Other Worlds: Travel Literature in Italy
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Creatureliness
Thinking Italian Animals Human and Posthuman in Modern Italian Literature and Film Edited by Deborah Amberson and Elena Past Contents Acknowledgments xi Foreword: Mimesis: The Heterospecific as Ontopoietic Epiphany xiii Roberto Marchesini Introduction: Thinking Italian Animals 1 Deborah Amberson and Elena Past Part 1 Ontologies and Thresholds 1 Confronting the Specter of Animality: Tozzi and the Uncanny Animal of Modernism 21 Deborah Amberson 2 Cesare Pavese, Posthumanism, and the Maternal Symbolic 39 Elizabeth Leake 3 Montale’s Animals: Rhetorical Props or Metaphysical Kin? 57 Gregory Pell 4 The Word Made Animal Flesh: Tommaso Landolfi’s Bestiary 75 Simone Castaldi 5 Animal Metaphors, Biopolitics, and the Animal Question: Mario Luzi, Giorgio Agamben, and the Human– Animal Divide 93 Matteo Gilebbi Part 2 Biopolitics and Historical Crisis 6 Creatureliness and Posthumanism in Liliana Cavani’s The Night Porter and Pier Paolo Pasolini’s Salò 111 Alexandra Hills 7 Elsa Morante at the Biopolitical Turn: Becoming- Woman, Becoming- Animal, Becoming- Imperceptible 129 Giuseppina Mecchia x CONTENTS 8 Foreshadowing the Posthuman: Hybridization, Apocalypse, and Renewal in Paolo Volponi 145 Daniele Fioretti 9 The Postapocalyptic Cookbook: Animality, Posthumanism, and Meat in Laura Pugno and Wu Ming 159 Valentina Fulginiti Part 3 Ecologies and Hybridizations 10 The Monstrous Meal: Flesh Consumption and Resistance in the European Gothic 179 David Del Principe 11 Contemporaneità and Ecological Thinking in Carlo Levi’s Writing 197 Giovanna Faleschini -
Valerie Mcguire, Phd Candidate Italian Studies Department, New York University La Pietra, Florence; Spring, 2012
Valerie McGuire, PhD Candidate Italian Studies Department, New York University La Pietra, Florence; Spring, 2012 The Mediterranean in Theory and Practice The Mediterranean as a category has increasingly gained rhetorical currency in social and cultural discourses. It is used to indicate not only a geographic area but also a set of traditional and even sacrosanct human values, while encapsulating fantasies of both environmental utopia and dystopia. While the Mediterranean diet and “way of life” is upheld as an exemplary counterpoint to our modern condition, the region’s woes cast a shadow over Europe and its enlightened, rationalist ideals—and most recently, has even undermined the project of the European Union itself. The Mediterranean is as often positioned as the floodgate through which trickles organized crime, political corruption, illegal immigration, financial crisis, and more generally, the malaise of globalization, as it is imagined as a utopian This course explores different symbolic configurations of the Mediterranean in twentieth- and twenty-first-century Italian culture. Students will first examine different theoretical approaches (geophysical, historical, anthropological), and then turn to specific textual representations of the Mediterranean, literary and cinematic, and in some instances architectural. We will investigate how representations of the Mediterranean have been critical to the shaping of Italian identity as well as the role of the Mediterranean to separate Europe and its Others. Readings include Fernand Braudel, Iain Chambers, Ernesto de Martino, Elsa Morante, Andrea Camillieri, and Amara Lakhous. Final projects require students to isolate a topic within Italian culture and to develop in situ research that examines how the concept of the Mediterranean may be used to codify, or in some instances justify, certain textual or social practices. -
The RUTGERS LIBRETTO Newsletter of the Italian Department IV N
