SCMS Repertoire List Through 2021 Winter Festival

Total Page:16

File Type:pdf, Size:1020Kb

SCMS Repertoire List Through 2021 Winter Festival SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2021 “FORTY YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John China Gates for Piano (2013) Arensky, Anton Hallelujah Junction for Two Pianos (2012, 2017W) Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Road Movies for Violin and Piano (2013) Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, 2016W) Aho, Kalevi Piano Trio in F minor, Op. 73 (2001W, 2009) ER-OS (2018) Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, 2011) Albéniz, Isaac Six Piéces for Piano, Op. 53 (2013) Iberia (3 selections from) (2003) Iberia “Evocation” (2015) Arlen, Harold Wizard of Oz Fantasy (arr. William Hirtz) (2002) Alexandrov, Kristian Prayer for Trumpet and Piano (2013) Arnold, Malcolm Sonatina for Oboe and Piano, Op. 28 (2004) Applebaum "Landscape of Dreams" (1990) Babajanian, Arno Piano Trio in F sharp minor (2015) Andres, Bernard Narthex for Flute and Harp (2000W) Bach, Johann Sebastian “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Anderson, David (for flute, arr. Bennett) (2019) Capriccio No. 2 for Solo Double Bass (2006) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Four Short Pieces for Double Bass (2006) Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Capriccio “On the Departure of a Beloved Brother” in B flat major, BWV 992 Anderson, Jordan (2006) Drafts for Double Bass and Piano (2006) Chaconne, from Partita for Violin in D minor, BWV 1004 (1994, 2001, 2002) Choral Preludes for Organ (Piano) (Selections) (1998) Anonymous (arr. Delaware Staigers) Concerto for Harpsichord and Orchestra in A major, BWV 1055 (2020W) Carnival of Venice for Trumpet and Piano (2003W) Concerto for Harpsichord and Orchestra in F minor, BWV 1056 (2020W) 1 Concerto for Three Violins and Strings in D major, BWV 1064R (2020W) Suite for Cello in C minor, BWV 1011 (1985, 1987, 1990, 2000, 2005W, 2005, Concerto for Two Violins and Orchestra in D minor, BWV 1043 (2020W) 2018) Duets for Piano (4), BWV 802-805 (2005) Suite for Cello in D major, BWV 1012 (1985, 1998, 2001, 2005W) French Suite in C minor, BWV 813 (2009) Suite for Cello in D minor, BWV 1008 (1985, 2005W) French Suite in G major, BWV 816 (2015W) Suite for Cello in E flat major, BWV 1010 (1985, 1998, 2005W, 2006) Goldberg Variations for Piano, BWV 988 (2008W) Suite for Cello in G major, BWV 1007 (2005W, 2011) Goldberg Variations arranged for String Trio, BWV 988 (2015) Suite for Orchestra in D “Air” for Trumpet and Piano, BWV 1068 (2013) Italian Concerto for Piano in F major, BWV 971 (2002) Toccata for Piano in C minor, BWV 911 (2011) “Jesu, Joy of Man’s Desiring” Choral from Cantata No. 147 (arr. for piano by Toccata for Trumpet and Piano (2013) Myra Hess) (2008) Trio Sonata (from A Musical Offering) for Flute, Violin, Cello and Continuo Musical Offering for Flute, Violin, Cello and Continuo in in C minor, BWV 1079 (2018) C minor, BWV 1079 (2004W) Partita for Flute in A minor, BWV 1013 (2006) Partita for Oboe in G minor, BWV 1013 (1997) Baker, David Partita for Piano in A minor, BWV 827 (1988) "Singers of Songs, Weavers of Dreams" Jazz Suite for Cello and Percussion Partita for Piano in B flat major, BWV 825 (1988) (1996, 2003) Partita for Piano in D major, BWV 828 (2009) Partita for Violin in B minor, BWV 1002 (1985, 1988, 1997, 2000, 2006O, Balakirev, Mily 2016) Islamey Fantasy for Piano (1987) Partita for