DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 98, 1978-1979

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

four 98th SEASON 1 &*#*** >) BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director X "//;// <*&*- s^qp I*** ^ •~~ X &3MHK9e na&tim wPdwn Spend some time with a Little Witch tonight. Strega means witch. Strega also means a bewitching golden liqueur you can sip and savor and spend some time with. Without ever tiring of its magically unique taste. ^^ - A taste, legend has it, created centuries ago in Italy by the beautiful witches of Benevento. Enjoy Strega straight, on-the-rocks, or mixed . in a Little Witch. Truly, a haunting brew. I Imported from Italy, Eighty Proof, by Schenley Imports Co., N.Y, NY © 1977 Ifthis wasn't a black &white ad, we could show you what Pained InteriorDesigners can dowith color. We have assembled a talented group of men and women to work with you on your decorating and redecorating plans. One room or many, traditional or modern, they will share their creative ideas with you. There is no added charge for this designer service. For information, please call Mrs. Scully at PAINE 426-1500, extension 156. FURNITURE BOSTON SYMPHONY ORCHESTRA CENTENNIAL FUND OPPORTUNITIES FOR COMMEMORATIVE GIFTS ENDOWED ORCHESTRA CHAIRS (BOSTON SYMPHONY CONCERTS BOSTON POPS CONCERTS) SCHOLARSHIPS TO THE BERKSHIRE MUSIC CENTER SYMPHONY HALL ROOMS (TO NAME THE CONDUCTOR'S ROOM TO NAME THE SOLOIST & GUEST CONDUCTOR'S ROOM TO NAME THE MUSICIANS' LOUNGE) TANGLEWOOD (TO NAME THE MUSIC SHED TO NAME THE BERKSHIRE MUSIC CENTER - TO NAME THE CHAMBER MUSIC HALL TO ESTABLISH A FUND FOR THE FORMAL GARDENS) FOR FURTHER INFORMATION, PLEASE CONTACT MR. JOSEPH HOBBS, DIRECTOR OF DEVELOPMENT, SYMPHONY HALL, BOSTON, MASS. 02115 TEL: (617)266-1492. RUUMUmiBHH Seiji Ozawa, Music Director Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor Ninety-Eighth Season 1978-1979 The Trustees of the Boston Symphony Orchestra Inc. Talcott M. Banks, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Sidney Stoneman, Vice-President Mrs. Harris Fahnestock, Vice-President John L. Thorndike, Vice-President Abram T. Collier, Treasurer Vernon R. Alden Archie C. Epps III Thomas D. Perry, Jr. Allen G.Barry E. Morton Jennings, Jr. Irving W. Rabb Leo L. Beranek Edward M. Kennedy Paul C. Reardon Mrs. John M. Bradley George H. Kidder David Rockefeller, Jr. Richard P. Chapman Roderick M. MacDougall Mrs. George Lee Sargent George H.A. Clowes, Jr. Edward G. Murray John Hoyt Stookey Albert L. Nickerson Trustees Emeriti Harold D. Hodgkinson John T. Noonan Mrs. James H. Perkins Administration of the Boston Symphony Orchestra Thomas W. Morris General Manager Gideon Toeplitz Daniel R. Gustin Assistant Manager Assistant Manager Peter Gelb Joseph M. Hobbs Walter D. Hill Director of Promotion Director of Development Director of Business Affairs Elizabeth A. Young Candice L. Miller Richard C.White Assistant Director Assistant Director Assistant to the of Promotion of Development Manager Elizabeth Dunton Dorothy M. Sullivan Anita R. Kurland Director of Sales Controller Administrator of Youth Activities Charles Rawson James F. Kiley Katherine Whitty Manager of Box Office Operations Manager, Coordinator of Tanglewood Boston Council Niklaus Wyss Donald W. MacKenzie Richard Ortner Advisor for the