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FOR IMMEDIATE RELEASE DATE: 14 January 2015
PRESS RELEASE FOR IMMEDIATE RELEASE DATE: 14 January 2015 Hong Kong Philharmonic Orchestra Announces New Principal Guest Conductor – Yu Long [14 January 2015, Hong Kong] The Hong Kong Philharmonic Orchestra (HK Phil) has today announced the appointment of conductor Yu Long to be its Principal Guest Conductor, effective from the 2015/16 concert season for an initial three year term. China’s pre-eminent conductor, Yu Long regularly conducts the world’s leading orchestras. He founded the China Philharmonic Orchestra, which he has led since 2000, and is Music Director of the Shanghai and Guangzhou Symphony Orchestras. He is the Founding Artistic Director of the Beijing Music Festival and is Artistic Co-Director of the MISA Festival in Shanghai. HK Phil Chairman Mr Jack So said: “The Board of Governors is delighted that Yu Long is willing to take on a titled role with the HK Phil. We anticipate a long and inspiring relationship with him.” Yu Long said: “I am thrilled to be taking up this position to work with the formidable musicians of the Hong Kong Philharmonic Orchestra. I have been enjoying my collaboration with this orchestra since 1995 and I have especially relished our recent performances last June. I look forward to making wonderful music with them in the coming seasons. Jaap van Zweden has clearly had an extremely positive musical impact on the standard of playing.” The collaboration will herald an exciting range of new projects: ‧ As Principal Guest, Yu Long will conduct the HK Phil for a number of concert projects in each season. ‧ The HK Phil and Shanghai Symphony Orchestras will cooperate in a major cultural exchange: the presentation, in Hong Kong and Shanghai, of a cycle of the symphonic works of Gustav Mahler, including performances of Mahler’s 8th Symphony – the Symphony of a Thousand. -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010)
This item was submitted to Loughborough University as a PhD thesis by the author and is made available in the Institutional Repository (https://dspace.lboro.ac.uk/) under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010) By Mengyu Luo A Doctoral thesis Submitted in partial fulfilment of the requirements For the award of Doctor of Philosophy Loughborough University 15th March © by Mengyu Luo (2013) 1 Abstract Shanghai Symphony Orchestra is a fascinating institution. It was first founded in 1879 under the name of ‘Shanghai Public Band’ and was later, in 1907, developed into an orchestra with 33 members under the baton of German conductor Rudolf Buck. Since Mario Paci—an Italian pianist—became its conductor in 1919, the Orchestra developed swiftly and was crowned ‘the best in the Far East’ 远东第一 by a Japanese musician Tanabe Hisao 田边尚雄 in 1923. At that time, Shanghai was semi-colonized by the International Settlement and the French Concession controlled by the Shanghai Municipal Council and the French Council respectively. They were both exempt from local Chinese authority. The Orchestra was an affiliated organization of the former: the Shanghai Municipal Council. When the Chinese Communist Party took over mainland China in 1949, the Orchestra underwent dramatic transformations. It was applied as a political propaganda tool performing music by composers from the socialist camp and adapting folk Chinese songs to Western classical instruments in order to serve the masses. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Dissertation
Dissertation Titel der Dissertation Einflüsse von kulturellen und historischen chinesischen Elementen auf die individuellen kompositorischen Tonschöpfungen in der chinesischen Musik des 20. Jahrhunderts Verfasser Mag. phil. Zhao Chen angestrebter akademischer Grad Doktor der Philosophie (Dr. phil. ) Wien, im April 2013 Studienkennzahl lt. Studienblatt: A 092 316 Studienrichtung lt. Studienblatt: Dr.-Studium der Philosophie UniStG Musikwissenschaft Betreuern: Doz. Ao. Univ.-Prof. Dr. Theophil Antonicek 1 2 Vorwort Dieses Vorwort dient als eine Entschuldigung, zum Jammern und als Vorsatz meine Zukunft betreffend. Diese Dissertation ist – übertragen gesagt – wie ein Baby für mich, allerdings eines, das eine durchaus schwierige Geburt hinter sich hat. Während des Schreibens gab es Phasen, in denen ich mich kaum mehr mit den Inhalten befassen konnte, die ich zu Papier bringen wollte. Ich begann mein „Baby“ und die Arbeit daran zu hassen. Aber am 18. Februar 2013, um 11:25, nach der letzten Korrektur der Conclusio, schließe ich nun meine Augen, lächelnd, und plötzlich liegen alle bisherigen Gedanken bezüglicher dieser Dissertation weit zurück. Das Thema dieser Dissertation begann sich nach dem Abschluss meines Magisterstudiums im Jahr 2008 in meinen Gedanken zu formen. Die Idee war ursprünglich um ein Vielfaches größer: Ich wollte beweisen, dass die als Gegenstand für die Dissertation gewählte „Chinesische Musik der Gegenwart“ als „Avantgarde- Musik“ fungiert und damit auch gleichzeitig den Terminus „chinesische Neue Musik“ widerlegen. Mein erster Doktorvater, Prof. Manfred Angerer (* 15. Oktober 1953 in Pöchlarn in Niederösterreich, † 19. April 2010 in Wien) empfahl mir in der für ihn charakteristischen ironisch-humorvollen Weise: „Schreib doch einen Überblick d‟rüber! Die Europäer verstehen diese Musik sowieso nicht.“ Dieser Ausspruch war typisch für Prof. -
