Cesare Pavese - Poems
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Creatureliness
Thinking Italian Animals Human and Posthuman in Modern Italian Literature and Film Edited by Deborah Amberson and Elena Past Contents Acknowledgments xi Foreword: Mimesis: The Heterospecific as Ontopoietic Epiphany xiii Roberto Marchesini Introduction: Thinking Italian Animals 1 Deborah Amberson and Elena Past Part 1 Ontologies and Thresholds 1 Confronting the Specter of Animality: Tozzi and the Uncanny Animal of Modernism 21 Deborah Amberson 2 Cesare Pavese, Posthumanism, and the Maternal Symbolic 39 Elizabeth Leake 3 Montale’s Animals: Rhetorical Props or Metaphysical Kin? 57 Gregory Pell 4 The Word Made Animal Flesh: Tommaso Landolfi’s Bestiary 75 Simone Castaldi 5 Animal Metaphors, Biopolitics, and the Animal Question: Mario Luzi, Giorgio Agamben, and the Human– Animal Divide 93 Matteo Gilebbi Part 2 Biopolitics and Historical Crisis 6 Creatureliness and Posthumanism in Liliana Cavani’s The Night Porter and Pier Paolo Pasolini’s Salò 111 Alexandra Hills 7 Elsa Morante at the Biopolitical Turn: Becoming- Woman, Becoming- Animal, Becoming- Imperceptible 129 Giuseppina Mecchia x CONTENTS 8 Foreshadowing the Posthuman: Hybridization, Apocalypse, and Renewal in Paolo Volponi 145 Daniele Fioretti 9 The Postapocalyptic Cookbook: Animality, Posthumanism, and Meat in Laura Pugno and Wu Ming 159 Valentina Fulginiti Part 3 Ecologies and Hybridizations 10 The Monstrous Meal: Flesh Consumption and Resistance in the European Gothic 179 David Del Principe 11 Contemporaneità and Ecological Thinking in Carlo Levi’s Writing 197 Giovanna Faleschini -
Surviving the Holocaust: Jean Améry and Primo Levi
Surviving the Holocaust: Jean Améry and Primo Levi by Livia Pavelescu A thesis submitted to the Department of German Language and Literature in confonnity with the requirements for the degree of Master of Arts Queen's University Kingston, Ontario, Canada August 2000 Copyright OLivia Pavelescu, 2000 National Li'brary Bibliothèque nationale du Canada uisitions and Acquisitions et 9-&b iographi Senrices services bibliographiques 395 wtmlgm Street 395. Ne WeUington Ottawa ON K1A ON4 OttawaON KfAW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distniute or sell reproduire, prêter, distri'buer ou copies of îhis thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de rnicrofiche/fiIm, de reproduction sur papier ou sur fomat électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantîal extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract This study is predicated on the assumption that there is a culture of the Holocaust in Austria and Itaiy and that its strongest manifestation is the literahire of the Holocaust. The purpose of this thesis is twofold. First it detemiines a representative spectnun of reaction to the Holocaust by using two texts Se questo è un uomo (Sumival in Auschwitz) and Jemeits von Schuld und Sühne (At the MNld'S Limits) of two prominent writen, Primo Levi and Jean Améry. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Appendix: Einaudi, President of the Italian Republic (1948–1955) Message After the Oath*
Appendix: Einaudi, President of the Italian Republic (1948–1955) Message after the Oath* At the general assembly of the House of Deputies and the Senate of the Republic, on Wednesday, 12 March 1946, the President of the Republic read the following message: Gentlemen: Right Honourable Senators and Deputies! The oath I have just sworn, whereby I undertake to devote myself, during the years awarded to my office by the Constitution, to the exclusive service of our common homeland, has a meaning that goes beyond the bare words of its solemn form. Before me I have the shining example of the illustrious man who was the first to hold, with great wisdom, full devotion and scrupulous impartiality, the supreme office of head of the nascent Italian Republic. To Enrico De Nicola goes the grateful appreciation of the whole of the people of Italy, the devoted memory of all those who had the good fortune to witness and admire the construction day by day of the edifice of rules and traditions without which no constitution is destined to endure. He who succeeds him made repeated use, prior to 2 June 1946, of his right, springing from the tradition that moulded his sentiment, rooted in ancient local patterns, to an opinion on the choice of the best regime to confer on Italy. But, in accordance with the promise he had made to himself and his electors, he then gave the new republican regime something more than a mere endorsement. The transition that took place on 2 June from the previ- ous to the present institutional form of the state was a source of wonder and marvel, not only by virtue of the peaceful and law-abiding manner in which it came about, but also because it offered the world a demonstration that our country had grown to maturity and was now ready for democracy: and if democracy means anything at all, it is debate, it is struggle, even ardent or * Message read on 12 March 1948 and republished in the Scrittoio del Presidente (1948–1955), Giulio Einaudi (ed.), 1956. -