Operations Manager, Assistant Administrator, Music Director Symphony Hall Berkshire Music Center Michael Steinberg Director of Publications Programs copyright © 1978 Boston Symphony Orchestra, Inc. 3 The Board of Overseers of the Boston Symphony Orchestra Inc. LeoL. Beranek Chairman Mrs. Norman L. Cahners Weston P. Figgins Mrs. Arthur I. Strang Vice Chairman Vice Chairman Secretary Charles F. Adams Mrs. James G. Garivaltis Richard P. Morse John Q. Adams Mrs. Robert Gibb Dr. Barbara W. Newell Mrs. Frank G. Allen Jordan L. Golding Stephen Paine Hazen Ayer Mrs. John L. Grandin David Pokross David W. Bernstein Mrs. Howard E. Hansen William Poorvu David Bird Mrs. Richard D. Hill Harry Remis Gerhard Bleicken Mrs. Amory Houghton, Jr. Mrs. Peter vanS. Rice Mrs. Mary Louise Cabot RichardS. Humphrey, Jr. Mrs. Samuel L. Rosenberry Levin H. Campbell, III Mrs. Jim Lee Hunt Mrs. Jerome Rosenfeld Johns H. Congdon Mrs. Louise I. Kane Mrs. George Rowland Arthur P. Contas Leonard Kaplan Mrs. William Ryan Robert Cushman Mrs. F. Corning Kenly Francis P. Sears, Jr. Michael J. Daly Robert Kraft William A. Selke Mrs. C. Russell Eddy Benjamin Lacy GeneShalit Mrs. John Fitzpatrick Mrs. James F. Lawrence Samuel L. Slosberg Paul Fromm Mrs. Warren B. Manhard II Mrs. Edward S. Stimpson Carlton P. Fuller Colman M. Mockler, Jr. D. Thomas Trigg Mrs. Thomas J. Galligan, Jr. Mrs. Elting E. Morison Mrs. Donald B. Wilson Mrs. Thomas Gardiner Mrs. Stephen V. C. Morris Roger Woodworth WflSffiM Informal Great Performances 1978/79 OPEN REHEARSALS AT SYMPHONY HALL You can attend the final run throughs, in an informal atmosphere, of some of the great performances scheduled this season. For the 21st consecutive year, you're invited to enjoy an inside look at the Boston Symphony as it prepares its ~ concerts. You can also hear an jj I; informal discussion led by the BSO's Michael Steinberg, 45 minutes before the rehearsal begins. BSO Our Alumni/ae "Our" here means the Berkshire Music Center at Tanglewood. From time to time we shall bring you news of some of the former BMC students and their doings. The alumnus most prominently in the news this year is Zubin Mehta, who was a Fellow in 1958 and is now beginning his first season as Music Director of the New York Philharmonic. That was a good year for conductors at Tangle- wood: one of Mehta's classmates was Claudio Abbado, whose current posts include the Vienna Philharmonic, the London Symphony, and Milan's La Scala opera house. Abbado will be guest conductor with the Boston Symphony on 8, 9, and 10 March, leading Mahler's Symphony No. 2, the Resurrection. Pianist Barbara Weintraub '77 recently took first place in the international competition in Munich as half of the best sonata team. Her partner was cellist Carter Brey. Weintraub and Brey, together with violinist Karen Clarke, also Tanglewood 77, have been performing together to great acclaim as the Rogeri Trio. Two players who have just joined the BSO are former Tanglewood students: violinist Joseph McGauley 75 and flutist Fenwick Smith 74. Another pianist, Janice Weber, who was a Fellow in 1975 and 1976, will give her second Carnegie Recital Hall concert on 31 October. Don't look for her under that name, though: she performs as Lily van Ballmoos. Billed as a Musical Mas- querade, her program consists of ten of the famous