Violin in D minor, BWV 1004 (1985, 1988, 1990, 1997, 1999, 2006W, 2007, 2012, 2014W, 2018, 2019) Barber, Samuel Partita for Violin in E major, BWV 1006 (1985, 2002, 2005, 2007O, 2010) Canzone for Flute and Piano (2016W) Prelude for Piano in B minor, BWV 855a (from Well Tempered Clavier, Book "Dover Beach" for Baritone and String Quartet, Op. 3 (2002) I, arr. Siloti) (2009) Four Excursions for Piano, Op. 20 (1986) “Sheep May Safely Graze” Aria from Cantata No. 208 (arr. for piano by Egon Piano Sonata, Op. 26 (2015) Petri) (2008) Sonata for Cello and Piano, Op. 6 (1988, 2010, 2018) Sinfonias (Three-Part Inventions) for String Trio (arr. Sitkovetsky), BWV 787- String Quartet, Op. 11 (2003, 2010, 2013) 801 (2017W) Summer Music for Woodwind Quintet, Op. 31 (2017) Sonata for Oboe and Piano in G minor, BWV 1030 (2002) Sonata for Viola da Gamba and Continuo in D major, BWV 1028 (2013) Bargiel, Woldemar Sonata for Viola da Gamba and Continuo in G minor, BWV 1029 (1988) Octet for strings in C minor, Op. 15a (2007W) Sonata for Viola da Gamba and Continuo in G major, BWV 1027 (1982, 2001, 2005) Bartok, Bela Sonata for Violin and Harpsichord in C minor, BWV 1017 (1990) Contrasts for Violin, Clarinet and Piano, Sz 111 Sonata for Violin in A minor, BWV 1003 (1983, 1987, 1992, 2000W, 2004, 2006, 2012, 2016) (1985, 1991, 1994, 1997, 2000, 2005O, 2015) Duos (44) for Two Violins (selections) (1995, 1999, 2005, 2010W, 2014, 2020) Sonata for Violin in C major, BWV 1005 (1985, 1987, 1999, 2007) Out of Doors for Piano, Sz 81 (2014) Sonata for Violin in G minor, BWV 1001 (1985, 1988, 1992, 2004, 2009O, Quintet for Piano and Strings (2009) 2014, 2016W) Rhapsody No. 1 for Cello and Piano (1988) Sonata for Violin, Cembalo, and Continuo in E major, BWV 1016 (1986) Rhapsody No. 1 for Violin and Piano (1993, 2005, 2008) Sonata for Violin and Continuo (Cello and Harpsichord) in G major, BWV Rhapsody No. 2 for Violin and Piano (1987, 1993) 1021 (2015W) Seven Pieces from Mikrokosmos for Two Pianos, Sz 108 (2012) Sonata for Violin and Piano in A major, BWV 1015 (2007O) Sonata for Piano (2007) Suite for Cello in C major, BWV 1009 (1985, 1991, 2002, 2005W, 2011) Sonata for Two Pianos and Percussion (1985, 2013W) Suite for Cello (Viola) in C major, BWV 1009 (2018W) Sonata for Solo Violin (1986, 1988, 1993, 1995, 1997) 2 Sonata No. 1 for Violin and Piano (1985, 1989, 1993, 1999, 2012, 2016W) Quintet for Piano, Oboe, Clarinet, Bassoon and Horn in E flat major, Op. 16 Sonata No. 2 for Violin and Piano, Sz 76 (1984, 2010, 2014W) (2008, 2015) Sonatina for Viola and Piano (1993) Rondo for Piano in G major, Op. 51/2 (2004, 2008O) String Quartet No. 1 Sz 40 (2014W) Septet for Strings and Winds in E flat major, Op. 20 (1988, 1990, 2003, String Quartet No. 3 Sz 85 (2014W) 2009W, 2014, 2017) String Quartet No. 4 Sz 91 (2012W) Serenade for Flute, Violin and Viola in D major, Op. 25 String Quartet No. 5 Sz 102 (2018) (1984, 1989, 1999, 2004W, 2012, 2019) Suite for Piano Op. 14 Sz 62 (2013W) Sonata for Cello and Piano in A major, Op. 69 (1988, 1991, 2001, 2005. Suite Paysanne Hongroise for Flute and Harp (1990) 2007W, 2013W, 2019) Three Rondos on Hungarian Folk Tunes (2014) Sonata for Cello and Piano in C major, Op. 102/1 (1985, 1992, 2007W, 2015) Sonata for Cello and Piano in D major, Op. 102/2 (1997. 2007W, 2013, 2018) Beach, Amy M.C. Sonata for Cello and Piano in F major, Op. 5/1 (2006. 