The Sarmatian Review
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Paderewski, Ignacy Jan | International Encyclopedia of the First World War
Version 1.0 | Last updated 08 January 2017 Paderewski, Ignacy Jan By Andrzej Chojnowski Paderewski, Ignacy Jan Polish pianist, composer, and politician Born 06 November 1860 in Kurilovka, Russian Empire (today: Ukraine) Died 29 June 1941 in New York City, United States of America Ignacy Jan Paderewski was a virtuoso pianist. He made use of his popularity in the United States and western Europe to propagate the idea of Polish independence and state sovereignty. In 20th century Poland, he became a symbol of patriotism and devotion to the national cause. Table of Contents 1 Beginnings of Artistic Career and Political Activity 2 The First World War 3 An Independent Polish State 4 Final Years Notes Selected Bibliography Citation Beginnings of Artistic Career and Political Activity Ignacy Jan Paderewski (1860-1941) was born into a family of petty landowners. His ancestors participated in the struggle for Polish independence by taking part in the anti-Russian January Uprising (1863–1864). He maintained a firm conviction about the necessity of acting for the sake of the homeland deprived of independence, and this remains his political legacy. Paderewski’s greatest passion, however, was music. In 1887 he debuted on stage, initiating a series of successful concerts Paderewski, Ignacy Jan - 1914-1918-Online 1/4 across Europe and the Americas. Paderewski used his success to establish contact with important politicians and disseminate knowledge about the so-called “Polish question.” He chose to open his concerts with patriotic speeches, and he promoted the works of Frederic Chopin (1810–1849), another Polish composer. He also inserted into his own compositions motifs referring to Polish folk music and events from the history of Poland. -
Political Visions and Historical Scores
Founded in 1944, the Institute for Western Affairs is an interdis- Political visions ciplinary research centre carrying out research in history, political and historical scores science, sociology, and economics. The Institute’s projects are typi- cally related to German studies and international relations, focusing Political transformations on Polish-German and European issues and transatlantic relations. in the European Union by 2025 The Institute’s history and achievements make it one of the most German response to reform important Polish research institution well-known internationally. in the euro area Since the 1990s, the watchwords of research have been Poland– Ger- many – Europe and the main themes are: Crisis or a search for a new formula • political, social, economic and cultural changes in Germany; for the Humboldtian university • international role of the Federal Republic of Germany; The end of the Great War and Stanisław • past, present, and future of Polish-German relations; Hubert’s concept of postliminum • EU international relations (including transatlantic cooperation); American press reports on anti-Jewish • security policy; incidents in reborn Poland • borderlands: social, political and economic issues. The Institute’s research is both interdisciplinary and multidimension- Anthony J. Drexel Biddle on Poland’s al. Its multidimensionality can be seen in published papers and books situation in 1937-1939 on history, analyses of contemporary events, comparative studies, Memoirs Nasza Podróż (Our Journey) and the use of theoretical models to verify research results. by Ewelina Zaleska On the dispute over the status The Institute houses and participates in international research of the camp in occupied Konstantynów projects, symposia and conferences exploring key European questions and cooperates with many universities and academic research centres. -
Biuletyn-66.Pdf
POŒWIÊCONY BADANIU NAJNOWSZEJ HISTORII POLSKI ROK LXVI (66) MAJ 2010 – MAJ 2011 A NON-FOR-PROFIT EDUCATIONAL INSTITUTION (CONTRIBUTIONS ARE DEDUCTIBLE FOR INCOME TAX PURPOSES - 501(C)(3) 180 SECOND AVENUE, NEW YORK, NY 10003 tel. 212-505-9077, fax 212-505-9052, email: [email protected] www.pilsudski.org W³adze Instytutu J. Pi³sudskiego w Ameryce wybrane w dniu 26 marca 2011 r. Rada Instytutu Ewa Babiarz Dr Artur J. Kowalski Dr Janusz Jachowicz Janusz Krzy¿anowski Dr Ewa Krystyna Hoffman-Jêdruch Piotr Kumelowski Tomasz Kalata Krzysztof Langowski Dr Magda Kapuœciñska Dr Danuta Pi¹tkowska Dr Anna Jaroszyñska-Kirchmann Dr Marek Zieliñski Dr Iwona Dr¹g Korga Zarz¹d Instytutu Prezes – Dr Magda Kapuœciñska Wiceprezes – Dr Marek Zieliñski Wiceprezes – Dr Artur J. Kowalski Dyrektor Wykonawczy i Skarbnik – Dr Iwona Dr¹g-Korga Sekretarz Zarz¹du – Ewa Babiarz Asystent Prezesa – Jolanta Szczepkowska Radca prawny Instytutu – Rafa³ Gaw³owski Komisja Rewizyjna – Piotr Kumelowski – przewodnicz¹cy Ewa Krystyna Hoffman-Jêdruch – cz³onek Cz³onkowie Rady Instytutu. Od lewej: Krzysztof Langowski, dr Iwona Korga, Piotr Kumelowski, dr Ewa Jêdruch, dr Magda Kapuœciñska, Ewa Babiarz, dr Janusz Jachowicz, Janusz Krzy¿anowski, dr Artur Kowalski, dr Marek Zieliñski – 2 – BIULETYN LXVI (66) Drodzy Cz³onkowie, Przyjaciele i Sympatycy Instytutu W okresie sprawozdawczym, po tragicznym dla Polski kwietniowym wypadku w Smoleñsku, w którym Instytut utraci³ wielu przyjació³ wspieraj¹cych nasz¹ dzia³alnoœæ, odbudowywaliœmy z sukcesem nasze kontakty z Polsk¹. Nasze dzia³ania, -