and fearsomely difficult tran- scriptions by Leopold Godowsky, each of which will be paired with the piece in its original version. Violinist Ann Ourada 72, 75, and 78 joined the Minnesota Orchestra for the 1978-79 season. David Howard 77 and 78 is the new bass clarinettist of the New Jersey Symphony. Three of the soloists in Bruckner's Te Deum, which Seiji Ozawa conducts on 11, 12, 13, and 16 January, are Tanglewood alumni. They are soprano Cheryl Studer 76 and 77, mezzo-soprano Janice Meyerson 76 and 77, and tenor Kim Scown 76 and 77. If you watched Berlioz's Beatrice and Benedict on Evening at Symphony on 16 October, you saw and heard Janice in the role of Ursule. Kim Scown will be appearing as Klaus-Narr in Schoenberg's Gurre-Lieder when Seiji Ozawa conducts the work in March: he took the same part in the performance Gunther Schuller conducted at his farewell concert at the New England Conser- vatory in May 1977. Finally there is Shirley Mae Carter '54, who starred in the recent Norma broad- cast from the San Francisco Opera. Name doesn't ring a bell? Try Shirley Verrett. - «- « ! ii ri » i tnif » « Rill This Coach® Belt is made of real glove tanned cowhide and comes in men's and women's sizes. Seiji Ozawa Seiji Ozawa became Music Director of the Boston Symphony Orchestra in the fall of 1973. He is the thirteenth conductor of the Orchestra since its founding in 1881. He was born in Shenyang, China in 1935, and studied both Western and Oriental music as a child. He attended Toho School of Music in Tokyo and graduated with first prizes in composition and conducting. Shortly after his graduation, he won first prize at the International Competition of Conducting at Besancon, France, and was invited by Charles Munch, then Music Director of the Boston Symphony and a judge at the competition, to spend a summer studying at Tanglewood. In 1964 and for the next five seasons, Mr. Ozawa was Music Director of the Ravinia Festival. At the beginning of the 1965-66 season he became Music Director of the Toronto Symphony, a position he relinquished four seasons later to study and guest conduct. In 1970 he accepted the position of Artistic Director of the Berkshire Music Festival, and in December of the same year he began his inaugural season as Conductor and Music Director of the San Francisco Symphony Orchestra, titles that he held concurrently with his position as Music Director of the Boston Symphony. In the spring of 1976 he resigned his San Francisco position although he remained Honorary Conductor for the 1976-77 season. Mr. Ozawa pursues an active international career and is a regular and favorite guest conductor with the Berlin Philharmonic, the Orchestre de Paris, and at the Salzburg Festival each year. He has conducted at Covent Garden, and returns to Japan annually to conduct the New Japan Philharmonic and other orchestras. The newest items on his large and growing discography with the Boston Symphony are Bartok's Miraculous Mandarin Suite, and Music for Strings, Percussion, and Celeste, Tchaikovsky's Symphony No. 5, the Brahms First Symphony, and Rimsky-Korsakov's Sheherazade (all on Deutsche Grammophon), and Roger Sessions's When Lilacs Last in the Dooryard Bloom'd (New World Records).
Recommended publications
  • Black US Army Bands and Their Bandmasters in World War I

