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Bay Guardian | August 26 - September 1, 2009 ■
I Newsom screwed the city to promote his campaign for governor^ How hackers outwitted SF’s smart parking meters Pi2 fHB _ _ \i, . EDITORIALS 5 NEWS + CULTURE 8 PICKS 14 MUSIC 22 STAGE 40 FOOD + DRINK 45 LETTERS 5 GREEN CITY 13 FALL ARTS PREVIEW 16 VISUAL ART 38 LIT 44 FILM 48 1 I ‘ VOflj On wireless INTRODUCING THE BLACKBERRY TOUR BLACKBERRY RUNS BETTER ON AMERICA'S LARGEST, MOST RELIABLE 3G NETWORK. More reliable 3G coverage at home and on the go More dependable downloads on hundreds of apps More access to email and full HTML Web around the globe New from Verizon Wireless BlackBerryTour • Brilliant hi-res screen $ " • Ultra fast processor 199 $299.99 2-yr. price - $100 mail-in rebate • Global voice and data capabilities debit card. Requires new 2-yr. activation on a voice plan with email feature, or email plan. • Best camera on a full keyboard BlackBerry—3.2 megapixels DOUBLE YOUR BLACKBERRY: BlackBerry Storm™ Now just BUY ANY, GET ONE FREE! $99.99 Free phone 2-yr. price must be of equal or lesser value. All 2-yr. prices: Storm: $199.99 - $100 mail-in rebate debit card. Curve: $149.99 - $100 mail-in rebate debit card. Pearl Flip: $179.99 - $100 mail-in rebate debit card. Add'l phone $100 - $100 mail-in rebate debit card. All smartphones require new 2-yr. activation on a voice plan with email feature, or email plan. While supplies last. SWITCH TO AMERICA S LARGEST, MOST RELIABLE 3G NETWORK. Call 1.800.2JOIN.IN Click verizonwireless.com Visit any Communications Store to shop or find a store near you Activation fee/line: $35 ($25 for secondary Family SharePlan’ lines w/ 2-yr. -
Dr. Albert W. Johnson June 29-30, 2009 Interviewed by Susan Resnik for San Diego State University 208 Minutes of Recording Total PART 1 of 3 PARTS
Dr. Albert W. Johnson June 29-30, 2009 interviewed by Susan Resnik for San Diego State University 208 minutes of recording total PART 1 OF 3 PARTS SUSAN RESNIK: This is Susan Resnik. Today is June 29, 2009. I’m in the lovely home of Dr. Albert W. Johnson, in Portland, Oregon. We are going to be doing his oral history as part of the project funded by the Jane and John Adams mini- grant. Good morning, Dr. Johnson. ALBERT W. JOHNSON: Good morning, Susan. SR: Dr. Johnson, you certainly made so many contributions to San Diego State University, spanning the presidencies of Dr. Love, Dr. Golding, and Dr. Day, and contributed so much, but we’d like to go back and start at the beginning. I’d like to know when and where you were born. Could you tell me a little about your early years? AWJ: Yes, thank you. I was born in a little town by the name of Belvidere, Illinois, a small agricultural community in northern Illinois, on July 29, 1926; and lived there all the time I was growing up, until I went into the military, which I can talk about later if you like; and then never did go back to live. And now, nobody from my family lives in Belvidere, Illinois. I had two parents, of course, Mother and Father. My mother was the daughter of a Lutheran minister in Belvidere, and played a very active role in the church herself. She was the organist, the choir directory, played the piano for all kinds of things, and of course raised the children. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
On the Road with President Woodrow Wilson by Richard F
On the Road with President Woodrow Wilson By Richard F. Weingroff Table of Contents Table of Contents .................................................................................................... 2 Woodrow Wilson – Bicyclist .................................................................................. 1 At Princeton ............................................................................................................ 5 Early Views on the Automobile ............................................................................ 12 Governor Wilson ................................................................................................... 15 The Atlantic City Speech ...................................................................................... 