Funky Turns 40
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Disney Strike of 1941: from the Animators' Perspective Lisa Johnson Rhode Island College, Ljohnson [email protected]
Rhode Island College Digital Commons @ RIC Honors Projects Overview Honors Projects 2008 The Disney Strike of 1941: From the Animators' Perspective Lisa Johnson Rhode Island College, [email protected] Follow this and additional works at: https://digitalcommons.ric.edu/honors_projects Part of the Labor Relations Commons, Other Film and Media Studies Commons, Social History Commons, and the United States History Commons Recommended Citation Johnson, Lisa, "The Disney Strike of 1941: From the Animators' Perspective" (2008). Honors Projects Overview. 17. https://digitalcommons.ric.edu/honors_projects/17 This Honors is brought to you for free and open access by the Honors Projects at Digital Commons @ RIC. It has been accepted for inclusion in Honors Projects Overview by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. The Disney Strike of 1941: From the Animators’ Perspective An Undergraduate Honors Project Presented By Lisa Johnson To The Department of History Approved: Project Advisor Date Chair, Department Honors Committee Date Department Chair Date The Disney Strike of 1941: From the Animators’ Perspective By Lisa Johnson An Honors Project Submitted in Partial Fulfillment of the Requirements for Honors in The Department of History The School of the Arts and Sciences Rhode Island College 2008 1 Table of Contents Introduction Page 3 I. The Strike Page 5 II. The Unheard Struggles for Control: Intellectual Property Rights, Screen Credit, Workplace Environment, and Differing Standards of Excellence Page 17 III. The Historiography Page 42 Afterword Page 56 Bibliography Page 62 2 Introduction On May 28 th , 1941, seventeen artists were escorted out of the Walt Disney Studios in Burbank, California. -
Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
WARM WARM Kerning by Eye for Perfectly Balanced Spacing
Basic typographic principles: A guide by The Typographic Circle Glossary of basic terms Typeface The overall design of a type family Gill Sans Univers Georgia Gill Sans, Univers & Georgia are all typefaces. Font Referring back to when type was cast in molten You’ll see that a typeface can come in various metal using a mould, or font. A font is how a types of digital font; such as OpenType, TrueType typeface is delivered. So you can have both a metal and Postscript fonts. Each have different reasons handmade font and a digital font file of the same for being, but they are essentially just different typeface, e.g Times or Futura. ways of delivering the same typeface. Serif Short strokes at the ends of horizontal and vertical Times strokes of characters. Generally considered to be Hoefler Text easier to read for large quantities of text, and often, Baskerville but not always, associated with more traditional Minion and older themes. Georgia Sans Serif Taken from the French word sans, meaning Akzidenz Grotesk ‘without’, sans serif simply means without serifs. Helvetica Generally, but not always, considered to be Univers associated with modern themes. Gotham Slab Serif A typeface with weightier, ‘slab-like’ serifs. Rockwell Lubalin Graph Uppercase CAPITAL LETTERS ABCDEFGH Lowercase non-capital letters abcdefgh Mixed-case A mix of the two above, that conforms to Great, it’ll be sunny on Saturday. the standard rules of a normal sentence. Sometimes called sentence-case. Title-case Capitalising all of the major words in a sentence. Improving your Typography: Easy with Practice There are various schools of thought as to what defines a ‘major’ word, but it tends to looks neater when connecting words like and, the, to, but, is & my remain lowercase. -
H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma.. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
New Directors Showcase “Congratulations” Ad Samples ©2011 Optimus