    Black US Army Bands and Their Bandmasters in World War I

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of Fall 8-21-2012 Black US Army Bands and Their Bandmasters in World War I Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicfacpub Part of the Music Commons Lefferts, Peter M., "Black US Army Bands and Their Bandmasters in World War I" (2012). Faculty Publications: School of Music. 25. https://digitalcommons.unl.edu/musicfacpub/25 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 Version of 08/21/2012 This essay is a work in progress. It was uploaded for the first time in August 2012, and the present document is the first version. The author welcomes comments, additions, and corrections ([email protected]). Black US Army bands and their bandmasters in World War I Peter M. Lefferts This essay sketches the story of the bands and bandmasters of the twenty seven new black army regiments which served in the U.S. Army in World War I. They underwent rapid mobilization and demobilization over 1917-1919, and were for the most part unconnected by personnel or traditions to the long-established bands of the four black regular U.S. Army regiments that preceded them and continued to serve after them. Pressed to find sufficient numbers of willing and able black band leaders, the army turned to schools and the entertainment industry for the necessary talent.
  • The Year's Music

    The Year's Music

    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
  • Brass Bands of the World a Historical Directory

    Brass Bands of the World a Historical Directory

    Brass Bands of the World a historical directory Kurow Haka Brass Band, New Zealand, 1901 Gavin Holman January 2019 Introduction Contents Introduction ........................................................................................................................ 6 Angola................................................................................................................................ 12 Australia – Australian Capital Territory ......................................................................... 13 Australia – New South Wales .......................................................................................... 14 Australia – Northern Territory ....................................................................................... 42 Australia – Queensland ................................................................................................... 43 Australia – South Australia ............................................................................................. 58 Australia – Tasmania ....................................................................................................... 68 Australia – Victoria .......................................................................................................... 73 Australia – Western Australia ....................................................................................... 101 Australia – other ............................................................................................................. 105 Austria ............................................................................................................................
  • Summa Summarum

    Summa Summarum

    DAS OPERNHAUS summa summarum Hauptsponsor Das Theater an der Wien wird aus Mitteln der Kulturabteilung der Stadt Wien gefördert. AGRANA.COM SEHEN Sie, WARUM UNS Kultur wichtig ist? Frucht. Stärke. Zucker. - Mit diesen drei Standbeinen ist AGRANA weltweit erfolgreich tätig. Qualität steht bei uns an erster Stelle, auch wenn es um Bereiche außerhalb unseres Unternehmens geht. Damit das auch so bleibt, braucht es Engagement und Förderung. Mit unserem Kultur sponsoring unterstützen wir einen wesentlichen Teil unseres gesellschaftlichen Lebens und sorgen dafür, dass diesem auch Aufmerksamkeit geschenkt wird. AGRANA ist Hauptsponsor des Theater an der Wien. 2 Der natürliche Mehrwert TadW_137x205_3mm_März 2021.indd 1 03.03.2021 15:16:07 ZUM GELEIT Dieses Programmbuch entsteht in einer Zeit, in der die Theater der Verei- nigten Bühnen Wien abgesehen von einer kurzen Öffnungszeit im Herbst 2020 seit mehr als einem Jahr für unser Publikum geschlossen sind. Des- sen ungeachtet werden im Theater an der Wien Opernproduktionen auf höchstem szenischen wie musikalischen Niveau mit unseren Künstler- ensembles erarbeitet und für Sie, wertes Publikum, für Fernsehen, Strea- mings, DVD und Radio dokumentiert. Aber was fehlt, ist das Live-Erlebnis des Musiktheaters, mit allem was dazu gehört: Das gemeinsame Erleben eines Opernabends in historischem The- aterambiente, mit Menschen, die das Geschehen auf der Bühne und das Gehörte sehnsuchtsvoll aufnehmen. Um Ihnen dieses Erlebnis wieder zu ermöglichen, bietet Ihnen das Saisonprogramm 2021/22 eine große Viel- falt an faszinierenden Opernprojekten. Wir laden Sie ein, mit uns auf diese spannende Opernreise zu gehen, um den „Sehnsuchtsort“ Theater an der Wien wieder für sich zurückzugewinnen oder neu zu entdecken! Diese Spielzeit kennzeichnet aber auch die letzte Saison von Intendant Roland Geyer, dem es in den vergangenen fünfzehn Jahren sehr erfolg- reich gelungen ist, das Theater an der Wien national wie international zur Top-Adresse für zeitgemäßes Musiktheater zu machen.
  • Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation

    Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation

    ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms.
  • INTERMEZZI John Kennedy, Director

