The Formation of Thomas Merton's Prophetic Spirituality a DISSE
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Le Non-Lieu Comme Raison D'être De Susana Soca
LA PARATOPIE AU CENTRE : LE NON-LIEU COMME RAISON D’ÊTRE DE SUSANA SOCA Valentina LITVAN Université Paris 8, LI.RI.CO (EA 3055) « L’écrivain n’a pas lieu d’être […] et doit construire le territoire de son œuvre à travers cette faille même » (MAINGUENEAU, 2004 : 85). Cette définition de Dominique Maingueneau contient le paradoxe selon lequel l’identité de l’écrivain émerge de son non-lieu. Un non-lieu qui n’est pas textuel (la mort de l’auteur proclamée par Barthes), ni contextuel (dans une allusion purement sociologique à la condition marginale de l’écrivain). Car Maingueneau propose la notion de paratopie pour dépasser précisément le dualisme entre texte et contexte, œuvre et écrivain : « […] faire œuvre, c’est produire une œuvre et construire par là même les conditions qui permettent de la produire » (MAINGUENEAU, 2004 : 86). L’écrivain se construit en construisant son œuvre, dans laquelle, paradoxalement, il disparaît. L’auteur se construit ainsi par son œuvre, à partir du non-lieu. À partir de cette problématique du non-lieu comme trait fondamental de la paratopie, nous allons exposer le cas particulier de Susana Soca. Figure méconnue de la littérature uruguayenne, son existence dans le champ littéraire semble se légitimer précisément par un non- lieu constant et ce, à différents niveaux de la production littéraire. Nous présenterons d’abord l’auteur, pour décrire ensuite quatre traits paratopiques qui la/le définissent et, finalement, essayer de démontrer que la paratopie, caractérisée par l’instabilité et le non-lieu, confère une place centrale à cette figure dans la tradition littéraire dont elle fait partie. -
Twentieth Century Latin American Architecture: a Network and a Digital Exhibition Hugo SEGAWA University of Sao Paulo
<Presentations Day1>Twentieth Century Latin American Title Architecture: a Network and a Digital Exhibition Author(s) SEGAWA, Hugo CIRAS discussion paper No.81 : Architectural and Planning Citation Cultures Across Regions --Digital Humanities Collaboration Towards Knowledge Integration (2018), 81: 8-17 Issue Date 2018-03 URL https://doi.org/10.14989/CIRASDP_81_8 © Center for Information Resources of Area Studies, Kyoto Right University Type Research Paper Textversion publisher Kyoto University Presentations / Day1 Twentieth Century Latin American Architecture: a Network and a Digital Exhibition Hugo SEGAWA University of Sao Paulo designed by the architect Horiguchi Sutemi and built inside the Ibirapuera Park in Sao Paulo city in 1954, on the occasion of the 4th centennial of the foundation of the city of São Paulo. This, and other examples of forgotten or unknown facts of how ar- chitectural exchanges and the architectural culture in Brazil was shaped, demonstrate that this kind of database is an important tool for research, and would be especially useful for data mining analysis. The Observatório de Arquitectura Latinoamer- icana Contemporánea – ODALC (Observatory of As representative of a joint research group, a Contemporary Latin American Architecture) is a network dedicated to the study of the Modern Latin network of researchers of the University of São American Architecture, the invitation to be in this Paulo (Brazil), Universidad Nacional (Colombia) symposium came in an important moment of discus- and Universidad Autónoma Metropolitana (Mexi- sion and decision regarding the use of digital tools co) dedicated to the study of contemporary Latin and data bases within the activities of the group, al- American architecture and cities since 2011. -
Thomas Merton: Social Critic