La Narrativa Del Novecento Tra Spagna E Italia 1939-1989
La narrativa del Novecento tra Spagna e Italia 1939-1989 Alessandro Ghignoli ([email protected]) UNIVERSIDAD DE MÁLAGA Resumen Palabras clave En nuestro trabajo queremos mostrar Literatura española e italiana como en el período comprendido entre Literatura comparada 1939 y 1989, la narrativa española y la Narrativa italiana han tenido confluencias y Siglo XX momentos de contacto bastante evidentes. Haremos hincapié sobre todo en los procesos históricos y sociales de ambos países para la construcción de sus literaturas. Abstract Key words In this piece of work we want to show Spanish and Italian Literature that there are evident similarities Comparative Literature between the Spanish and Italian Narrative writings produced between the years 20th Century 1939 and 1989, and specifically in the historical and social processes of both countries during the creation of their AnMal Electrónica 39 (2015) literatures. ISSN 1697-4239 1. La Spagna all’inizio del XX secolo soffriva un ritardo sociale e politico, rispetto agli altri paesi europei, di notevole portata, situazione ereditata anche da epoche precedenti. La guerra civile del 1936-39, sarà la finalizzazione di questo periodo in un paese in cui l’unica parvenza di stabilità poteva avvenire sotto una forma di dittatura. Possiamo tranquillamente affermare che quello che successe nell’estate del 1936 fu una conseguenza di lotte secolari interne alla penisola iberica, nel febbraio sempre di quell’anno vi erano in Spagna due blocchi che si scontrarono durante le elezioni politiche, portando alla vittoria il fronte progressista, anche se in maniera abbastanza debole. Tra il 17 e il 18 luglio scoppiò la sollevazione autoritaria dei nazionalisti spagnoli con a capo un uomo che determinerà il futuro 74 Narrativa del Novecento AnMal Electrónica 39 (2015) A. -
Other Worlds: Travel Literature in Italy
Spring 2019 - Other Worlds. Travel Literature in Italy ITAL-UA 9283 Wednesdays, 10:30-1:15 pm Classroom Location TBA Class Description: This course, taught in English, will focus on the representation of travel experience in Modern Italian Literature and its related media, especially 20th Century Cinema, Modernist and Futurist Art, underground comics, and the way they intersect with each other. Its aim is to offer the student a new pattern in the succession of tendencies, movements and mass cultures, with a broader perspective, spanning from the 19th Century Post-Unification Italian culture and literature (Manzoni) to the 1980s “cult” writers and cartoonists and literary groups from the 1990s and 2000s (Tondelli, Ammanniti, Pazienza). With this pattern the student will be introduced to the dynamics of journey in the Italian culture and literature: not only a spatial journey abroad (in America with Calvino, The Orient with Tabucchi, Africa with Pasolini and Celati) or inland (especially the South of Carlo Levi), but also intellectually, politically and spiritually speaking: a path between the Wars (with Malaparte and Levi), the economic Boom, the Generation of ’68 and ’77, a psychedelic trip in New Age trends, and the so called Pulp Generation or Young Cannibals. To foster the student’s feedback one Site-visit will be proposed (at the Fondazione Casamonti in Florence) and a special Field Trip will be scheduled in Milan, to visit the new “Book Pride” Book Fair and interview a contemporary Italian writer and/or translator and/or editor at Verso Bookshop. With these topics and authors, the student will be engaged in a different history of Italian literature and culture, using also her or his knowledge in the Florentine context. -
Come Un Ministro Per La Cultura. Giulio Einaudi E Le Biblioteche Nel
Chiara Faggiolani Come un Ministro per la cultura Chiara Faggiolani Come un Ministro per la cultura Giulio Einaudi e le biblioteche nel sistema del libro FIRENZE PRESUNIVERSITYS Biblioteche & bibliotecari / Libraries & librarians ISSN 2612-7709 (PRINT) | ISSN 2704-5889 (ONLINE) – 4 – Biblioteche & bibliotecari / Libraries & librarians Editor-in-Chief Mauro Guerrini, University of Florence, Italy Scientific Board Carlo Bianchini, University of Pavia, Italy Andrea Capaccioni, University of Perugia, Italy Gianfranco Crupi, University of Rome La Sapienza, Italy Tom Delsey, University of Ottawa, Canada Graziano Ruffini, University of Florence, Italy Alberto Salarelli, University of Parma, Italy José Luis Gonzalo Sánchez-Molero, Complutense University of Madrid, Spain Lucia Sardo, University of Bologna, Italy