Premio Cesare Pavese 2013
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Creatureliness
Thinking Italian Animals Human and Posthuman in Modern Italian Literature and Film Edited by Deborah Amberson and Elena Past Contents Acknowledgments xi Foreword: Mimesis: The Heterospecific as Ontopoietic Epiphany xiii Roberto Marchesini Introduction: Thinking Italian Animals 1 Deborah Amberson and Elena Past Part 1 Ontologies and Thresholds 1 Confronting the Specter of Animality: Tozzi and the Uncanny Animal of Modernism 21 Deborah Amberson 2 Cesare Pavese, Posthumanism, and the Maternal Symbolic 39 Elizabeth Leake 3 Montale’s Animals: Rhetorical Props or Metaphysical Kin? 57 Gregory Pell 4 The Word Made Animal Flesh: Tommaso Landolfi’s Bestiary 75 Simone Castaldi 5 Animal Metaphors, Biopolitics, and the Animal Question: Mario Luzi, Giorgio Agamben, and the Human– Animal Divide 93 Matteo Gilebbi Part 2 Biopolitics and Historical Crisis 6 Creatureliness and Posthumanism in Liliana Cavani’s The Night Porter and Pier Paolo Pasolini’s Salò 111 Alexandra Hills 7 Elsa Morante at the Biopolitical Turn: Becoming- Woman, Becoming- Animal, Becoming- Imperceptible 129 Giuseppina Mecchia x CONTENTS 8 Foreshadowing the Posthuman: Hybridization, Apocalypse, and Renewal in Paolo Volponi 145 Daniele Fioretti 9 The Postapocalyptic Cookbook: Animality, Posthumanism, and Meat in Laura Pugno and Wu Ming 159 Valentina Fulginiti Part 3 Ecologies and Hybridizations 10 The Monstrous Meal: Flesh Consumption and Resistance in the European Gothic 179 David Del Principe 11 Contemporaneità and Ecological Thinking in Carlo Levi’s Writing 197 Giovanna Faleschini -
Bibliografia 2018
BIBLIOGRAFIA 2018 L E G G E R E I L P A E S A G G I O A cura di Fondazione Benetton Studi Ricerche AIB Veneto Leggere per Leggere 1 TERRE ALTE In montagna con l’Orsa Lucia, Antonella Abbatiello, Emme Edizioni BPE Compagno orsetto, Mario Rigoni Stern, Einaudi ragazzi BGE V Milo e il segreto del Karakorum, Enrico Brizzi – Luca Caimmi, Laterza BGE Luì e l’arte di andare nel bosco, Luigi Mainolfi – Guido Quarzo, Hopefulmonster BPE Il bosco racconta, Sabina Colloredo, Einaudi Ragazzi BGE V L’uomo montagna, Séverine Gauthier e Amélie Fléchais, Tunué RGR Il segreto del bosco vecchio, Dino Buzzati, Mondadori RGE V Storie del bosco antico, Mauro Corona, Mondadori RGE V La via di Schenèr, Matteo Melchiorre, Marsilio NGE V Le otto montagne, Paolo Cognetti, Einaudi NGE V Paesi Alti, Antonio G. Bortoluzzi NPE V Neve, cane, piede, Claudio Morandini, Exorma NPE La via del sole, Mauro Corona, Mondadori NGE V Razzo rosso sul Nanga Parbat, Reinhold Messner, Corbaccio NPE Sulla traccia di Nives, Erri De Luca, Feltrinelli NGE Montagne. Avventura, passione, sfida, AA VV, Lit NPE La pelle dell’orso, Matteo Righetto, Guanda NGE V La montagna volante, Christoph Ransmayr, Feltrinelli NGE … E se la vita continua, Cesare Maestri, Dalai NGE Segreto Tibet, Fosco Maraini, Corbaccio CPE La grande parete, Giuseppe Mazzotti, Nuovi Sentieri Editore CPE V Le due chiese, Sebastiano Vassalli, Bur CGE Montagne di una vita, Walter Bonatti, Rizzoli CGE I miracoli di Val Morel, Dino Buzzati, Mondadori CGE V La montagna incantata, Thomas Mann, Corbaccio CPE 2 CHIARE, FRESCHE -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
La Narrativa Del Novecento Tra Spagna E Italia 1939-1989