University of Kentucky UKnowledge Christianity Religion 1971 Thomas Merton: Social Critic James Thomas Baker Western Kentucky University Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Baker, James Thomas, "Thomas Merton: Social Critic" (1971). Christianity. 1. https://uknowledge.uky.edu/upk_christianity/1 Thomas Merton ___ when speech is in danger of perishing or being perverted in the amplified noise of beasts, perhaps it becomes obligatory for a monk to try to speak- Seeds of Destruction Thomas Merton Social Critic A Study by ] ames Thomas Baker T he University Press of Kentucky for Jill & Jenji who know and care Copyright © 1971 by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9338-0 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Centennial Bibliography on the History of American Sociology
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 2005 Centennial Bibliography On The iH story Of American Sociology Michael R. Hill [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Hill, Michael R., "Centennial Bibliography On The iH story Of American Sociology" (2005). Sociology Department, Faculty Publications. 348. http://digitalcommons.unl.edu/sociologyfacpub/348 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Hill, Michael R., (Compiler). 2005. Centennial Bibliography of the History of American Sociology. Washington, DC: American Sociological Association. CENTENNIAL BIBLIOGRAPHY ON THE HISTORY OF AMERICAN SOCIOLOGY Compiled by MICHAEL R. HILL Editor, Sociological Origins In consultation with the Centennial Bibliography Committee of the American Sociological Association Section on the History of Sociology: Brian P. Conway, Michael R. Hill (co-chair), Susan Hoecker-Drysdale (ex-officio), Jack Nusan Porter (co-chair), Pamela A. Roby, Kathleen Slobin, and Roberta Spalter-Roth. © 2005 American Sociological Association Washington, DC TABLE OF CONTENTS Note: Each part is separately paginated, with the number of pages in each part as indicated below in square brackets. The total page count for the entire file is 224 pages. To navigate within the document, please use navigation arrows and the Bookmark feature provided by Adobe Acrobat Reader.® Users may search this document by utilizing the “Find” command (typically located under the “Edit” tab on the Adobe Acrobat toolbar). -
Lettre D'info
M R SH Lettre d’info NORMANDIE - CAEN Maison de la Recherche en Sciences Humaines Numéro 135 - Mai 2013 CNRS - UNIVERSITÉ DE CAEN en ligne ce mois-ci Mécénat de la Fondation Nationale Crédit http://www.unicaen.fr/recherche/mrsh/forge Agricole et du Crédit Agricole de Normandie, soutien du Ministère de la Culture et du Minis- La forge numérique tère de l’Agriculture à la restauration et à la nu- héberge et diffuse tousdocuments mul- timédia (photos, vidéos, fichiers son) relatifs à l’acti- mérisation intelligente de la bibliothèque his- vité scientifique de la Maison de la Recherche en torique du Ministère de l’Agriculture Sciences Humaines (MRSH) et des équipes qui y sont associées. Enregistrements audio ou vidéo de col- Forte de 25 000 volumes du loques, conférences, photos de terrains, entretiens de début du XVIIe siècle à la fin du chercheurs, présentation d’ouvrages par leurs auteurs XXe siècle, la Bibliothèque du alimentent régulièrement ce réservoir numérique. Ministère de l’agriculture est un patrimoine d’exception. C’est aussi un magnifique outil de � écouter recherche. En septembre 2004, le Ministère a décidé de la confier à la Maison de la Recherche en l’économie informelle dans les grands ports Sciences Humaines (MRSH) CNRS Université de Caen Basse-Nor- Laurence MonteL mandie en raison de l’excellence de sa recherche et de sa capacité géographies. Épistémologie et histoire des à l’ouvrir au public des chercheurs et au grand public. savoirs sur l’espace Conçu comme un outil de travail et alimenté par des achats, des PascaL Clerc dons et des dépôts depuis le règne de Louis XV jusqu’à la Ve Répu- blique, ce fonds est constitué d’ouvrages et de revues en lien avec la guerre de madeleine les thématiques agricoles et rurales (traités, atlas, statistiques,- re MadeLeine ClervaL cueils de pratiques, concours agricoles, rapports, thèses, manuels, monographies, etc.). -