An Attempt to Define Ignacy Jan Paderewski's Performing Style
An Attempt to Define Ignacy Jan Paderewski’s Performing Style by Prof. Lidia Kozubek Prof. Lidia Kozubek, concert pianist and one of Poland’s most prominent piano educators, is well known to music lovers in nearly all European countries as well as in Africa, both Americas, Asia, Australia and New Zealand. Besides concertizing and recording music, Prof. Kozubek is a faculty member of the Warsaw Academy of Music. She has also taught a number of piano students in other countries (such as Japan, Norway, Taiwan and Philippines just to mention a few) as a visiting professor or lecturer. For her artistic and educational achievement Prof. Kozubek received highly regarded national distinctions from Polish government, including the Chevalier Cross “Polonia Restituta.” An inquiry as to who was Paderewski seems to be a good starting point for a discussion of the pianist’s performing style. Paderewski was without doubt a personality of his times. Even among the greatest contemporary musicians, Paderewski remains a phenomenon. He had extraordinary combination of virtues, a multitude of talents and, above all, personal charm, unusual honesty and decency. All of these qualities allowed him to be highly successful in a variety of fields. Paderewski was simply an exceptional human figure. The legend surrounding his pianism is justified not only by his musical genius, but also by the richness of his character, which certainly had an impact on his performing style. As a composer, Paderewski was not always appreciated, but he definitely had a solid theoretical background and developed a strong individual style in which the “Polish tone” is easily found. -
The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes In
THE USE OF THE POLISH FOLK MUSIC ELEMENTS AND THE FANTASY ELEMENTS IN THE POLISH FANTASY ON ORIGINAL THEMES IN G-SHARP MINOR FOR PIANO AND ORCHESTRA OPUS 19 BY IGNACY JAN PADEREWSKI Yun Jung Choi, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2007 APPROVED: Adam Wodnicki, Major Professor Jeffrey Snider, Minor Professor Joseph Banowetz, Committee Member Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Choi, Yun Jung, The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski. Doctor of Musical Arts (Performance), May 2007, 105 pp., 5 tables, 65 examples, references, 97 titles. The primary purpose of this study is to address performance issues in the Polish Fantasy, Op. 19, by examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the one-movement concerto introduced by nineteenth-century composers such as Weber and Liszt. Given that the Polish Fantasy, Op. 19, as well as most of Paderewski’s compositions, have been performed more frequently in the last twenty years, an analysis of the combination of the three characteristic aspects of the Polish Fantasy, Op.19 - Polish folk music, the generic rhetoric of a fantasy and the one- movement concerto - would aid scholars and performers alike in better understanding the composition’s engagement with various traditions and how best to make decisions about those traditions when approaching the work in a concert setting. -
Wstęp W 2020 R. Mija Sto Lat Od Utworzenia Ligi Narodów I Podjęcia Przez Nią Działalności. W Dniu 10 St
STUDIA PRAWNICZE KUL 2 (82) 2020 https://doi.org/10.31743/sp.11754 ANNA PRZYBOROWSKA-KLIMCZAK * Członkostwo Polski w Lidze narodów – asPekty Prawne Wstęp W 2020 r. mija sto lat od utworzenia Ligi Narodów i podjęcia przez nią działalności. W dniu 10 stycznia 1920 r. wszedł w życie Pakt Ligi Na- rodów ustanawiający podstawy prawne funkcjonowania organizacji1. Powstanie Ligi Narodów rozpoczęło nowy etap w procesie instytucjona- lizacji stosunków międzynarodowych, zapoczątkowanym w drugiej po- łowie XIX w. i związanym z tworzeniem organizacji międzynarodowych, które zajmowały się sprawami współpracy w określonych dziedzinach, głównie o charakterze technicznym, nie wkraczając w relacje polityczne między państwami członkowskimi2. Postanowiono bowiem powołać do życia organizację o kompetencjach