    INTERMEZZI John Kennedy, Director

    MUSIC 75 INTERMEZZI John Kennedy, Director All concerts in Grace Episcopal Church SPONSORED BY THE HENRY AND SYLVIA YASCHIK FOUNDATION INTERMEZZO I May 27 at 5:00pm Sinfonietta, op. 1 (1932) Benjamin Britten (1913-76) I. Poco presto ed agitato II. Variations: Andante lento III. Tarantella: Presto vivace Concerto da camera, H 196 (1948) Arthur Honegger (1892-1955) I. Allegretto amabile II. Andante III. Vivace Concerto grosso (1992) Philip Glass (b 1937) I. = 144 II. ů = 88 III. ů = 144 Spoleto Festival USA Orchestra Aik Khai Pung, conductor INTERMEZZO II May 29 at 5:00pm The Morning Inside Us (1998) John Kennedy (b 1959) Grace An, cello Rocking Mirror Daybreak (1983) Toru Takemitsu (1930-96) I. Autumn II. Passing Bird III. In the Shadow IV. Rocking Mirror Kayla Moffett and Jennise Hwang, violins Quartet for Clarinet and String Trio (1993) Krzystof Penderecki (b 1933) I. Notturno II. Scherzo III. Serenade IV. Abschied (Farewell) Eric Anderson, clarinet Lisa Goddard, violin; Caterina Longhi, viola; Aaron Ludwig, cello Trio Phantasie, op. 63 (1926) Ernst Krenek (1900-91) Anna Czerniak, violin; Kevin Kunkel, cello; Renate Rohlfing, piano Color Reels II (2013) Sidney Hopson (b 1989) Sidney Hopson, percussion Soul Garden (2000) Derek Bermel (b 1967) Jocelin Pan, viola Tammy Wang and Anna Czerniak, violins; Ji Young Nam, viola; Valeriya Sholokhova and Jennifer Choi, cello 76 INTERMEZZI INTERMEZZO III June 2 at 5:00pm Enoch Arden, op. 38 Richard Strauss (1864-1949) A Melodrama for piano and speaker on a narrative poem by Alfred, Lord Tennyson Part One 1. Prelude. Andante. “Long lines of cliff breaking” 2.
  • An Investigation of Dalcroze-Inspired Embodied Movement

    An Investigation of Dalcroze-Inspired Embodied Movement

    AN INVESTIGATION OF DALCROZE-INSPIRED EMBODIED MOVEMENT WITHIN UNDERGRADUATE CONDUCTING COURSEWORK by NICHOLAS J. MARZUOLA Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Nathan B. Kruse Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Nicholas J. Marzuola, candidate for the degree of Doctor of Philosophy*. (signed) Dr. Nathan B. Kruse (chair of the committee) Dr. Lisa Huisman Koops Dr. Matthew L. Garrett Dr. Anthony Jack (date) March 25, 2019 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Copyright © 2019 by Nicholas J. Marzuola All rights reserved 3 DEDICATION To Allison, my loving wife and best friend. 4 TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 LIST OF FIGURES .......................................................................................................... 10 ACKNOWLEDGEMENTS .............................................................................................. 11 ABSTRACT ...................................................................................................................... 13 CHAPTER ONE, INTRODUCTION ............................................................................... 15 History of Conducting ..................................................................................................
  • Summer 2019 Boston Symphony Orchestra