RUTGERS DEPARTMENT OF ITALIAN SPRING 2015 The RUTGERS LIBRETTO Newsletter of the Italian Department IV n. 1 Letter from the Chair TABLE OF CONTENTS am delighted to report that the Italian front cover I FROM THE CHAIR Department at Rutgers is in excellent shape, Paola Gambarota in spite of the recent ups and downs of the 2 HIGHLIGHTS Humanities in the US. We just celebrated the Sheri La Macchia & graduation of 21 seniors, out of 46 majors, during Carmela Scala a joyful evening attended by 74 people. Three 4 UNDERGRADUATE NEWS ABOVE: Paola Gambarota among our seniors completed an honors thesis. & ITALIAN NIGHT We were very impressed when students attending Prof. Rhiannon Welch’s senior 6 LECTURES & IGS seminar organized a two-day conference on the topic of “New and Old Italian 8 RUTGERS DAY Identities,” demonstrating a strong commitment to explore timely issues of 10 GRADUATE NEWS citizenship and immigration. One of these students, Nicoletta Romano, continued to study these questions with the support of the Lloyd Gardner Fellowship Program 12 ALUMNI REUNION & NEWS in Leadership and Social Policy, under the guidance of Professor Welch. Another 16 FACULTY NEWS Italian major, Mihaela Sanderson, was selected as the author of the “Best Poster” for back cover the Humanities portion of the Aresty Symposium, the result of a research project DEPARTMENT INITIATIVES developed with the support of her mentor Prof. Andrea Baldi. This is the second consecutive time that a student majoring in Italian is recognized in this way. There have been some changes in our department, and we miss our former friends and colleagues, our beloved Carol Feinberg, our kindhearted Robin Rogers, and our former language coordinator Daniele de Feo. -
PDF-Dokument
1 COPYRIGHT Dieses Manuskript ist urheberrechtlich geschützt. Es darf ohne Genehmigung nicht verwertet werden. Insbesondere darf es nicht ganz oder teilweise oder in Auszügen abgeschrieben oder in sonstiger Weise vervielfältigt werden. Für Rundfunkzwecke darf das Manuskript nur mit Genehmigung von Deutschlandradio Kultur benutzt werden. KULTUR UND GESELLSCHAFT Organisationseinheit : 46 Reihe : LITERATUR Kostenträger : P 62 300 Titel der Sendung : Das bittere Leben. Zum 100. Geburtstag der italienischen Schriftstellerin Elsa Morante AutorIn : Maike Albath Redakteurin : Barbara Wahlster Sendetermin : 12.8.2012 Regie : NN Besetzung : Autorin (spricht selbst), Sprecherin (für Patrizia Cavalli und an einer Stelle für Natalia Ginzburg), eine Zitatorin (Zitate und Ginevra Bompiani) und einen Sprecher. Autorin bringt O-Töne und Musiken mit Dieses Manuskript ist urheberrechtlich geschützt und darf vom Empfänger ausschließlich zu rein privaten Zwecken genutzt werden. Jede Vervielfältigung, Verbreitung oder sonstige Nutzung, die über den in den §§ 45 bis 63 Urheberrechtsgesetz geregelten Umfang hinausgeht, ist unzulässig © Deutschlandradio Deutschlandradio Kultur Funkhaus Berlin Hans-Rosenthal-Platz 10825 Berlin Telefon (030) 8503-0 2 Das bittere Leben. Zum hundertsten Geburtstag der italienischen Schriftstellerin Elsa Morante Von Maike Albath Deutschlandradio Kultur/Literatur: 12.8.2012 Redaktion: Barbara Wahlster Regie: Musik, Nino Rota, Fellini Rota, „I Vitelloni“, Track 2, ab 1‘24 Regie: O-Ton Collage (auf Musik) O-1, O-Ton Patrizia Cavalli (voice over)/ Sprecherin Sie war schön, wunderschön und sehr elegant. Unglaublich elegant und eitel. Sie besaß eine großartige Garderobe. O-2, O-Ton Ginevra Bompiani (voice over)/ Zitatorin Sie war eine ungewöhnliche Person. Anders als alle anderen. O- 3, Raffaele La Capria (voice over)/ Sprecher An Elsa Morante habe ich herrliche Erinnerungen. -
Il Castellet 'Italiano' La Porta Per La Nuova Letteratura Latinoamericana