ogólnych, w celu „rozwoju współdzia- łania narodów oraz zapewnienia im pokoju i bezpieczeństwa” (pream- buła Paktu). Duże straty ludzkie i materialne poniesione przez państwa podczas I wojny światowej spowodowały, że idea utworzenia organizacji, która zapobiegałaby w przyszłości wybuchowi wojny, uzyskała poparcie * Prof., dr hab., Uniwersytet Marii Curie-Skłodowskiej w Lublinie, e-mail: aprzybo- [email protected], https://www.orcid.org/0000-0002-9670-4103 1 Tekst Paktu Ligi Narodów stanowił część pierwszą Traktatu pokoju między Mocar- stwami Sprzymierzonemi i Skojarzonemi a Niemcami, Wersal, 23 czerwca 1919 r., Dz. U. z 1920 r. nr 35 poz. 200; Pakt został w nim opublikowany pod tytułem Umowa Związ- ku Narodów. 2 J. Menkes, A. Wasilkowski, Organizacje -
Ignacy Paderewski: Poland. (Makers of the Modern World Series)
20H-Diplo Review10 H-Diplo H-Diplo Review Editor: Diane Labrosse H-Diplo Review H-Diplo Web and Production Editor: George Fujii http://www.h-net.org/~diplo/essays/ Commissioned for H-Diplo by Diane Labrosse Published on 16 June 2010 H-Diplo has commissioned reviews of the Makers of the Modern World Series (Haus Publishing), which concerns the Peace Conferences of 1919-23 and their aftermath. The 32 volumes are structured as biographies in standard format or as specific national/organizational histories. http://www.hauspublishing.com/product/229 Anita Prażmowska. Ignacy Paderewski: Poland. (Makers of the Modern World Series). London: Haus Publishing, 2009. pp. xxii +199pp. Notes, chronology and further reading. Cloth. £12.99. URL: http://www.h-net.org/~diplo/essays/PDF/Haus-Poland.pdf Reviewed for H-Diplo by M. B. B. Biskupski, Central Connecticut State University gnacy Jan Paderewski is a major figure in modern Polish history. His service to the Polish cause during the World War was considerable and his subsequent efforts at the I Paris Peace Conference, though disappointing to many Poles, were certainly devoted Paderewski’s career and the focus is to be on his role at the Peace Conference in this volumeand exhausting. in the Makers Author of theAnita Modern Prażmowska World series. was given Given only this a assi verygnment, few pages concision to discuss and careful selectivity are demanded. First we must compliment the author for many well- turned phrases, an overall graceful style, and some valuable insights. For example, the author describes well Paderewski’s failure to comprehend the dynamics of the Polish situation when he returned after World War I. -
Piaśnica a Scene of German Crimes in Pomerania in 1939
Piaśnica A scene of German crimes in Pomerania in 1939 Introduction by Monika Tomkiewicz PhD, historian and member of the Regional Commission for Investigation of Crimes Against the Polish Nation in Gdańsk Scientific consultation Prof. dr hab. Bogdan Chrzanowski Text edited by Janosz Józefczyk Mirosław Odyniecki Correction of texts by Mateusz Ihnatowicz, PhD Jacek Pudliszewski, PhD Biographical notes written by Mateusz Ihnatowicz, PhD Cover design by Karol Formela First edition The Stutthof Museum in Sztutowo Wejherowo 2017 ISBN 978-83-946986-5-2 Published by: The Stutthof Museum in Sztutowo for the Branch Office: The Piaśnica Museum in Wejherowo (in organisation) 11/2 Św. Jacka St., 84-200 Wejherowo phone/fax: +48 58 736 11 11 e-mail: [email protected] www.muzeumpiasnickie.pl Table of Contents Introduction. Massacre in Piaśnica ................................................. 4 Piaśnica ......................................................................................... 11 Main Memorial ............................................................................. 13 Crossroads – “Pensive Christ” ...................................................... 14 Grave No. 4 ................................................................................... 15 Grave No. 1 ................................................................................... 16 Grave No. 2 ................................................................................... 17 Monument to Leon Najman – Mirza Kryczyński ......................... 18 Memorial -
Euromosaic III Touches Upon Vital Interests of Individuals and Their Living Conditions
