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Gender, Ethnicity, and Identity in Virtual
Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225 -
The Daily Egyptian, June 22, 1974
Southern Illinois University Carbondale OpenSIUC June 1974 6-22-1974 The aiD ly Egyptian, June 22, 1974 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_June1974 Volume 55, Issue 191 Recommended Citation , . "The aiD ly Egyptian, June 22, 1974." (Jun 1974). This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in June 1974 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. • Walker to arrf,Ve Sunday ~'PAition . 'Daily Gov Dan Walker is expected to make a reception at Bonaparte's Retreat in several announcements concerning Carbondale. From there he will attend Southern DIinois when visiting the area another reception WItii 9 p.m . at Tony's this weekend . Steak House in Marion. Following the reception in Marion . the governor will Tim Rend , a spokesman at the gover traveJ to Merlin's Bar in carbondale for 'Egyptian nor's office, said the gove~ or will an an informal reception. nounce plans concerni"8 energy . Southern Illinois airports, ajd for deaf The go\'ern~r is expected to make his children and tourism in Southern announcements at a news conference at Southern Dlinois University Dlinois. the Jefferson School in Marion at 10 a.m . Monday. SatUf'"day, JU"Ie 22. 197,,-Vol 55, No. 191 The governor is expected to arrive at the Southern Ulinois airport Sunday at 4 The receptions and the news con pm. From 4 until 7 p.m. he will attend ference are open to the public. -
LOU SCHEIMER: CREATING the FILMATION GENERATION 1946–1948Chapter TWO Driving Japan Crazy
CONTENTS... PREFACE ..........................................5 chapter seventeeN ......149 Anthologies and Expansion (1978–1979) chapter one .............................7 Wherein My Father Punched Out Adolf Hitler Years chapter eighteen .....161 Before Captain America Did (1928–1946) The Year of Legal Discontent (1979–1980) chapter two ..........................17 chapter nineteen .....171 Driving Japan Crazy (1946–1948) Silver Bullets and Soccer Balls (1980–1981) chapter three .................23 chapter twenty ..........179 Carnegie and an Early Proposal (1948–1955) Forced To Runaway (1981–1982) chapter FOUR .....................31 chapter twenty-one ....189 Clowns, Cats, Rockets, and Jesus (1955–1965) A Farewell to Networks / The Last Man Standing (1982–1983) chapter five ........................43 And Who, Disguised As A Real Animation Studio… chapter twenty-two ....197 We Have the Power! (1983–1984) chapter six ............................51 The Super Superheroes (1967) COLOR GALLERY ..............209 chapter seven .................59 The Fantastic Shrinking Bat-Teenager (1968) chapter twenty-three ....521 Morals and Media Battles (1984–1985) chapter eight ....................69 Gold Records and Witches (1969) chapter twenty-four ....223 Sisters Are Doing it for Themselves (1985–1986) chapter nine ........................75 Hey Lady! More Monsters & Music! (1970–1971) chapter twenty-five ......235 Let’s Go Ghostbusters! (1986-1987) chapter ten .........................81 Funnies, Games, and Fables (1971) chapter twenty-six ......241 -
The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. -
My Replay Baseball Encyclopedia Fifth Edition- May 2014
My Replay Baseball Encyclopedia Fifth Edition- May 2014 A complete record of my full-season Replays of the 1908, 1952, 1956, 1960, 1966, 1967, 1975, and 1978 Major League seasons as well as the 1923 Negro National League season. This encyclopedia includes the following sections: • A list of no-hitters • A season-by season recap in the format of the Neft and Cohen Sports Encyclopedia- Baseball • Top ten single season performances in batting and pitching categories • Career top ten performances in batting and pitching categories • Complete career records for all batters • Complete career records for all pitchers Table of Contents Page 3 Introduction 4 No-hitter List 5 Neft and Cohen Sports Encyclopedia Baseball style season recaps 91 Single season record batting and pitching top tens 93 Career batting and pitching top tens 95 Batter Register 277 Pitcher Register Introduction My baseball board gaming