Rassegna iberistica ISSN 2037-6588 Vol. 38 – Num. 104 – Dicembre 2015 Il Castellet ‘italiano’ La porta per la nuova letteratura latinoamericana Francesco Luti (Universitat Autònoma de Barcelona, España) Abstract This paper seeks to recall the ‘Italian route’ of the critic Josep Maria Castellet in the last century, a key figure in Spanish and Catalan literature. The Italian publishing and literary worlds served as a point of reference for Castellet, and also for his closest literary companions (José Agustín Goytisolo and Carlos Barral). All of these individuals formed part of the so-called Barcelona School. Over the course of at least two decades, these men managed to build and maintain a bridge to the main Italian publishing houses, thereby opening up new opportunities for Spanish literature during the Franco era. Thanks to these links, new Spanish names gained visibility even in the catalogues of Italian publishing houses. Looking at the period from the mid- 1950s to the end of the 1960s, the article focuses on the Italian contacts of Castellet as well as his publications in Italy. The study concludes with a comment on his Latin American connections, showing how this literary ‘bridge’ between Barcelona and Italy also contributed to exposing an Italian audience to the Latin American literary boom. Sommario 1. I primi contatti. – 2. Dario Puccini e i nuovi amici scrittori. – 3. La storia italiana dei libri di Castellet. – 4. La nuova letteratura proveniente dall’America latina. Keywords Literary relationships Italy-Spain. 1950’s 1960’s. Literary criticism. Spanish poetry. Alla memoria del Professor Gaetano Chiappini e del ‘Mestre’ Castellet. -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
William Weaver Papers, 1977-1984
http://oac.cdlib.org/findaid/ark:/13030/kt4779q44t No online items Finding Aid for the William Weaver Papers, 1977-1984 Processed by Lilace Hatayama; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2005 The Regents of the University of California. All rights reserved. Finding Aid for the William 2094 1 Weaver Papers, 1977-1984 Descriptive Summary Title: William Weaver Papers Date (inclusive): 1977-1984 Collection number: 2094 Creator: Weaver, William, 1923- Extent: 2 boxes (1 linear ft.) Abstract: William Weaver (b.1923) was a free-lance writer, translator, music critic, associate editor of Collier's magazine, Italian correspondent for the Financial times (London), music and opera critic in Italy for the International herald tribune, and record critic for Panorama. The collection consists of Weaver's translations from Italian to English, including typescript manuscripts, photocopied manuscripts, galley and page proofs. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Advance notice required for access. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. -
La Narrativa Del Novecento Tra Spagna E Italia 1939-1989
La narrativa del Novecento tra Spagna e Italia 1939-1989 Alessandro Ghignoli ([email protected]) UNIVERSIDAD DE MÁLAGA Resumen Palabras clave En nuestro trabajo queremos mostrar Literatura española e italiana como en el período comprendido entre Literatura comparada 1939 y 1989, la narrativa española y la Narrativa italiana han tenido confluencias y Siglo XX momentos de contacto bastante evidentes. Haremos hincapié sobre todo en los procesos históricos y sociales de ambos países para la construcción de sus literaturas. Abstract Key words In this piece of work we want to show Spanish and Italian Literature that there are evident similarities Comparative Literature between the Spanish and Italian Narrative writings produced between the years 20th Century 1939 and 1989, and specifically in the historical and social processes of both countries during the creation of their AnMal Electrónica 39 (2015) literatures. ISSN 1697-4239 1. La Spagna all’inizio del XX secolo soffriva un ritardo sociale e politico, rispetto agli altri paesi europei, di notevole portata, situazione ereditata anche da epoche precedenti. La guerra civile del 1936-39, sarà la finalizzazione di questo periodo in un paese in cui l’unica parvenza di stabilità poteva avvenire sotto una forma di dittatura. Possiamo tranquillamente affermare che quello che successe nell’estate del 1936 fu una conseguenza di lotte secolari interne alla penisola iberica, nel febbraio sempre di quell’anno vi erano in Spagna due blocchi che si scontrarono durante le elezioni politiche, portando alla vittoria il fronte progressista, anche se in maniera abbastanza debole. Tra il 17 e il 18 luglio scoppiò la sollevazione autoritaria dei nazionalisti spagnoli con a capo un uomo che determinerà il futuro 74 Narrativa del Novecento AnMal Electrónica 39 (2015) A. -