Research Centre on Multilingualism at the KU Brussel E U R O M O S A I C III Presence of Regional and Minority Language Groups in the New Member States * * * * * C O N T E N T S Preface INTRODUCTION 1. Methodology 1.1 Data sources 5 1.2 Structure 5 1.3 Inclusion of languages 6 1.4 Working languages and translation 7 2. Regional or Minority Languages in the New Member States 2.1 Linguistic overview 8 2.2 Statistic and language use 9 2.3 Historical and geographical aspects 11 2.4 Statehood and beyond 12 INDIVIDUAL REPORTS Cyprus Country profile and languages 16 Bibliography 28 The Czech Republic Country profile 30 German 37 Polish 44 Romani 51 Slovak 59 Other languages 65 Bibliography 73 Estonia Country profile 79 Russian 88 Other languages 99 Bibliography 108 Hungary Country profile 111 Croatian 127 German 132 Romani 138 Romanian 143 Serbian 148 Slovak 152 Slovenian 156 Other languages 160 Bibliography 164 i Latvia Country profile 167 Belorussian 176 Polish 180 Russian 184 Ukrainian 189 Other languages 193 Bibliography 198 Lithuania Country profile 200 Polish 207 Russian 212 Other languages 217 Bibliography 225 Malta Country profile and linguistic situation 227 Poland Country profile 237 Belorussian 244 German 248 Kashubian 255 Lithuanian 261 Ruthenian/Lemkish 264 Ukrainian 268 Other languages 273 Bibliography 277 Slovakia Country profile 278 German 285 Hungarian 290 Romani 298 Other languages 305 Bibliography 313 Slovenia Country profile 316 Hungarian 323 Italian 328 Romani 334 Other languages 337 Bibliography 339 ii PREFACE i The European Union has been called the “modern Babel”, a statement that bears witness to the multitude of languages and cultures whose number has remarkably increased after the enlargement of the Union in May of 2004. -
Title: Magic, Devils, and the Power of Darkness in Kashubian Tales and Beliefs
Title: Magic, Devils, and the Power of Darkness in Kashubian Tales and Beliefs. Author: Agniezka Gutthy, Southeastern Louisiana University Kashubians are an old Slavic group living in the northern part of Poland. Their original homeland extended through the Pomeranian territory from Gdañsk to Szczecin, but with time the process of history moved their territory more and more east of the river Odra. Pomerania has always been a border area between two cultures: Polish and German. For centuries the Kashubian language has survived between those two dominant languages; never studied at schools, pushed into the status of ‘second rate’ language, spoken at home only by supposedly uneducated people, it has survived in the oral form, creating a rich output of legends, tales, and beliefs. It has been only in the last hundred fifty years that it developed literature in written form, created a professional theatre, standardized the rules of spelling and grammar, entered the school programs in Kashubia in Poland, and became a topic of scientific research. Through the work of Stefan Zaromski, Aleksander Majkowski, Günter Grass the Kashubian region has entered not only Polish but also European literature. The present paper will examine some of these Kahubian beliefs and how they spilled beyond the folklore and into literature. It will discuss for instance the use of magic to summon or counteract the powers of darkness, the different incarnations of a devil - Smetek being the one who mostly appealed to literary imagination of writers like Aleksander Majkowski or Stefan Zeromski and poets like Aleksander Labuda. The inexhaustible source of information is the seven-volume Dictionary of Kashubian Dialects compiled over the span of almost ten years, from 1967 to 1976, by a priest, poet and researcher, father Bernard Sychta. -
Kaschubische Anthologie
Slavistische Beiträge ∙ Band 61 (eBook - Digi20-Retro) Ferdinand Neureiter Kaschubische Anthologie Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbHFerdinand. Neureiter - 9783954793389 Downloaded from PubFactory at 01/10/2019 06:11:47AM via free access S l a v is t i c h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HENRIK BIRNBAUM UND JOHANNES HOLTHUSEN REDAKTION: PETER REHDER Band 61 Ferdinand Neureiter - 9783954793389 Downloaded from PubFactory at 01/10/2019 06:11:47AM via free access FERDINAND NEUREITER KASCHUBISCHE ANTHOLOGIE VERLAG OTTO SAGNER • MÜNCHEN Ferdinand Neureiter - 9783954793389 Downloaded from PubFactory at 01/10/2019 06:11:47AM via free access Bayerisch© Staatsbibliothek München ISBN 3 87690 070 0 Copyright by Verlag Otto Sagner, München 1973 Abteilung der Firma Kubon und Sagner, München Druck: Alexander Großmann 8 München 19, Ysenburgstraße 7* Ferdinand Neureiter - 9783954793389 Downloaded from PubFactory at 01/10/2019 06:11:47AM via free access 00046920 Inhalt V о r w о г t ...................................................................................... VII Übersicht über die kaschubische Literatur ................... 1 Die Laute der kaschubischen Literatursprache ............ 20 B ibliographie ...................................................................................... 23 Florian С e у n o w а ................................................................. 26 Jan Hieronim (Jarosz) D e rd ow s к i ...................... 38 Aleksander M a j к о w s к i ...............................................