2007W, 2015) Piano Quintet in F sharp minor, Op. 67 (1987, 1992, 2002, 2008W, 2018W) Sonata for Cello and Piano in G minor, Op. 5/2 (2006, 2007W, 2014W, 2018) Romance for Violin and Piano, Op. 23 (2014W) Sonata for Piano, Four Hands in D major, Op. 6 (2012) Sonata for Violin and Piano in A minor, Op. 34 (1995) Sonata for Piano in A flat major, Op. 110 (1987, 2004, 2008O) Sonata for Violin and Piano in G minor, Op. 20 (1989) Sonata for Piano in A major, Op. 101 (1990, 2015) String Quartet, Op. 89 (2019) Sonata for Piano in C major, Op. 2/3 (2006, 2020W) Sonata for Piano in C major, Op. 53 “Waldstein” (2004, 2006, 2011O, 2017W) Beethoven, Ludwig van Sonata for Piano in C minor, Op. 111 (2006) Andante and Variations for Mandolin and Piano, WoO 44b (2016) Sonata for Piano in C sharp minor, Op. 27/2 “Moonlight” (1989, 2006W, 2006, Bagatelle for Piano in D major, Op. 33/6 (1999W) 2007, 2020) Bagatelles (7) for Piano, Op. 33 (2009O) Sonata for Piano in D major, Op. 28 “Pastoral” (1999W) Bagatelles (6) for Piano, Op. 126 (1997) Sonata for Piano in D minor, Op. 31/2 “Tempest” (1992, 2005) Duet for Viola and Cello in E flat major, WoO 32 Sonata for Piano in E flat major, Op. 7 (1993, 2006) “With two obligato eyeglasses” (1992, 2006, 2013W, 2018) Sonata for Piano in E flat major, Op. 31/3 (2005W) Duo for Clarinet and Bassoon in B flat major, WoO 27 (2005W) Sonata for Piano in E flat major, Op. 81a “Les Adieux” (1989, 2004, 2020W) Fantaisie for Piano in G minor, Op. 77 (2000) Sonata for Piano in E major, Op. 109 (2008O) Folk Songs of Many Lands for Soprano, Violin, Cello and Piano (1987) Sonata for Piano in E minor, Op. 90 (2020W) Grosse Fugue in B flat for String Quartet, Op. 133 (2020) Sonata for Piano in F major, Op. 10/2 (2020W) Piano Quartet in E flat major, Op. 16 (1988, 1998, 2007O, 2008, 2010W, Sonata for Piano in F major, Op. 54 (2008W) 2011W, 2013, 2016) Sonata for Piano in F sharp major, Op. 78 “A Therese” (1987, 2008, 2020W) Piano Trio in B flat major, Op. 97 "Archduke" (1983, 1989, 1992, 1994, 1997, Sonata for Piano in F minor, Op.
Recommended publications
  • The Year's Music
    This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fti E Y LAKS MV5IC 1896 juu> S-q. SV- THE YEAR'S MUSIC. PIANOS FOR HIRE Cramer FOR HARVARD COLLEGE LIBRARY Pianos BY All THE BEQUEST OF EVERT JANSEN WENDELL (CLASS OF 1882) OF NEW YORK Makers. 1918 THIS^BQQKJS FOR USE 1 WITHIN THE LIBRARY ONLY 207 & 209, REGENT STREET, REST, E.C. A D VERTISEMENTS. A NOVEL PROGRAMME for a BALLAD CONCERT, OR A Complete Oratorio, Opera Recital, Opera and Operetta in Costume, and Ballad Concert Party. MADAME FANNY MOODY AND MR. CHARLES MANNERS, Prima Donna Soprano and Principal Bass of Royal Italian Opera, Covent Garden, London ; also of 5UI the principal ©ratorio, dJrtlustra, artii Sgmphoiu) Cxmctria of ©wat Jfvitain, Jtmmca anb Canaba, With their Full Party, comprising altogether Five Vocalists and Three Instrumentalists, Are now Booking Engagements for the Coming Season. Suggested Programme for Ballad and Opera (in Costume) Concert. Part I. could consist of Ballads, Scenas, Duets, Violin Solos, &c. Lasting for about an hour and a quarter. Part II. Opera or Operetta in Costume. To play an hour or an hour and a half. Suggested Programme for a Choral Society. Part I. A Small Oratorio work with Chorus. Part II. An Operetta in Costume; or the whole party can be engaged for a whole work (Oratorio or Opera), or Opera in Costume, or Recital. REPERTOIRE. Faust (Gounod), Philemon and Baucis {Gounod) (by arrangement with Sir Augustus Harris), Maritana (Wallace), Bohemian Girl (Balfe), and most of the usual Oratorios, &c.