20 Post Roads ......................................................................................................... 20 Good Roads ....................................................................................................... 21 President-Elect Wilson Returns to Bermuda ........................................................ 30 Last Days as Governor .......................................................................................... 37 The Oath of Office ................................................................................................ 46 President Wilson’s Automobile Rides .................................................................. 50 Summer Vacation – 1913 ..................................................................................... -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
C R I T I C a • C U L T U R a • C I N E
CRITICA•CULTURA•CINEMA Conoscerete la verità E la verità vi farà liberi Giovanni 8,32 Questa pubblicazione è stata curata dal Cinecircolo Romano - Roma - Via Nomentana 333/c - tel 068547151 - fax 0685833883 E-mail: [email protected] Sito internet: www.cinecircoloromano.it Auditorio San Leone Magno tel. 068543216 (in giornate di cinema la segreteria presso l’Auditorio è attiva dalle 17.00 alle 21.30) 5 per MILLE: senza alcun onere aggiunto, al momento della denuncia dei redditi è possibile devolvere il contributo del 5 per mille al Cinecircolo Romano - codice 80258690587 Assistente editoriale Alessandra Imbastaro Amministrazione Carla Porta con Valentina Ferlazzo Collaborazione edizione “Dossier” Catello Masullo, Alessandro Jannetti, Maria Teresa Raffaele Coordinamento schede filmografiche Giuseppe Rizzo e Rossella Pozza Coordinamento realizzazione “Progetto Educazione al Cinema d’Autore” Luciana Burlin con Fiorenza Irace Collaborazione operativa Maria Teresa Raffaele Direzione e coordinamento generale Pietro Murchio Per la stagione 2014/2015 sono operanti due Comitati Consultivi Selezione Cinematografica: Promozione e Cultura: Alessandro Jannetti, Maurizio Lacorte, Luciana Burlin, Giampaolo D’Arpino, Catello Masullo, Giuseppe Rizzo, Cinzia Di Giovanni, Fiorenza Irace, Vincenzo Carbotta Rossella Pozza, Maria Teresa Raffaele Le fotografie sono state fornite da Centro Studi Cinematografici, Archivio del Cinecircolo Romano, siti internet - Annotazioni del Cinecircolo includenti alcune valutazione della Commissione Nazionale per la valutazione dei film della C.E.I - Recensioni cinematografiche da “Rassegna Stampa Cinematografica” Editore S.A.S. Bergamo, data base del Cinecircolo, siti internet IN COPERTINA: in senso orario scene dal film “In grazia di Dio”, “Saving Mr Banks”, “Le meravi- glie”, “Il capitale umano”, “Gran Budapest Hotel”, “Grace di Monaco” (foto fornite dal Centro Studi Cinematografici). -
Chemung County Age-Friendly Community Action Plan Evaluation
Chemung County Age-Friendly Community Action Plan Evaluation 2015 – 2017 Submitted 2/15/18 Table of Contents Chemung County Age-Friendly Community Coalition 2 Executive Summary 4 Outdoor Spaces and Buildings 7 Transportation 23 Housing 32 Social Participation 43 Respect and Social Inclusion 45 Civic Participation and Employment 50 Communication and Information 54 Community Support and Health Services 59 1 Chemung County Age-Friendly Community Coalition December 2017 Kym Beckman-Draht/Cindy McInerney (Able 2) Pam Brown (Dept. of Aging & Long Term Care) Tara Burke (Chamber of Commerce) Dawn Bush/Rebecca Becraft (Health Dept.) Katie Coletta (Chemung Canal Trust Company) Liz Corveleyn (Town of Big Flats) Sam David (Retired past Director Dept. of Aging & Long Term Care) Marleah Denkenberger (Alzheimer’s Association Southern Tier Satellite) Dave Ellis (Town of Southport) Michele Fitch (Appleridge Senior Living) Allyson Graf (Elmira College) Jim Hackett (Dept. of Aging Advisory Council) Darlene Ike (Meals on Wheels of Chemung County, Inc.) Michele Johnson (YWCA) Evanna Koska (Dept. of Aging Advisory Council) Anita Lewis/Tina Brown (EOP) Mark Lisi (Food Bank of the Southern Tier) Dan Mandell (City of Elmira) Craig Mennig/Trisha Rude (The Arc of Chemung) Mary Mosteller (CareFirst – formerly Southern Tier Hospice and Palliative Care) Allison O’Dell (AIM Independent Living Center) Felix Perez (First Presbyterian Church of Elmira) Bridget Petrillose/Tim Driscoll (GST BOCES) Caroline Poppendeck (Chemung Count Library District) Ron Rehner (AARP Chapter -
