[Tweed and Textiles from Early Times to the Present Day]
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The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
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View Lookbook
BEhiND thE COLLECtiON AUTUMN WINTER 17/18 Sands & Hall has rapidly become synonymous with luxury outerwear and timeless elegance. This collection 2 transforms classic tweeds from Britain and Ireland into 3 innovative and unique fashion forward pieces. THE FITTED CAPE: 4 5 THE FITTED CAPE: A fitted coat with cape overlay. Belted to accentuate the waist. Beautiful finishing with maroon piping, cotton binding and half lining. 6 7 RUBY BLUSH DAMSON WINE ASHEN BLACK MABEL STONE Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed THE OVErsiZED COat: 8 9 THE OVErsiZED COat: An oversized coat with large collar and fold up cuffs. A key outerwear piece with an oversized and cosy fit. Fully lined with beautiful maroon piping. 10 11 MACEY SKY PINK LODEN TayLOR CLassiC ASH EN B L A C K Harris Tweed Loden Steiner Wool Donegal Tweed Harris Tweed THE thrOW CapE: 12 13 THE thrOW CapE: A diverse, multi-functional piece easily draped over the shoulders. Layers well with a multitude of styles for all seasons. Edged with cotton binding. 14 15 GREY HARPER RUBY BLUSH HEPBURN EARTH Harris Tweed Harris Tweed Harris Tweed THE ORIGINAL CAPE: 16 17 THE ORIGINAL CAPE: Our original and classic cape with double breasted leather buttons and high collar that can be worn up or styled down. Fully lined with beautiful maroon piping. 18 19 HEPBURN EARTH PINK HARPER DAMSON WINE MABEL STONE NAVY GRACE BRAXTON ASH Harris Tweed Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed Harris Tweed THE BIKER JACKET: 20 21 THE BIKER JACKET: A classic biker jacket perfectly made from Harris Tweed with metal teeth zips and flat poppers. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
Tweed Brochure
TWEED From our establishment in 1957, we have become one of the oldest exclusive manufacturers of commercial ooring in the United States. As one of the largest privately held mills, our FAMILY-OWNERSHIP provides a heritage of proven performance and expansive industry knowledge. Most importantly, our focus has always been on people... ensuring them that our products deliver the highest levels of BEAUTY, PERFORMANCE and DEPENDABILITY. (cover) Tweed Pleat, ashlar. (right) Tweed Stitch, ashlar. TWEED 3 Tweed Pleat, herringbone. Tweed Pleat, herringbone with Boucle Knot, ashlar. Tweed Pleat, herringbone. FIRETWEED & ICE 5 tweed 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2978 color 2979 color 2980 color 2981 color 2982 color 2983 color 2984 color 2985 color 2986 stitch pleat hem needle tailor serge weft woolen measure style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 style 7083 color 2987 color 2988 color 2989 color 2990 color 2991 color 2992 color 2993 color 2994 selvage thread placket dart seam flannel thimble suit Tweed Hem, herringbone. TWEED 7 coordinating palette 1 2 3 4 6 8 5 7 Beyond the beauty of individual products, our flooring coordinates effortlessly with each other. This offering enables you to blend a range of designs with tonal simplicity to create palettes that reflect the demands of each unique space. 1 Tweed 7588 #7083 Stitch Modular 2 Modern Classics V5002 #1029 Annie LVT 3 Boucle 7081 #2703 Texture Modular 4 Fractured Plaid 7587 #2873 Calico Modular 5 Analog Mono 1822 #1555 Equivalent Kinetex 6 Legend V5010 #1059 Fiction LVT 7 Boucle 3081 #2703 Texture Broadloom 8 Stria 7585 #2741 Merino Modular Tweed Stitch, ashlar with Modern Classics Annie, ashlar. -
BED BANK County Is Declared a Disaster Area in Wake of Hurricane
Weather ~" Distribution Fair today; high about 70. BED BANK Today Cloudy tonight, low 60. Chance of rain tomorrow; high, 60s. 16,250 MONDAY THROUGH TttlDAY-EST. Wl See weather and tides page 2, 35 C P E E K VOL. 83, NO. 53 Iisucd Dally, Monday through Friday, entered as Second Clasi Matter RED BANK, N. J., THURSDAY, SEPTEMBER 15, 1960 7c PER COPY R Y S, F R PAGE ONE at the Post OHlce at Red Bank. N. J., under the Act of March 3, 1879. Soviet Attack County Is Declared On Dag Poses A Disaster Area In Crisis for UN Wake of Hurricane UNITED NATIONS, N. Y. (AP)-.The United Nations faced a major crisis today as a result of a slashing Soviet attack on Secre- tary General Dag Hammarskjold and his Congo policies. Officials Inspect Damage, A wide-open break was threatened virtually on the eve ol Soviet Premier Nikita S. Khrushchev's appearance here. The Western powers, led by Ethel Plan U.S., State Aid Bills the United States, prepared to rally to Hammarskjold's sup- Three major developments took place yesterday AF Finds in the aftermath of Hurricane Donna. port in another round of Se- •Is. New curity Council meetings begin- Rep. James C. Auchincloss toured scenes of storm ning this morning on the cha- destruction in the Bayshore, and announced that Mon- otic Congo situation. Missing The Soviet attack, more bitter Threat mouth County has been declared a disaster area, along than any ever made by a big with Atlantic, Cape May and Ocean Counties. -