    [Show full text]
  • Download Booklet
    570895bk RStrauss US:557541bk Kelemen 3+3 3/8/09 8:42 PM Page 1 Antoni Wit Staatskapelle Weimar Antoni Wit, one of the most highly regarded Polish conductors, studied conducting with Founded in 1491, the Staatskapelle Weimar is one of the oldest orchestras in the world, its reputation inextricably linked Richard Henryk Czyz˙ and composition with Krzysztof Penderecki at the Academy of Music in to some of the greatest works and musicians of all time. Franz Liszt, court music director in the mid-nineteenth Kraków, subsequently continuing his studies with Nadia Boulanger in Paris. He also century, helped the orchestra gain international recognition with premières that included Wagner’s Lohengrin in graduated in law at the Jagellonian University in Kraków. Immediately after completing 1850. As Weimar’s second music director, Richard Strauss conducted first performances of Guntram and STRAUSS his studies he was engaged as an assistant at the Warsaw Philharmonic Orchestra by Humperdinck’s Hänsel und Gretel. The orchestra was also the first to perform Strauss’s Don Juan, Macbeth and Death Witold Rowicki and was later appointed conductor of the Poznan´ Philharmonic. He and Transfiguration. After World War II Hermann Abendroth did much to restore the orchestra’s former status and Symphonia domestica collaborated with the Warsaw Grand Theatre, and from 1974 to 1977 was artistic director quality, ultimately establishing it as one of Germany’s leading orchestras. The Staatskapelle Weimar cultivates its of the Pomeranian Philharmonic, before his appointment as director of the Polish Radio historic tradition today, while exploring innovative techniques and wider repertoire, as reflected in its many recordings.
    [Show full text]
  • Wind, String, & Mixed Chamber Groups
    WIND, STRING, & MIXED CHAMBER GROUPS - SPRING 2019 (v 2.1) - including piano, harp, and percussion - PLEASE read the “Rules of the Road” for chamber music on the “performance” section of INSIDE MUSIC on the School of Music website: https://www.cmu.edu/cfa/music/current-students/ensembles/chamber-music.html Each group should select/elect/draft a “contact person” and submit that person’s name to the chamber music Graduate Assistant, Yalyen Savignon: [email protected] Please note that this is the second draft of the roster. All registered students have been placed, and all requests have been fulfilled. We hope that few if any further changes will need to be made. Remember, other students’ education depends on your being a reliable member of your group! IF YOU SPOT MISTAKES ON THIS LIST, PLEASE CONTACT PROF. WHIPPLE. RJW and CW, February 6, 2019 57-228 OR 57-928 SEXTETS sec A - WIND & PIANO SEXTET Alisa Smith, flute Elizabeth Mountz, oboe Elizabeth Carney, clarinet Ji Won Song, horn Andrew Hahn, bassoon Winfred Wang, piano coaches: R. James Whipple QUINTETS sec B - GRADUATE WIND QUINTET Theresa Abalos, flute Evan Tegley, oboe Alex Athitakas, clarinet Diana McLaughlin, horn Nicholas Evans, bassoon coach: Thomas Thompson sec C - “VENTUS FERRO” TBA, flute Alicia Smith, oboe Zack Neville, clarinet Ziming Zhu, horn Dreya Cherry, bassoon coach: James Gorton sec D - PROKOFIEV: Quintet in g minor Christian Bernard, oboe Bryce Kyle, clarinet TBA, violin Angela-Maureen Zollman, viola Mark Stroud, bass coach: James Gorton STRING QUARTETS 57-226 OR 57-926 1. Jasper Rogal, violin Noah Steinbaum, violin Angela Rubin,viola Kyle Johnson, cello coach: Cyrus Forough 2.