Book Title Author Reading Level Approx. Grade Level
Approx. Reading Book Title Author Grade Level Level Anno's Counting Book Anno, Mitsumasa A 0.25 Count and See Hoban, Tana A 0.25 Dig, Dig Wood, Leslie A 0.25 Do You Want To Be My Friend? Carle, Eric A 0.25 Flowers Hoenecke, Karen A 0.25 Growing Colors McMillan, Bruce A 0.25 In My Garden McLean, Moria A 0.25 Look What I Can Do Aruego, Jose A 0.25 What Do Insects Do? Canizares, S.& Chanko,P A 0.25 What Has Wheels? Hoenecke, Karen A 0.25 Cat on the Mat Wildsmith, Brain B 0.5 Getting There Young B 0.5 Hats Around the World Charlesworth, Liza B 0.5 Have you Seen My Cat? Carle, Eric B 0.5 Have you seen my Duckling? Tafuri, Nancy/Greenwillow B 0.5 Here's Skipper Salem, Llynn & Stewart,J B 0.5 How Many Fish? Cohen, Caron Lee B 0.5 I Can Write, Can You? Stewart, J & Salem,L B 0.5 Look, Look, Look Hoban, Tana B 0.5 Mommy, Where are You? Ziefert & Boon B 0.5 Runaway Monkey Stewart, J & Salem,L B 0.5 So Can I Facklam, Margery B 0.5 Sunburn Prokopchak, Ann B 0.5 Two Points Kennedy,J. & Eaton,A B 0.5 Who Lives in a Tree? Canizares, Susan et al B 0.5 Who Lives in the Arctic? Canizares, Susan et al B 0.5 Apple Bird Wildsmith, Brain C 1 Apples Williams, Deborah C 1 Bears Kalman, Bobbie C 1 Big Long Animal Song Artwell, Mike C 1 Brown Bear, Brown Bear What Do You See? Martin, Bill C 1 Found online, 7/20/2012, http://home.comcast.net/~ngiansante/ Approx. -
The Boys' Life of Mark Twain
The Boys' Life of Mark Twain By Albert Bigelow Paine The Boys' Life Of Mark Twain I. THE FAMILY OF JOHN CLEMENS A long time ago, back in the early years of another century, a family named Clemens moved from eastern Tennessee to eastern Missouri—from a small, unheard-of place called Pall Mall, on Wolf River, to an equally small and unknown place called Florida, on a tiny river named the Salt. That was a far journey, in those days, for railway trains in 1835 had not reached the South and West, and John Clemens and his family traveled in an old two-horse barouche, with two extra riding-horses, on one of which rode the eldest child, Orion Clemens, a boy of ten, and on the other Jennie, a slave girl. In the carriage with the parents were three other children—Pamela and Margaret, aged eight and five, and little Benjamin, three years old. The time was spring, the period of the Old South, and, while these youngsters did not realize that they were passing through a sort of Golden Age, they must have enjoyed the weeks of leisurely journeying toward what was then the Far West—the Promised Land. The Clemens fortunes had been poor in Tennessee. John Marshall Clemens, the father, was a lawyer, a man of education; but he was a dreamer, too, full of schemes that usually failed. Born in Virginia, he had grown up in Kentucky, and married there Jane Lampton, of Columbia, a descendant of the English Lamptons and the belle of her region. -
Annual Report 1998
Writers Guild of America, west, Inc. 1998 WGA ANNUAL REPORT TO WRITERS ©RICHARD RUTHSATZ PHOTOGRAPHY T HE NEW WGA AWARD A New Footing As this report is issued, the WGA completes in the East more than ever before and an eventful and unpredictable year, but one ensured that all writers nationwide would that sets the Guild on a new footing – a foot- have uniform ballot materials. The two ing from which we can maximize the oppor- Guilds picked up the contract negotiation tunities that lie ahead. and brought it to fruition with the member- ship ratification announced just as this The year began with a contract negotiation report is issued. that promised to conclude the Minimum Basic Agreement (MBA) with the studios, With this chapter closed, the WGA now looks networks and other mainstream Hollywood forward to an agenda of aggressive