Basque Studies Newsletter ISSN: 1537-2464 Center for Basque Studies N E W S L E T T E R
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Who's Who in Basque Music Today
Who’s Who in Basque music today AKATZ.- Ska and reggae folk group Ganbara. recorded in 2000 at the circles. In 1998 the band DJ AXULAR.- Gipuzkoa- Epelde), accomplished big band from Bizkaia with Accompanies performers Azkoitia slaughterhouse, began spreading power pop born Axular Arizmendi accordionist associated a decade of Jamaican like Benito Lertxundi, includes six of their own fever throughout Euskadi adapts the txalaparta to invariably with local inspiration. Amaia Zubiría and Kepa songs performed live with its gifted musicians, techno music. In his second processions, and Angel Junkera, in live between 1998 and 2000. solid imaginative guitar and most recent CD he also Larrañaga, old-school ALBOKA.-Folk group that performances and on playing and elegant adds voices from the bertsolari and singer who has taken its music beyond record. In 2003 he recorded melodies. Mutriku children's choir so brilliantly combines our borders, participating a CD called "Melodías de into the mix, with traditional sensibilities and in festivals across Europe. piel." CAMPING GAZ & DIGI contributions by Mikel humor, are up to their ears Instruments include RANDOM.- Comprised of Laboa. in a beautiful, solid and alboka, accordion and the ANJE DUHALDE.- Singer- Javi Pez and Txarly Brown enriching project. Their txisu. songwriter who composes from Catalonia, the two DOCTOR DESEO.- Pop rock fresh style sets them apart. in Euskara. Former member joined forces in 1995, and band from Bilbao. They are believable, simple, ALEX UBAGO.-Donostia- of late 70s folk-rock group, have since played on and Ringleader Francis Díez authentic and, most born pop singer and Errobi, and of Akelarre. -
The Basquebasque Archives,Archives, Aa Sourcesource Ofof Identityidentity TABLE of CONTENTS
Issue 68 Year 2005 TheThe BasqueBasque archives,archives, aa sourcesource ofof identityidentity TABLE OF CONTENTS GAURKO GAIAK / CURRENT EVENTS: The Basque archives, a source of identity Issue 68 Year 3 • Josu Legarreta, Basque Director of Relations with Basque Communities. The BasqueThe archives,Basque 4 • An interview with Arantxa Arzamendi, a source of identity Director of the Basque Cultural Heritage Department 5 • The Basque archives can be consulted from any part of the planet 8 • Classification and digitalization of parish archives 9 • Gloria Totoricagüena: «Knowledge of a common historical past is essential to maintaining a people’s signs of identity» 12 • Urazandi, a project shining light on Basque emigration 14 • Basque periodicals published in Venezuela and Mexico Issue 68. Year 2005 ARTICLES 16 • The Basque "Y", a train on the move 18 • Nestor Basterretxea, sculptor. AUTHOR A return traveller Eusko Jaurlaritza-Kanpo Harremanetarako Idazkaritza 20 • Euskaditik: The Bishop of Bilbao, elected Nagusia President of the Spanish Episcopal Conference Basque Government-General 21 • Euskaditik: Election results Secretariat for Foreign Action 22 • Euskal gazteak munduan / Basque youth C/ Navarra, 2 around the world 01007 VITORIA-GASTEIZ Nestor Basterretxea Telephone: 945 01 7900 [email protected] DIRECTOR EUSKAL ETXEAK / ETXEZ ETXE Josu Legarreta Bilbao COORDINATION AND EDITORIAL 24 • Proliferation of programs in the USA OFFICE 26 • Argentina. An exhibition for the memory A. Zugasti (Kazeta5 Komunikazioa) 27 • Impressions of Argentina -
Human Rights for Musicians Freemuse