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion
WOOL TEXTILE TERMS Handout for the WRSW Wool Panel Discussion Over the years, the wool industry has attempted to standardize wool textile terminology. The following is list of such terms listed in “Twills, Tweeds and All-Wool Fabrics” by Harriet C. Douglas. Public Domain on arizona.edu. Broken Twill – are twills in which one or more shafts are omitted in the threading, but the weaving is regular. Dornik is an example. Cheviot Tweeds – originally from the Cheviot Hills of Scotland. Made from the rough, coarse wool of the Cheviot wool in plain weave or in 2/2 twill, with warp and weft of the same color. Often pieced dyed rather than skein dyed. Combined Twills – are Fancy twills woven in small patterns with broken diagonals and irregular warp and weft skips. Corkscrew Twills – are warp and weft rib twills produced on an uneven number of shafts, by weaving semi-opposites. One of the few twills which is not a balanced weave. Curved Twills – are Fancy twills in which the twill lines have a waved or curved nature. District Checks – is the general name applied to the Scotch Tweed checks developed during the rein of Queen Victoria for hunting and sport wear. They are characterized by a certain boldness of small figures, but “protective coloration”. They include such checks as the Glenns, The Glen Urquharts and the Shepherd check, woven on two, three or four colors. Donegal Tweed – has two types. One is a herringbone weave on a white warp with a dark weft; the other, a plain weave fabric woven with a weft which has colored nubs. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Il Marketing Nell'artigianato E Nelle Arti Figurat
Il marketing nnell’artigianatoell’artigianato e nelle arti figuratfigurative:ive: il ruolo della Proprietà Intellettuale Guida pratica Customizzazione : Camera di Commercio Italo-Argentina Autori : Valerio Lucchini Daniela Botticelli Esonero di responsabilità Questa pubblicazione è stata customizzata e riprodotta con il previo permesso espresso dell’Organizzazione Mondiale della Proprietà Intellettuale (WIPO), titolare del diritto d’autore della versione originale sia in spagnolo che in italiano, disponibili al sito www.wipo.int/sme/en/documents/guides/. Come tale, WIPO non è responsabile per l'accuratezza o la correttezza della versione personalizzata della pubblicazione, quindi la responsabilità rimane esclusivamente a carico della CACIA. © Camera di Commercio Italo-Argentina (2011). WIPO è titolare del diritto d'autore sulla versione originale sia in spagnolo che in italiano Legenda Italia = colore rosso Argentina = colore blu Esempi e casi studio = colore verde 2 Indice CAPITOLO 1 Introduzione La Guida 10 Il pubblico designato 10 Uso della Guida 11 CAPITOLO 2 Definizioni e linee generali Artigianato e arti figurative 12 Definizione di prodotti artigianali 12 Caratteristiche di un artigiano e di un’impresa artigiana 13 Definizione di arti figurative 14 Caratteristiche degli artisti figurativi e delle loro opere 14 Proprietà intellettuale 15 Definizione di proprietà intellettuale 15 Alcune caratteristiche chiave della proprietà intellettuale 16 Panoramica dei tipi di proprietà intellettuale 18 Come convertire una creazione intellettuale -
Fèisclò2016 Mòr
THE HARRIS TWEED FESTIVAL FèisClò2016 Mòr AN LANNTAIR - STORNOWAY - ISLE OF LEWIS harristweedhebrides.com Cover photographh © Ian Lawson Cover WOVEN BY HAND IN THE OUTER HEBRIDES OF SCOTLAND 25 North Beach Stornoway Isle of Lewis Scotland, UK HS1 2XQ t: +44 (0) 1851 700 046 e: [email protected] HARRIS TWEED ISLE OF HARRIS Caberfeidh, Tarbert, Isle of Harris, HS3 3DJ Tel: 01859502040 Email: [email protected] Website: www.harristweedisleofharris.co.uk KENNETH MACKENZIE LTD [email protected] Kenneth Mackenzie Ltd is the oldest mill producing the hand woven Harris Tweed fabric established in 1906. Harris Tweed Isle of Harris and Harris Tweed and Recently re-equipped with considerable Knitwear are the continuation of a family tradition. amounts of new machinery the company One of the largest stockists of Harris Tweed offers a limited range of designs for delivery products on the Island providing clothing, from stock thus complimenting the other accessories and a selection of gifts provided by local crafters. Just a few miles away is ‘Clo Mor’ mills who offer a bespoke range of our exhibit centre showing how the cloth has Harris Tweed designs. evolved from traditional uses to high fashion today. THE HARRIS TWEED FESTIVAL Harris Tweed is one of the most desirable textiles in the world. It is a product like no other – uniquely protected by its own act of Parliament ‘The Harris Tweed Act of 1993’ and manufactured by the same artisan skills now as by our island forefathers over a hundred years ago, it is an industry, it is a work of craftsmanship, it is part of our culture. -
Identifying Woven Textiles 1750-1950 Identification
Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.