Homage to Alberto Moravia: in Conversation with Dacia Maraini At
For immediate release Subject : Homage to Alberto Moravia: in conversation with Dacia Maraini At: the Italian Cultural Institute , 39 Belgrave Square, London SW1X 8NX Date: 26th October 2007 Time: 6.30 pm Entrance fee £5.00, booking essential More information : Press Officer: Stefania Bochicchio direct line 0207 396 4402 Email [email protected] The Italian Cultural Institute in London is proud to host an evening of celebration of the writings of Alberto Moravia with the celebrated Italian writer Dacia Maraini in conversation with Sharon Wood. David Morante will read extracts from Moravia’s works. Alberto Moravia , born Alberto Pincherle , (November 28, 1907 – September 26, 1990) was one of the leading Italian novelists of the twentieth century whose novels explore matters of modern sexuality, social alienation, and existentialism. or his anti-fascist novel Il Conformista ( The Conformist ), the basis for the film The Conformist (1970) by Bernardo Bertolucci; other novels of his translated to the cinema are Il Disprezzo ( A Ghost at Noon or Contempt ) filmed by Jean-Luc Godard as Le Mépris ( Contempt ) (1963), and La Ciociara filmed by Vittorio de Sica as Two Women (1960). In 1960, he published one of his most famous novels, La noia ( The Empty Canvas ), the story of the troubled sexual relationship between a young, rich painter striving to find sense in his life and an easygoing girl, in Rome. It won the Viareggio Prize and was filmed by Damiano Damiani in 1962. An adaptation of the book is the basis of Cedric Kahn's the film L'ennui ("The Ennui") (1998). In 1960, Vittorio De Sica cinematically adapted La ciociara with Sophia Loren; Jean- Luc Godard filmed Il disprezzo ( Contempt ) (1963); and Francesco Maselli filmed Gli indifferenti (1964). -
Cahiers D'études Italiennes, 32 | 2021
Cahiers d’études italiennes 32 | 2021 Femmes aux multiples talents : entre littérature et d’autres pratiques intellectuelles et artistiques Anna Banti da «Paragone» all’«Approdo letterario». Venticinque anni di critica cinematografica d’autrice Anna Banti de « Paragone » à « L’Approdo letterario ». Vingt‑cinq ans de critique cinématographique d’auteure Anna Banti from “Paragone” to “L’Approdo letterario”. Twenty‑Five Years of Female Cinematographic Criticism Sara Da Ronch Edizione digitale URL: https://journals.openedition.org/cei/8897 DOI: 10.4000/cei.8897 ISSN: 2260-779X Editore UGA Éditions/Université Grenoble Alpes Edizione cartacea ISBN: 978-2-37747-257-4 ISSN: 1770-9571 Notizia bibliografica digitale Sara Da Ronch, «Anna Banti da «Paragone» all’«Approdo letterario». Venticinque anni di critica cinematografica d’autrice», Cahiers d’études italiennes [Online], 32 | 2021, online dal 01 mars 2021, consultato il 16 septembre 2021. URL: http://journals.openedition.org/cei/8897 ; DOI: https://doi.org/ 10.4000/cei.8897 Questo documento è stato generato automaticamente il 16 septembre 2021. © ELLUG Anna Banti da «Paragone» all’«Approdo letterario». Venticinque anni di critic... 1 Anna Banti da «Paragone» all’«Approdo letterario». Venticinque anni di critica cinematografica d’autrice Anna Banti de « Paragone » à « L’Approdo letterario ». Vingt‑cinq ans de critique cinématographique d’auteure Anna Banti from “Paragone” to “L’Approdo letterario”. Twenty‑Five Years of Female Cinematographic Criticism Sara Da Ronch 1. Introduzione 1 La rivalutazione del ruolo dell’intellettualità femminile all’interno della tradizione letteraria italiana è una tendenza in atto già da alcuni decenni, specie per quanto riguarda un secolo così vivo e fecondo qual è stato il Novecento. -