Mise En Page 1
VENDREDI 29 NOVEMBRE 2019 HÔTEL DROUOT - SALLE 11 Expert : CLAUDE OTERELO ART ET LITTÉRATURE VENDREDI 29 NOVEMBRE 2019 DU XXE SIÈCLE À 14H ÉDITIONS ORIGINALES DROUOT RICHELIEU, SALLE 11 AUTOGRAPHES 9, RUE DROUOT - 75009 PARIS LIVRES ILLUSTRÉS REVUES PHOTOGRAPHIES DESSINS ET TABLEAUX EXPERT Claude Oterelo Membre de la Chambre Nationale des Experts Spécialisés 5, rue La Boétie - 75008 Paris Tél. : 06 84 36 35 39 - [email protected] CONTACT ÉTUDE EXPOSITION PUBLIQUE À DROUOT Jeudi 28 novembre de 11h à 21h Vendredi 29 novembre de 11h à 12h Simon Meynen CATALOGUE ET VENTE SUR INTERNET Tél. : 01 40 06 06 08 [email protected] www.AuctionArtParis.com 9, rue de Duras - 75008 Paris | tél. : +33 (0)1 40 06 06 08 | fax : +33 (0)1 42 66 14 92 SVV agrément N 2008-650 - www.AuctionArtParis.com - [email protected] Rémy Le Fur, Theo Lavignon & Grégoire Veyrès, commissaires-priseurs habilités 5 2 1 1 ACCI Giovanni. TECHNIQUE MIXTE SIGNEE. 50 x 70 cm, sous encadrement. 600/800 € Technique mixte signée au recto par Giovanni Acci représentant un étrange personnage sans tête en mouvement. Œuvre reproduite dans I Manichini sognano… Milano, Edizione Globarte, 1976, p. 53. L’OUVRAGE EST JOINT. 2 AGULLO Thierry. PLEINS ET DELIES. DEUX ASSEMBLAGES SUR PANNEAUX SIGNES. Paris, 1974/75. 89 x 95 cm, sous encadrement. 1 000/1 500 € Deux assemblages signés, constitués de collages d’objets (gant, billet de banque, portefeuille, de carte géographique et de textes autographes). Les deux panneaux sont signés par Agullo. 3 AGULLO Thierry. FERS A CHAUSSURES. ASSEMBLAGE sous boîte plasitifiée. -
“In the School of Prophets Throws Fresh Light on the Integral Relationship Between Prophecy and Mysticism in Merton's Life A
“In the School of Prophets throws fresh light on the integral relationship between prophecy and mysticism in Merton’s life and writings. Mining a range of sources sometimes overlooked in Merton studies, Ephrem Arcement ably guides the reader beneath the surface of the many-faceted diamond that is Merton’s paradoxical spirituality of solitude and social engagement, resistance and hope. Especially in Merton’s engagement with poetic visionaries like Blake and Vallejo, Arcement gestures to Christian hope as seeking to cut through the ‘great tangled knot of lies’ in mass society even while recognizing the ‘flowering of ordinary possibilities’ hidden in everyday life. An aptly rich and multilayered study of Merton’s Christ-haunted spirituality, still drawing us in, one hundred years after his birth.” — Christopher Pramuk Associate Professor, Theology Xavier University Author of At Play in Creation: Merton’s Awakening to the Feminine Divine “Ephrem Arcement situates Merton’s prophetic life and witness, most pronounced in the final decade of his life, within a much broader understanding of the prophetic vocation, integrating many seemingly diffuse elements from throughout Merton’s life. In the School of Prophets is a thoughtful, challenging treatise that underscores Merton’s stature as a true man of God, like the prophets of old, calling us forward and challenging us to labor for the fidelity to God to which Merton himself strived. This is a refreshing and vital approach to understanding Merton’s prophetic vocation.” — Dr. Paul M. Pearson Director -
Téléchargez Le