New Directors Showcase “Congratulations” Ad Samples 2011 SHOOT NEW DIRECTORS SHOWCASE congratulations otto oneatoptimus.com ©2011 Optimus. ©2011 &RQJUDWXODWLRQV +$</(<0255,6 1HZ'LUHFWRUV6KRZFDVH animation mixed media live action cg design games 9th ANNUAL NEW DIRECTORS SHOWCASE 2011 How did you get into directing? How did you get into directing? I have wanted to be a director since age 18, but felt I didn’t have enough life experience. I had a great childhood, which really shaped how I think creatively today. I grew I started taking photographs to explore the world, road trips fi nding subcultures (Angola up in a small town with only two television channels to watch. Also other than the Penitentiary inmates & characters on the Texas/Mexico borderland) and letting land- amazing mountain ranges, there weren’t a lot of exciting places to go so my imagi- scapes, like Appalachia, reveal unseen and unusual things. Two years ago I approached nation wandered quite a bit. And having a great childhood mixed with a limitless The New York Times to make a short fi lm of musicians and fans at Coachella Music Festival. imagination was really important for me because I imagined some of weirdest things The response to the fi lm was very positive and Partizan took me on as a director. I followed to make the ordinary seem out of the ordinary. So I obviously needed an outlet, but Poppy de Villeneuve up with other short fi lm and interview projects for various publications and made my fi rst Matt Fackrell we couldn’t afford a video camera, so for years my twin brother and I created strange Partizan, bicoastal/international U.K. -
Broadcasting Jan 30
The Fifth Estate Broadcasting Jan 30 ;wzD w xoor>roc -a £ Gl3 I - m cn NJ rrr D r 4' N N ON OLD IN 101 MARK NOW...FOR SEPTEMBER 0 1984 LIONHEART TELEVISION INTERNATIONAL .5 ERIE S COMPANY EXTRAORDINARY 4 OFF-NETWORK PRODUCTIONS NOW AVAILABLE FOR SYNDICATION THE VOYAGE OF CHARLES DARWIN 7 ONE -HOURS about Darwin's incredible journey of adventure and discovery aboard the H.M.S. Beagle -to South America and the Galapagos Islands. THE LONG SEARCH 13 ONE -HOURS about the world's great religions - filmed on a 150,000 -mile global journey from the Protestant churches of Indianapolis to the Zen monasteries of Japan. Host: Ronald Eyre. CONNECTIONS 10 ONE -HOURS about how apparently unrelated events, people and situations have come together in the thousands of years of history to produce social and technological changes in today's complex world. Host: James Burke. THE SHOCK OF THE NEW 8 ONE -HOURS. A provocative view of 20th Century art-which takes up the story of the visual arts where Kenneth Clark's 'Civilisation' left off. Host/Writer /Presenter: Robert Hughes, Art Critic/Time Magazine. .yvri t bIONHEAR`i TELEVISION INTERNATIONAL 40 WEST 57 STREET NEW PORN, N.T. 10019. 1212) 541-7342 ATLANTA (404) 873.5101 ONE OF THE PUBLIC MEDIA INC. COMPANIES The Entertainment Industry is moving to the (The West Coast of Manhattan.) . There's a classic building in Manhat- in mid -Manhattan. l p G 1 tan that's just made for the special WEST COAST STUDIOS offers needs your business, if you are a of ° huge 40,000 square foot floors in large company in Entertainment, . -
[Japan] SALA GIOCHI ARCADE 1000 Miglia
SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th. -
The Predicaments of Peppermint Patty Free
FREE THE PREDICAMENTS OF PEPPERMINT PATTY PDF Charles M. Schulz | 80 pages | 21 Apr 2016 | Canongate Books Ltd | 9781782113621 | English | Edinburgh, United Kingdom Peppermint Patty - Wikipedia Cookies are used to provide, analyse and improve our services; provide chat tools; and show you relevant content on advertising. You can learn more about our use of cookies here. Are you happy to accept all cookies? Accept all Manage Cookies Cookie Preferences We use cookies and similar tools, including those used by The Predicaments of Peppermint Patty third parties collectively, "cookies" for the purposes described below. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The choices you make here will apply to your interaction The Predicaments of Peppermint Patty this service on this device. Essential We use cookies to provide our servicesfor example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. These cookies are necessary to provide our site and services and therefore cannot be disabled. For example, we use cookies to conduct research and diagnostics to improve our content, products and services, and to measure and analyse the performance of our services. Show less Show more Advertising ON OFF We use cookies to serve you certain types of adsincluding ads relevant to your interests on Book Depository and to work with approved third parties in the process of delivering ad content, including ads relevant to your interests, to The Predicaments of Peppermint Patty the effectiveness of their ads, and to perform services on behalf of Book Depository. -
God on the Streets of Gotham GOD GOTHAM GOD on the STREETS of GOTHAM
GOD ON THE STREETS OF GOTHAM GOD GOTHAM GOD ON THE STREETS OF GOTHAM WHAT THE BIG SCREEN BATMAN CAN TEACH US ABOUT GOD AND OURSELVES PAUL ASAY TYNDALE HOUSE PUBLISHERS, INC. CAROL STREAM, ILLINOIS Visit Tyndale online at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves Copyright © 2012 by Paul Asay. All rights reserved. Cover and interior photograph of city copyright © David Zimmerman/Corbis. All rights reserved. Author photograph taken by Ted Mehl, copyright © 2009. All rights reserved. Designed by Daniel Farrell Edited by Jonathan Schindler The author is represented by Alive Communications, Inc., 7680 Goddard St., Suite 200, Colorado Springs, CO 80920. www.alivecommunications.com. Scripture quotations are taken from the Holy Bible, New Living Translation, copyright © 1996, 2004, 2007 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved. This book is a commentary on, but is not affiliated with or licensed by, DC Comics, Warner Communications, Inc., or Time Warner Entertainment Company, L.P., owners of the Batman® trademark and related media franchise. Library of Congress Cataloging-in-Publication Data Asay, Paul. God on the streets of Gotham : what the big screen Batman can teach us about God and ourselves / by Paul Asay. p. cm. ISBN 978-1-4143-6640-1 (sc) 1. Batman films—History and criticism. 2. Motion pictures—Religious aspects. I. Title. PN1995.9.B34A83 2012 791.43´682—dc23 2012000820 Printed in the United States of America 18 17 16 15 14 13 12 7 6 5 4 3 2 1 To Mom and Dad, who never gave up on me. -
Riverdale | Dialogue Transcript | S2:E18
CREATED BY Roberto Aguirre-Sacasa EPISODE 2.18 “Chapter Thirty-One: A Night to Remember” As rehearsals ramp up for "Carrie: The Musical," the Riverdale drama students sink into their roles -- and life starts imitating art. WRITTEN BY: Roberto Aguirre-Sacasa, Arabella Anderson, Tessa Williams DIRECTED BY: Jason Stone ORIGINAL BROADCAST: April 18, 2018 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. EPISODE CAST K.J. Apa ... Archie Andrews Lili Reinhart ... Betty Cooper Camila Mendes ... Veronica Lodge Cole Sprouse ... Jughead Jones Marisol Nichols ... Hermione Lodge Madelaine Petsch ... Cheryl Blossom Ashleigh Murray ... Josie McCoy Mark Consuelos ... Hiram Lodge Casey Cott ... Kevin Keller Skeet Ulrich ... FP Jones Mädchen Amick ... Alice Cooper Luke Perry ... Fred Andrews Nathalie Boltt ... Penelope Blossom Jordan Calloway ... Chuck Clayton Martin Cummins ... Sheriff Tom Keller Hart Denton ... Chic Vanessa Morgan ... Toni Topaz Lochlyn Munro ... Hal Cooper Shannon Purser ... Ethel Muggs Emilija Baranac ... Midge Klump Cody Kearsley ... Moose Mason Drew Ray Tanner ... Fangs Fogarty 1 00:00:08,258 --> 00:00:09,676 [narrator] Previously on Riverdale: 2 00:00:09,759 --> 00:00:12,387 -New wheels, Mr. Lodge? -It's yours, Archie. 3 00:00:12,470 --> 00:00:16,099 [Betty] This is what guys like Chuck think about women. We're objects. 4 00:00:16,182 --> 00:00:18,059 [Penelope] Cheryl was obsessed with you.