enforce- producers, almost a year ahead of its expira- ment of Guild contracts, unprecedented tion. But, it was not to be. The net result of service to writers, and addressing the long the tight membership vote that saw the con- term questions about how writers should be tract defeated by just 16 votes nationwide was represented to the increasingly concentrated a fracture between the WGA West and the group of employers who hire us. WGA East. As we came into office as your newly-elected And, so, we address these forward-looking leadership, we found our agenda significant- questions with due regard for the decisions ly set by the events already in progress. Such of the past, but without constraint. -
Julia Roberts, Erin Brockovich and Oscar Winning Legitimation
Julia Roberts and Erin Brockovich: The cultural and commercial paradoxes of Oscar winning acting Paul McDonald University of Portsmouth In his study of the Academy Awards, Emanuel Levy describes the Oscars as ‘an institutionalized yardstick of artistic quality…. a legitimized measure of cinematic excellence’.1 Amongst the categories honoured, conferment of the Best Actress and Actor awards annually operate as a benchmark of quality for the art of film performance. Yet when considered in the context of Hollywood, the recognition of artistic esteem is always locked into conditions of highly commercialized production where the star operates as a key sign of economic value. This tension between art and commerce creates a fundamental paradox in the status of the Oscars: by celebrating artistic achievements, the awards demonstrate disinterest in the commerce of the market, yet at the same time the awards only take place within a context of production dominated by commercial concerns. At the 73rd Academy Awards ceremony, the Oscar for Best Actress in a Leading Role went to Julia Roberts for Erin Brockovich. As the eponymous heroine, Roberts appeared in the true life tale of a working class single mother employed as a legal assistant who through her own investigations brings a major and successful legal claim against Pacific Gas and Electric after exposing how the company has contaminated the water supply serving the local community of Hinkley. Here I want to use the example of Roberts’s performance as Brockovich to think about how Oscar winning acting negotiates a position for the film actor between artistic legitimacy and commercial success. -
The Reluctant Famulus # 92 March/April 2013 Thomas D
TTThTT hhheeee RRReReeelllluuuuccccttttaaaannnntttt FFFaFaaammmmuuuulllluuuussss 999222 Alien of the Year Friznik 24C4NO1 The Reluctant Famulus # 92 March/April 2013 Thomas D. Sadler, Editor/Publisher, etc. 305 Gill Branch Road, Owenton, KY 40359 Phone: 502-484-3766 E-mail: [email protected] Contents Introduction, Editor 1 Rat Stew, Gene Stewart 6 A Mystery 1 9 A Tribute, David Rowe 10 Bluegrass Beginnings, Al Byrd 12 Hawaiian Novel, Matt Howard 18 The Crotchety Critic, Michaele Jordan 24 Don't You Rock Me, Eric Barraclough 26 Letters 29 Mystery 2 45 Conclusion, Editor 46 Artwork Spore/Totoe Hodges & TDS Front cover, Al Byrd 12, 13, 17 Brad Foster 11, 31, 35, 39 Alexis Gilliland 9, 29, 33, 37, 41 Internet 1-4, 15, 16, 18, 19, 20-23, 25, 50 A. B. Kynock Back cover Gene Stewart 43 Periophone 28, left column Radio Times 28 (upper) Rose, Morris Co. Ltd. 28 (bottom) Unknown 26 (lower), 27 (both) Womans Magazine 26 (upper) The Reluctant Famulus is a product of Strange Dwarf Publications. Many of the comments expressed herein are solely those of the Editor/Publisher and do not necessarily reflect the thoughts of any sane, rational persons who know what they are doing and have carefully thought out beforehand what they wanted to say. Material not written or produced by the Editor/Publisher is printed by permission of the various writers and artists and is copyright by them and remains their sole property. Permission is granted to any persons who wish to reprint material presented herein, provided proper and due credit is given both to the author/artist who produced the material and to the origi- nal publication in which it appeared.