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary Chinese Composer Zhou Long’s Works for Solo Piano Mongolian Folk-Tune Variations, Wu Kui, and Pianogongs. (2014) Directed by Dr. Andrew Willis. 136 pp. Zhou Long is a Chinese American composer who strives to combine traditional Chinese musical techniques with modern Western compositional ideas. His three piano pieces, Mongolian Folk Tune Variations, Wu Kui, and Pianogongs each display his synthesis of Eastern and Western techniques. A brief cultural, social and political review of China throughout Zhou Long’s upbringing will provide readers with a historical perspective on the influence of Chinese culture on his works. Study of Mongolian Folk Tune Variations will reveal the composers early attempts at Western structure and harmonic ideas. Wu Kui provides evidence of the composer’s desire to integrate Chinese cultural ideas with modern and dissonant harmony. Finally, the analysis of Pianogongs will provide historical context to the use of traditional Chinese percussion instruments and his integration of these instruments with the piano. Zhou Long comes from an important generation of Chinese composers including, Chen Yi and Tan Dun, that were able to leave China achieve great success with the combination of Eastern and Western ideas. This study will deepen the readers’ understanding of the Chinese cultural influences in Zhou Long’s piano compositions. CHINESE AND WESTERN ELEMENTS IN CONTEMPORARY CHINESE COMPOSER ZHOU LONG’S WORKS FOR SOLO PIANO MONGOLIAN FOLK-TUNE VARIATIONS, WU KUI, AND PIANOGONGS by Wei Jiao A Dissertation Submitted to the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2014 Approved by _________________________________ Committee Chair © 2014 Wei Jiao APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
China and the West: Music, Representation, and Reception
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. -
Shanghai Quartet with Haochen Zhang
Montclair State University Montclair State University Digital Commons 2018-2019 Borders and Boundaries PEAK Performances Programming History 4-6-2019 Shanghai Quartet with Haochen Zhang Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2018-2019 Part of the Music Performance Commons, and the Theatre and Performance Studies Commons Quartet-in-Residence Shanghai Quartet with Haochen Zhang, piano Celebrating the Shanghai Quartet’s 35th Anniversary Photo by Dong Yan Photo by Dong April 6, 2019 • 8:00pm Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming John J. Cali School of Music Department of Theatre and Dance Jon Robert Cart, Director Randy Mugleston, Chair Quartet-in-Residence Shanghai Quartet Celebrating the Shanghai Quartet’s 35th Anniversary Weigang Li, violin Yi-Wen Jiang, violin Honggang Li, viola Nicholas Tzavaras, cello Guest Artist Haochen Zhang, piano Program String Quartet no. 1 in F Major, op. 18 no. 1 Ludwig van Beethoven (1770–1827) Allegro con brio Adagio affetuoso ed appassionato Scherzo: Allegro molto Allegro Dance Capriccio for piano and string quartet Bright Sheng (b. 1955) ~~Intermission~~ Piano Quintet in F Minor, op. 34 Johannes Brahms (1833–1897) Allegro non troppo Andante, un poco adagio Scherzo: Allegro Finale: Poco sostenuto—Allegro non troppo—Presto, non troppo Duration: One hour 35 minutes, including one 15-minute intermission. In consideration of both audiences and performers, please turn off all electronic devices. The taking of photographs or videos and the use of recording equipment are not permitted. -
Shanghai Symphony Orchestra and Music Director Long Yu Announce 2020/21 Season
Shanghai Symphony Orchestra and Music Director Long Yu announce 2020/21 season September 2020 – June 2021 Award-winning violinist Ning Feng is the 2020/21 Artist-in-Residence Pianist Krystian Zimerman performs the complete cycle of Beethoven’s piano concertos conducted by Long Yu Two world premieres: Huang Ruo ‘A Dust in Time’ (version for string orchestra) and Meng Wang’s ‘Moon-faced Buddha II’ Two concerts of Saint-Saëns’ complete piano concertos performed by five Chinese pianists, Zee Zee, Moye Chen, Jiayi Sun, Song Siheng, Yingdi Sun Across the 2020/21 and 2021/22 seasons, the Orchestra will perform all of Mahler’s symphonies to commemorate 110 years since the composer’s death Focus on Chinese voices - both established and new composers and musicians from China’s diverse and rich music scene The Shanghai Symphony Orchestra (SSO) today announces its 2020/21 season, the Orchestra’s twelfth with Long Yu as Music Director. Due to the ongoing global pandemic, the Orchestra will initially perform to 30% capacity audiences at its home, the Shanghai Symphony Hall, and hopes to open this up to a larger amount towards the end of the year, depending on local guidelines. The season features 46 concerts in the Orchestra’s four major series: main stage, SSO in Chamber, Rush Hour and Music Map Class. Through these four series, the Orchestra aims to reach wider audiences and offer accessible and affordable performances. Due to the uncertainty of COVID-19 and Chinese border restrictions for foreigners, the SSO’s series of visiting orchestras and artists will be announced at a later date. -