Alkemie Revue semestrielle de littérature et philosophie Numéro 1 Métaphore et concept Directeurs de publication Mihaela-Genţiana STĂNIŞOR (Roumanie) Răzvan ENACHE (Roumanie) Comité honorifique Sorin ALEXANDRESCU (Roumanie) Jacques LE RIDER (France) Irina MAVRODIN (Roumanie) Sorin VIERU (Roumanie) Conseil scientifique Magda CÂRNECI (Roumanie) Ion DUR (Roumanie) Ger GROOT (Belgique) Arnold HEUMAKERS (Pays-Bas) Carlos EDUARDO MALDONADO (Colombie) Simona MODREANU (Roumanie) Eugène VAN ITTERBEEK (Roumanie, Belgique) Constantin ZAHARIA (Roumanie) Comité de rédaction Cristina BURNEO (Equateur) Nicolas CAVAILLÈS (France) Aurélien DEMARS (France) Andrijana GOLUBOIC (Serbie) Aymen HACEN (Tunisie) Dagmara KRAUS (France) Daniele PANTALEONI (Italie) Ciprian VĂLCAN (Roumanie) Johann WERFER (Autriche) ISSN: 1843-9102 Administration et rédaction: 5, Rue Haţegului, ap. 9, 550069 Sibiu, Roumanie Courrier électronique: [email protected], [email protected] Tel : 00(40)269224522 Périodicité : revue semestrielle Revue publiée avec le concours de la Société des Jeunes Universitaires de Roumanie Les auteurs sont priés de conserver un double des manuscrits, qui ne sont pas retournés © Tous droits réservés Director: Mircea Trifu Fondator: dr. T.A. Codreanu Tiparul executat la Casa Cărţii de Ştiinţă 400129 Cluj-Napoca; B-dul Eroilor nr. 6-8 Tel./fax: 0264-431920 www.casacartii.ro; e-mail: [email protected] 2 SOMMAIRE ARGUMENT ..................................................................................................5 AGORA Jacques Le Rider, -
Francisco Matto B
Francisco Matto b. 1911, Montevideo, Uruguay - d. 1995, Montevideo, Uruguay Francisco Matto, c. 1944 1911 Francisco Alberto Matto Vilaró was born in Montevideo on October 18th. His father Francisco Alejo Matto Vilaró, was musically inclined and his mother María Eulalia Vilaró wrote poetry. His brother Jorge, died at age 8 and his younger sister Graciela, died in 1945. The Matto Family, 1918 The Matto family on the side of river Santa Lucia, c. 1924 1922 Matto wrote his first poems and took painting lessons with the Uruguayan painter Carlos Rúfalo. He was privately tutored at home. 1926 Father died. 1932 Traveled to Tierra del Fuego in Southern Argentina and Chile where he purchased the first pieces of what would become an important collection of Pre-Colombian Amerindian art. Boat which Matto travelled to Southern Argentina, 1932 Francisco Matto and travel companions on board, Hortensia Vilaró and Mrs. Herman, 1932 1935 Composed and painted surrealist poems and murals on the walls of his studio. Through his friend the French-Uruguayan poet Jules Supervielle, and Susana Soca, met Henri Michaux who spent the year 1936 in Uruguay. 1938 Painted large-size irregularly shaped wood panels such as “Woman and Rooster.” 1939 Met Torres-García and began to attend his lectures. 1940 Submitted two paintings: Portrait of J.M.V. and War to the I Municipal Salon. In the IV National Salon, he exhibited: Woman in a Striped Dress and A Corner in the Park. 1941 Exhibited Cain and Abel at the II Municipal Salon and The Red Chair at the V National Salon. -
The Enigmas of Borges, and the Enigma of Borges
THE ENIGMAS OF BORGES, AND THE ENIGMA OF BORGES Peter Gyngell, B.A. Thesis submitted to Cardiff University in partial fulfilment of the requirements for the degree of Doctor of Philosophy March 2012 ii ACKNOWLEDGEMENTS My thanks go to my grandson, Brad, currently a student of engineering, who made me write this thesis; to my wife, Jean, whose patience during the last four years has been inexhaustible; and to my supervisor, Dr Richard Gwyn, whose gentle guidance and encouragement have been of incalculable value. Peter Gyngell March 26, 2012 iii CONTENTS PREFACE 1 INTRODUCTION 2 PART 1: THE ENIGMAS OF BORGES CHAPTER 1: BORGES AND HUMOUR 23 CHAPTER 2: BORGES AND HIS OBSESSION WITH DEATH 85 CHAPTER 3: BORGES AND HIS PRECIOUS GIFT OF DOUBT 130 CHAPTER 4: BORGES AND HUMILITY 179 PART 2: THE ENIGMA OF BORGES CHAPTER 5: SOME LECTURES AND FICTIONS 209 CHAPTER 6: SOME ESSAYS AND REVIEWS 246 SUMMARY 282 POSTSCRIPT 291 BIBLIOGRAPHY 292 1 PREFACE A number of the quoted texts were published originally in English; I have no Spanish, and the remaining texts are quoted in translation. Where possible, translations of Borges’ fictions will be taken from The Aleph and Other Stories 1933-1969 [Borges, 1971]; they are limited in number but, because of the involvement of Borges and Norman Thomas di Giovanni, they are taken to have the greater authority; in the opinion of Emir Rodriguez Monegal, a close friend of Borges, these translations are ‘the best one can ask for’ [461]; furthermore, this book contains Borges’ ‘Autobiographical Essay’, together with his Commentaries on each story. -