history is a fairly typical one. I lusted after the various sports games advertised in the magazines until my mom finally relented and bought Strat-O-Matic Football for me in 1972. I got SOM’s baseball game a year later and I was hooked. I would get the new card set each year and attempt to play the in-progress season by moving the traded players around and turning ‘nameless player cards” into that year’s key rookies. I switched to APBA in the late ‘70’s because they started releasing some complete old season sets and the idea of playing with those really caught my fancy. Between then and the mid-nineties, I collected a lot of card sets. -
Shane Robinson
GGOLDENOLDEN SSPIKESPIKES The Golden Spikes is presented annually to the top amateur base- ball player in the country as selected by a special committee for the GOLDEN SPIKES AWARD WINNERS 2010 Bryce Harper Southern Nevada United States Baseball Federation. 2009 Stephen Strasburg San Diego State 2008 Buster Posey Florida State For the past 33 years, USA Baseball has honored the top amateur baseball 2007 David Price Vanderbilt player in the country with the Golden Spikes Award (see winners box). The award 2006 Tim Lincecum Washington is presented each year to the player who exhibits exceptional athletic ability and 2005 Alex Gordon Nebraska exemplary sportsmanship. Past winners of this prestigious award include Major 2004 Jered Weaver Long Beach State 2003 Rickie Weeks Southern League Baseball stars Jered Weaver, Tim Lincecum, David Price and Florida 2002 Khalil Greene Clemson State’s Buster Posey. 2001 Mark Prior Southern California The Golden Spikes Award is sponsored by the Major League Baseball Players 2000 Kip Bouknight South Carolina Association (MLBPA), underscoring the commitment of Major League Baseball 1999 Jason Jennings Baylor to the grassroots development of baseball programs, particularly for youth, 1998 Pat Burrell Miami around the world. The MLBPA supports USA Baseball’s ongoing efforts to provide 1997 J.D. Drew Florida State 1996 Travis Lee San Diego State instruction for youth baseball players, coaches and volunteers, and to prepare 1995 Mark Kotsay Cal State Fullerton amateur athletes for professional competition. 1994 Jason Varitek Georgia Tech USA Baseball is the national governing body of amateur baseball in the United 1993 Darren Dreifort Wichita State States. -
Funky Turns 40
THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40™: BLACK CHARACTER REVOLUTION A RETROSPECTIVE OF 1970‘S CARTOON ANIMATION ART FEATURING BLACK CHARACTERS THE MUSEUM OF UNCUT FUNK PRESENTS FUNKY TURNS 40: BLACK CHARACTER REVOLUTION EXHIBITION INVENTORY Contact Information Museum First Name Last Name Phone Address E-Mail Curator The Museum Of UnCut Funk Pamela Thomas Co-Curator The Museum Of UnCut Funk Loreen Williamson Art Item Photo Artwork Cartoon Studio Network Run Historical Notes Description I. BLACK CAST CARTOONS: Billy Jo Jive Billy Jo Jive - Original Production Cel Features Billy Billy Jo Jive Sesame Street PBS: Billy Jo Jive was the first positive Saturday morning cartoon Jo Jive and 11/27/78 - series featuring Black characters to be created from a series of Smart Susie through the children’s books. Billy Jo Jive was a self-described super crime Sunset 1980’s fighting ace, a prepubescent Black detective in animated segments on Sesame Street in the late 1970s and early 1980s. Billy Jo Jive and his sidekick, Smart Susie Sunset, originated in a series of children's books by John Shearer, with illustrations by his father Ted Shearer. The series debuted with Billy Jo Jive, Super Private Eye: The Case of the Missing Ten Speed Bike in 1976. The earliest known TV appearance: Sesame Street Episode 1186. Fat Albert And The Cosby Kids Fat Albert And The Cosby Kids - “Band Features Fat Fat Albert And Filmation CBS: Fat Albert is the longest running positive Black cast Saturday Practice” Limited Edition Cel Albert gang The Cosby Kids 9/9/72 - 8/10/85 morning cartoon series and the third positive Black cast from Halloween Run: Saturday morning cartoon series. -
Auction Magazine Catalog