La narrativa del Novecento tra Spagna e Italia 1939-1989 Alessandro Ghignoli ([email protected]) UNIVERSIDAD DE MÁLAGA Resumen Palabras clave En nuestro trabajo queremos mostrar Literatura española e italiana como en el período comprendido entre Literatura comparada 1939 y 1989, la narrativa española y la Narrativa italiana han tenido confluencias y Siglo XX momentos de contacto bastante evidentes. Haremos hincapié sobre todo en los procesos históricos y sociales de ambos países para la construcción de sus literaturas. Abstract Key words In this piece of work we want to show Spanish and Italian Literature that there are evident similarities Comparative Literature between the Spanish and Italian Narrative writings produced between the years 20th Century 1939 and 1989, and specifically in the historical and social processes of both countries during the creation of their AnMal Electrónica 39 (2015) literatures. ISSN 1697-4239 1. La Spagna all’inizio del XX secolo soffriva un ritardo sociale e politico, rispetto agli altri paesi europei, di notevole portata, situazione ereditata anche da epoche precedenti. La guerra civile del 1936-39, sarà la finalizzazione di questo periodo in un paese in cui l’unica parvenza di stabilità poteva avvenire sotto una forma di dittatura. Possiamo tranquillamente affermare che quello che successe nell’estate del 1936 fu una conseguenza di lotte secolari interne alla penisola iberica, nel febbraio sempre di quell’anno vi erano in Spagna due blocchi che si scontrarono durante le elezioni politiche, portando alla vittoria il fronte progressista, anche se in maniera abbastanza debole. Tra il 17 e il 18 luglio scoppiò la sollevazione autoritaria dei nazionalisti spagnoli con a capo un uomo che determinerà il futuro 74 Narrativa del Novecento AnMal Electrónica 39 (2015) A. -
Liceo Scientifico “A. Gramsci” Di Ivrea Anno Scolastico 2017-2018
Liceo Scientifico “A. Gramsci” di Ivrea Anno scolastico 2017-2018 Programma svolto di Lingua e letteratura italiana Classe 1A Scientifico Docente: Prof.ssa Carolina Arbore CONOSCENZE - Sviluppare le quattro abilità: ascoltare parlare leggere scrivere - Conoscere in modo articolato e approfondito il sistema linguistico nei suoi aspetti formali, funzionali e semantici. COMPETENZE - Sviluppare le abilità riguardanti l’uso della lingua, nella produzione orale e scritta, in relazione agli scopi e alle modalità richieste dalle varie situazioni. - Distinguere e analizzare i vari tipi di testo e messaggio e orientarsi tra diversi generi letterari. CAPACITÀ Analizzare e produrre autonomamente testi di genere diverso. METODOLOGIE DIDATTICHE Lezioni frontali e dialogate; esercizi di lettura globale, selettiva, approfondita; esercizi di titolazione, divisione in sequenze, riassunti, schedature, parafrasi, composizioni guidate, analisi testuali. STRUMENTI DI VALUTAZIONE Analisi e produzione di testi, esercizi di comprensione, questionari a risposta aperta e a risposta multipla, esercizi di completamento, test di grammatica, interrogazioni. CRITERI DI VALUTAZIONE Prove scritte: correttezza ortografica, grammaticale e sintattica, competenza lessicale, scelta del registro adeguato alla situazione comunicativa, pertinenza dei contenuti, articolazione del pensiero, coerenza e coesione del messaggio, organizzazione dei dati in modo originale e creativo. Prove orali: conoscenza e pertinenza dei contenuti, espressione formalmente corretta e adeguata al -
1861-2011. L'italia Dei Libri, Esposta Al XXIV Salone Internazionale Del Libro Di Torino
1861-2011. L'Italia dei Libri I 150 Grandi Libri che - anno dopo anno – dal 1861 al 2011 hanno scandito la storia d’Italia e contribuito a plasmare il nostro costume, il gusto, il nostro pensiero. I libri che ci hanno resi un po’ più italiani. Proponiamo i 150 libri scelti dai curatori della mostra 1861-2011. L'Italia dei Libri, esposta al XXIV Salone internazionale del Libro di Torino. Narrativa, fiabe, poesia, storia e divulgazione scientifica, storia dell’arte e teologia, sperimentazione e umorismo, antropologia criminale e manuali di cucina, bestseller e rarità particolarmente significativi per la storia culturale del nostro Paese. E’ indicata la breve descrizione bibliografica e la collocazione per i libri presenti in biblioteca. 