    [Show full text]
  • Leihmaterial Bote & Bock
    Leihmaterial Bote & Bock - Stand: November 2015 - Komponist / Titel Instrumentation Komp. / Dauer Aa, Michel van der 2 After Life B 2S,M,A,2Ba; 2005-06/ 95' Oper nach dem Film von Hirokazu Kore-Eda 0.1.1.BKl.0-0.1.0.1-Org(=Cemb)-Str(3.3.3.2.2); 2009 elektr Soundtrack; Videoprojektionen 1 The Book of DisquietB 1.0.1.1-0.1.0.0-Perc(1): 2008 75' Musiktheater für Schauspieler, Ensemble und Film Vib/Glsp/3Metallstücke/Cabasa/Maracas/Egg Shaker/ 4Chin.Tomt/grTr/Bambusglocken/Ratsche/Peitsche(mi)/ HlzBl(ti)/2Logdrum/Tri(ho)/2hgBe-4Vl.3Va.2Vc.Kb- Soundtrack(Laptop,1Spieler)-Film(2Bildschirme) 0 Here [enclosed] B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2003 17' für Kammerorchester und Soundtrack Soundtrack(Laptop, 1Spieler); Theaterobjekt K Here [in circles] B Kl.BKl.Trp-Perc(1)-Str(1.1.1.1.1); 2002 15' für Sopran und Ensemble kl Kassetten-Rekorder (z.B. Sony TCM-939) 0 Here [to be found]B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2001 18' für Sopran, Kammerorchester und Soundtrack Soundtrack(Laptop, 1 Spieler) Here Trilogy B 2001-03 50' siehe unter Here [enclosed], Here [in circles], Here [to be found] F Hysteresis B Fg-Trp-Perc(1)-Str*; Soundtrack(Laptop,1 Spieler); 2013 17' für Solo-Klarinette, Ensemble und Soundtrack *Streicher: 1.0.1.1.1 (alle vertärkt) oder 4.0.3.2.1 oder 6.0.5.4.2; Kb mit tiefer C-Saite 2 Imprint B 2Ob-Cemb-Str(4.4.3.2.1); 2005 14' für Barock-Orchester Portativ-Orgel zu spielen vom Solo-Violinisten; Historische Instrumente (415 Hz Stimmung) oder moderne Instrumente in Barock-Manier gespielt 1 Mask B 1.0.1.0-1.1.1.0-Perc(1)-Str(1.1.1.1.1)-
    [Show full text]
  • Harmonic Organization in Aaron Copland's Piano Quartet
    37 At6( /NO, 116 HARMONIC ORGANIZATION IN AARON COPLAND'S PIANO QUARTET THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By James McGowan, M.Mus, B.Mus Denton, Texas August, 1995 37 At6( /NO, 116 HARMONIC ORGANIZATION IN AARON COPLAND'S PIANO QUARTET THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By James McGowan, M.Mus, B.Mus Denton, Texas August, 1995 K McGowan, James, Harmonic Organization in Aaron Copland's Piano Quartet. Master of Music (Theory), August, 1995, 86 pp., 22 examples, 5 figures, bibliography, 122 titles. This thesis presents an analysis of Copland's first major serial work, the Quartet for Piano and Strings (1950), using pitch-class set theory and tonal analytical techniques. The first chapter introduces Copland's Piano Quartet in its historical context and considers major influences on his compositional development. The second chapter takes up a pitch-class set approach to the work, emphasizing the role played by the eleven-tone row in determining salient pc sets. Chapter Three re-examines many of these same passages from the viewpoint of tonal referentiality, considering how Copland is able to evoke tonal gestures within a structural context governed by pc-set relationships. The fourth chapter will reflect on the dialectic that is played out in this work between pc-sets and tonal elements, and considers the strengths and weaknesses of various analytical approaches to the work.
    [Show full text]
  • The Most Common Orchestral Excerpts for the Horn: a Discussion of Performance Practice
    The most common orchestral excerpts for the horn: a discussion of performance practice by Shannon L. Armer Submitted in partial fulfillment of the requirements for the degree Master of Music in the Faculty of Humanities University of Pretoria Supervisor: Dr. J. deC Hinch Pretoria January 2006 © University of Pretoria ii ABSTRACT This study describes in detail the preparation that must be done by aspiring orchestral horn players in order to be sufficiently ready for an orchestral audition. The general physical and mental preparation, through to the very specific elements that require attention when practicing and learning a list of orchestral excerpts that will be performed for an audition committee, is investigated. This study provides both the necessary tools and the insight borne of a number of years of orchestral experience that will enable a player to take a given excerpt and learn not only the notes and rhythms, but also discern many other subtleties inherent in the music, resulting in a full understanding and mastery thereof. Ten musical examples are included in order to illustrate the type of additional information that a player must gain so as to develop an in-depth knowledge of an excerpt. Three lists are presented within the text of this study: 1) a list of excerpts that are most commonly found at auditions, 2) a list of those excerpts that are often included and 3) other excerpts that have been requested but are not as commonly found. Also included is advice regarding the audition procedure itself, a discussion of the music required for auditions, and a guide to the orchestral excerpt books in which these passages can be found.