    Summer 2019 Boston Symphony Orchestra

    boston symphony orchestra andris nelsons music director summer 2019 EXPERIENCE THE For the Discriminating NEW MET SEASON Shopper PHOTO: PAOLA KUDACKI / MET OPERAPHOTO:/ PAOLA KUDACKI The Met’s 2019 – 20 season features five new productions, including Philip Glass’s Akhnaten, starring Anthony Roth Costanzo (pictured) as the Egyptian pharaoh opposite J’Nai Bridges as Nefertiti. Tickets go on sale June 23 — or curate your own series of performances and save up to 15%. Peter Gelb GENERAL MANAGER Learn more at metopera.org/tickets or by Yannick Nézet-Séguin world class calling 212.362.6000. JEANETTE LERMAN-NEUBAUER MUSIC DIRECTOR C+I 2019 studs.indd 2 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM For the Discriminating Shopper world class BRANDS ManchesterDesignerOutlets.com C+I 2019 studs.indd 3 8/29/19 12:15 PM Tanglewood_Jun_SingleTickets.indd 2 5/29/19 9:18 AM C+I 2019 studs.indd 4 8/29/19 12:16 PM Andris Nelsons, Ray and Maria Stata Music Director Bernard Haitink, LaCroix Family Fund Conductor Emeritus Seiji Ozawa, Music Director Laureate Thomas Adès, Deborah and Philip Edmundson Artistic Partner Thomas Wilkins, Germeshausen Youth and Family Concerts Conductor 138th season, 2018–2019 Trustees of the Boston Symphony Orchestra, Inc. Susan W. Paine, Chair • Joshua A. Lutzker, Treasurer William F. Achtmeyer • Noubar Afeyan • David Altshuler • Gregory E. Bulger • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Cynthia Curme • William Curry, M.D. • Alan J. Dworsky • Philip J. Edmundson • Thomas E. Faust, Jr. • Todd R. Golub • Michael Gordon • Nathan Hayward, III • Ricki Tigert Helfer • Brent L.
  • American Mavericks Festival

    American Mavericks Festival

    VISIONARIES PIONEERS ICONOCLASTS A LOOK AT 20TH-CENTURY MUSIC IN THE UNITED STATES, FROM THE SAN FRANCISCO SYMPHONY EDITED BY SUSAN KEY AND LARRY ROTHE PUBLISHED IN COOPERATION WITH THE UNIVERSITY OF CaLIFORNIA PRESS The San Francisco Symphony TO PHYLLIS WAttIs— San Francisco, California FRIEND OF THE SAN FRANCISCO SYMPHONY, CHAMPION OF NEW AND UNUSUAL MUSIC, All inquiries about the sales and distribution of this volume should be directed to the University of California Press. BENEFACTOR OF THE AMERICAN MAVERICKS FESTIVAL, FREE SPIRIT, CATALYST, AND MUSE. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2001 by The San Francisco Symphony ISBN 0-520-23304-2 (cloth) Cataloging-in-Publication Data is on file with the Library of Congress. The paper used in this publication meets the minimum requirements of ANSI / NISO Z390.48-1992 (R 1997) (Permanence of Paper). Printed in Canada Designed by i4 Design, Sausalito, California Back cover: Detail from score of Earle Brown’s Cross Sections and Color Fields. 10 09 08 07 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 v Contents vii From the Editors When Michael Tilson Thomas announced that he intended to devote three weeks in June 2000 to a survey of some of the 20th century’s most radical American composers, those of us associated with the San Francisco Symphony held our breaths. The Symphony has never apologized for its commitment to new music, but American orchestras have to deal with economic realities. For the San Francisco Symphony, as for its siblings across the country, the guiding principle of programming has always been balance.
  • Open Drane Dissertation.Pdf

    Open Drane Dissertation.Pdf

    The Pennsylvania State University The Graduate School AN ORAL HISTORY OF THE NAVY BAND B-1: THE FIRST ALL-BLACK NAVY BAND OF WORLD WAR II A Dissertation in Music Education by Gregory Abdul Drane © 2020 Gregory Abdul Drane Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2020 ii The dissertation of Gregory Abdul Drane was reviewed and approved* by the following: O. Richard Bundy, Jr. Professor of Music Education, Emeritus Dissertation Advisor Chair of Committee Robert Gardner Associate Professor of Music Education David McBride Professor of African American Studies and African American History Ann Clements Professor of Music Education Linda Thornton Professor of Music Education Chair of the Graduate Program iii ABSTRACT This study investigates the service of the Navy Band B-1, the first all-black Navy band to serve during World War II. For many years it was believed that the black musicians of the Great Lakes Camp held the distinction as the first all-black Navy band to serve during World War II. However, prior to the opening of the Navy’s Negro School of Music at the Great Lakes Camps, the Navy Band B-1 had already completed its training and was in full service. This study documents the historical timeline of events associated with the formation of the Navy Band B-1, the recruitment of the bandsmen, their service in the United States Navy, and their valuable contributions to the country. Surviving members of the Navy Band B-1 were interviewed to share their stories and reflections of their service during World War II.
  • October 24-30, 2012