1862 - Paolo Giacometti, La morte civile 1866 - Massimo d’Azeglio, I miei ricordi Massimo d'Azeglio, I miei ricordi, Torino, Einaudi, 1971 853.8 DAZ 1868-1869 - Giuseppe Rovani, Cento anni Giuseppe Rovani, Cento anni, Torino, Einaudi, 2005 853.8 ROV 1869 - Igino Ugo Tarchetti, Fosca Igino Ugo Tarchetti, Una nobile follia; Fosca, Novara, Edizioni per il Club del libro, 1971 853.8 TAR 1871 - Vittorio Bersezio, Le miserie del signor Travetti 1873 - Paolo Mantegazza, Fisiologia dell’amore 1873 - Graziadio Isaia Ascoli, Proemio all’«Archivio glottologico italiano» 1876 - Cesare Lombroso, L’uomo delinquente 1876 - Antonio Stoppani, Il Bel Paese 1877 - Olindo Guerrini (Lorenzo Stecchetti), Postuma 1877 - Vittorio Imbriani, Fame usurpate 1878 - Pasquale Villari, Lettere meridionali 1879 - Paolo Valera, Milano sconosciuta 1881 - Giovanni Verga, I Malavoglia Giovanni Verga, I Malavoglia, Milano, Bompiani, 1990 853.8 VER 1882 - Renato Fucini, Le veglie di Neri Renato Fucini, Le veglie di Neri, Roma, TEN, 1993 mag. -
Other Worlds: Travel Literature in Italy
Spring 2019 - Other Worlds. Travel Literature in Italy ITAL-UA 9283 Wednesdays, 10:30-1:15 pm Classroom Location TBA Class Description: This course, taught in English, will focus on the representation of travel experience in Modern Italian Literature and its related media, especially 20th Century Cinema, Modernist and Futurist Art, underground comics, and the way they intersect with each other. Its aim is to offer the student a new pattern in the succession of tendencies, movements and mass cultures, with a broader perspective, spanning from the 19th Century Post-Unification Italian culture and literature (Manzoni) to the 1980s “cult” writers and cartoonists and literary groups from the 1990s and 2000s (Tondelli, Ammanniti, Pazienza). With this pattern the student will be introduced to the dynamics of journey in the Italian culture and literature: not only a spatial journey abroad (in America with Calvino, The Orient with Tabucchi, Africa with Pasolini and Celati) or inland (especially the South of Carlo Levi), but also intellectually, politically and spiritually speaking: a path between the Wars (with Malaparte and Levi), the economic Boom, the Generation of ’68 and ’77, a psychedelic trip in New Age trends, and the so called Pulp Generation or Young Cannibals. To foster the student’s feedback one Site-visit will be proposed (at the Fondazione Casamonti in Florence) and a special Field Trip will be scheduled in Milan, to visit the new “Book Pride” Book Fair and interview a contemporary Italian writer and/or translator and/or editor at Verso Bookshop. With these topics and authors, the student will be engaged in a different history of Italian literature and culture, using also her or his knowledge in the Florentine context. -
Renato Poggioli. Between History and Literature
Pagine di storia della slavistica Studi Slavistici x (2013): 301-310 Roberto Ludovico Renato Poggioli. Between History and Literature Until the year 2007 only two critical articles had been written on Renato Poggioli: one by his colleague at Harvard University Dante Della Terza in 1971 (Della Terza 1971), and two much more recent ones: by Giuseppe Ghini (2005), and by the Belgian scholar Laurent Béghin (2005). In addition to these two articles, Ghini had circulated a short but informative bio-bibliographical document dated 2005 on the internet. These three scholars, with over a dozen others, including historians, slavicists, italianists, and comparativists, ani- mated a three-day symposium dedicated to Renato Poggioli’s centennial by three American Universities in 2007: the University of Massachusetts Amherst, Brown University and Har- vard University. The intent of the symposium was to reignite interest in Poggioli and to re- evaluate the role he had in the twentieth century’s international