Giovanni Solimine, University of Rome La Sapienza, Italy La collana intende ospitare riflessioni sulla biblioteconomia e le discipline a essa connesse, studi sulla funzione delle biblioteche e sui suoi linguaggi e servizi, monografie sui rapporti fra la storia delle biblioteche, la storia della biblioteconomia e la storia della professione. L’attenzione sarà rivolta in particolare ai bibliotecari che hanno cambiato la storia delle biblioteche e alle biblioteche che hanno accolto e promosso le figure di grandi bibliotecari. The series intends to host reflections on librarianship and related disci- plines, essays on the function of libraries and its languages and services, monographs on the relationships between the history of libraries, the his- tory of library science and the history of the profession. The focus will be on librarians who have changed the history of libraries and libraries that have welcomed and promoted the figures of great librarians. Chiara Faggiolani Come un Ministro per la cultura Giulio Einaudi e le biblioteche nel sistema del libro FIRENZE UNIVERSITY PRESS 2020 Come un Ministro per la cultura : Giulio Einaudi e le biblioteche nel sistema del libro / Chiara Faggiolani. -
Renato Poggioli. Between History and Literature
Pagine di storia della slavistica Studi Slavistici x (2013): 301-310 Roberto Ludovico Renato Poggioli. Between History and Literature Until the year 2007 only two critical articles had been written on Renato Poggioli: one by his colleague at Harvard University Dante Della Terza in 1971 (Della Terza 1971), and two much more recent ones: by Giuseppe Ghini (2005), and by the Belgian scholar Laurent Béghin (2005). In addition to these two articles, Ghini had circulated a short but informative bio-bibliographical document dated 2005 on the internet. These three scholars, with over a dozen others, including historians, slavicists, italianists, and comparativists, ani- mated a three-day symposium dedicated to Renato Poggioli’s centennial by three American Universities in 2007: the University of Massachusetts Amherst, Brown University and Har- vard University. The intent of the symposium was to reignite interest in Poggioli and to re- evaluate the role he had in the twentieth century’s international literary debate. Since then a number of new publications (see for instance Pavese, Poggioli 2010), newspaper articles (Pirani 2008; Canali 2008), conferences1, reprints of Poggioli’s work (Poggioli 2012), and even television broadcasts2 have contributed to rediscovering Renato Poggioli and his legacy as a scholar and as an intellectual. The collection of essaysRenato Poggioli. An Intellectual Biography, edited by the three organizers of the 2007 symposium – Lino Pertile, Massimo Riva and myself – is the first book-length publication entirely dedicated to Poggioli. Far from wanting to provide an annotated bibliography of critical literature on Pog- gioli, these few introductory notes are meant to suggest that the scarce presence of his name in literary criticism after his death in 1963 is strictly connected with his cultural profile and the unusual trajectory of the biographical events that led him to leave Florence and Italy to pursue a career as Professor of Slavic Studies and Comparative Literature at Harvard Uni- versity. -
Premio Cesare Pavese 2013
Torino, 23 luglio 2013 Comunicato stampa Premio Cesare Pavese 2013 Gli scrittori Claudio Magris e Sebastiano Vassalli, il giornalista Beppe Severgnini e il poeta Guido Zavanone sono i vincitori della 30a edizione Sabato 31 agosto e domenica 1 settembre Santo Stefano Belbo (Cn) Ancora aperto il bando per partecipare alla sezione Premio Scultura (scadenza: 15 settembre) www.centropavesiano-cepam.it Il Premio Cesare Pavese festeggia trent’anni di storia con quattro grandi autori della letteratura e del giornalismo italiano. Gli scrittori Claudio Magris con Itaca e oltre (Garzanti, 2012) e Sebastiano Vassalli per la sua intere opera narrativa, il giornalista Beppe Severgnini con Italiani di domani (Rizzoli, 2012) e il poeta Guido Zavanone con Tempo nuovo (De Ferrari, 2013) sono i vincitori della trent’esima edizione del Premio (sezione opere edite). Il riconoscimento, nato a Santo Stefano Belbo per rendere omaggio all’autore del romanzo La luna e i falò, viene assegnato ogni anno a scrittori e intellettuali che meglio abbiano saputo trasmettere il legame con il territorio, il valore dell’impegno civile o fornire punti di vista stimolanti su tematiche attuali o storiche. Gli autori ricevono il premio domenica 1 settembre alle ore 10 a Santo Stefano Belbo (Cn) presso la Casa Natale dello scrittore, dove ha sede il Cepam-Centro Pavesiano Museo Casa Natale che organizza il Premio. Sarà un’occasione per conoscere da vicino gli autori, le loro opere vincitrici e il loro rapporto con Pavese, in un incontro coordinato dal professore Luigi Gatti, -
