full text]
  • Jewish Cemeteries, Synagogues, and Mass Grave Sites in Ukraine
    JEWISH CEMETERIES, SYNAGOGUES, AND MASS GRAVE SITES IN UKRAINE United States Commission for the Preservation of America’s Heritage Abroad 2005 UNITED STATES COMMISSION FOR THE PRESERVATION OF AMERICA’S HERITAGE ABROAD Warren L. Miller, Chairman McLean, VA Members: Ned Bandler August B. Pust Bridgewater, CT Euclid, OH Chaskel Besser Menno Ratzker New York, NY Monsey, NY Amy S. Epstein Harriet Rotter Pinellas Park, FL Bingham Farms, MI Edgar Gluck Lee Seeman Brooklyn, NY Great Neck, NY Phyllis Kaminsky Steven E. Some Potomac, MD Princeton, NJ Zvi Kestenbaum Irving Stolberg Brooklyn, NY New Haven, CT Daniel Lapin Ari Storch Mercer Island, WA Potomac, MD Gary J. Lavine Staff: Fayetteville, NY Jeffrey L. Farrow Michael B. Levy Executive Director Washington, DC Samuel Gruber Rachmiel Liberman Research Director Brookline, MA Katrina A. Krzysztofiak Laura Raybin Miller Program Manager Pembroke Pines, FL Patricia Hoglund Vincent Obsitnik Administrative Officer McLean, VA 888 17th Street, N.W., Suite 1160 Washington, DC 20006 Ph: ( 202) 254-3824 Fax: ( 202) 254-3934 E-mail: [email protected] May 30, 2005 Message from the Chairman One of the principal missions that United States law assigns the Commission for the Preservation of America’s Heritage Abroad is to identify and report on cemeteries, monuments, and historic buildings in Central and Eastern Europe associated with the cultural heritage of U.S. citizens, especially endangered sites. The Congress and the President were prompted to establish the Commission because of the special problem faced by Jewish sites in the region: The communities that had once cared for the properties were annihilated during the Holocaust.
    [Show full text]
  • Women in Nineteenth-Century Russia: Lives and Culture
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/98 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Wendy Rosslyn is Emeritus Professor of Russian Literature at the University of Nottingham, UK. Her research on Russian women includes Anna Bunina (1774-1829) and the Origins of Women’s Poetry in Russia (1997), Feats of Agreeable Usefulness: Translations by Russian Women Writers 1763- 1825 (2000) and Deeds not Words: The Origins of Female Philantropy in the Russian Empire (2007). Alessandra Tosi is a Fellow at Clare Hall, Cambridge. Her publications include Waiting for Pushkin: Russian Fiction in the Reign of Alexander I (1801-1825) (2006), A. M. Belozel’skii-Belozerskii i ego filosofskoe nasledie (with T. V. Artem’eva et al.) and Women in Russian Culture and Society, 1700-1825 (2007), edited with Wendy Rosslyn. Women in Nineteenth-Century Russia: Lives and Culture Edited by Wendy Rosslyn and Alessandra Tosi Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Wendy Rosslyn and Alessandra Tosi Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial
    [Show full text]