literary debate. Since then a number of new publications (see for instance Pavese, Poggioli 2010), newspaper articles (Pirani 2008; Canali 2008), conferences1, reprints of Poggioli’s work (Poggioli 2012), and even television broadcasts2 have contributed to rediscovering Renato Poggioli and his legacy as a scholar and as an intellectual. The collection of essaysRenato Poggioli. An Intellectual Biography, edited by the three organizers of the 2007 symposium – Lino Pertile, Massimo Riva and myself – is the first book-length publication entirely dedicated to Poggioli. Far from wanting to provide an annotated bibliography of critical literature on Pog- gioli, these few introductory notes are meant to suggest that the scarce presence of his name in literary criticism after his death in 1963 is strictly connected with his cultural profile and the unusual trajectory of the biographical events that led him to leave Florence and Italy to pursue a career as Professor of Slavic Studies and Comparative Literature at Harvard Uni- versity. -
Il Vostro Giornale - 1 / 3 - 02.10.2021 2
1 Al professor Luciano Canfora il premio “Il Maestro di Bere il Territorio” di Elisa e Stefano Pezzini 02 Aprile 2018 – 8:11 “Liguria del gusto e quant’altro” è il titolo di questa rubrica curata da noi, Elisa (alla scrittura) e Stefano (alle ricerche), per raccontare i gusti, i sapori, le ricette e i protagonisti della storia enogastronomica della Liguria. Una rubrica come ce ne sono tante, si potrà obiettare. Vero, ma diversa perché cercheremo di proporre non solo personaggi, locali e ricette di moda ma anche le particolarità, le curiosità, quello che, insomma, nutre non solo il corpo ma anche la mente con frammenti di passato, di cultura materiale, di sapori che si tramandano da generazioni. Pillole di gusto per palati ligustici. Il Vostro Giornale - 1 / 3 - 02.10.2021 2 Al professore e filologo Luciano Canfora è stato assegnato il riconoscimento “Il Maestro di Bere il Territorio”, nell’ambito della diciassettesima edizione del Concorso letterario nazionale promosso da Go Wine, l’associazione di promozione vitivinicola particolarmente presente in Liguria e Piemonte. Il premio sarà ritirato nel corso della cerimonia di premiazione che si svolgerà sabato 7 aprile nella nuova Sala Beppe Fenoglio di Alba dalle 10.30. Il riconoscimento al “Maestro” è stato istituito a partire dalla terza edizione e si propone di premiare importanti figure della cultura italiana, che possano essere di riferimento per i più giovani o testimoni di un particolare rapporto con l’identità dei luoghi e della civiltà materiale che li caratterizza. Con Luciano Canfora saranno presenti in sala i vincitori delle varie sezioni del Concorso che saranno annunciati direttamente durante la cerimonia. -
4 Cesare Pavese14
4 Cesare Pavese14 Diaries written by suicides are rare. However, occasionally a diary written by a famous person who has died by suicide is published, and the present study explored the final year of a diary written by the Italian novelist Cesare Pavese. Pavese’s diary has been published in an English translation, thereby introducing two confounding elements, the translation itself and the fact that we cannot be sure that the editor of the diary did not omit some of the content. The Italian version is Il mestiere de vivere (Pavese, 1952), and an edited translation has appeared (Pavese, 1961). Cesare Pavese was born in Italy in 1908, and he killed himself at the age of 42 on August 27, 1950, in Turin, Italy. During that time, he became a leading intellectual, editor, translator, poet and nov- elist. The biographical details of Pavese’s life are taken from his biographer, Lajolo (1983). 4.1 Pavese’s Life Pavese was born on a farm in Santo Stefano Belbo in the Piedmont province of North Western Italy (which borders on Switzerland and France) on September 9, 1908. He often returned to his hometown in later years. Pinolo Saglione, a carpenter there, remained a friend and confidante. Pavese’s father Eugenio worked in Turin at the Court of Justice. Pavese’s mother, Consolina, was the daughter of wealthy merchants. Consolina had lost three children before Maria and Pavese, the first dying of diphthe- ria at the age of six. Pavese had a sister, Maria, six years his elder. Pavese’s childhood was spent in Turin during the Winter and Spring, and at the farm in Summer and Autumn. -