China Today a Festival of Chinese Composition 当代中国 一场中国作曲创作的盛典 the Juilliard School Presents
Focus! Festival China Today A Festival of Chinese Composition 当代中国 一场中国作曲创作的盛典 The Juilliard School presents The 34th annual Focus! festival Focus! 2018 China Today: A Festival of Chinese Composition Joel Sachs, Director TABLE OF CONTENTS 1 Introduction to Focus! 2018 5 Program I Friday, January 19, 7:30pm 12 Program II Monday, January 22, 7:30pm 19 Program III Tuesday, January 23 Preconcert Forum, 6:30pm; Concert, 7:30pm 26 Program IV Wednesday, January 24, 7:30pm 33 Program V Thursday, January 25, 7:30pm 39 Program VI Friday, January 26, 7:30pm 48 Focus! Staff This performance is supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Introduction to Focus! 2018 By Joel Sachs Almost a year ago, Juilliard president Joseph W. Polisi and I convened to consider the theme of the coming Focus! festival, a concept we jointly created in his first semester as president in 1984. This time, however, contemplating his final festival as Juilliard’s president, Dr. Polisi had a specific request—a focus on China, linked to the milestone project with which his tenure is culminating: the establishment of Juilliard’s campus in Tianjin. While China had been in my mind as a Focus! topic for years it always got pushed aside, largely by the thought of what would be involved in trying to survey the composers of such a huge, diverse, and culturally rich nation. -
FOR IMMEDIATE RELEASE Date: 6 May 2019
PRESS RELEASE FOR IMMEDIATE RELEASE Date: 6 May 2019 Hong Kong Philharmonic Orchestra announces a star-studded 2019/20 Season Download 2019/20 Season At A Glance [PDF] Download 2019/20 Season Brochure [PDF] Download Subscription Form [PDF] Download 2019/20 Season Artists Photos Download 2019/20 Season Launch Photos [6 May 2019, Hong Kong] The Hong Kong Philharmonic Orchestra (HK Phil) and its Music Director Jaap van Zweden, today announced the orchestra’s 2019/20 season, presenting a multi-fold of programmes featuring over 50 wonderful guest artists, and with 16 premieres including three HK Phil new commissions by local composers Chan Kai-young, Alvin Tam Lok-hei and some more Hong Kong composers. Highlights include: ************** The 250th anniversary of Beethoven’s birth in 2020 – the HK Phil will complete cycles of Beethoven’s symphonies and concertos under the baton of Maestro Jaap van Zweden, together with great pianists Rudolf Buchbinder, Rachel Cheung, Lang Lang, Víkingur Ólafsson and Nobuyuki Tsujii Music Director Jaap van Zweden, Principal Guest Conductor Yu Long and superstar artists as well as Hong Kong talents featured in programmes dedicated to the 30th anniversary of the Hong Kong Cultural Centre – Seong-Jin Cho, Ning Feng and Renée Fleming; Lio Kuokman, Louise Kwong, Ping and Ting Piano Duo, The Hong Kong Children’s Choir and Hong Kong Philharmonic Chorus Exciting programmes conducted by Music Director Jaap van Zweden and Principal Guest Conductor Yu Long with superb line-up of artists – Leonidas Kavakos, The Labèque Sisters, Jian Wang and more More notable Conductors and Soloists – Elim Chan, Vassily Sinaisky, Boris Giltburg, Martin Grubinger, Francesco Tristano, Hiromi Uehara and more Tours to Mainland China, Japan, Korea and more ************** Celebrating the 250th Anniversary of Beethoven’s Birth 2020 marks the 250th anniversary of Beethoven’s birth. -
Selected Works for Violin and Piano by Chen Yi: Western Influences on the Development of Her Compositional Style
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 3-11-2010 Selected Works for Violin and Piano by Chen Yi: Western Influences on the Development of Her Compositional Style Xiang He University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Commons He, Xiang, "Selected Works for Violin and Piano by Chen Yi: Western Influences on the Development of Her Compositional Style" (2010). Student Research, Creative Activity, and Performance - School of Music. 22. https://digitalcommons.unl.edu/musicstudent/22 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SELECTED WORKS FOR VIOLIN AND PIANO BY CHEN YI: WESTERN INFLUENCES ON THE DEVELOPMENT OF HER COMPOSITIONAL STYLE by Xiang He A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor David C. Neely Lincoln, Nebraska March, 2010 SELECTED WORKS FOR VIOLIN AND PIANO BY CHEN YI: WESTERN INFLUENCES ON THE DEVELOPMENT OF HER COMPOSITIONAL STYLE Xiang He, D.M.A. University of Nebraska, 2010 Adviser: David C. Neely This document is a study of the violin and piano pieces, Fisherman’s Song (1979) and Romance of Hsiao and Ch’in (1998), by the leading Chinese-born American composer, Chen Yi (b.1953).