Ew V Essel P Ress
i New Vessel Press 2017 –18 New Vessel Press, founded in New York City in 2012, is an independent pub- lishing house specializing in the translation of foreign literature into English. By bringing readers foreign literature and narrative non-fiction, we offer cap- tivating, thought-provoking works with beautifully designed covers and high production values. We scour the globe looking for the best stories, knowing that only about three percent of the books published in the United States each year are translations. That leaves a lot of great literature still to be discovered. At New Vessel Press, we believe that knowledge of foreign cultures and litera- tures enriches our lives by offering passageways to understand and embrace the world. We regard literary translation as both craft and art, enabling us to tra- verse borders and open minds. We are committed to books that offer erudition and enjoyment, stimulate and scintillate, transform and transport. And of course, what matters most is not where the authors hail from, or what language they write in. The most important thing is the quality of the work itself. And hence our name. We publish great books, just in a new vessel. Our books have received a wide array of accolades, from The New York Times and The Wall Street Journal to The New Yorker and O, The Oprah Magazine. We are confident that our 2017-18 offerings will continue to make their mark and look forward to bringing the world’s great literature to ever more readers. 1 2 THE MADELEINE PROJECT By Clara Beaudoux / France Translated by Alison Anderson NONFICTION September 2017 5 ½ x 8 ¼ / 304 pp Trade Paper $23.95 978-1-939931-49-8 “Tells history in a brilliant, original way for the 21st century .. -
Renato Poggioli. Between History and Literature
Pagine di storia della slavistica Studi Slavistici x (2013): 301-310 Roberto Ludovico Renato Poggioli. Between History and Literature Until the year 2007 only two critical articles had been written on Renato Poggioli: one by his colleague at Harvard University Dante Della Terza in 1971 (Della Terza 1971), and two much more recent ones: by Giuseppe Ghini (2005), and by the Belgian scholar Laurent Béghin (2005). In addition to these two articles, Ghini had circulated a short but informative bio-bibliographical document dated 2005 on the internet. These three scholars, with over a dozen others, including historians, slavicists, italianists, and comparativists, ani- mated a three-day symposium dedicated to Renato Poggioli’s centennial by three American Universities in 2007: the University of Massachusetts Amherst, Brown University and Har- vard University. The intent of the symposium was to reignite interest in Poggioli and to re- evaluate the role he had in the twentieth century’s international literary debate. Since then a number of new publications (see for instance Pavese, Poggioli 2010), newspaper articles (Pirani 2008; Canali 2008), conferences1, reprints of Poggioli’s work (Poggioli 2012), and even television broadcasts2 have contributed to rediscovering Renato Poggioli and his legacy as a scholar and as an intellectual. The collection of essaysRenato Poggioli. An Intellectual Biography, edited by the three organizers of the 2007 symposium – Lino Pertile, Massimo Riva and myself – is the first book-length publication entirely dedicated to Poggioli. Far from wanting to provide an annotated bibliography of critical literature on Pog- gioli, these few introductory notes are meant to suggest that the scarce presence of his name in literary criticism after his death in 1963 is strictly connected with his cultural profile and the unusual trajectory of the biographical events that led him to leave Florence and Italy to pursue a career as Professor of Slavic Studies and Comparative Literature at Harvard Uni- versity.