Impegno Nero: Italian Intellectuals and the African-American Struggle
Impegno nero: Italian intellectuals and the African-American struggle Article Published Version Creative Commons: Attribution-Noncommercial 4.0 Open Access Leavitt, C. L. (2013) Impegno nero: Italian intellectuals and the African-American struggle. California Italian Studies, 4 (2). ISSN 2155-7926 Available at http://centaur.reading.ac.uk/36375/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: http://escholarship.org/uc/ismrg_cisj?volume=4;issue=2 Publisher: University of California All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Peer Reviewed Title: Impegno nero: Italian Intellectuals and the African-American Struggle Journal Issue: California Italian Studies, 4(2) Author: Leavitt IV, Charles L., University of Reading Department of Modern Languages School of Literatures and Languages Publication Date: 2013 Publication Info: California Italian Studies Permalink: http://escholarship.org/uc/item/6qn2w1cm Acknowledgements: This essay is part of a book in progress, one that examines representations of African Americans in Italy from the Risorgimento to the present day. Some of the project’s early research findings have been presented and discussed at the 2011 conference of the South Atlantic Modern Language Association and the Colby College Symposium on the Myth of America in Italian Culture, as well as the 2012 conferences of the Modern Language Association, the American Association of Italian Studies, the “Echi oltremare...” conference sponsored by N.E.V.I.S., and a 2013 colloquium at the University of Reading. -
Cesare Pavese Collection Finding
Special Collections and University Archives : University Libraries Cesare Pavese Collection 1931-2006 1931-1950 13 titles (2 linear feet) Call no.: RB 037 Collection overview Simultaneously prolific and tragic, Cesare Pavese was a major figure in 20th century Italian letters. Born in the Piedmont region in 1908 and educated in Turin, Pavese was drawn to English-language literature as a student, writing his thesis on Walt Whitman (1930). Nearly overnight, he became well known as a translator of modern American and British fiction, from Melville, Faulkner, and Steinbeck to James Joyce and Gertrude Stein, and at the same time, he began to publish his own creative work beginning with Lavorare stanca, a book of poetry, in 1936. Although sentenced to three years of internal exile for his anti-fascist sympathies (1938-1941), he continued to write, capped by the appearance of his first two novels in 1941 and 1942. The war's end saw Pavese blossom into an exceptionally creative period, however even as his renown grew, the effects of depression and a failed love affair with the American actress Constance Dowling led him to suicide in August 1950. Two months before he had been awarded the prestigious Strega Prize. This collection of first and early editions by Cesare Pavese, donated by Lawrence G. Smith, includes first and early editions by Cesare Pavese, five of which are inscribed: three to Constance Dowling, one to his friend Leone Ginzburg (and later to Dowling), and the fifth to Doris and Harry. Smith also donated dozens of other volumes by and about Pavese to the Library's general collection.