VolumeVolume 3 NumberNumber 4 July 2009 Rock-n-Roll US $5.99 Market Soars with Jackson death AMI Chats Social blog educates Basketball Jersey’s On the rise SSummerummer BBlastlast EEndsnds JJulyuly 223,3, 22009009 americanmemorabilia.com Instant Message: AMI’s Social Network and Blog Welcome, readers! knowledge in regards to game-used, game-worn memorabilia. AMI’s New blog is now We also want to hear about your input on autographs. The blog available on the AmericanMemorabilia. is dedicated to factual information and knowledge that we can all com home page. benefi t from. Comment now on all the You can now interact with American Memo- articles and memorabilia in the AMI rabiia Auction Magazine. All the articles, Vegas, Baby, Instant auction. Each and every article will be Message, Last Work, and Cover Story’s will all be in on-line. We available for comments and participation. won’t forget Famous, Almost Famous, and the AM Girlz. The Good, The Bad, and The Ugly section is dedicated to educating the Join us today. collector. You now have a voice on our Kieta site. Specifi cally, the forum seeks any July 09 President and C.E.O. Vegas Baby! Roger Hornsby Victor J. Moreno Rock-n-Roll will Baseball Wow! Editor-in-Chief never die. Kieta Editor Jim Johnston 3 Paul Ladewski 5 Art Director Maria C. De Léon Photography Basketball Jersey’s Rare Style Michael Petersen On the Rise Warriors Jersey Staff Writers Anthony Giese Stephanie Wilczynski Inventory Control/Shipping 24 James Specht 6 Contribution Editors Denny Esken Lou Lampson Babe Ruth Best Boxing Lives Web Developer Baseball Seen Again Sam High 1 15 Volume 2, Number 6 Sept 2008 ISSN#1935-9799 Jackie’s Memorabilia on Printed in the United States. -
Making Room for the Brady Bunch: the Syndication of Suburban Discomfort
Liminalities: A Journal of Performance Studies Vol. 15, No. 1 (2019) Making Room for The Brady Bunch: The Syndication of Suburban Discomfort Janna Jones Introduction The Brady Bunch, created by Sherwood Schwartz, is an American Broadcasting Corporation (ABC) sitcom that aired on Friday nights from 1969 to 1974. The show was not a hit with audiences or critics in its prime time run; it became a popular culture icon only after it went into syndication in 1976. The Brady Bunch found its audience once it began airing on weekdays, during after school hours. It has now has been in continuous syndication in the United States and around the globe for the last four decades. Because of the show's popularity dur- ing its lengthy syndication, two generations of audiences share a common after- school legacy of watching The Brady Bunch. In spite of the show’s saccharine storylines and bland representations of early 1970s white, middle class suburbia, the Brady family and their suburban home are deeply rooted in twentieth centu- ry popular memory. The Brady Bunch was dismissed during its prime time run because it was oblivious to the profound social and cultural conflicts of the early 1970s. Four months after the show premiered in 1969, Richard Nixon became president; he resigned from office five months after The Brady Bunch was cancelled. The five years of the Nixon administration was a period of social and political upheavals Janna Jones is a professor of Creative Media and Film. in the School of Communica- tion, at Northern Arizona University. A twentieth-century historian, Jones’ scholarship focuses on the history of cinema going, architectural preservation, historic movie thea- ters, amateur filmmaking, public exhibition, urban and suburban history and public art. -
Debut Year Player Hall of Fame Item Grade 1871 Doug Allison Letter
PSA/DNA Full LOA PSA/DNA Pre-Certified Not Reviewed The Jack Smalling Collection Debut Year Player Hall of Fame Item Grade 1871 Doug Allison Letter Cap Anson HOF Letter 7 Al Reach Letter Deacon White HOF Cut 8 Nicholas Young Letter 1872 Jack Remsen Letter 1874 Billy Barnie Letter Tommy Bond Cut Morgan Bulkeley HOF Cut 9 Jack Chapman Letter 1875 Fred Goldsmith Cut 1876 Foghorn Bradley Cut 1877 Jack Gleason Cut 1878 Phil Powers Letter 1879 Hick Carpenter Cut Barney Gilligan Cut Jack Glasscock Index Horace Phillips Letter 1880 Frank Bancroft Letter Ned Hanlon HOF Letter 7 Arlie Latham Index Mickey Welch HOF Index 9 Art Whitney Cut 1882 Bill Gleason Cut Jake Seymour Letter Ren Wylie Cut 1883 Cal Broughton Cut Bob Emslie Cut John Humphries Cut Joe Mulvey Letter Jim Mutrie Cut Walter