Tweed Brochure
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Natural Materials for the Textile Industry Alain Stout
English by Alain Stout For the Textile Industry Natural Materials for the Textile Industry Alain Stout Compiled and created by: Alain Stout in 2015 Official E-Book: 10-3-3016 Website: www.TakodaBrand.com Social Media: @TakodaBrand Location: Rotterdam, Holland Sources: www.wikipedia.com www.sensiseeds.nl Translated by: Microsoft Translator via http://www.bing.com/translator Natural Materials for the Textile Industry Alain Stout Table of Contents For Word .............................................................................................................................. 5 Textile in General ................................................................................................................. 7 Manufacture ....................................................................................................................... 8 History ................................................................................................................................ 9 Raw materials .................................................................................................................... 9 Techniques ......................................................................................................................... 9 Applications ...................................................................................................................... 10 Textile trade in Netherlands and Belgium .................................................................... 11 Textile industry ................................................................................................................... -
The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
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Pleated Linen Shirt by Arenda Holladay
PLEATED LINEN SHIRT BY ARENDA HOLLADAY BEYOND THE PATTERN: This simple linen shirt features a wide pleat with mirrored cables at the back. The same cables are reproduced on the sleeves and saddle shoulders. The sleeves use a modified drop shoulder styling. Shibui Linen, the recommended yarn, has a chained ply structure which produces a fabric lighter than air. The weight of the pleat in the back creates an asymmetrical edge, making the back longer than the front. There is a two-inch ease in all sizes. Sizes: XS (S, M, L, 1X, 2X) Finished Measurements: Chest: 34 (36, 38, 40, 42, 44)" Length: 25.5 (25.5, 25.5, 26.5, 26.5, 27.5)" Materials: Shibui LINEN (50g, 264yds/225m, 100% Linen): 6 (7, 7, 8, 8, 9) skeins #2004 Ivory Size 4 (3.5mm) needles or size to obtain gauge Size 4 (3.5mm) dpn’s or size to obtain gauge Size 2 (2.75mm) circular needle or size to obtain gauge Cable needle Stitch markers Gauge: In St st, 24 sts & 32 rows = 4"/10 cm. To save time, take time to check gauge. Abbreviations: Sl 1 wyib – Slip 1 st purlwise with yarn in back. Sl 1 wyif – Slip 1 st purlwise with yarn in front. continued on page 28 BACK TO TKGA.com 27 CONTENTS Copyright 2015/2016 The Knitting Guild Association. Cast On content is for readers’ personal use and may not be shared or reproduced without permission from the editors. continued from page 27 C2 over 1 left P – Slip 2 sts to cn, hold to front, p1, k2 from cn. -
View Lookbook
BEhiND thE COLLECtiON AUTUMN WINTER 17/18 Sands & Hall has rapidly become synonymous with luxury outerwear and timeless elegance. This collection 2 transforms classic tweeds from Britain and Ireland into 3 innovative and unique fashion forward pieces. THE FITTED CAPE: 4 5 THE FITTED CAPE: A fitted coat with cape overlay. Belted to accentuate the waist. Beautiful finishing with maroon piping, cotton binding and half lining. 6 7 RUBY BLUSH DAMSON WINE ASHEN BLACK MABEL STONE Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed THE OVErsiZED COat: 8 9 THE OVErsiZED COat: An oversized coat with large collar and fold up cuffs. A key outerwear piece with an oversized and cosy fit. Fully lined with beautiful maroon piping. 10 11 MACEY SKY PINK LODEN TayLOR CLassiC ASH EN B L A C K Harris Tweed Loden Steiner Wool Donegal Tweed Harris Tweed THE thrOW CapE: 12 13 THE thrOW CapE: A diverse, multi-functional piece easily draped over the shoulders. Layers well with a multitude of styles for all seasons. Edged with cotton binding. 14 15 GREY HARPER RUBY BLUSH HEPBURN EARTH Harris Tweed Harris Tweed Harris Tweed THE ORIGINAL CAPE: 16 17 THE ORIGINAL CAPE: Our original and classic cape with double breasted leather buttons and high collar that can be worn up or styled down. Fully lined with beautiful maroon piping. 18 19 HEPBURN EARTH PINK HARPER DAMSON WINE MABEL STONE NAVY GRACE BRAXTON ASH Harris Tweed Harris Tweed Donegal Merino/Mohair Mix Harris Tweed Harris Tweed Harris Tweed THE BIKER JACKET: 20 21 THE BIKER JACKET: A classic biker jacket perfectly made from Harris Tweed with metal teeth zips and flat poppers. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