    [Show full text]
  • Repor 1 Resumes
    REPOR 1RESUMES ED 018 277 PS 000 871 TEACHING GENERAL MUSIC, A RESOURCE HANDBOOK FOR GRADES 7 AND 8. BY- SAETVEIT, JOSEPH G. AND OTHERS NEW YORK STATE EDUCATION DEPT., ALBANY PUB DATE 66 EDRS PRICEMF$0.75 HC -$7.52 186P. DESCRIPTORS *MUSIC EDUCATION, *PROGRAM CONTENT, *COURSE ORGANIZATION, UNIT PLAN, *GRADE 7, *GRADE 8, INSTRUCTIONAL MATERIALS; BIBLIOGRAPHIES, MUSIC TECHNIQUES, NEW YORK, THIS HANDBOOK PRESENTS SPECIFIC SUGGESTIONS CONCERNING CONTENT, METHODS, AND MATERIALS APPROPRIATE FOR USE IN THE IMPLEMENTATION OF AN INSTRUCTIONAL PROGRAM IN GENERAL MUSIC FOR GRADES 7 AND 8. TWENTY -FIVE TEACHING UNITS ARE PROVIDED AND ARE RECOMMENDED FOR ADAPTATION TO MEET SITUATIONAL CONDITIONS. THE TEACHING UNITS ARE GROUPED UNDER THE GENERAL TOPIC HEADINGS OF(1) ELEMENTS OF MUSIC,(2) THE SCIENCE OF SOUND,(3) MUSICAL INSTRUMENTS,(4) AMERICAN FOLK MUSIC, (5) MUSIC IN NEW YORK STATE,(6) MUSIC OF THE THEATER,(7) MUSIC FOR INSTRUMENTAL GROUPS,(8) OPERA,(9) MUSIC OF OTHER CULTURES, AND (10) HISTORICAL PERIODS IN MUSIC. THE PRESENTATION OF EACH UNIT CONSISTS OF SUGGESTIONS FOR (1) SETTING THE STAGE' (2) INTRODUCTORY DISCUSSION,(3) INITIAL MUSICAL EXPERIENCES,(4) DISCUSSION AND DEMONSTRATION, (5) APPLICATION OF SKILLS AND UNDERSTANDINGS,(6) RELATED PUPIL ACTIVITIES, AND(7) CULMINATING CLASS ACTIVITY (WHERE APPROPRIATE). SUITABLE PERFORMANCE LITERATURE, RECORDINGS, AND FILMS ARE CITED FOR USE WITH EACH OF THE UNITS. SEVEN EXTENSIVE BE.LIOGRAPHIES ARE INCLUDED' AND SOURCES OF BIBLIOGRAPHICAL ENTRIES, RECORDINGS, AND FILMS ARE LISTED. (JS) ,; \\',,N.k-*:V:.`.$',,N,':;:''-,",.;,1,4 / , .; s" r . ....,,'IA, '','''N,-'0%')',", ' '4' ,,?.',At.: \.,:,, - ',,,' :.'v.'',A''''',:'- :*,''''.:':1;,- s - 0,- - 41tl,-''''s"-,-N 'Ai -OeC...1%.3k.±..... -,'rik,,I.k4,-.&,- ,',V,,kW...4- ,ILt'," s','.:- ,..' 0,4'',A;:`,..,""k --'' .',''.- '' ''-.