Prince Cut Dupee Shaw Cut Billy Sunday Index 1884 Ed Andrews Letter Al Atkinson Index Charley Bassett Letter Frank Foreman Index Joe Gunson Cut John Kirby Letter Tom Lynch Cut Al Maul Cut Abner Powell Index Gus Schmeltz Letter Phenomenal Smith Cut Chief Zimmer Cut 1885 John Tener Cut 1886 Dan Dugdale Letter Connie Mack HOF Index Joe Murphy Cut Wilbert Robinson HOF Cut 8 Billy Shindle Cut Mike Smith Cut Farmer Vaughn Letter 1887 Jocko Fields Cut Joseph Herr Cut Jack O'Connor Cut Frank Scheibeck Cut George Tebeau Letter Gus Weyhing Cut 1888 Hugh Duffy HOF Index Frank Dwyer Cut Dummy Hoy Index Mike Kilroy Cut Phil Knell Cut Bob Leadley Letter Pete McShannic Cut Scott Stratton Letter 1889 George Bausewine Index Jack Doyle Index Jesse Duryea Cut Hank Gastright Letter -
2021 SWB Railriders Media Guide
grand slam history 1989 2005 Keith Miller April 19 @ Syracuse Shane Victorino May 10 vs. Pawtucket Greg Legg May 15 vs Oklahoma City Chris Coste May 15 @ Rochester Floyd Rayford June 24 vs Tidewater (PH) Ryan Howard May 28 @ Richmond Anthony Medrano August 10 @ Syracuse 1990 Jorge Padilla August 15 @ Louisville Steve Stanicek May 1 @ Richmond John Gibbons July 27 @ Indianapolis 2006 Kelly Heath August 21 @ Pawtucket Brennan King July 14, 2006 vs. Toledo Steve Stanicek August 22 @ Pawtucket Joe Thurston July 28, 2006 vs. Richmond Michael Bourn August 15, 2006 vs. Syracuse 1991 Sil Campusano April 27 @ Columbus 2007 Sil Campusano June 10 @ Columbus Shelley Duncan June 18, 2007 @ Durham Kevin Reese July 22, 2007 vs. Charlotte 1992 Steve Scarsone April 11 vs Syracuse 2008 Gary Alexander June 3 @ Syracuse Jason Lane May 4, 2008 vs. Durham Rick Schu July 5 vs Syracuse Nick Green July 13, 2008 @ Columbus Ruben Amaro August 7 @ Pawtucket Gary Alexander September 7 @ Columbus 2009 Colin Curtis July 3 @ Pawtucket 1993 Chris Stewart July 7 @ Buffalo Victor Rodriguez May 18 vs Ottawa Shelley Duncan August 30 vs. Pawtucket 1994 2010 None Jesus Montero May 17 vs. Charlotte 1995 2011 Phil Geisler August 12 vs Pawtucket Kevin Russo July 15 @ Toledo 1996 2012 Gene Schall April 27 @ Rochester Cole Garner July 21 @ Gwinnett David Doster May 22 @ Norfolk Wendell Magee August 3 vs Charlotte 2013 Cody Grice June 19, 2013 1997 Melky Mesa August 9, 2013 Mike Robertson May 1 @ Columbus Tony Barron May 16 @ Syracuse 2014 Wendell Magee Jr. June 28 vs Pawtucket Zelous Wheeler May 28 @ Louisville Mike Robertson August 10 @ Syracuse Rob Segedin July 22 @ Gwinnett 1998 2015 Doug Angeli June 8 @ Charlotte Tyler Austin June 2 vs. -
Representations of Redface: Decolonizing the American Situation Comedy's "Indian"
REPRESENTATIONS OF REDFACE: DECOLONIZING THE AMERICAN SITUATION COMEDY'S "INDIAN" Dustin S. Tahmahkera A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Lynda Dixon, Advisor Bradford Clark Graduate Faculty Representative Don McQuarie Angela Nelson © 2007 Dustin Tahmahkera All Rights Reserved iii ABSTRACT Lynda Dixon, Advisor This study critically analyzes the thematic development of representations of redface, or of playing “Indian,” by non-Native characters in live-action and animated American sitcoms. Predominantly White characters have played “Indian” to reeenact nostalgic colonialist versions of historical events, to gain fame and fortune deceptively, to be honorary members of a tribe, to acknowledge heritage through a distant “Indian” relative, and to be in “Indian” clubs. This dissertation also discusses the dehumanizing roles of rare on-screen “Indians” as cultureless dupes or subservient, vanishing Natives who legitimize and authenticate non-Indigenes’ constructions of redface. Representations of redface in American sitcoms, from their appearance in the 1951 I Love Lucy “The Adagio” to the 2006 The Suite Life of Zack and Cody “Boston Tea Party,” have largely defined the sitcom’s “Indian.” The result is a redface collective that emphasizes the recurring visibility of (mis)leading “Indian” players that represent, or stand in for, the mostly invisible Indigenes. American sitcoms have set forth a restricted logic on how “Indians” in comedic television should appear. In turn, this limited logic of the sitcom’s “Indian” transmits a narrow, non-fully human view of real Indigenes to non-Indigenous and Indigenous audiences.