![[Tweed and Textiles from Early Times to the Present Day]](https://docslib.b-cdn.net/cover/8427/tweed-and-textiles-from-early-times-to-the-present-day-678427.webp)
[Tweed and Textiles from Early Times to the Present Day]
[Tweed and Textiles from Early Times to the Present Day] The crofting way of life as it was lived in the Calbost area occupied the time of the whole population; both male and female during the four seasons of the year in a fully diversified way of life. Their work alternated from agriculture, fishing, kelping, weaving and knitting, cattle and sheep etc. etc. Some of that work was seasonal and some work was carried on inside during the winter months when it was difficult to participate in outdoor work because of the weather and the long winter evenings. Distaff – ‘Cuigeal’ The manufacture of cloth on order to protect him from the elements was one of man’s most ancient occupations and spinning was carried out by the distaff and spindle from an early date, yet it is believed that the distaff is still in use in parts of the world today. The distaff was also used extensively in Lewis in times past. A distaff is simply a 3 ft x 1½ inch rounded piece of wood with about 8 inches of one end flattened in order to hold the wool on the outer end as the distaff protrudes out in front of the spinner as she held it under her arm with a tuft of wool at the end. The wool from the distaff was then linked to the spindle ‘Dealgan’ or ‘Fearsaid’ which is held in the opposite hand and given a sharp twist by the fingers at the top of the spindle, in order to put the twist in the yarn as the spindle rotates in a suspended position hanging from the head. -
Graded-In Textiles
Graded-In Textiles For a list of each of our partner commpany’s patterns with Boss • Indicate GRADED-IN TEXTILE on your order and Boss Design Design Grades visit www.bossdesign.com. To order memo will order the fabric and produce the specified furniture. samples visit the websites or call the numbers listed below. • Boss Design reserves the right to adjust grades to accommodate price changes received from our suppliers. • Refer to our website www.bossdesign.com for complete pattern memo samples: www.arc-com.com or 800-223-5466 lists with corresponding Boss Design grades. Fabrics priced above our grade levels and those with exceptionally large repeats are indicated with “CALL”. Please contact Customer Service for pricing. • Orders are subject to availability of the fabric from the supplier . • Furniture specified using multi-fabric applications or contrasting welts be up charged. memo samples: www.architex-ljh.com or 800-621-0827 may • Textiles offered in the Graded-in Textiles program are non- standard materials and are considered Customer’s Own Materials (COM). Because COMs are selected by and used at the request of a user, they are not warranted. It is the responsibility of the purchaser to determine the suitability of a fabric for its end use. memos: www.paulbraytondesigns.com or 800-882-4720 • In the absence of specific application instructions, Boss Design will apply the fabric as it is sampled by the source and as it is displayed on their website. memo samples: www.camirafabrics.com or 616 288 0655 • MEMO SAMPLES MUST BE ORDERED DIRECTLY FROM THE FABRIC SUPPLIER. -
Analysis of Fabric Weaves
Eglė Kumpikaitė, Inga Nėnienė Lithuanian Folk Skirts. Part II: Analysis of Fabric Weaves Kaunas University of Technology, Abstract Faculty of Design and Technologies, In the second part of the article, Lithuanian folk skirt fabrics are researched according Department of Textile Technology to weave. 