HUMAN RIGHTS FOR MUSICIANS FREEMUSE – The World Forum on Music and Censorship Freemuse is an international organisation advocating freedom of expression for musicians and composers worldwide. OUR MAIN OBJECTIVES ARE TO: • Document violations • Inform media and the public • Describe the mechanisms of censorship • Support censored musicians and composers • Develop a global support network FREEMUSE Freemuse Tel: +45 33 32 10 27 Nytorv 17, 3rd floor Fax: +45 33 32 10 45 DK-1450 Copenhagen K Denmark [email protected] www.freemuse.org HUMAN RIGHTS FOR MUSICIANS HUMAN RIGHTS FOR MUSICIANS Ten Years with Freemuse Human Rights for Musicians: Ten Years with Freemuse Edited by Krister Malm ISBN 978-87-988163-2-4 Published by Freemuse, Nytorv 17, 1450 Copenhagen, Denmark www.freemuse.org Printed by Handy-Print, Denmark © Freemuse, 2008 Layout by Kristina Funkeson Photos courtesy of Anna Schori (p. 26), Ole Reitov (p. 28 & p. 64), Andy Rice (p. 32), Marie Korpe (p. 40) & Mik Aidt (p. 66). The remaining photos are artist press photos. Proofreading by Julian Isherwood Supervision of production by Marie Korpe All rights reserved CONTENTS INTRODUCTION Human rights for musicians – The Freemuse story Marie Korpe 9 Ten years of Freemuse – A view from the chair Martin Cloonan 13 PART I Impressions & Descriptions Deeyah 21 Marcel Khalife 25 Roger Lucey 27 Ferhat Tunç 29 Farhad Darya 31 Gorki Aguila 33 Mahsa Vahdat 35 Stephan Said 37 Salman Ahmad 41 PART II Interactions & Reactions Introducing Freemuse Krister Malm 45 The organisation that was missing Morten -
Tijera Contra Papel. Vetos Y Obstaculizaciones a La Música Underground: El Caso Vasco Tijera Contra Papel
INGURUAK [65] | 2018 | 62-89 62 ISSN: 0214-7912 Tijera contra papel. Vetos y obstaculizaciones a la música underground: el caso vasco Tijera contra papel. Vetoes and Barriers to Underground Music: the Basque Case David Mota Zurdo · [email protected] UNIVERSIDAD ISABEL I Recibido: 15/10/2018 Aceptado: 17/11/2018 Resumen En el presente artículo se analiza la trayectoria del grupo musical vasco Berri Txarrak en el contexto under- ground español. Se cruza con las opiniones vertidas por los medios de comunicación generalistas y se presta especial atención a los medios coercitivos que ha utilizado el aparato punitivo del Estado para desde enton- ces sancionar ciertas expresiones culturales en detrimento de otras durante la etapa democrática. Todo ello, se aborda desde una perspectiva metodológica descriptiva del contexto y analítica del discurso y busca problema- tizar la cuestión de los límites de la libertad de expresión, estableciendo nexos pasado-presente, que tanto es- tán afectando a día de hoy al medio cultural español. Palabras clave: Música underground, España, Berri Txarrak, Libertad de expresión, Censura. Abstract This article analizes the trajectory of Berri Txarrak —the Basque Musical Group— in the Spanish under- ground’s framework. It intersects with the opinions expressed by the generalist Media and special attention is paid to the coercive means that the State’s punitive apparatus has used since then to penalise certain cultural expressions to the detriment of others during the democratic period. All this is approached from the method- ological descriptive perspective and analytical of the discourse, and seeks to problematize the question of the limits of freedom of expression, establishing past-present links, which are affecting the Spanish cultural envi- ronment to this day. -
Oroitidazkia 2008
Euskaltzaindiaren 2008ko Oroitidazkia Bilbo, 2009ko urriaren 23a 2 AURKIBIDEA Aurkezpena....................................................................................................... 5 I. Erakundearen jarduerak ...........................................................................6 I.1. Akademiaren jarduerak ...........................................................................6 I.2. Batzar bereziak........................................................................................11 I.3. Kanpoko jarduerak..................................................................................14 I.4. Heriotzak.................................................................................................17 I.5. Hilberri txostenak....................................................................................19 I.6. Izendapenak eta ordezkapenak................................................................19 II. Akademia-jarduera ................................................................................... 25 II.1. Hiztegigintza..........................................................................................26 II.1.1. Euskaltzaindiaren Hiztegia ............................................................26 II.1.2. Hiztegi Batua .................................................................................26 II.1.3. Zientzia eta Teknika hiztegia.........................................................28 II.2. Gramatika ..............................................................................................29 -