Title Page R.J. Pederson
Cover Page The handle http://hdl.handle.net/1887/22159 holds various files of this Leiden University dissertation Author: Pederson, Randall James Title: Unity in diversity : English puritans and the puritan reformation, 1603-1689 Issue Date: 2013-11-07 Chapter 1 Historiographical Introduction, Methodology, Hypothesis, and Structure 1.1 Another Book on English Puritanism? Historiographical Justification Only in the past sixty-five years has the study of English Puritanism gained serious academic credence.1 Prior to this, popular perceptions of Puritans ranged from admirable to ignoble. In the sixteenth century, John Whitgift, adversary of Elizabethan Puritanism and future Archbishop of Canterbury, wrote that “this name Puritane is very aptely giuen to these men, not because they be pure no more than were the Heretikes called Cathari, but because they think them selues to be mundiores ceteris, more pure than others, as Cathari dyd, and separate them selues from all other Churches and congregations as spotted and defiled.”2 Thomas Cartwright, the leading Presbyterian of the sixteenth century, rejected “Puritan” and thought that it should be applied only to Anabaptists.3 In the seventeenth century, Oliver Ormerod mocked the Puritans in his oft-cited dialogue The Picture of a Puritane (1605).4 Henry Parker, one of Ormerod’s contemporaries, sought to 1 Most historians have used “English Puritanism” as a standard reference to this sixteenth and seventeenth-century movement (or series of movements); however, other historians refer to “British Puritanism” or “Dutch Puritanism” or “Scottish Puritanism” or “American Puritanism” or even “Irish Puritanism” to reflect the diversity of thought present within Puritanism and argue for an expansive presence outside England. -
Felisberto Hernández
Experiencia artística y vital de la incomunicación, la de Felisberto Hernández (Montevideo 1902-1964), es, sobre todo, reflejo conjetural de la soledad, en cuan- to desarraigo de lo sublime, y manifestación inconclusa del rotundo fracaso hu- LA POLÍTICA DE LA MIRADA mano y estético, existencial y ético, de la que se premura por actualizar las lectu- ras, un grupo de sus lectores apasionados, amigos de su literatura, deslumbrados día tras día por esas grandes mentiras que revelan las más auténticas verdades, Felisberto Hernández hoy cual son las narradas por el gran montevideano. Afanosos por actualizar la lectura desde la perspectiva de medio siglo que ha transcurrido entre su ocultamiento definitivo del mundo de los mortales, a demostración de que el afán de Felisberto por no ser nada, por no representar a nadie es, quizá, el modo más trivial y denso, Fabio Rodríguez AmayaFabio (ed.) más auténtico y legal, de ser y estar en el mundo. Esta certidumbre lo condujo a Fabio Rodríguez Amaya (ed.) inventar narraciones con un único objetivo: develar, desvelar y fabular el mundo en hechos estéticos perdurables. Tan duraderos que hoy mueven a interpreta- OY H ciones y lecturas inéditas como las que se presentan en este libro, de escritores, críticos y académicos invitados por las Universidades de Milán y de Bérgamo con- vocados por las funambelescas y sabias ocurrencias de Felisberto. Para inventar con él cómo, sin proponérselo o sin saberlo, alteraba la percepción y la visión, ERNÀNDEZ desencadenaba al subconsciente, torturaba al inconsciente, agudizaba la irrever- H sibilidad de la lógica, tergiversaba su ciudad y al ser.