4 Cesare Pavese14
4 Cesare Pavese14 Diaries written by suicides are rare. However, occasionally a diary written by a famous person who has died by suicide is published, and the present study explored the final year of a diary written by the Italian novelist Cesare Pavese. Pavese’s diary has been published in an English translation, thereby introducing two confounding elements, the translation itself and the fact that we cannot be sure that the editor of the diary did not omit some of the content. The Italian version is Il mestiere de vivere (Pavese, 1952), and an edited translation has appeared (Pavese, 1961). Cesare Pavese was born in Italy in 1908, and he killed himself at the age of 42 on August 27, 1950, in Turin, Italy. During that time, he became a leading intellectual, editor, translator, poet and nov- elist. The biographical details of Pavese’s life are taken from his biographer, Lajolo (1983). 4.1 Pavese’s Life Pavese was born on a farm in Santo Stefano Belbo in the Piedmont province of North Western Italy (which borders on Switzerland and France) on September 9, 1908. He often returned to his hometown in later years. Pinolo Saglione, a carpenter there, remained a friend and confidante. Pavese’s father Eugenio worked in Turin at the Court of Justice. Pavese’s mother, Consolina, was the daughter of wealthy merchants. Consolina had lost three children before Maria and Pavese, the first dying of diphthe- ria at the age of six. Pavese had a sister, Maria, six years his elder. Pavese’s childhood was spent in Turin during the Winter and Spring, and at the farm in Summer and Autumn. -
Increasing Passersby Engagement with Public Large Interactive Surfaces
Increasing Passersby Engagement with Public Large Interactive Surfaces by Victor Cheung A thesis presented to the University of Waterloo in fulfillment of the thesis requirement for the degree of Doctor of Philosophy in Systems Design Engineering Waterloo, Ontario, Canada, 2016 ©Victor Cheung 2016 AUTHOR'S DECLARATION This thesis consists of material all of which I authored or co-authored: see Statement of Contributions included in the thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Statement of Contributions The DISCOVER interaction model introduced in Chapter 3, and the studies presented in the subsequent chapters, are the result of collaborative work between me and my research colleagues. It is often difficult to state the exact amount of each person’s contributions or the exact evolution of the research. However, the following notes provide some indication for the amount of their involvement. 1. The DISCOVER interaction model was developed by me, in collaboration with Dr. Stacey Scott. An earlier, simplified version of this model was used by Mindy Seto in her thesis work (Seto, 2012) and a study on menu discoverability (Seto et al., 2012). I was the author and presenter of the paper describing the early stages of this model in a peer-reviewed international conference under the following citation: Cheung, V. (2014). Improving Interaction Discoverability in Large Interactive Displays. In Doctoral Symposium of ITS 2014: ACM Interactive Tabletops and Surfaces. Dresden, Germany, November 16-19, 2014. -
Impegno Nero: Italian Intellectuals and the African-American Struggle
Impegno nero: Italian intellectuals and the African-American struggle Article Published Version Creative Commons: Attribution-Noncommercial 4.0 Open Access Leavitt, C. L. (2013) Impegno nero: Italian intellectuals and the African-American struggle. California Italian Studies, 4 (2). ISSN 2155-7926 Available at http://centaur.reading.ac.uk/36375/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://escholarship.org/uc/ismrg_cisj?volume=4;issue=2 Publisher: University of California All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Peer Reviewed Title: Impegno nero: Italian Intellectuals and the African-American Struggle Journal Issue: California Italian Studies, 4(2) Author: Leavitt IV, Charles L., University of Reading Department of Modern Languages School of Literatures and Languages Publication Date: 2013 Publication Info: California Italian Studies Permalink: http://escholarship.org/uc/item/6qn2w1cm Acknowledgements: This essay is part of a book in progress, one that examines representations of African Americans in Italy from the Risorgimento to the present day. Some of the project’s early research findings have been presented and discussed at the 2011 conference of the South Atlantic Modern Language Association and the Colby College Symposium on the Myth of America in Italian Culture, as well as the 2012 conferences of the Modern Language Association, the American Association of Italian Studies, the “Echi oltremare...” conference sponsored by N.E.V.I.S., and a 2013 colloquium at the University of Reading.