History of the Origin of the Bogurodzica Song. A Musical Monument of 1407 Ivan KUZMINSKYI History of the Origin of the Bogurodzica Song. A Musical Monument of 1407 Giesmės „Bogurodzica“ kilmė – 1407 m. muzikinis paminklas Ukraine P. Tchaikovsky National Academy of Music, ul. Architektora Gorodeckogo 1-3/11, 01001 Kyiv, Ukraine Email
[email protected] Abstract In Polish musical historiography, the song Bogurodzica is considered to be the oldest artifact of Polish song culture written in a staff notation. This article attempts to study the history of this song’s emergence and distribution not only against the background of Polish musical culture of the late 14th– early 15th centuries, but also under the conditions of the Kievan Rus’ and the Grand Duchy of Lithuania. Firstly, the article presents the main written sources of the Bogurodzica in the 15th–16th centuries and analyzes the title, verbal text and the plot of the Bogurod- zica as well as the origins of the melody. Secondly, the text focuses on Ruthenian Court Musicians of the King Władysław II Jagiełło, musical contacts between the courts of the Grand Duke of Lithuania Vytautas and the great masters of the Teutonic Order, the place and meaning of the Mother of God churches in the Kievan Rus’, battle prayers to the Mother of God in the Ruthenian princely environment, singing to the Mother of God before battle in the Kievan Rus’ and the Ruthenian cult of the Mother of God in the Grand Duchy of Lithuania. This research provides new grounds to consider the Bogurodzica as a piece of work of the ancient Ruthenian culture and suggests that eventually it could be included into the contemporary musical historiography of Ukraine, Belarus and Lithuania.