    [Show full text]
  • Liner Notes (PDF)
    Debussy’s Traces Gaillard • Horszowski • Debussy Marik • Fourneau 1904 – 1983 Debussy’s Traces: Marius François Gaillard, CD II: Marik, Ranck, Horszowski, Garden, Debussy, Fourneau 1. Preludes, Book I: La Cathédrale engloutie 4:55 2. Preludes, Book I: Minstrels 1:57 CD I: 3. Preludes, Book II: La puerta del Vino 3:10 Marius-François Gaillard: 4. Preludes, Book II: Général Lavine 2:13 1. Valse Romantique 3:30 5. Preludes, Book II: Ondine 3:03 2. Arabesque no. 1 3:00 6. Preludes, Book II Homage à S. Pickwick, Esq. 2:39 3. Arabesque no. 2 2:34 7. Estampes: Pagodes 3:56 4. Ballade 5:20 8. Estampes: La soirée dans Grenade 4:49 5. Mazurka 2:52 Irén Marik: 6. Suite Bergamasque: Prélude 3:31 9. Preludes, Book I: Des pas sur la neige 3:10 7. Suite Bergamasque: Menuet 4:53 10. Preludes, Book II: Les fées sont d’exquises danseuses 8. Suite Bergamasque: Clair de lune 4:07 3:03 9. Pour le Piano: Prélude 3:47 Mieczysław Horszowski: Childrens Corner Suite: 10. Pour le Piano: Sarabande 5:08 11. Doctor Gradus ad Parnassum 2:48 11. Pour le Piano: Toccata 3:53 12. Jimbo’s lullaby 3:16 12. Masques 5:15 13 Serenade of the Doll 2:52 13. Estampes: Pagodes 3:49 14. The snow is dancing 3:01 14. Estampes: La soirée dans Grenade 3:53 15. The little Shepherd 2:16 15. Estampes: Jardins sous la pluie 3:27 16. Golliwog’s Cake walk 3:07 16. Images, Book I: Reflets dans l’eau 4:01 Mary Garden & Claude Debussy: Ariettes oubliées: 17.
    [Show full text]
  • Summa Summarum
    DAS OPERNHAUS summa summarum Hauptsponsor Das Theater an der Wien wird aus Mitteln der Kulturabteilung der Stadt Wien gefördert. AGRANA.COM SEHEN Sie, WARUM UNS Kultur wichtig ist? Frucht. Stärke. Zucker. - Mit diesen drei Standbeinen ist AGRANA weltweit erfolgreich tätig. Qualität steht bei uns an erster Stelle, auch wenn es um Bereiche außerhalb unseres Unternehmens geht. Damit das auch so bleibt, braucht es Engagement und Förderung. Mit unserem Kultur sponsoring unterstützen wir einen wesentlichen Teil unseres gesellschaftlichen Lebens und sorgen dafür, dass diesem auch Aufmerksamkeit geschenkt wird. AGRANA ist Hauptsponsor des Theater an der Wien. 2 Der natürliche Mehrwert TadW_137x205_3mm_März 2021.indd 1 03.03.2021 15:16:07 ZUM GELEIT Dieses Programmbuch entsteht in einer Zeit, in der die Theater der Verei- nigten Bühnen Wien abgesehen von einer kurzen Öffnungszeit im Herbst 2020 seit mehr als einem Jahr für unser Publikum geschlossen sind. Des- sen ungeachtet werden im Theater an der Wien Opernproduktionen auf höchstem szenischen wie musikalischen Niveau mit unseren Künstler- ensembles erarbeitet und für Sie, wertes Publikum, für Fernsehen, Strea- mings, DVD und Radio dokumentiert. Aber was fehlt, ist das Live-Erlebnis des Musiktheaters, mit allem was dazu gehört: Das gemeinsame Erleben eines Opernabends in historischem The- aterambiente, mit Menschen, die das Geschehen auf der Bühne und das Gehörte sehnsuchtsvoll aufnehmen. Um Ihnen dieses Erlebnis wieder zu ermöglichen, bietet Ihnen das Saisonprogramm 2021/22 eine große Viel- falt an faszinierenden Opernprojekten. Wir laden Sie ein, mit uns auf diese spannende Opernreise zu gehen, um den „Sehnsuchtsort“ Theater an der Wien wieder für sich zurückzugewinnen oder neu zu entdecken! Diese Spielzeit kennzeichnet aber auch die letzte Saison von Intendant Roland Geyer, dem es in den vergangenen fünfzehn Jahren sehr erfolg- reich gelungen ist, das Theater an der Wien national wie international zur Top-Adresse für zeitgemäßes Musiktheater zu machen.