    October 24-30, 2012

    October 24-30, 2012 2012 EAST LANSING FILM FESTIVAL PROGRAM INSIDE! ELFF.COM - CELEBRATING 15 YEARS - NOVEMBER 7-15, 2012 FREE BOX LUNCH! The co. 15% OFF BUY ONE BOXED LUNCH We are your gifting headquarters. ANY PARTY TRAY GET ONE FREE PURCHASE 1695 Hamilton Road, Okemos | (517) 349-9393 | www.honeybaked.com EXPIRES 10/31/12 5601 W. Saginaw Hwy., Lansing | (517) 327-5008 EXPIRES 10/31/12 2 www.lansingcitypulse.com City Pulse • October 24, 2012 s Now in its 12th year, Compassionate Feast provides local families at or below the poverty line with all the ingredients necessary for a complete Thanksgiving meal in their own home. To volunteer or donate contact the Old Town Commercial Association office at 517.485.4283. Every donation, small and large, helps to feed a local family for the holiday. OTCA will be taking donations up to the day of the event on November 19th. for more information about our events, please visit iloveoldtown.org City Pulse • October 24, 2012 www.lansingcitypulse.com 3 30TH ANNIVERSARY A fresh look at Shakespeare’s wisecracking and witty comedy. This athletic, exuberant company creates a spirited performance “Gleefully engaging…almost unbearable fun!” featuring the music of the Dave Matthews Band and others. - The New York Times $15 Student Tickets! “One of the hottest tickets in contemporary dance.” - The Toronto Star AQUILA THEATRE: THE TAMING OF THE SHREW October 27-28 Saturday at 8PM; Sunday at 2PM Sunday, November 11 at 3PM Media Sponsor Media Sponsor Generously sponsored by Douglas J Companies and Michigan State Medical Society.
  • ABA Past Presidents (1930-2000)

    ABA Past Presidents (1930-2000)

    The American Bandmasters Association Past Presidents 1930-2000 by Victor William Zajec, 2000 (Chicago, IL, March 4, 1923 - Homewood, IL, January 26, 2005) Revised by Raoul F. Camus, ABA Historian, 2017 Past Presidents of the American Bandmasters Association by Victor Zajec, Honorary Life Member and ABA Historian, was published in 2000. It was as much a history of the organization as that of the past presidents, and contained prefaces by several ABA presidents—Bryce Taylor, Stanley F. Michalski, Jr., and Edward S. Lisk. Except for the biographies, most of this information is presently available on the ABA web site. The ABA Board of Directors decided against reprinting the book and chose to put the biographies of the past presidents on the website in chronological order Additional information provided by Vincent J. Novara, curator, Special Collections in Performing Arts, Michelle Smith Performing Arts Library, University of Maryland. The American Bandmasters Association PRESIDENTS Arranged alphabetically 51. Allen, Eugene W. 1988 52. Julian, W J 1989 13. Bachman, Harold B. 1950 53. Kelly, Mark S. 1990 10. Bainum, Glenn Cliffe 1947 6. King, Karl L. 1938 47. Begian, Harry 1984 24. Kraushaar, Otto J. 1961 31. Berdahl, James E. 1968 63. Lisk, Edward S. 2000 58. Bloomquist, Kenneth G. 1995 30. Loboda, Samuel R. 1967 46. Boundy, Martin 1983 50. Long, John M. 1987 54. Bourgeois, John R. 1991 36. Mahan, Jack H. 1973 17. Brendler, Charles 1954 56. McBeth, W. Francis 1993 11. Bronson, Howard C. 1948 29. McCall, Fred W. 1966 7. Buys, Peter 1939 41. McGinnis, Donald E. 1978 3.