7 fabric groups, from which the group of plain weave is the most widespread, Studentu Str. 56, LT-3031 Kaunas, Lithuania were selected. The second most common are twill weaves. In this article twill weaves E-mail: [email protected] are discussed wider by presenting their classification and plans of weave. Moreover, the prevalence of weaves were researched chronologically. The results show the predomination of plain and twill weaves in skirts of the XIX century, and various derived, combined weaves became more popular from the middle of the XIX century. These weaves started to be used gradually for geometrical patterns and fabric decoration. Comparison of the weaving tradition of skirts with respect to territory shows some similarities between the pattern and weave of Lithuanian fabric and those of neighboring countries. Key words: folk skirt, fabric weave, plan of weave, twill weaves. ture. The authors of this article focused n Experimental results on the technique of weaving skirts from and discussions beginning of the XIX century to the first n Introduction half of the XX century. They reviewed The objects of the investigation were Characteristics of the fabric are deter- a collection from one museum and ana- Lithuanian folk skirts from all regions mined not only by such parameters as the lysed variants of diamond twill, prepared of the country from the textile collec- raw material of threads, thread settings, plans of weave [5], and analysed com- tion of the department of Folk Art at the linear density and others, but also by fab- pound weaves, which are widespread in M. -
Evaluation of Physical Properties of Errandi-Acrylic Union Fabrics
Journal of Applied and Natural Science 10 (3): 925 - 930 (2018) ISSN : 0974-9411 (Print), 2231-5209 (Online) journals.ansfoundation.org Evaluation of physical properties of Errandi-acrylic union fabrics Sunita Boruah* Article Info Assistat Professor, Department of Fashion Design and Technology, Assam Women’s DOI:10.31018/jans.v10i3.1816 University, Jorhat-785004 (Assam), India Received: June 30, 2018 B. Baishya Kalita Revised: July 16, 2018 Professor, Department of Textiles and Apparel designing, College of Community Science, Accepted: July 30, 2018 Assam Agricultural University, Jorhat-785013 (Assam), India *Corresponding author. E-Mail: [email protected] How to Cite Abstract: Boruah, S. et al. (2018). Errandi silk has a potential of emerging as “A silk of the new millennium”. The experi- Evaluation of physical mental finding provides information on physical properties as well as subjective evalua- properties of Errandi- tions of Errandi silk -Acrylic union fabrics with twill and herringbone weave. The count and acrylic union fabrics. diameter of errandi silk fibre were higher than acrylic fibre and in case of woven fabrics, Journal of Applied and herringbone weave were found to have maximum value in cloth covers, weight and thick- Natural Science, 10(3): ness. A comparative subjective evaluation was done based on fabric quality by the panel 925 - 930 of 100 respondents. 100 per cent respondent opined that all the woven samples have good appearance, soft in hand and smooth in texture. It was observed that cent percent of respondents found errandi-acrylic blended union fabrics with twill and herringbone weaves were high in lustre. The costs of blended yarns and the cost of union fabrics of different proportion were got reduced in comparison to that of 100 per cent errandi-silk yarn (Rs.3000.00/kg) and controlled errandi silk fabrics (Rs.985.00/mt.). -
Knitting Tote Skill Level: Intermediate
knit in Suede™ Knitting Tote Skill level: Intermediate More colorways Our popular knitting tote is sturdy and stylish in Suede. PDF Instructions (If you can’t open this PDF file you need Adobe Acrobat Reader. Get it here.) SIZE Approximately 15” wide x 11” high (Not including handles) x 4 1/2” deep. MATERIALS BERROCO SUEDE (50 grs), 5 balls #3715 Tonto Green or #3745 Calamity Jane Purple or # 3769 Sundance Kid Turquoise 24” length circular knitting needle, size 8 OR SIZE TO OBTAIN GAUGE. Crochet hook, size 4.00 mm (F). 1 Pair wooden handles with 13” wide bar at bottom. Four 7/16 ” goldtone grommets. 1 Piece of cardboard 15” long x 4 1/2” wide for bottom insert. GAUGE 24 sts = 4”; 30 rows = 4” in Pat St on size 8 needles. TO SAVE TIME, TAKE TIME TO CHECK GAUGE. PATTERN STITCH Rnd 1: Knit. Rnd 2: * Sl 1 WYIB, yo, k1, pass sl st over yo and k1, rep from * around. Rnd 3: Knit. Rnd 4: K1, * sl 1 WYIB, yo, k1, pass sl st over yo and k1, rep from * to last st, end sl 1 WYIB, yo, drop marker and sl 1, pass 1st sl st over yo and 2nd sl st, put last st worked back on left hand end of needle and replace marker. Rep these 4 rnds for Pat St. BAG With circular needle, cast on 210 sts. Join, being careful not to twist sts. Mark for beg of rnd and carry marker up. Work even in Pat St until piece measures approximately 13”, end on Rnd 1 or 3.