    [Show full text]
  • Season 2016-2017
    23 Season 2016-2017 Thursday, January 26, at 8:00 The Philadelphia Orchestra Friday, January 27, at 2:00 City of Light and Music: The Paris Festival, Week 3 Yannick Nézet-Séguin Conductor Choong-Jin Chang Viola Berlioz Harold in Italy, Op. 16 I. Harold in the Mountains (Scenes of melancholy, happiness, and joy) II. Pilgrims’ March—Singing of the Evening Hymn III. Serenade of an Abruzzi Mountaineer to his Sweetheart IV. Brigands’ Orgy (Reminiscences of the preceding scenes) Intermission Ravel Alborada del gracioso Ravel Rapsodie espagnole I. Prelude to the Night— II. Malagueña III. Habanera IV. Feria Ravel Bolero This program runs approximately 1 hour, 55 minutes. The January 26 concert is sponsored in memory of Ruth W. Williams. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 24 Steven Spielberg’s filmE.T. the Extra-Terrestrial has always held a special place in my heart, and I personally think it’s his masterpiece. In looking at it today, it’s as fresh and new as when it was made in 1982. Cars may change, along with hairstyles and clothes … but the performances, particularly by the children and by E.T. himself, are so honest, timeless, and true, that the film absolutely qualifies to be ranked as a classic. What’s particularly special about today’s concert is that we’ll hear one of our great symphony orchestras, The Philadelphia Orchestra, performing the entire score live, along with the complete picture, sound effects, and dialogue.
    [Show full text]
  • A BIOGRAPHY of JOSEPH MAURICE RAVEL by Matthew Dechirico
    A BIOGRAPHY OF JOSEPH MAURICE RAVEL by Matthew DeChirico Joseph Maurice Ravel, who lived from March 1875 to December 1937 was a French composer born in the Basque region of France His mother of Basque-Spanish heritage from Madrid Spain had a strong influence on his life and his music. His father was a Swiss inventor and industrialist from France. Both parents provided a happy and stimulating life for Joseph and his younger brother. His parents encouraged his musical pursuits and sent him at age 14 to the Conservatoire de Paris first as a preparatory student and eventually as a piano major. Although intellectually bright and well read, he was not successful academically even as his musicianship matured. Considered “very gifted” he nevertheless was called “somewhat heedless” in his studies. He failed to meet the requirements of earning a competitive medal and was expelled. He returned three years later studying with Gabriel Faure focusing on composition rather than piano. He was again dismissed for having won neither the fugue nor the composition prize. He remained an auditor with Faure until he left the Conservatoire in 1903. During his years at the Conservatoire, Ravel tried numerous times to win the prestigious Prix de Rome but to no avail: he was probably considered too radical by the conservatives. Ravel’s “String Quartet in F” is now a standard work of chamber music, though at the time it was criticized and found lacking academically. His first significant work, “Habanera” for two pianos was later transcribed into the third movement of his “Rapsodie Espagnole”.
    [Show full text]
  • Susan Merdinger Repertoire List 07.01.19 Copy.Pages
    SUSAN MERDINGER, Pianist and Conductor: Repertoire (2019) CONCERTOS and WORKS for PIANO(S) and ORCHESTRA: AS SOLOIST. (Additional concerti available upon request.** indicates performed with within last 5 years) Albeniz: Rapsodia Espanola, Op. 70 (Two Pianos) ** Anderson: Piano Concerto in C major Bach-Vivaldi: Concerto for Four Pianos and String Orchestra (Piano 1)** Beethoven: All Five Concerti- Op. 15, Op.19, Op.37, Op. 73 (The “Emperor”) Triple Concerto for Piano, Violin, and Cello ** Bloch: Concerto Grosso for Piano and Strings ** Brahms: No.1 in d minor, Op. 15 No. 2 in B-flat major, Op. 83** Franck: Symphonic Variations** Lutoslawski: Variations on a Theme by Paganini Mozart: K.365 (Two Pianos)**, A major K. 414, G major K. 453, D minor K. 466, C major K.467**, A major K.488, C major K.503** Mendelssohn: Concerto No. 1 in g minor Concerto No. 2 in d minor Gershwin: Rhapsody in Blue ** Gottschalk: L’Union**, Grande Tarantella ** Rachmaninoff: Concerto No. 2 in c minor Rhapsody on Theme of Paganini Schumann: Concerto in a, Op.54 ** Saint-Saëns: Carnival of the Animals (Two Pianos) ** Saint-Saëns: Concerto No. 2 in g minor Tchaikovsky: No.1 in B-flat minor, Op.23 ** Liszt: No. 1 in E-flat ** Poulenc: Concerto for Two Pianos ** SOLO PIANO: SELECTED WORKS PERFORMED LIVE: (Bolded works are available on CD recording- many works available in live video format on YouTube) Aaron Alter: Piano Sonata (2012-2018) dedicated to Susan Merdinger (USA premieres in November 2018) Albéniz: Suite Española, Op. 47 J.S. Bach: French Suite No.
    [Show full text]