Basque Club Aldizkaria
Basque Club Aldizkaria Udaberri 2014 Spring San Francisco Basque Picnic Basque Club Mus Txapeldunak Jesus Arriada (left) and Angel Arriada won this year’s Basque June 1st - Petaluma Fairgrounds Club mus tournament and will represented the Basque Club at the NABO Mus Championships coming up this May 31st in San Ra- 9:00am Gates Open fael. Also representing the Basque Club at the NABO mus finals 9:45am Basque Mass celebrated by Aita Jean-Michel will be the runner up team of Franxoa Bidaurreta and Javier Lastiri with Elgarrekin Choir, Klika and danc- Urroz . Zorionak! ers ( inside Herzog Hall ). 12:00pm Barbecue rack of lamb lunch with beans, piperade, cheese, bread and wine. Adults $25, children under 12 $10. 2:30pm Entertainment Program featuring the Zazpiak Bat Klika and Dancers, Los Banos Dancers and San Francisco Gazteak Dancers. 4:30pm Lehengo Dantzaldi featuring Mutxikoak, Soka Dan- tza, Zazpi Jauziak, Lantzeko Ihauterria, and Fandango / Arin Arin. All participation welcome . 5:00pm Lukainka/Txorizo Sale Directions: From San Francisco, take 101 North, Exit Washington St., Left on Washington, Left on Payran Street. Zazpiak Bat Dancers Basque Country Bound During the past few years the Zazpi- ak Bat Dancers have stayed in con- tact with friends in the province of Xiberoa, which stemmed from the 2008/2009 exchange, where Zazpiak Esku Pilota at The Bat dancers visited Xiberoa in 08’ and then in 2009 students from the Basque Cultural Center Lycee du Pays de Soule, located in Sohuta, Xiberoa, came to San Fran- cisco and performed their Fabienne Andere (left) and Mirentxu Euskamerikan Artzain Pastorala at Auzqui worked with the Zazpiak Bat the Basque Cultural Center. -
Basque Studies N E W S L E T T E R
Center for BasqueISSN: Studies 1537-2464 Newsletter Center for Basque Studies N E W S L E T T E R Fund-raising campaign update: Basque-American family donates house to promote SPRING Basque culture 2005 In April, Joseba Zulaika and Sandra Ott of JZ: Did your parents speak Basque? the Center interviewed the Echeverria fam- John: For many years our mother’s mother ily, siblings John Echeverria, Teresa lived with us, and she spoke Basque. Our Maloney, Michael Echeverria, and Cris grandma and our father spoke Basque to NUMBER 71 Welmerink. They have very generously do- each other. Dad learned Basque because his nated their late father’s house to the father refused to speak anything else to him. Center’s Endowment Fund to honor their C: In 1959, for the first Basque festival, we Basque heritage and the legacy of their all learned the jota. Mom taught us so that parents, Peter and Frances Echeverria. we could dance at the festival. She got some In this issue: of the Basque ladies around Reno to teach us Joseba Z.: Why are you doing all of this for with her. There was quite a group who would Family donation 1 the Center, why are you giving this house as come to our house once a week, and we’d a gift? have dance lessons in the basement. USAC receives award 3 Teresa: We are so very Please join us! 4 fortunate. We were given many gifts by our parents, Kukai performance 5 notably a love of our Basque heritage. It is a Highlights 6 way to honor Mom and Conference Papers Series 7 Dad and our heritage. -
What Follows Is a Discussion of the Popular Music Genre of Death Metal
Basque Pagan Metal: View to a primordial past Author Weston, Donna Published 2011 Journal Title European Journal of Cultural Studies DOI https://doi.org/10.1177/1367549410368898 Copyright Statement © 2011 SAGE Publications. This is the author-manuscript version of the paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/42446 Griffith Research Online https://research-repository.griffith.edu.au Title: Basque Pagan Metal: View to a Primordial Past Name: Dr Donna Weston Address: Queensland Conservatorium, Griffith University, Gold Coast Campus PMB 50, Gold Coast Mail Centre QLD, Australia, 4222 Phone: (617) 5552 9007 Email: [email protected] 1 Pagan Metal Pagan Metal and Basque Identity Pagan Metal, a genre within the Extreme Metal scene, blends local traditional ethnic instrumentation and melodic material with Black Metal musical elements, the lyrics focusing on localised pagan themes. While generally expressing an extreme anti-Christian sentiment embedded in themes of oppression and a glorified pagan past, it tends to distance itself from the neo-Nazi and Satanist elements that have come to be associated with its predecessor - Black Metal. While there are sometimes significant discrepancies across various websites as to whether such bands are Pagan, Folk, Black or otherwise, the constants are Black Metal musical style combined with local folk-style music and instrumentation, with lyrics referencing local Pagan legends and communicating a strong sense of local identity. This article explores Pagan Metal from the Basque Country, with the aim of defining what kind of identity it represents, and where that identity is situated within the context of a continuum of Basque identities. -
Acuerdo Entre La Enciclopedia General Ilustrada Del País Vasco
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hedatuz Acuerdo entre la Enciclopedia General Ilustrada del País Vasco Auñamendi y Eusko Ikaskuntza / Sociedad de Estudios Vascos (Agreement between the Auñamendi General Illustrated Encyclopaedia of the Basque Country and Eusko Ikaskuntza/Basque Studies Society) El 9 de julio de 1996 un casi nonagenario antiguo miembro de la histórica Eusko Ikaskuntza / Sociedad de Estudios Vascos (EI/SEV)1, D. Bernardo Estornés Lasa, fundador y director de la Editorial Auñamendi, y el Presidente de nuestra renacida institución EI/SEV, D. Gregorio Monreal Zia, firmaron un Acuerdo consistente en: a) La informatización de la Enciclopedia Auñamendi. b) La Actualización permanente del Diccionario Enciclopédico Vasco (DEV) Auña- mendi. c) La informatización del Banco de Datos Auñamendi. Todo ello a efectos de “dotar a Eusko Ikaskuntza de la mayor Base de Datos cultural exis- tente sobre Euskal Herria, de modo que, colocada en la red telemática, se convierta en una insustituible herramienta de trabajo para la comunidad científica nacional e internacional en lo que al tema cultural vasco se refiera”. En estos momentos, se halla avanzado el proceso del punto a, y en fase preliminar, en espera de la financiación adecuada, los otros dos puntos. Se me propone que, como Directora de Redacción de la Enciclopedia Auñamendi (EA), ofrezca un pequeño historial de la misma y de lo que este acuerdo va a suponer cara al futuro. He aquí unas notas o jalones de la obra2 que, cercana a la finalización, espera una actualización inminente. ——————————— 1. Para un historial de la trayectoria cultural y política de Eusko Ikaskuntza/SEV véanse mis: a) La Sociedad de Estudios Vascos. -
Ethnicity and Identity in a Basque Borderland, Rioja Alavesa, Spain
ETHNICITY AND IDENTITY IN A BASQUE BORDERLAND: RIOJA ALAVESA, SPAIN By BARBARA ANN HENDRY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1991 Copyright 1991 by Barbara Ann Hendry ACKNOWLEDGMENTS The help of numerous individuals in Spain and the United States enabled me to complete this dissertation— it is difficult to adequately acknowledge them all in these few short pages. To begin, without the generous hospitality, friendship, and assistance of many people in Rioja and Rioja Alavesa in 1985 and 1987, this research would not have been possible. For purposes of confidentiality, I will not list individual names, but, thank all of those in Albelda de Iregua, San Vicente de la Sonsierra, Brihas, Elciego, Laguardia, and, especially, Lapuebla de Labarca, who graciously let me share in their lives. Friends in the city of Logroho were also supportive, especially Charo Cabezon and Julio Valcazar. Stephanie Berdofe shared her home during my first weeks in the field, and buoyed my spirits and allayed my doubts throughout the fieldwork. Carmelo Lison Tolosana welcomed me to Spain and introduced me to several of his students. Maribel Fociles Rubio and Jose Lison Areal discussed their respective studies of identity in Rioja and Huesca, and helped me to formulate the interview schedule I used in Rioja Alavesa. They, and Jose's wife. Pilar, provided much warm hospitality during several brief trips to Madrid. iii The government administrators I interviewed in Rioja Alavesa and Vitoria were cooperative and candid. -
SXSW Music 3Rd Round of Bands
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE FOR IMMEDIATE RELEASE Third Round of Artists Hoping To Make Their Mark on SXSW Music 2015 Janurary 13, 2015 - Austin, Texas - South by Southwest (SXSW) Music is pleased to announce a third round of artists invited to perform at the 29th edition of the SXSW Music Festival taking place Tuesday, March 17 - Sunday, March 22, 2015 in Austin, Texas. Bringing the total number of bands announced so far to 965 and still counting. Please check the website at sxsw.com/music/shows for additional artists as they are added. The latest round of invited artists scheduled to perform at SXSW Music 2015 include: 5ive (Earth TX) Arrows of Love (London UK-ENGLAND) The 69 Cats (Austin TX) Ben Arthur (New York NY) The Accidentals (Traverse City MI) Asleep at the Wheel (Austin TX) The Acorn (Ottawa CANADA) ASTR (New York NY) A.Dd+ (Dallas TX) astronomyy (Worcestershire UK-ENGLAND) Adia (Huntsville AL) Avers (Richmond VA) AFC (Montevideo URUGUAY) Avid Dancer (Los Angeles CA) Akka (Amsterdam THE NETHERLANDS) Baby Baby (Atlanta GA) All Them Witches (Nashville TN) Bad Breeding (Stevenage UK-ENGLAND) Amason (Stockholm SWEDEN) Bad Cop (Nashville TN) Ambassadeurs (Brighton UK-ENGLAND) Bill Baird (Oakland CA) American Aquarium (Raleigh NC) Bastard Sons of Johnny Cash (Austin TX) Amsterdamn! (Mannheim GERMANY) Battle Lines (Leeds UK-ENGLAND) Rick Anderson (Fort Worth TX) Beacon (Brooklyn NY) Apanhador Só (Porto Alegre BRAZIL) Bee Caves (Austin TX) Dave Arcari (Glasgow UK-SCOTLAND) -
The Challenge of a Bilingual Society in the Basque Country
The Challenge of a Bilingual Society in the Basque Country EDITED BY Pello Salaburu and Xabier Alberdi Center for Basque Studies UPV/EHU University of Nevada, Reno Center for Basque Studies Current Research Series, No. 9 Te Challenge of a Bilingual Society in the Basque Country Edited by Pello Salaburu and Xabier Alberdi Current Research Series No. 9 Center for Basque Studies University of Nevada, Reno Published in conjunction with the University of the Basque Country UPV/EHU //__ Center for I -::::- Basque Studies Universidad Euskal Herriko c) UNIVERSITY OF NEVADA, RENO - II del Pafs Vasco Unibertsitatea Current Research Selections of the ongoing work done by the faculty of the University of the Basque Country (UPV/EHU), www.ehu.es Editorial Committee Amaia Maseda (Chair, University of the Basque Country, UPV/EHU), Arantza Azpiroz (University of the Basque Country, UPV/EHU), Javier Echeverría (Uni- versity of the Basque Country, UPV/EHU, and Ikerbasque), Jon Landeta (Uni- versity of the Basque Country, UPV/EHU), Sandra Ott (UNR), Joseba Zulaika (UNR), Santos Zunzunegui (University of the Basque Country, UPV/EHU) Current Research Series No. 9 Center for Basque Studies University of Nevada, Reno Reno, Nevada 89557 http://basque.unr.edu Copyright © 2012 by the Center for Basque Studies. All rights reserved. Printed in the United States of America. Cover and series design © 2011 by Jose Luis Agote. Cover design based on engravings by Eduardo Chillida and Jorge Oteiza. Translations by: introduction, Cameron J. Watson; chapter 1, Julie Waddington; chapter 2, Laura Bunt MacRury; chapters 3, 7, and 9, Jennifer R. Ottman; chapters 4, 5 and 6, Jennifer Martin Library of Congress Cataloging-in-Publication Data Te challenge of a bilingual society in the Basque country / edited by Pello Salaburu and Xabier Alberdi.